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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54442F it is the complementary color #ABBBD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54442F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54442F shade: #59442A, #6A563D, #7B6850, #8C7A63 and #9D8C76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54442F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54442F shade: #54442F, #43321C, #322009, #210E00 and #100000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54442F shade: #54442F, #543A2F, #54302F and #542F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54442F shade: #54442F, #544E2F, #50542F, #46542F and #3C542F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54442F shade matches the following richer shades: #54442F, #5F4625, #6A471A, #75490F and #7F4A04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54442F shade: #54442F, #4A433A, #3F4145, #34404F and #293F5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54442F shade: #54302F, #543A2F, #54442F, #544E2F and #51542F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54442F shade: #201912, #3A2F20, #54442F, #6F5A3E and #896F4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54442F shade: #54442F, #38542F and #352F54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54442F shade: #54442F, #2F5444 and #442F54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54442F shade: #54442F, #38542F, #2F3F54 and #4C2F54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54442F shade: #54442F, #2F5432, #2F3F54 and #542F52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 44 / 67

HEX #54442F

RGB 84 68 47

HSL 34.05, 0.28%, 0.26%

LAB 29.97, 3.51, 15.3

 

Complementary color

CMYK 18 / 10 / 0 / 18

HEX #ABBBD0

RGB 171 187 208

HSL 214.05, 0.28%, 0.74%

LAB 75.3, -1.1, -12.42

 

CMYK 0 / 24 / 53 / 65

HEX #59442A

RGB 89 68 42

HSL 33.19, 0.36%, 0.26%

LAB 30.46, 5.3, 19.15

 

CMYK 0 / 19 / 42 / 58

HEX #6A563D

RGB 106 86 61

HSL 33.33, 0.27%, 0.33%

LAB 37.94, 4.42, 17.66

 

CMYK 0 / 15 / 35 / 52

HEX #7B6850

RGB 123 104 80

HSL 33.49, 0.21%, 0.4%

LAB 45.21, 3.75, 16.34

 

CMYK 0 / 13 / 29 / 45

HEX #8C7A63

RGB 140 122 99

HSL 33.66, 0.17%, 0.47%

LAB 52.28, 3.21, 15.16

 

CMYK 0 / 11 / 25 / 38

HEX #9D8C76

RGB 157 140 118

HSL 33.85, 0.17%, 0.54%

LAB 59.19, 2.77, 14.09

 

CMYK 0 / 19 / 44 / 67

HEX #54442F

RGB 84 68 47

HSL 34.05, 0.28%, 0.26%

LAB 29.97, 3.51, 15.3

 

CMYK 0 / 25 / 58 / 74

HEX #43321C

RGB 67 50 28

HSL 33.85, 0.41%, 0.19%

LAB 22.15, 4.46, 16.87

 

CMYK 0 / 36 / 82 / 80

HEX #322009

RGB 50 32 9

HSL 33.66, 0.69%, 0.12%

LAB 14.01, 5.91, 17.09

 

CMYK 0 / 58 / 100 / 87

HEX #210E00

RGB 33 14 0

HSL 25.45, 1%, 0.06%

LAB 5.76, 7.31, 8.76

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 19 / 44 / 67

HEX #54442F

RGB 84 68 47

HSL 34.05, 0.28%, 0.26%

LAB 29.97, 3.51, 15.3

 

CMYK 0 / 31 / 44 / 67

HEX #543A2F

RGB 84 58 47

HSL 17.84, 0.28%, 0.26%

LAB 27.06, 9.89, 11.41

 

CMYK 0 / 43 / 44 / 67

HEX #54302F

RGB 84 48 47

HSL 1.62, 0.28%, 0.26%

LAB 24.33, 16.27, 7.66

 

CMYK 0 / 44 / 44 / 67

HEX #542F2F

RGB 84 47 47

HSL 0, 0.28%, 0.26%

LAB 24.07, 16.91, 7.3

 

