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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #543C24 it is the complementary color #ABC3DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #543C24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #543C24 shade: #593C1F, #6A4E32, #7B6045, #8C7258 and #9D846B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #543C24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #543C24 shade: #543C24, #432A11, #321800, #210600 and #100000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #543C24 shade: #553D24, #552F24 and #552424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #543C24 shade: #553D24, #554A24, #535524, #465524 and #395524

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #543C24 shade matches the following richer shades: #553D24, #5F3D1A, #693D10 and #733D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #543C24 shade: #553D24, #4B3D2E, #413D38, #373D42 and #2E3D4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #543C24 shade: #552426, #553024, #553D24, #554A24 and #545524

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #543C24 shade: #1B130B, #382818, #553D24, #725131 and #8F663D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #543C24 shade: #543C24, #335524 and #292455

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #543C24 shade: #543C24, #24553D and #3D2455

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #543C24 shade: #543C24, #335524, #243D55 and #462455

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #543C24 shade: #543C24, #245524, #243D55 and #552455

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 57 / 67

HEX #543C24

RGB 84 60 36

HSL 30, 0.4%, 0.24%

LAB 27.42, 7.3, 18.89

 

Complementary color

CMYK 22 / 11 / 0 / 14

HEX #ABC3DB

RGB 171 195 219

HSL 210, 0.4%, 0.76%

LAB 77.76, -2.95, -14.68

 

CMYK 0 / 33 / 65 / 65

HEX #593C1F

RGB 89 60 31

HSL 30, 0.48%, 0.24%

LAB 27.99, 9.28, 22.78

 

CMYK 0 / 26 / 53 / 58

HEX #6A4E32

RGB 106 78 50

HSL 30, 0.36%, 0.31%

LAB 35.49, 8.02, 21.09

 

CMYK 0 / 22 / 44 / 52

HEX #7B6045

RGB 123 96 69

HSL 30, 0.28%, 0.38%

LAB 42.77, 7.06, 19.59

 

CMYK 0 / 19 / 37 / 45

HEX #8C7258

RGB 140 114 88

HSL 30, 0.23%, 0.45%

LAB 49.88, 6.31, 18.26

 

CMYK 0 / 16 / 32 / 38

HEX #9D846B

RGB 157 132 107

HSL 30, 0.2%, 0.52%

LAB 56.81, 5.69, 17.06

 

CMYK 0 / 29 / 57 / 67

HEX #543C24

RGB 84 60 36

HSL 30, 0.4%, 0.24%

LAB 27.42, 7.3, 18.89

 

CMYK 0 / 37 / 75 / 74

HEX #432A11

RGB 67 42 17

HSL 30, 0.6%, 0.16%

LAB 19.6, 8.75, 20.67

 

CMYK 0 / 52 / 100 / 80

HEX #321800

RGB 50 24 0

HSL 28.8, 1%, 0.1%

LAB 11.49, 10.75, 17.38

 

CMYK 0 / 82 / 100 / 87

HEX #210600

RGB 33 6 0

HSL 10.91, 1%, 0.06%

LAB 4.1, 10.7, 6.33

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 28 / 58 / 67

HEX #553D24

RGB 85 61 36

HSL 30.61, 0.4%, 0.24%

LAB 27.83, 7.15, 19.44

 

CMYK 0 / 45 / 58 / 67

HEX #552F24

RGB 85 47 36

HSL 13.47, 0.4%, 0.24%

LAB 23.97, 16.06, 14.52

 

CMYK 0 / 58 / 58 / 67

HEX #552424

RGB 85 36 36

HSL 0, 0.4%, 0.24%

LAB 21.28, 22.76, 10.97

 

CMYK 0 / 28 / 58 / 67

HEX #553D24

RGB 85 61 36

HSL 30.61, 0.4%, 0.24%

LAB 27.83, 7.15, 19.44

 

CMYK 0 / 13 / 58 / 67

HEX #554A24

RGB 85 74 36

HSL 46.53, 0.4%, 0.24%

LAB 31.71, -1.02, 24.16

 

CMYK 2 / 0 / 58 / 67

HEX #535524

RGB 83 85 36

HSL 62.45, 0.4%, 0.24%

LAB 34.93, -8.61, 27.9

 

CMYK 18 / 0 / 58 / 67

HEX #465524

RGB 70 85 36

HSL 78.37, 0.4%, 0.24%

LAB 33.83, -14.67, 26.34

 

CMYK 33 / 0 / 58 / 67

HEX #395524

RGB 57 85 36

HSL 94.29, 0.4%, 0.24%

LAB 32.91, -20.33, 25.02

 

CMYK 0 / 28 / 58 / 67

HEX #553D24

RGB 85 61 36

HSL 30.61, 0.4%, 0.24%

LAB 27.83, 7.15, 19.44

 

CMYK 0 / 36 / 73 / 63

HEX #5F3D1A

RGB 95 61 26

HSL 30.43, 0.57%, 0.24%

LAB 29.02, 11.21, 27.06

 

CMYK 0 / 42 / 85 / 59

HEX #693D10

RGB 105 61 16

HSL 30.34, 0.74%, 0.24%

LAB 30.35, 15.52, 33.95

 

CMYK 0 / 47 / 94 / 55

HEX #733D07

RGB 115 61 7

HSL 30, 0.89%, 0.24%

LAB 31.8, 19.96, 39.32

 

CMYK 0 / 28 / 58 / 67

HEX #553D24

RGB 85 61 36

HSL 30.61, 0.4%, 0.24%

LAB 27.83, 7.15, 19.44

 

