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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #544C2B it is the complementary color #ABB3D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #544C2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #544C2B shade: #594C26, #6A5E39, #7B704C, #8C825F and #9D9472

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #544C2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #544C2B shade: #544C2B, #433A18, #322805, #211600 and #100400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #544C2B shade: #544C2B, #54412B, #54362B and #542B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #544C2B shade: #544C2B, #51542B, #46542B, #3B542B and #30542B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #544C2B shade matches the following richer shades: #544C2B, #5E5221, #685816, #735F0C and #7D6502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #544C2B shade: #544C2B, #494535, #3F3F3F, #35394A and #2A3354

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #544C2B shade: #54362B, #54412B, #544B2B, #51542B and #46542B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #544C2B shade: #1D1A0F, #38331D, #544C2B, #6F6439 and #8A7D47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #544C2B shade: #544C2B, #2B542B and #3B2B54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #544C2B shade: #544C2B, #2B544B and #4B2B54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #544C2B shade: #544C2B, #2B542B, #2B3354 and #542B54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #544C2B shade: #544C2B, #2B5437, #2B3354 and #542B47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 49 / 67

HEX #544C2B

RGB 84 76 43

HSL 48.29, 0.32%, 0.25%

LAB 32.32, -1.97, 20.77

 

Complementary color

CMYK 19 / 16 / 0 / 17

HEX #ABB3D4

RGB 171 179 212

HSL 228.29, 0.32%, 0.75%

LAB 73.32, 4.12, -17.57

 

CMYK 0 / 15 / 57 / 65

HEX #594C26

RGB 89 76 38

HSL 44.71, 0.4%, 0.25%

LAB 32.77, -0.1, 24.39

 

CMYK 0 / 11 / 46 / 58

HEX #6A5E39

RGB 106 94 57

HSL 45.31, 0.3%, 0.32%

LAB 40.19, -0.88, 22.94

 

CMYK 0 / 9 / 38 / 52

HEX #7B704C

RGB 123 112 76

HSL 45.96, 0.24%, 0.39%

LAB 47.39, -1.45, 21.59

 

CMYK 0 / 7 / 32 / 45

HEX #8C825F

RGB 140 130 95

HSL 46.67, 0.19%, 0.46%

LAB 54.41, -1.89, 20.35

 

CMYK 0 / 6 / 27 / 38

HEX #9D9472

RGB 157 148 114

HSL 47.44, 0.18%, 0.53%

LAB 61.28, -2.25, 19.21

 

CMYK 0 / 10 / 49 / 67

HEX #544C2B

RGB 84 76 43

HSL 48.29, 0.32%, 0.25%

LAB 32.32, -1.97, 20.77

 

CMYK 0 / 13 / 64 / 74

HEX #433A18

RGB 67 58 24

HSL 47.44, 0.47%, 0.18%

LAB 24.59, -1.16, 22.25

 

CMYK 0 / 20 / 90 / 80

HEX #322805

RGB 50 40 5

HSL 46.67, 0.82%, 0.11%

LAB 16.54, 0.09, 21.95

 

CMYK 0 / 33 / 100 / 87

HEX #211600

RGB 33 22 0

HSL 40, 1%, 0.06%

LAB 8.1, 2.44, 12.18

 

CMYK 0 / 75 / 100 / 94

HEX #100400

RGB 16 4 0

HSL 15, 1%, 0.03%

LAB 1.78, 2.86, 2.72

 

CMYK 0 / 10 / 49 / 67

HEX #544C2B

RGB 84 76 43

HSL 48.29, 0.32%, 0.25%

LAB 32.32, -1.97, 20.77

 

CMYK 0 / 23 / 49 / 67

HEX #54412B

RGB 84 65 43

HSL 32.2, 0.32%, 0.25%

LAB 29, 4.91, 16.54

 

CMYK 0 / 36 / 49 / 67

HEX #54362B

RGB 84 54 43

HSL 16.1, 0.32%, 0.25%

LAB 25.86, 11.94, 12.39

 

