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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54272D it is the complementary color #ABD8D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54272D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54272D shade: #592728, #6A393B, #7B4B4E, #8C5D61 and #9D6F74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54272D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54272D shade: #54272D, #43151A, #320307, #210000 and #100000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54272D shade: #53262C and #532626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54272D shade: #53262C, #532638, #532645, #532651 and #4A2653

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54272D shade matches the following richer shades: #53262C, #5D1C25, #67121E and #710816

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54272D shade: #53262C, #493033, #403A3B, #364442 and #2C4E49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54272D shade: #532644, #532638, #53262C, #532C26 and #533826

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54272D shade: #1B0C0E, #37191D, #53262C, #70333B and #8C404A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54272D shade: #54272D, #505326 and #263E53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54272D shade: #54272D, #2C5326 and #262C53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54272D shade: #54272D, #505326, #26534D and #292653

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54272D shade: #54272D, #435326, #26534D and #372653

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 46 / 67

HEX #54272D

RGB 84 39 45

HSL 352, 0.37%, 0.24%

LAB 22.04, 21.58, 5.8

 

Complementary color

CMYK 21 / 0 / 3 / 15

HEX #ABD8D2

RGB 171 216 210

HSL 172, 0.37%, 0.76%

LAB 83.14, -15.82, -1.87

 

CMYK 0 / 56 / 55 / 65

HEX #592728

RGB 89 39 40

HSL 358.8, 0.39%, 0.25%

LAB 22.75, 23.13, 10.34

 

CMYK 0 / 46 / 44 / 58

HEX #6A393B

RGB 106 57 59

HSL 357.55, 0.3%, 0.32%

LAB 30.17, 21.88, 8.36

 

CMYK 0 / 39 / 37 / 52

HEX #7B4B4E

RGB 123 75 78

HSL 356.25, 0.24%, 0.39%

LAB 37.47, 20.78, 6.84

 

CMYK 0 / 34 / 31 / 45

HEX #8C5D61

RGB 140 93 97

HSL 354.89, 0.2%, 0.46%

LAB 44.61, 19.82, 5.59

 

CMYK 0 / 29 / 26 / 38

HEX #9D6F74

RGB 157 111 116

HSL 353.48, 0.19%, 0.53%

LAB 51.61, 18.99, 4.52

 

CMYK 0 / 54 / 46 / 67

HEX #54272D

RGB 84 39 45

HSL 352, 0.37%, 0.24%

LAB 22.04, 21.58, 5.8

 

CMYK 0 / 69 / 61 / 74

HEX #43151A

RGB 67 21 26

HSL 353.48, 0.52%, 0.17%

LAB 14.42, 22.72, 8.2

 

CMYK 0 / 94 / 86 / 80

HEX #320307

RGB 50 3 7

HSL 354.89, 0.89%, 0.1%

LAB 6.85, 23.66, 7.89

 

CMYK 0 / 100 / 100 / 87

HEX #210000

RGB 33 0 0

HSL 0, 1%, 0.06%

LAB 2.92, 13.1, 4.62

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 54 / 47 / 67

HEX #53262C

RGB 83 38 44

HSL 352, 0.37%, 0.24%

LAB 21.61, 21.63, 5.86

 

CMYK 0 / 54 / 54 / 67

HEX #532626

RGB 83 38 38

HSL 0, 0.37%, 0.24%

LAB 21.45, 20.92, 9.77

 

CMYK 0 / 54 / 47 / 67

HEX #53262C

RGB 83 38 44

HSL 352, 0.37%, 0.24%

LAB 21.61, 21.63, 5.86

 

CMYK 0 / 54 / 33 / 67

HEX #532638

RGB 83 38 56

HSL 336, 0.37%, 0.24%

LAB 21.98, 23.3, -1.86

 

CMYK 0 / 54 / 17 / 67

HEX #532645

RGB 83 38 69

HSL 318.67, 0.37%, 0.24%

LAB 22.5, 25.5, -9.96

 

CMYK 0 / 54 / 2 / 67

HEX #532651

RGB 83 38 81

HSL 302.67, 0.37%, 0.24%

LAB 23.06, 27.85, -17.17

 

CMYK 11 / 54 / 0 / 67

HEX #4A2653

RGB 74 38 83

HSL 288, 0.37%, 0.24%

LAB 21.82, 25.29, -20.55

 

CMYK 0 / 54 / 47 / 67

HEX #53262C

RGB 83 38 44

HSL 352, 0.37%, 0.24%

LAB 21.61, 21.63, 5.86

 

CMYK 0 / 70 / 60 / 64

HEX #5D1C25

RGB 93 28 37

HSL 351.69, 0.54%, 0.24%

LAB 21.17, 30.35, 10.39

 

CMYK 0 / 83 / 71 / 60

HEX #67121E

RGB 103 18 30

HSL 351.53, 0.7%, 0.24%

LAB 21.62, 37.44, 16.2

 

CMYK 0 / 93 / 81 / 56

HEX #710816

RGB 113 8 22

HSL 352, 0.87%, 0.24%

LAB 22.8, 42.75, 23.53

 

CMYK 0 / 54 / 47 / 67

HEX #53262C

RGB 83 38 44

HSL 352, 0.37%, 0.24%

LAB 21.61, 21.63, 5.86

 