CMYK 0 / 19 / 39 / 71

HEX #4B3D2E

RGB 75 61 46

HSL 31.03, 0.24%, 0.24%

LAB 26.82, 3.56, 11.54

 

CMYK 0 / 6 / 14 / 75

HEX #413D38

RGB 65 61 56

HSL 33.33, 0.07%, 0.24%

LAB 26, 0.68, 3.69

 

CMYK 17 / 8 / 0 / 74

HEX #373D42

RGB 55 61 66

HSL 207.27, 0.09%, 0.24%

LAB 25.39, -1.25, -3.92

 

CMYK 39 / 20 / 0 / 70

HEX #2E3D4C

RGB 46 61 76

HSL 210, 0.25%, 0.24%

LAB 25.08, -1.7, -11.08

 

CMYK 0 / 58 / 55 / 67

HEX #552426

RGB 85 36 38

HSL 357.55, 0.4%, 0.24%

LAB 21.33, 22.96, 9.66

 

CMYK 0 / 44 / 58 / 67

HEX #553024

RGB 85 48 36

HSL 14.69, 0.4%, 0.24%

LAB 24.23, 15.43, 14.86

 

CMYK 0 / 28 / 58 / 67

HEX #553D24

RGB 85 61 36

HSL 30.61, 0.4%, 0.24%

LAB 27.83, 7.15, 19.44

 

CMYK 0 / 13 / 58 / 67

HEX #554A24

RGB 85 74 36

HSL 46.53, 0.4%, 0.24%

LAB 31.71, -1.02, 24.16

 

CMYK 1 / 0 / 58 / 67

HEX #545524

RGB 84 85 36

HSL 61.22, 0.4%, 0.24%

LAB 35.02, -8.13, 28.03

 

CMYK 0 / 30 / 59 / 89

HEX #1B130B

RGB 27 19 11

HSL 30, 0.42%, 0.07%

LAB 6.53, 2.38, 5.3

 

CMYK 0 / 29 / 57 / 78

HEX #382818

RGB 56 40 24

HSL 30, 0.4%, 0.16%

LAB 17.57, 5.06, 13.41

 

CMYK 0 / 28 / 58 / 67

HEX #553D24

RGB 85 61 36

HSL 30.61, 0.4%, 0.24%

LAB 27.83, 7.15, 19.44

 

CMYK 0 / 29 / 57 / 55

HEX #725131

RGB 114 81 49

HSL 29.54, 0.4%, 0.32%

LAB 37.27, 9.82, 24.13

 

CMYK 0 / 29 / 57 / 44

HEX #8F663D

RGB 143 102 61

HSL 30, 0.4%, 0.4%

LAB 46.55, 11.66, 29.48

 

CMYK 0 / 29 / 57 / 67

HEX #543C24

RGB 84 60 36

HSL 30, 0.4%, 0.24%

LAB 27.42, 7.3, 18.89

 

CMYK 40 / 0 / 58 / 67

HEX #335524

RGB 51 85 36

HSL 101.63, 0.4%, 0.24%

LAB 32.54, -22.74, 24.5

 

CMYK 52 / 58 / 0 / 67

HEX #292455

RGB 41 36 85

HSL 246.12, 0.4%, 0.24%

LAB 17.41, 17.19, -29.15

 

CMYK 0 / 29 / 57 / 67

HEX #543C24

RGB 84 60 36

HSL 30, 0.4%, 0.24%

LAB 27.42, 7.3, 18.89

 

CMYK 58 / 0 / 28 / 67

HEX #24553D

RGB 36 85 61

HSL 150.61, 0.4%, 0.24%

LAB 32.28, -23.04, 9.07

 

CMYK 28 / 58 / 0 / 67

HEX #3D2455

RGB 61 36 85

HSL 270.61, 0.4%, 0.24%

LAB 19.68, 22.91, -25.4

 

CMYK 0 / 29 / 57 / 67

HEX #543C24

RGB 84 60 36

HSL 30, 0.4%, 0.24%

LAB 27.42, 7.3, 18.89

 

CMYK 40 / 0 / 58 / 67

HEX #335524

RGB 51 85 36

HSL 101.63, 0.4%, 0.24%

LAB 32.54, -22.74, 24.5

 

CMYK 58 / 28 / 0 / 67

HEX #243D55

RGB 36 61 85

HSL 209.39, 0.4%, 0.24%

LAB 24.85, -1.66, -17.4

 

CMYK 18 / 58 / 0 / 67

HEX #462455

RGB 70 36 85

HSL 281.63, 0.4%, 0.24%

LAB 20.9, 25.7, -23.38

 

CMYK 0 / 29 / 57 / 67

HEX #543C24

RGB 84 60 36

HSL 30, 0.4%, 0.24%

LAB 27.42, 7.3, 18.89

 

CMYK 58 / 0 / 58 / 67

HEX #245524

RGB 36 85 36

HSL 120, 0.4%, 0.24%

LAB 31.81, -27.97, 23.43

 

CMYK 58 / 28 / 0 / 67

HEX #243D55

RGB 36 61 85

HSL 209.39, 0.4%, 0.24%

LAB 24.85, -1.66, -17.4

 

CMYK 0 / 58 / 0 / 67

HEX #552455

RGB 85 36 85

HSL 300, 0.4%, 0.24%

LAB 23.17, 30.46, -19.66

 

Description

Color code: HEX #543C24 | qconv.com Color code: HEX #543C24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 60 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 60 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 57 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 57% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

49% - Willkommen
Link: http://www.ortsgemeinde-flums.ch

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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