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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #543171 it is the complementary color #ABCE8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #543171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #543171 shade: #59316C, #6A437F, #7B5592, #8C67A5 and #9D79B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #543171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #543171 shade: #543171, #431F5E, #320D4B, #210038 and #100025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #543171 shade: #543072, #663072, #72306C, #72305B and #723049

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #543171 shade: #543072, #433072, #313072 and #303072

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #543171 shade matches the following richer shades: #543072, #55237F, #57168C and #580999

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #543171 shade: #543072, #533E65, #524B57, #50584A and #4F653D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #543171 shade: #303072, #423072, #533072, #653072 and #72306D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #543171 shade: #291838, #3F2455, #543072, #6A3D8F and #7F49AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #543171 shade: #543171, #723042 and #307239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #543171 shade: #543171, #725330 and #307253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #543171 shade: #543171, #723042, #4F7230 and #307260

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #543171 shade: #543171, #723330, #4F7230 and #307072

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 57 / 0 / 56

HEX #543171

RGB 84 49 113

HSL 272.81, 0.4%, 0.32%

LAB 27.5, 29.17, -31.05

 

Complementary color

CMYK 17 / 0 / 31 / 19

HEX #ABCE8E

RGB 171 206 142

HSL 92.81, 0.4%, 0.68%

LAB 78.9, -23, 28.13

 

CMYK 18 / 55 / 0 / 58

HEX #59316C

RGB 89 49 108

HSL 280.68, 0.38%, 0.31%

LAB 27.85, 29.41, -27.25

 

CMYK 17 / 47 / 0 / 50

HEX #6A437F

RGB 106 67 127

HSL 279, 0.31%, 0.38%

LAB 35.22, 28.51, -27.46

 

CMYK 16 / 42 / 0 / 43

HEX #7B5592

RGB 123 85 146

HSL 277.38, 0.26%, 0.45%

LAB 42.43, 27.64, -27.61

 

CMYK 15 / 38 / 0 / 35

HEX #8C67A5

RGB 140 103 165

HSL 275.81, 0.26%, 0.53%

LAB 49.49, 26.83, -27.76

 

CMYK 15 / 34 / 0 / 28

HEX #9D79B8

RGB 157 121 184

HSL 274.29, 0.31%, 0.6%

LAB 56.39, 26.1, -27.92

 

CMYK 26 / 57 / 0 / 56

HEX #543171

RGB 84 49 113

HSL 272.81, 0.4%, 0.32%

LAB 27.5, 29.17, -31.05

 

CMYK 29 / 67 / 0 / 63

HEX #431F5E

RGB 67 31 94

HSL 274.29, 0.5%, 0.25%

LAB 19.97, 30.1, -30.88

 

CMYK 33 / 83 / 0 / 71

HEX #320D4B

RGB 50 13 75

HSL 275.81, 0.7%, 0.17%

LAB 12.44, 30.52, -30.3

 

CMYK 41 / 100 / 0 / 78

HEX #210038

RGB 33 0 56

HSL 275.36, 1%, 0.11%

LAB 5.5, 28.15, -28.22

 

CMYK 57 / 100 / 0 / 85

HEX #100025

RGB 16 0 37

HSL 265.95, 1%, 0.07%

LAB 2.2, 12.94, -19.27

 

CMYK 26 / 58 / 0 / 55

HEX #543072

RGB 84 48 114

HSL 272.73, 0.41%, 0.32%

LAB 27.33, 30.03, -31.95

 

CMYK 11 / 58 / 0 / 55

HEX #663072

RGB 102 48 114

HSL 289.09, 0.41%, 0.32%

LAB 29.8, 35.24, -27.89

 

CMYK 0 / 58 / 5 / 55

HEX #72306C

RGB 114 48 108

HSL 305.45, 0.41%, 0.32%

LAB 31.29, 37.63, -21.61

 

CMYK 0 / 58 / 20 / 55

HEX #72305B

RGB 114 48 91

HSL 320.91, 0.41%, 0.32%

LAB 30.51, 34.65, -11.87

 

CMYK 0 / 58 / 36 / 55

HEX #723049

RGB 114 48 73

HSL 337.27, 0.41%, 0.32%

LAB 29.84, 31.96, -1.12

 

CMYK 26 / 58 / 0 / 55

HEX #543072

RGB 84 48 114

HSL 272.73, 0.41%, 0.32%

LAB 27.33, 30.03, -31.95

 

CMYK 41 / 58 / 0 / 55

HEX #433072

RGB 67 48 114

HSL 257.27, 0.41%, 0.32%

LAB 25.33, 25.37, -35.28

 

CMYK 57 / 58 / 0 / 55

HEX #313072

RGB 49 48 114

HSL 240.91, 0.41%, 0.32%

LAB 23.61, 21.01, -38.13

 

CMYK 58 / 58 / 0 / 55

HEX #303072

RGB 48 48 114

HSL 240, 0.41%, 0.32%

LAB 23.53, 20.79, -38.27

 

CMYK 26 / 58 / 0 / 55

HEX #543072

RGB 84 48 114

HSL 272.73, 0.41%, 0.32%

LAB 27.33, 30.03, -31.95

 

CMYK 33 / 72 / 0 / 50

HEX #55237F

RGB 85 35 127

HSL 272.61, 0.57%, 0.32%

LAB 25.76, 40.74, -42.72

 

CMYK 38 / 84 / 0 / 45

HEX #57168C

RGB 87 22 140

HSL 273.05, 0.73%, 0.32%

LAB 25.24, 49.72, -51.7

 

CMYK 42 / 94 / 0 / 40

HEX #580999

RGB 88 9 153

HSL 272.92, 0.89%, 0.32%

LAB 25.47, 56.27, -59.35

 

