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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #544024 it is the complementary color #ABBFDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #544024. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #544024 shade: #59401F, #6A5232, #7B6445, #8C7658 and #9D886B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #544024. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #544024 shade: #544024, #432E11, #321C00, #210A00 and #100000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #544024 shade: #554124, #553424, #552624 and #552424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #544024 shade: #554124, #554E24, #4F5524, #425524 and #355524

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #544024 shade matches the following richer shades: #554124, #5F421A, #694410 and #734607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #544024 shade: #554124, #4B3F2E, #413D38, #373C42 and #2E3A4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #544024 shade: #552724, #553424, #554124, #554E24 and #4F5524

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #544024 shade: #1B150B, #382B18, #554124, #725731 and #8F6D3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #544024 shade: #544024, #2F5524 and #2D2455

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #544024 shade: #544024, #245541 and #412455

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #544024 shade: #544024, #2F5524, #243955 and #4B2455

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #544024 shade: #544024, #245528, #243955 and #552451

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 57 / 67

HEX #544024

RGB 84 64 36

HSL 35, 0.4%, 0.24%

LAB 28.59, 4.75, 20.34

 

Complementary color

CMYK 22 / 13 / 0 / 14

HEX #ABBFDB

RGB 171 191 219

HSL 215, 0.4%, 0.76%

LAB 76.7, -0.81, -16.27

 

CMYK 0 / 28 / 65 / 65

HEX #59401F

RGB 89 64 31

HSL 34.14, 0.48%, 0.24%

LAB 29.13, 6.74, 24.13

 

CMYK 0 / 23 / 53 / 58

HEX #6A5232

RGB 106 82 50

HSL 34.29, 0.36%, 0.31%

LAB 36.61, 5.57, 22.52

 

CMYK 0 / 19 / 44 / 52

HEX #7B6445

RGB 123 100 69

HSL 34.44, 0.28%, 0.38%

LAB 43.88, 4.69, 21.05

 

CMYK 0 / 16 / 37 / 45

HEX #8C7658

RGB 140 118 88

HSL 34.62, 0.23%, 0.45%

LAB 50.96, 4, 19.72

 

CMYK 0 / 13 / 32 / 38

HEX #9D886B

RGB 157 136 107

HSL 34.8, 0.2%, 0.52%

LAB 57.88, 3.44, 18.52

 

CMYK 0 / 24 / 57 / 67

HEX #544024

RGB 84 64 36

HSL 35, 0.4%, 0.24%

LAB 28.59, 4.75, 20.34

 

CMYK 0 / 31 / 75 / 74

HEX #432E11

RGB 67 46 17

HSL 34.8, 0.6%, 0.16%

LAB 20.78, 6.09, 22

 

CMYK 0 / 44 / 100 / 80

HEX #321C00

RGB 50 28 0

HSL 33.6, 1%, 0.1%

LAB 12.66, 7.99, 18.97

 

CMYK 0 / 70 / 100 / 87

HEX #210A00

RGB 33 10 0

HSL 18.18, 1%, 0.06%

LAB 4.88, 9.1, 7.48

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 24 / 58 / 67

HEX #554124

RGB 85 65 36

HSL 35.51, 0.4%, 0.24%

LAB 29, 4.61, 20.88

 

CMYK 0 / 39 / 58 / 67

HEX #553424

RGB 85 52 36

HSL 19.59, 0.4%, 0.24%

LAB 25.3, 12.9, 16.24

 

CMYK 0 / 55 / 58 / 67

HEX #552624

RGB 85 38 36

HSL 2.45, 0.4%, 0.24%

LAB 21.74, 21.58, 11.58

 

CMYK 0 / 58 / 58 / 67

HEX #552424

RGB 85 36 36

HSL 0, 0.4%, 0.24%

LAB 21.28, 22.76, 10.97

 

CMYK 0 / 24 / 58 / 67

HEX #554124

RGB 85 65 36

HSL 35.51, 0.4%, 0.24%

LAB 29, 4.61, 20.88

 

CMYK 0 / 8 / 58 / 67

HEX #554E24

RGB 85 78 36

HSL 51.43, 0.4%, 0.24%

LAB 32.94, -3.47, 25.62

 

CMYK 7 / 0 / 58 / 67

HEX #4F5524

RGB 79 85 36

HSL 67.35, 0.4%, 0.24%

LAB 34.57, -10.51, 27.39

 

CMYK 22 / 0 / 58 / 67

HEX #425524

RGB 66 85 36

HSL 83.27, 0.4%, 0.24%

LAB 33.53, -16.47, 25.9

 

CMYK 38 / 0 / 58 / 67

HEX #355524

RGB 53 85 36

HSL 99.18, 0.4%, 0.24%

LAB 32.66, -21.95, 24.66

 

CMYK 0 / 24 / 58 / 67

HEX #554124

RGB 85 65 36

HSL 35.51, 0.4%, 0.24%

LAB 29, 4.61, 20.88

 

CMYK 0 / 31 / 73 / 63

HEX #5F421A

RGB 95 66 26

HSL 34.78, 0.57%, 0.24%

LAB 30.41, 8.08, 28.58

 

CMYK 0 / 35 / 85 / 59

HEX #694410

RGB 105 68 16

HSL 35.06, 0.74%, 0.24%

LAB 32.2, 11.23, 35.66

 

CMYK 0 / 39 / 94 / 55

HEX #734607

RGB 115 70 7

HSL 35, 0.89%, 0.24%

LAB 34.07, 14.58, 41.05

 