CMYK 0 / 49 / 49 / 67

HEX #542B2B

RGB 84 43 43

HSL 0, 0.32%, 0.25%

LAB 22.95, 18.89, 8.45

 

CMYK 0 / 10 / 49 / 67

HEX #544C2B

RGB 84 76 43

HSL 48.29, 0.32%, 0.25%

LAB 32.32, -1.97, 20.77

 

CMYK 4 / 0 / 49 / 67

HEX #51542B

RGB 81 84 43

HSL 64.39, 0.32%, 0.25%

LAB 34.53, -8.21, 23.45

 

CMYK 17 / 0 / 49 / 67

HEX #46542B

RGB 70 84 43

HSL 80.49, 0.32%, 0.25%

LAB 33.6, -13.25, 22.1

 

CMYK 30 / 0 / 49 / 67

HEX #3B542B

RGB 59 84 43

HSL 96.59, 0.32%, 0.25%

LAB 32.8, -18.01, 20.93

 

CMYK 43 / 0 / 49 / 67

HEX #30542B

RGB 48 84 43

HSL 112.68, 0.32%, 0.25%

LAB 32.13, -22.32, 19.94

 

CMYK 0 / 10 / 49 / 67

HEX #544C2B

RGB 84 76 43

HSL 48.29, 0.32%, 0.25%

LAB 32.32, -1.97, 20.77

 

CMYK 0 / 13 / 65 / 63

HEX #5E5221

RGB 94 82 33

HSL 48.2, 0.48%, 0.25%

LAB 35.05, -1.77, 29.93

 

CMYK 0 / 15 / 79 / 59

HEX #685816

RGB 104 88 22

HSL 48.29, 0.65%, 0.25%

LAB 37.81, -1.17, 38.36

 

CMYK 0 / 17 / 90 / 55

HEX #735F0C

RGB 115 95 12

HSL 48.35, 0.81%, 0.25%

LAB 40.99, -0.29, 45.09

 

CMYK 0 / 19 / 98 / 51

HEX #7D6502

RGB 125 101 2

HSL 48.29, 0.97%, 0.25%

LAB 43.76, 0.84, 50.22

 

CMYK 0 / 10 / 49 / 67

HEX #544C2B

RGB 84 76 43

HSL 48.29, 0.32%, 0.25%

LAB 32.32, -1.97, 20.77

 

CMYK 0 / 5 / 27 / 71

HEX #494535

RGB 73 69 53

HSL 48, 0.16%, 0.25%

LAB 29.23, -1.37, 10.3

 

CMYK 0 / 0 / 0 / 75

HEX #3F3F3F

RGB 63 63 63

HSL 0, 0%, 0.25%

LAB 26.65, 0, -0

 

CMYK 28 / 23 / 0 / 71

HEX #35394A

RGB 53 57 74

HSL 228.57, 0.17%, 0.25%

LAB 24.25, 2.82, -10.97

 

CMYK 50 / 39 / 0 / 67

HEX #2A3354

RGB 42 51 84

HSL 227.14, 0.33%, 0.25%

LAB 21.94, 6.5, -21.27

 

CMYK 0 / 36 / 49 / 67

HEX #54362B

RGB 84 54 43

HSL 16.1, 0.32%, 0.25%

LAB 25.86, 11.94, 12.39

 

CMYK 0 / 23 / 49 / 67

HEX #54412B

RGB 84 65 43

HSL 32.2, 0.32%, 0.25%

LAB 29, 4.91, 16.54

 

CMYK 0 / 11 / 49 / 67

HEX #544B2B

RGB 84 75 43

HSL 46.83, 0.32%, 0.25%

LAB 32.01, -1.36, 20.39

 

CMYK 4 / 0 / 49 / 67

HEX #51542B

RGB 81 84 43

HSL 64.39, 0.32%, 0.25%

LAB 34.53, -8.21, 23.45

 