CMYK 0 / 19 / 44 / 67

HEX #54442F

RGB 84 68 47

HSL 34.05, 0.28%, 0.26%

LAB 29.97, 3.51, 15.3

 

CMYK 0 / 7 / 44 / 67

HEX #544E2F

RGB 84 78 47

HSL 50.27, 0.28%, 0.26%

LAB 33, -2.71, 19.24

 

CMYK 5 / 0 / 44 / 67

HEX #50542F

RGB 80 84 47

HSL 66.49, 0.28%, 0.26%

LAB 34.5, -8.18, 21.07

 

CMYK 17 / 0 / 44 / 67

HEX #46542F

RGB 70 84 47

HSL 82.7, 0.28%, 0.26%

LAB 33.66, -12.7, 19.83

 

CMYK 29 / 0 / 44 / 67

HEX #3C542F

RGB 60 84 47

HSL 98.92, 0.28%, 0.26%

LAB 32.93, -16.98, 18.75

 

CMYK 0 / 19 / 44 / 67

HEX #54442F

RGB 84 68 47

HSL 34.05, 0.28%, 0.26%

LAB 29.97, 3.51, 15.3

 

CMYK 0 / 26 / 61 / 63

HEX #5F4625

RGB 95 70 37

HSL 34.14, 0.44%, 0.26%

LAB 31.69, 6.44, 23.83

 

CMYK 0 / 33 / 75 / 58

HEX #6A471A

RGB 106 71 26

HSL 33.75, 0.61%, 0.26%

LAB 33.23, 10.36, 32.02

 

CMYK 0 / 38 / 87 / 54

HEX #75490F

RGB 117 73 15

HSL 34.12, 0.77%, 0.26%

LAB 35.17, 13.96, 39.32

 

CMYK 0 / 42 / 97 / 50

HEX #7F4A04

RGB 127 74 4

HSL 34.15, 0.94%, 0.26%

LAB 36.78, 17.81, 44.81

 

CMYK 0 / 19 / 44 / 67

HEX #54442F

RGB 84 68 47

HSL 34.05, 0.28%, 0.26%

LAB 29.97, 3.51, 15.3

 

CMYK 0 / 9 / 22 / 71

HEX #4A433A

RGB 74 67 58

HSL 33.75, 0.12%, 0.26%

LAB 28.84, 1.23, 6.54

 

CMYK 9 / 6 / 0 / 73

HEX #3F4145

RGB 63 65 69

HSL 220, 0.05%, 0.26%

LAB 27.48, 0.1, -2.72

 

CMYK 34 / 19 / 0 / 69

HEX #34404F

RGB 52 64 79

HSL 213.33, 0.21%, 0.26%

LAB 26.62, -0.71, -10.66

 

CMYK 54 / 30 / 0 / 65

HEX #293F5A

RGB 41 63 90

HSL 213.06, 0.37%, 0.26%

LAB 26.05, 0.12, -18.78

 

CMYK 0 / 43 / 44 / 67

HEX #54302F

RGB 84 48 47

HSL 1.62, 0.28%, 0.26%

LAB 24.33, 16.27, 7.66

 

CMYK 0 / 31 / 44 / 67

HEX #543A2F

RGB 84 58 47

HSL 17.84, 0.28%, 0.26%

LAB 27.06, 9.89, 11.41

 

CMYK 0 / 19 / 44 / 67

HEX #54442F

RGB 84 68 47

HSL 34.05, 0.28%, 0.26%

LAB 29.97, 3.51, 15.3

 

CMYK 0 / 7 / 44 / 67

HEX #544E2F

RGB 84 78 47

HSL 50.27, 0.28%, 0.26%

LAB 33, -2.71, 19.24

 

CMYK 4 / 0 / 44 / 67

HEX #51542F

RGB 81 84 47

HSL 64.86, 0.28%, 0.26%

LAB 34.59, -7.72, 21.2

 