CMYK 26 / 58 / 0 / 55

HEX #543072

RGB 84 48 114

HSL 272.73, 0.41%, 0.32%

LAB 27.33, 30.03, -31.95

 

CMYK 18 / 39 / 0 / 60

HEX #533E65

RGB 83 62 101

HSL 272.31, 0.24%, 0.32%

LAB 29.97, 17.63, -19.5

 

CMYK 6 / 14 / 0 / 66

HEX #524B57

RGB 82 75 87

HSL 275, 0.07%, 0.32%

LAB 32.95, 5.51, -6.02

 

CMYK 9 / 0 / 16 / 65

HEX #50584A

RGB 80 88 74

HSL 94.29, 0.09%, 0.32%

LAB 36.33, -6.12, 7.06

 

CMYK 22 / 0 / 40 / 60

HEX #4F653D

RGB 79 101 61

HSL 93, 0.25%, 0.32%

LAB 40.09, -16.26, 20.03

 

CMYK 58 / 58 / 0 / 55

HEX #303072

RGB 48 48 114

HSL 240, 0.41%, 0.32%

LAB 23.53, 20.79, -38.27

 

CMYK 42 / 58 / 0 / 55

HEX #423072

RGB 66 48 114

HSL 256.36, 0.41%, 0.32%

LAB 25.22, 25.11, -35.45

 

CMYK 27 / 58 / 0 / 55

HEX #533072

RGB 83 48 114

HSL 271.82, 0.41%, 0.32%

LAB 27.21, 29.75, -32.16

 

CMYK 11 / 58 / 0 / 55

HEX #653072

RGB 101 48 114

HSL 288.18, 0.41%, 0.32%

LAB 29.65, 34.95, -28.13

 

CMYK 0 / 58 / 4 / 55

HEX #72306D

RGB 114 48 109

HSL 304.55, 0.41%, 0.32%

LAB 31.34, 37.82, -22.16

 

CMYK 27 / 57 / 0 / 78

HEX #291838

RGB 41 24 56

HSL 271.88, 0.4%, 0.16%

LAB 12.03, 16.19, -17.67

 

CMYK 26 / 58 / 0 / 67

HEX #3F2455

RGB 63 36 85

HSL 273.06, 0.4%, 0.24%

LAB 19.94, 23.53, -24.96

 

CMYK 26 / 58 / 0 / 55

HEX #543072

RGB 84 48 114

HSL 272.73, 0.41%, 0.32%

LAB 27.33, 30.03, -31.95

 

CMYK 26 / 57 / 0 / 44

HEX #6A3D8F

RGB 106 61 143

HSL 272.93, 0.4%, 0.4%

LAB 34.77, 35.9, -38.02

 

CMYK 26 / 58 / 0 / 33

HEX #7F49AC

RGB 127 73 172

HSL 272.73, 0.4%, 0.48%

LAB 41.62, 41.83, -44.39

 

CMYK 26 / 57 / 0 / 56

HEX #543171

RGB 84 49 113

HSL 272.81, 0.4%, 0.32%

LAB 27.5, 29.17, -31.05

 

CMYK 0 / 58 / 42 / 55

HEX #723042

RGB 114 48 66

HSL 343.64, 0.41%, 0.32%

LAB 29.63, 31.07, 3.17

 

CMYK 58 / 0 / 50 / 55

HEX #307239

RGB 48 114 57

HSL 128.18, 0.41%, 0.32%

LAB 42.7, -34.13, 25.3

 

CMYK 26 / 57 / 0 / 56

HEX #543171

RGB 84 49 113

HSL 272.81, 0.4%, 0.32%

LAB 27.5, 29.17, -31.05

 

CMYK 0 / 27 / 58 / 55

HEX #725330

RGB 114 83 48

HSL 31.82, 0.41%, 0.32%

LAB 37.8, 8.51, 25.37

 

CMYK 58 / 0 / 27 / 55

HEX #307253

RGB 48 114 83

HSL 151.82, 0.41%, 0.32%

LAB 43.19, -28.97, 10.97

 

CMYK 26 / 57 / 0 / 56

HEX #543171

RGB 84 49 113

HSL 272.81, 0.4%, 0.32%

LAB 27.5, 29.17, -31.05

 

CMYK 0 / 58 / 42 / 55

HEX #723042

RGB 114 48 66

HSL 343.64, 0.41%, 0.32%

LAB 29.63, 31.07, 3.17

 

CMYK 31 / 0 / 58 / 55

HEX #4F7230

RGB 79 114 48

HSL 91.82, 0.41%, 0.32%

LAB 44.1, -24.81, 32.17

 

CMYK 58 / 0 / 16 / 55

HEX #307260

RGB 48 114 96

HSL 163.64, 0.41%, 0.32%

LAB 43.52, -25.75, 3.68

 

CMYK 26 / 57 / 0 / 56

HEX #543171

RGB 84 49 113

HSL 272.81, 0.4%, 0.32%

LAB 27.5, 29.17, -31.05

 

CMYK 0 / 55 / 58 / 55

HEX #723330

RGB 114 51 48

HSL 2.73, 0.41%, 0.32%

LAB 29.81, 27.51, 15.22

 

CMYK 31 / 0 / 58 / 55

HEX #4F7230

RGB 79 114 48

HSL 91.82, 0.41%, 0.32%

LAB 44.1, -24.81, 32.17

 

CMYK 58 / 2 / 0 / 55

HEX #307072

RGB 48 112 114

HSL 181.82, 0.41%, 0.32%

LAB 43.41, -19.62, -7.31

 

Description

Color code: HEX #543171 | qconv.com Color code: HEX #543171 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 49 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 49 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 57 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 57% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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