CMYK 17 / 0 / 49 / 67

HEX #46542B

RGB 70 84 43

HSL 80.49, 0.32%, 0.25%

LAB 33.6, -13.25, 22.1

 

CMYK 0 / 10 / 48 / 89

HEX #1D1A0F

RGB 29 26 15

HSL 47.14, 0.32%, 0.09%

LAB 9.28, -0.78, 7.4

 

CMYK 0 / 9 / 48 / 78

HEX #38331D

RGB 56 51 29

HSL 48.89, 0.32%, 0.17%

LAB 21.2, -1.68, 14.75

 

CMYK 0 / 10 / 49 / 67

HEX #544C2B

RGB 84 76 43

HSL 48.29, 0.32%, 0.25%

LAB 32.32, -1.97, 20.77

 

CMYK 0 / 10 / 49 / 56

HEX #6F6439

RGB 111 100 57

HSL 47.78, 0.32%, 0.33%

LAB 42.44, -2.12, 25.88

 

CMYK 0 / 9 / 49 / 46

HEX #8A7D47

RGB 138 125 71

HSL 48.36, 0.32%, 0.41%

LAB 52.43, -2.83, 31.1

 

CMYK 0 / 10 / 49 / 67

HEX #544C2B

RGB 84 76 43

HSL 48.29, 0.32%, 0.25%

LAB 32.32, -1.97, 20.77

 

CMYK 49 / 0 / 49 / 67

HEX #2B542B

RGB 43 84 43

HSL 120, 0.32%, 0.25%

LAB 31.87, -24.1, 19.56

 

CMYK 30 / 49 / 0 / 67

HEX #3B2B54

RGB 59 43 84

HSL 263.41, 0.32%, 0.25%

LAB 21.2, 17.38, -22.33

 

CMYK 0 / 10 / 49 / 67

HEX #544C2B

RGB 84 76 43

HSL 48.29, 0.32%, 0.25%

LAB 32.32, -1.97, 20.77

 

CMYK 49 / 0 / 11 / 67

HEX #2B544B

RGB 43 84 75

HSL 166.83, 0.32%, 0.25%

LAB 32.62, -16.91, 0.79

 

CMYK 11 / 49 / 0 / 67

HEX #4B2B54

RGB 75 43 84

HSL 286.83, 0.32%, 0.25%

LAB 23.22, 22.78, -19.02

 

CMYK 0 / 10 / 49 / 67

HEX #544C2B

RGB 84 76 43

HSL 48.29, 0.32%, 0.25%

LAB 32.32, -1.97, 20.77

 

CMYK 49 / 0 / 49 / 67

HEX #2B542B

RGB 43 84 43

HSL 120, 0.32%, 0.25%

LAB 31.87, -24.1, 19.56

 

CMYK 49 / 39 / 0 / 67

HEX #2B3354

RGB 43 51 84

HSL 228.29, 0.32%, 0.25%

LAB 22.02, 6.79, -21.14

 

CMYK 0 / 49 / 0 / 67

HEX #542B54

RGB 84 43 84

HSL 300, 0.32%, 0.25%

LAB 24.49, 25.88, -16.94

 

CMYK 0 / 10 / 49 / 67

HEX #544C2B

RGB 84 76 43

HSL 48.29, 0.32%, 0.25%

LAB 32.32, -1.97, 20.77

 

CMYK 49 / 0 / 35 / 67

HEX #2B5437

RGB 43 84 55

HSL 137.56, 0.32%, 0.25%

LAB 32.1, -21.8, 12.6

 

CMYK 49 / 39 / 0 / 67

HEX #2B3354

RGB 43 51 84

HSL 228.29, 0.32%, 0.25%

LAB 22.02, 6.79, -21.14

 

CMYK 0 / 49 / 15 / 67

HEX #542B47

RGB 84 43 71

HSL 319.02, 0.32%, 0.25%

LAB 23.89, 23.27, -9.18

 

Description

Color code: HEX #544C2B | qconv.com Color code: HEX #544C2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 76 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 76 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 49 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 49% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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