CMYK 0 / 24 / 58 / 67

HEX #554124

RGB 85 65 36

HSL 35.51, 0.4%, 0.24%

LAB 29, 4.61, 20.88

 

CMYK 0 / 16 / 39 / 71

HEX #4B3F2E

RGB 75 63 46

HSL 35.17, 0.24%, 0.24%

LAB 27.43, 2.28, 12.37

 

CMYK 0 / 6 / 14 / 75

HEX #413D38

RGB 65 61 56

HSL 33.33, 0.07%, 0.24%

LAB 26, 0.68, 3.69

 

CMYK 17 / 9 / 0 / 74

HEX #373C42

RGB 55 60 66

HSL 212.73, 0.09%, 0.24%

LAB 25.07, -0.6, -4.41

 

CMYK 39 / 24 / 0 / 70

HEX #2E3A4C

RGB 46 58 76

HSL 216, 0.25%, 0.24%

LAB 24.09, 0.29, -12.59

 

CMYK 0 / 54 / 58 / 67

HEX #552724

RGB 85 39 36

HSL 3.67, 0.4%, 0.24%

LAB 21.98, 20.99, 11.9

 

CMYK 0 / 39 / 58 / 67

HEX #553424

RGB 85 52 36

HSL 19.59, 0.4%, 0.24%

LAB 25.3, 12.9, 16.24

 

CMYK 0 / 24 / 58 / 67

HEX #554124

RGB 85 65 36

HSL 35.51, 0.4%, 0.24%

LAB 29, 4.61, 20.88

 

CMYK 0 / 8 / 58 / 67

HEX #554E24

RGB 85 78 36

HSL 51.43, 0.4%, 0.24%

LAB 32.94, -3.47, 25.62

 

CMYK 7 / 0 / 58 / 67

HEX #4F5524

RGB 79 85 36

HSL 67.35, 0.4%, 0.24%

LAB 34.57, -10.51, 27.39

 

CMYK 0 / 22 / 59 / 89

HEX #1B150B

RGB 27 21 11

HSL 37.5, 0.42%, 0.07%

LAB 7.17, 1.08, 6.23

 

CMYK 0 / 23 / 57 / 78

HEX #382B18

RGB 56 43 24

HSL 35.63, 0.4%, 0.16%

LAB 18.52, 3.02, 14.6

 

CMYK 0 / 24 / 58 / 67

HEX #554124

RGB 85 65 36

HSL 35.51, 0.4%, 0.24%

LAB 29, 4.61, 20.88

 

CMYK 0 / 24 / 57 / 55

HEX #725731

RGB 114 87 49

HSL 35.08, 0.4%, 0.32%

LAB 38.93, 6.19, 26.17

 

CMYK 0 / 24 / 57 / 44

HEX #8F6D3D

RGB 143 109 61

HSL 35.12, 0.4%, 0.4%

LAB 48.4, 7.6, 31.73

 

CMYK 0 / 24 / 57 / 67

HEX #544024

RGB 84 64 36

HSL 35, 0.4%, 0.24%

LAB 28.59, 4.75, 20.34

 

CMYK 45 / 0 / 58 / 67

HEX #2F5524

RGB 47 85 36

HSL 106.53, 0.4%, 0.24%

LAB 32.32, -24.25, 24.18

 

CMYK 47 / 58 / 0 / 67

HEX #2D2455

RGB 45 36 85

HSL 251.02, 0.4%, 0.24%

LAB 17.81, 18.26, -28.49

 

CMYK 0 / 24 / 57 / 67

HEX #544024

RGB 84 64 36

HSL 35, 0.4%, 0.24%

LAB 28.59, 4.75, 20.34

 

CMYK 58 / 0 / 24 / 67

HEX #245541

RGB 36 85 65

HSL 155.51, 0.4%, 0.24%

LAB 32.38, -22.05, 6.71

 

CMYK 24 / 58 / 0 / 67

HEX #412455

RGB 65 36 85

HSL 275.51, 0.4%, 0.24%

LAB 20.21, 24.14, -24.52

 

CMYK 0 / 24 / 57 / 67

HEX #544024

RGB 84 64 36

HSL 35, 0.4%, 0.24%

LAB 28.59, 4.75, 20.34

 

CMYK 45 / 0 / 58 / 67

HEX #2F5524

RGB 47 85 36

HSL 106.53, 0.4%, 0.24%

LAB 32.32, -24.25, 24.18

 

CMYK 58 / 33 / 0 / 67

HEX #243955

RGB 36 57 85

HSL 214.29, 0.4%, 0.24%

LAB 23.53, 1.04, -19.47

 

CMYK 12 / 58 / 0 / 67

HEX #4B2455

RGB 75 36 85

HSL 287.76, 0.4%, 0.24%

LAB 21.63, 27.28, -22.18

 

CMYK 0 / 24 / 57 / 67

HEX #544024

RGB 84 64 36

HSL 35, 0.4%, 0.24%

LAB 28.59, 4.75, 20.34

 

CMYK 58 / 0 / 53 / 67

HEX #245528

RGB 36 85 40

HSL 124.9, 0.4%, 0.24%

LAB 31.86, -27.34, 21.23

 

CMYK 58 / 33 / 0 / 67

HEX #243955

RGB 36 57 85

HSL 214.29, 0.4%, 0.24%

LAB 23.53, 1.04, -19.47

 

CMYK 0 / 58 / 5 / 67

HEX #552451

RGB 85 36 81

HSL 304.9, 0.4%, 0.24%

LAB 22.95, 29.64, -17.32

 

Description

Color code: HEX #544024 | qconv.com Color code: HEX #544024 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 64 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 64 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 57 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 57% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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