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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #542B4F it is the complementary color #ABD4B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #542B4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #542B4F shade: #592B4A, #6A3D5D, #7B4F70, #8C6183 and #9D7396

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #542B4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #542B4F shade: #542B4F, #43193C, #320729, #210016 and #100003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #542B4F shade: #542B4F, #542B44, #542B39, #542B2E and #542B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #542B4F shade: #542B4F, #4E2B54, #432B54, #382B54 and #2D2B54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #542B4F shade matches the following richer shades: #542B4F, #5E2156, #68165E, #730C66 and #7D026E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #542B4F shade: #542B4F, #493547, #3F3F3F, #354A37 and #2A542F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #542B4F shade: #432B54, #4E2B54, #542B4F, #542B44 and #542B39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #542B4F shade: #1D0F1B, #381D35, #542B4F, #6F3968 and #8A4782

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #542B4F shade: #542B4F, #54382B and #2B5448

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #542B4F shade: #542B4F, #4F542B and #2B4F54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #542B4F shade: #542B4F, #54382B, #2B5430 and #2B4754

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #542B4F shade: #542B4F, #54442B, #2B5430 and #2B3A54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 6 / 67

HEX #542B4F

RGB 84 43 79

HSL 307.32, 0.32%, 0.25%

LAB 24.25, 24.84, -13.99

 

Complementary color

CMYK 19 / 0 / 17 / 17

HEX #ABD4B0

RGB 171 212 176

HSL 127.32, 0.32%, 0.75%

LAB 81.23, -20.42, 13.43

 

CMYK 0 / 52 / 17 / 65

HEX #592B4A

RGB 89 43 74

HSL 319.57, 0.35%, 0.26%

LAB 24.78, 25.69, -9.76

 

CMYK 0 / 42 / 12 / 58

HEX #6A3D5D

RGB 106 61 93

HSL 317.33, 0.27%, 0.33%

LAB 32.24, 24.83, -10.64

 

CMYK 0 / 36 / 9 / 52

HEX #7B4F70

RGB 123 79 112

HSL 315, 0.22%, 0.4%

LAB 39.53, 23.99, -11.34

 

CMYK 0 / 31 / 6 / 45

HEX #8C6183

RGB 140 97 131

HSL 312.56, 0.18%, 0.46%

LAB 46.66, 23.21, -11.94

 

CMYK 0 / 27 / 4 / 38

HEX #9D7396

RGB 157 115 150

HSL 310, 0.18%, 0.53%

LAB 53.63, 22.5, -12.47

 

CMYK 0 / 49 / 6 / 67

HEX #542B4F

RGB 84 43 79

HSL 307.32, 0.32%, 0.25%

LAB 24.25, 24.84, -13.99

 

CMYK 0 / 63 / 10 / 74

HEX #43193C

RGB 67 25 60

HSL 310, 0.46%, 0.18%

LAB 16.58, 25.58, -13.08

 

CMYK 0 / 86 / 18 / 80

HEX #320729

RGB 50 7 41

HSL 312.56, 0.75%, 0.11%

LAB 8.91, 25.7, -11.48

 

CMYK 0 / 100 / 33 / 87

HEX #210016

RGB 33 0 22

HSL 320, 1%, 0.06%

LAB 3.44, 16.78, -5.39

 

CMYK 0 / 100 / 81 / 94

HEX #100003

RGB 16 0 3

HSL 348.75, 1%, 0.03%

LAB 1.05, 4.88, 0.44

 

CMYK 0 / 49 / 6 / 67

HEX #542B4F

RGB 84 43 79

HSL 307.32, 0.32%, 0.25%

LAB 24.25, 24.84, -13.99

 

CMYK 0 / 49 / 19 / 67

HEX #542B44

RGB 84 43 68

HSL 323.41, 0.32%, 0.25%

LAB 23.77, 22.71, -7.34

 

CMYK 0 / 49 / 32 / 67

HEX #542B39

RGB 84 43 57

HSL 339.51, 0.32%, 0.25%

LAB 23.36, 20.85, -0.49

 