CMYK 0 / 22 / 44 / 87

HEX #201912

RGB 32 25 18

HSL 30, 0.28%, 0.1%

LAB 9.37, 2.1, 5.87

 

CMYK 0 / 19 / 45 / 77

HEX #3A2F20

RGB 58 47 32

HSL 34.62, 0.29%, 0.18%

LAB 20.19, 2.41, 11.51

 

CMYK 0 / 19 / 44 / 67

HEX #54442F

RGB 84 68 47

HSL 34.05, 0.28%, 0.26%

LAB 29.97, 3.51, 15.3

 

CMYK 0 / 19 / 44 / 56

HEX #6F5A3E

RGB 111 90 62

HSL 34.29, 0.28%, 0.34%

LAB 39.65, 4.4, 19.4

 

CMYK 0 / 19 / 44 / 46

HEX #896F4D

RGB 137 111 77

HSL 34, 0.28%, 0.42%

LAB 48.54, 5.39, 22.78

 

CMYK 0 / 19 / 44 / 67

HEX #54442F

RGB 84 68 47

HSL 34.05, 0.28%, 0.26%

LAB 29.97, 3.51, 15.3

 

CMYK 33 / 0 / 44 / 67

HEX #38542F

RGB 56 84 47

HSL 105.41, 0.28%, 0.26%

LAB 32.67, -18.6, 18.36

 

CMYK 37 / 44 / 0 / 67

HEX #352F54

RGB 53 47 84

HSL 249.73, 0.28%, 0.26%

LAB 21.69, 12.68, -21.6

 

CMYK 0 / 19 / 44 / 67

HEX #54442F

RGB 84 68 47

HSL 34.05, 0.28%, 0.26%

LAB 29.97, 3.51, 15.3

 

CMYK 44 / 0 / 19 / 67

HEX #2F5444

RGB 47 84 68

HSL 154.05, 0.28%, 0.26%

LAB 32.62, -17.51, 5.24

 

CMYK 19 / 44 / 0 / 67

HEX #442F54

RGB 68 47 84

HSL 274.05, 0.28%, 0.26%

LAB 23.35, 17.76, -18.89

 

CMYK 0 / 19 / 44 / 67

HEX #54442F

RGB 84 68 47

HSL 34.05, 0.28%, 0.26%

LAB 29.97, 3.51, 15.3

 

CMYK 33 / 0 / 44 / 67

HEX #38542F

RGB 56 84 47

HSL 105.41, 0.28%, 0.26%

LAB 32.67, -18.6, 18.36

 

CMYK 44 / 25 / 0 / 67

HEX #2F3F54

RGB 47 63 84

HSL 214.05, 0.28%, 0.26%

LAB 26.16, -0.16, -14.68

 

CMYK 10 / 44 / 0 / 67

HEX #4C2F54

RGB 76 47 84

HSL 287.03, 0.28%, 0.26%

LAB 24.35, 20.59, -17.24

 

CMYK 0 / 19 / 44 / 67

HEX #54442F

RGB 84 68 47

HSL 34.05, 0.28%, 0.26%

LAB 29.97, 3.51, 15.3

 

CMYK 44 / 0 / 40 / 67

HEX #2F5432

RGB 47 84 50

HSL 124.86, 0.28%, 0.26%

LAB 32.2, -21.45, 15.84

 

CMYK 44 / 25 / 0 / 67

HEX #2F3F54

RGB 47 63 84

HSL 214.05, 0.28%, 0.26%

LAB 26.16, -0.16, -14.68

 

CMYK 0 / 44 / 2 / 67

HEX #542F52

RGB 84 47 82

HSL 303.24, 0.28%, 0.26%

LAB 25.34, 23.03, -14.3

 

Description

Color code: HEX #54442F | qconv.com Color code: HEX #54442F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 68 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 68 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 44 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 44% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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