CMYK 0 / 34 / 30 / 71

HEX #493033

RGB 73 48 51

HSL 352.8, 0.21%, 0.24%

LAB 22.89, 11.91, 2.7

 

CMYK 0 / 9 / 8 / 75

HEX #403A3B

RGB 64 58 59

HSL 350, 0.05%, 0.24%

LAB 25.05, 2.82, 0.32

 

CMYK 21 / 0 / 3 / 73

HEX #364442

RGB 54 68 66

HSL 171.43, 0.11%, 0.24%

LAB 27.61, -6.12, -0.67

 

CMYK 44 / 0 / 6 / 69

HEX #2C4E49

RGB 44 78 73

HSL 171.18, 0.28%, 0.24%

LAB 30.56, -13.76, -0.94

 

CMYK 0 / 54 / 18 / 67

HEX #532644

RGB 83 38 68

HSL 320, 0.37%, 0.24%

LAB 22.45, 25.32, -9.35

 

CMYK 0 / 54 / 33 / 67

HEX #532638

RGB 83 38 56

HSL 336, 0.37%, 0.24%

LAB 21.98, 23.3, -1.86

 

CMYK 0 / 54 / 47 / 67

HEX #53262C

RGB 83 38 44

HSL 352, 0.37%, 0.24%

LAB 21.61, 21.63, 5.86

 

CMYK 0 / 47 / 54 / 67

HEX #532C26

RGB 83 44 38

HSL 8, 0.37%, 0.24%

LAB 22.93, 17.24, 11.76

 

CMYK 0 / 33 / 54 / 67

HEX #533826

RGB 83 56 38

HSL 24, 0.37%, 0.24%

LAB 26.18, 9.59, 16.02

 

CMYK 0 / 56 / 48 / 89

HEX #1B0C0E

RGB 27 12 14

HSL 352, 0.38%, 0.08%

LAB 4.77, 6.6, 1.32

 

CMYK 0 / 55 / 47 / 78

HEX #37191D

RGB 55 25 29

HSL 352, 0.38%, 0.16%

LAB 13.21, 15.4, 3.98

 

CMYK 0 / 54 / 47 / 67

HEX #53262C

RGB 83 38 44

HSL 352, 0.37%, 0.24%

LAB 21.61, 21.63, 5.86

 

CMYK 0 / 54 / 47 / 56

HEX #70333B

RGB 112 51 59

HSL 352.13, 0.37%, 0.32%

LAB 29.73, 27.82, 7.88

 

CMYK 0 / 54 / 47 / 45

HEX #8C404A

RGB 140 64 74

HSL 352.11, 0.37%, 0.4%

LAB 37.37, 33.31, 9.57

 

CMYK 0 / 54 / 46 / 67

HEX #54272D

RGB 84 39 45

HSL 352, 0.37%, 0.24%

LAB 22.04, 21.58, 5.8

 

CMYK 4 / 0 / 54 / 67

HEX #505326

RGB 80 83 38

HSL 64, 0.37%, 0.24%

LAB 34.05, -8.66, 25.7

 

CMYK 54 / 25 / 0 / 67

HEX #263E53

RGB 38 62 83

HSL 208, 0.37%, 0.24%

LAB 25.2, -2.49, -15.54

 

CMYK 0 / 54 / 46 / 67

HEX #54272D

RGB 84 39 45

HSL 352, 0.37%, 0.24%

LAB 22.04, 21.58, 5.8

 

CMYK 47 / 0 / 54 / 67

HEX #2C5326

RGB 44 83 38

HSL 112, 0.37%, 0.24%

LAB 31.49, -24.06, 22

 

CMYK 54 / 47 / 0 / 67

HEX #262C53

RGB 38 44 83

HSL 232, 0.37%, 0.24%

LAB 19.38, 9.96, -24.67

 

CMYK 0 / 54 / 46 / 67

HEX #54272D

RGB 84 39 45

HSL 352, 0.37%, 0.24%

LAB 22.04, 21.58, 5.8

 

CMYK 4 / 0 / 54 / 67

HEX #505326

RGB 80 83 38

HSL 64, 0.37%, 0.24%

LAB 34.05, -8.66, 25.7

 

CMYK 54 / 0 / 7 / 67

HEX #26534D

RGB 38 83 77

HSL 172, 0.37%, 0.24%

LAB 32.11, -17.17, -1.24

 

CMYK 51 / 54 / 0 / 67

HEX #292653

RGB 41 38 83

HSL 244, 0.37%, 0.24%

LAB 17.84, 15.07, -27.12

 

CMYK 0 / 54 / 46 / 67

HEX #54272D

RGB 84 39 45

HSL 352, 0.37%, 0.24%

LAB 22.04, 21.58, 5.8

 

CMYK 19 / 0 / 54 / 67

HEX #435326

RGB 67 83 38

HSL 81.33, 0.37%, 0.24%

LAB 32.96, -14.67, 24.13

 

CMYK 54 / 0 / 7 / 67

HEX #26534D

RGB 38 83 77

HSL 172, 0.37%, 0.24%

LAB 32.11, -17.17, -1.24

 

CMYK 34 / 54 / 0 / 67

HEX #372653

RGB 55 38 83

HSL 262.67, 0.37%, 0.24%

LAB 19.32, 19.17, -24.67

 

Description

Color code: HEX #54272D | qconv.com Color code: HEX #54272D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 39 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 39 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 46 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 46% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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