CMYK 0 / 49 / 45 / 67

HEX #542B2E

RGB 84 43 46

HSL 355.61, 0.32%, 0.25%

LAB 23.03, 19.27, 6.52

 

CMYK 0 / 49 / 49 / 67

HEX #542B2B

RGB 84 43 43

HSL 0, 0.32%, 0.25%

LAB 22.95, 18.89, 8.45

 

CMYK 0 / 49 / 6 / 67

HEX #542B4F

RGB 84 43 79

HSL 307.32, 0.32%, 0.25%

LAB 24.25, 24.84, -13.99

 

CMYK 7 / 49 / 0 / 67

HEX #4E2B54

RGB 78 43 84

HSL 291.22, 0.32%, 0.25%

LAB 23.63, 23.81, -18.34

 

CMYK 20 / 49 / 0 / 67

HEX #432B54

RGB 67 43 84

HSL 275.12, 0.32%, 0.25%

LAB 22.16, 20.04, -20.75

 

CMYK 33 / 49 / 0 / 67

HEX #382B54

RGB 56 43 84

HSL 259.02, 0.32%, 0.25%

LAB 20.86, 16.4, -22.89

 

CMYK 46 / 49 / 0 / 67

HEX #2D2B54

RGB 45 43 84

HSL 242.93, 0.32%, 0.25%

LAB 19.74, 13.01, -24.73

 

CMYK 0 / 49 / 6 / 67

HEX #542B4F

RGB 84 43 79

HSL 307.32, 0.32%, 0.25%

LAB 24.25, 24.84, -13.99

 

CMYK 0 / 65 / 9 / 63

HEX #5E2156

RGB 94 33 86

HSL 307.87, 0.48%, 0.25%

LAB 24.13, 35.01, -18.71

 

CMYK 0 / 79 / 10 / 59

HEX #68165E

RGB 104 22 94

HSL 307.32, 0.65%, 0.25%

LAB 24.72, 43.76, -22.95

 

CMYK 0 / 90 / 11 / 55

HEX #730C66

RGB 115 12 102

HSL 307.57, 0.81%, 0.25%

LAB 26.35, 50.3, -25.47

 

CMYK 0 / 98 / 12 / 51

HEX #7D026E

RGB 125 2 110

HSL 307.32, 0.97%, 0.25%

LAB 28.19, 55.33, -27.61

 

CMYK 0 / 49 / 6 / 67

HEX #542B4F

RGB 84 43 79

HSL 307.32, 0.32%, 0.25%

LAB 24.25, 24.84, -13.99

 

CMYK 0 / 27 / 3 / 71

HEX #493547

RGB 73 53 71

HSL 306, 0.16%, 0.25%

LAB 25.01, 12.55, -7.63

 

CMYK 0 / 0 / 0 / 75

HEX #3F3F3F

RGB 63 63 63

HSL 0, 0%, 0.25%

LAB 26.65, 0, -0

 

CMYK 28 / 0 / 26 / 71

HEX #354A37

RGB 53 74 55

HSL 125.71, 0.17%, 0.25%

LAB 29.24, -12.68, 8.76

 

CMYK 50 / 0 / 44 / 67

HEX #2A542F

RGB 42 84 47

HSL 127.14, 0.33%, 0.25%

LAB 31.89, -23.72, 17.2

 

CMYK 20 / 49 / 0 / 67

HEX #432B54

RGB 67 43 84

HSL 275.12, 0.32%, 0.25%

LAB 22.16, 20.04, -20.75

 

CMYK 7 / 49 / 0 / 67

HEX #4E2B54

RGB 78 43 84

HSL 291.22, 0.32%, 0.25%

LAB 23.63, 23.81, -18.34

 

CMYK 0 / 49 / 6 / 67

HEX #542B4F

RGB 84 43 79

HSL 307.32, 0.32%, 0.25%

LAB 24.25, 24.84, -13.99

 

CMYK 0 / 49 / 19 / 67

HEX #542B44

RGB 84 43 68

HSL 323.41, 0.32%, 0.25%

LAB 23.77, 22.71, -7.34

 

CMYK 0 / 49 / 32 / 67

HEX #542B39

RGB 84 43 57

HSL 339.51, 0.32%, 0.25%

LAB 23.36, 20.85, -0.49

 

CMYK 0 / 48 / 7 / 89

HEX #1D0F1B

RGB 29 15 27

HSL 308.57, 0.32%, 0.09%

LAB 6.16, 9.29, -5.32

 

CMYK 0 / 48 / 5 / 78

HEX #381D35

RGB 56 29 53

HSL 306.67, 0.32%, 0.17%

LAB 15.36, 17.62, -10.16

 

CMYK 0 / 49 / 6 / 67

HEX #542B4F

RGB 84 43 79

HSL 307.32, 0.32%, 0.25%

LAB 24.25, 24.84, -13.99

 

CMYK 0 / 49 / 6 / 56

HEX #6F3968

RGB 111 57 104

HSL 307.78, 0.32%, 0.33%

LAB 32.49, 31.03, -17.22

 

CMYK 0 / 49 / 6 / 46

HEX #8A4782

RGB 138 71 130

HSL 307.16, 0.32%, 0.41%

LAB 40.45, 37.1, -20.85

 

CMYK 0 / 49 / 6 / 67

HEX #542B4F

RGB 84 43 79

HSL 307.32, 0.32%, 0.25%

LAB 24.25, 24.84, -13.99

 

CMYK 0 / 33 / 49 / 67

HEX #54382B

RGB 84 56 43

HSL 19.02, 0.32%, 0.25%

LAB 26.41, 10.66, 13.13

 

CMYK 49 / 0 / 14 / 67

HEX #2B5448

RGB 43 84 72

HSL 162.44, 0.32%, 0.25%

LAB 32.53, -17.72, 2.56

 

CMYK 0 / 49 / 6 / 67

HEX #542B4F

RGB 84 43 79

HSL 307.32, 0.32%, 0.25%

LAB 24.25, 24.84, -13.99

 

CMYK 6 / 0 / 49 / 67

HEX #4F542B

RGB 79 84 43

HSL 67.32, 0.32%, 0.25%

LAB 34.35, -9.14, 23.19

 

CMYK 49 / 6 / 0 / 67

HEX #2B4F54

RGB 43 79 84

HSL 187.32, 0.32%, 0.25%

LAB 31.22, -11.41, -6.99

 

CMYK 0 / 49 / 6 / 67

HEX #542B4F

RGB 84 43 79

HSL 307.32, 0.32%, 0.25%

LAB 24.25, 24.84, -13.99

 

CMYK 0 / 33 / 49 / 67

HEX #54382B

RGB 84 56 43

HSL 19.02, 0.32%, 0.25%

LAB 26.41, 10.66, 13.13

 

CMYK 49 / 0 / 43 / 67

HEX #2B5430

RGB 43 84 48

HSL 127.32, 0.32%, 0.25%

LAB 31.96, -23.2, 16.69

 

CMYK 49 / 15 / 0 / 67

HEX #2B4754

RGB 43 71 84

HSL 199.02, 0.32%, 0.25%

LAB 28.54, -6.52, -11.05

 

CMYK 0 / 49 / 6 / 67

HEX #542B4F

RGB 84 43 79

HSL 307.32, 0.32%, 0.25%

LAB 24.25, 24.84, -13.99

 

CMYK 0 / 19 / 49 / 67

HEX #54442B

RGB 84 68 43

HSL 36.59, 0.32%, 0.25%

LAB 29.9, 3.01, 17.69

 

CMYK 49 / 0 / 43 / 67

HEX #2B5430

RGB 43 84 48

HSL 127.32, 0.32%, 0.25%

LAB 31.96, -23.2, 16.69

 

CMYK 49 / 31 / 0 / 67

HEX #2B3A54

RGB 43 58 84

HSL 218.05, 0.32%, 0.25%

LAB 24.26, 1.97, -17.64

 

Description

Color code: HEX #542B4F | qconv.com Color code: HEX #542B4F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 43 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 43 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 6 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 6% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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