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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54516A it is the complementary color #ABAE95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54516A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54516A shade: #595165, #6A6378, #7B758B, #8C879E and #9D99B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54516A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54516A shade: #54516A, #433F57, #322D44, #211B31 and #10091E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54516A shade: #55526A, #5B526A, #62526A, #68526A and #6A5265

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54516A shade: #55526A and #52526A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54516A shade matches the following richer shades: #55526A, #494279, #3D3389, #322498 and #2615A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54516A shade: #55526A, #60615B, #6C704C, #777F3C and #838F2D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54516A shade: #525C6A, #52556A, #54526A, #5B526A and #62526A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54516A shade: #2F2E3B, #424053, #55526A, #676481 and #7B7897

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54516A shade: #54516A, #6A5262 and #596A52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54516A shade: #54516A, #6A5452 and #526A54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54516A shade: #54516A, #6A5262, #676A52 and #526A59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54516A shade: #54516A, #6A525B, #676A52 and #526A61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 24 / 0 / 58

HEX #54516A

RGB 84 81 106

HSL 247.2, 0.13%, 0.37%

LAB 35.62, 7.09, -13.96

 

Complementary color

CMYK 2 / 0 / 14 / 32

HEX #ABAE95

RGB 171 174 149

HSL 67.2, 0.13%, 0.63%

LAB 70.25, -5.5, 12.49

 

CMYK 12 / 20 / 0 / 60

HEX #595165

RGB 89 81 101

HSL 264, 0.11%, 0.36%

LAB 35.88, 7.68, -10.38

 

CMYK 12 / 18 / 0 / 53

HEX #6A6378

RGB 106 99 120

HSL 260, 0.1%, 0.43%

LAB 43.28, 7.26, -10.76

 

CMYK 12 / 16 / 0 / 45

HEX #7B758B

RGB 123 117 139

HSL 256.36, 0.09%, 0.5%

LAB 50.45, 6.9, -11.15

 

CMYK 11 / 15 / 0 / 38

HEX #8C879E

RGB 140 135 158

HSL 253.04, 0.11%, 0.57%

LAB 57.44, 6.58, -11.55

 

CMYK 11 / 14 / 0 / 31

HEX #9D99B1

RGB 157 153 177

HSL 250, 0.13%, 0.65%

LAB 64.26, 6.29, -11.95

 

CMYK 21 / 24 / 0 / 58

HEX #54516A

RGB 84 81 106

HSL 247.2, 0.13%, 0.37%

LAB 35.62, 7.09, -13.96

 

CMYK 23 / 28 / 0 / 66

HEX #433F57

RGB 67 63 87

HSL 250, 0.16%, 0.29%

LAB 27.94, 7.58, -13.74

 

CMYK 26 / 34 / 0 / 73

HEX #322D44

RGB 50 45 68

HSL 253.04, 0.2%, 0.22%

LAB 19.93, 8.19, -13.6

 

CMYK 33 / 45 / 0 / 81

HEX #211B31

RGB 33 27 49

HSL 256.36, 0.29%, 0.15%

LAB 11.48, 9, -13.56

 

CMYK 47 / 70 / 0 / 88

HEX #10091E

RGB 16 9 30

HSL 260, 0.54%, 0.08%

LAB 3.61, 6.81, -11.63

 

CMYK 20 / 23 / 0 / 58

HEX #55526A

RGB 85 82 106

HSL 247.5, 0.13%, 0.37%

LAB 36, 6.81, -13.37

 

CMYK 14 / 23 / 0 / 58

HEX #5B526A

RGB 91 82 106

HSL 262.5, 0.13%, 0.37%

LAB 36.55, 8.99, -12.47

 

CMYK 8 / 23 / 0 / 58

HEX #62526A

RGB 98 82 106

HSL 280, 0.13%, 0.37%

LAB 37.25, 11.58, -11.35

 

CMYK 2 / 23 / 0 / 58

HEX #68526A

RGB 104 82 106

HSL 295, 0.13%, 0.37%

LAB 37.88, 13.84, -10.34

 

CMYK 0 / 23 / 5 / 58

HEX #6A5265

RGB 106 82 101

HSL 312.5, 0.13%, 0.37%

LAB 37.91, 13.56, -7.15

 

CMYK 20 / 23 / 0 / 58

HEX #55526A

RGB 85 82 106

HSL 247.5, 0.13%, 0.37%

LAB 36, 6.81, -13.37

 

CMYK 23 / 23 / 0 / 58

HEX #52526A

RGB 82 82 106

HSL 240, 0.13%, 0.37%

LAB 35.73, 5.75, -13.8

 

CMYK 20 / 23 / 0 / 58

HEX #55526A

RGB 85 82 106

HSL 247.5, 0.13%, 0.37%

LAB 36, 6.81, -13.37

 

CMYK 40 / 45 / 0 / 53

HEX #494279

RGB 73 66 121

HSL 247.64, 0.29%, 0.37%

LAB 31.1, 17.45, -30.46

 

CMYK 55 / 63 / 0 / 46

HEX #3D3389

RGB 61 51 137

HSL 246.98, 0.46%, 0.37%

LAB 27.2, 29.41, -46.76

 

CMYK 67 / 76 / 0 / 40

HEX #322498

RGB 50 36 152

HSL 247.24, 0.62%, 0.37%

LAB 24.34, 41.64, -60.75

 

CMYK 77 / 87 / 0 / 35

HEX #2615A7

RGB 38 21 167

HSL 246.99, 0.78%, 0.37%

LAB 22.79, 52.32, -72.51

 

CMYK 20 / 23 / 0 / 58

HEX #55526A

RGB 85 82 106

HSL 247.5, 0.13%, 0.37%

LAB 36, 6.81, -13.37

 

CMYK 1 / 0 / 6 / 62

HEX #60615B

RGB 96 97 91

HSL 70, 0.03%, 0.37%

LAB 40.88, -1.62, 3.28

 

CMYK 4 / 0 / 32 / 56

HEX #6C704C

RGB 108 112 76

HSL 66.67, 0.19%, 0.37%

LAB 46.04, -7.94, 19.55

 

CMYK 6 / 0 / 53 / 50

HEX #777F3C

RGB 119 127 60

HSL 67.16, 0.36%, 0.37%

LAB 51.18, -13.43, 35.03

 

CMYK 8 / 0 / 69 / 44

HEX #838F2D

RGB 131 143 45

HSL 67.35, 0.52%, 0.37%

LAB 56.74, -17.86, 48.45

 

CMYK 23 / 13 / 0 / 58

HEX #525C6A

RGB 82 92 106

HSL 215, 0.13%, 0.37%

LAB 38.71, -0.48, -9.29

 

CMYK 23 / 20 / 0 / 58

HEX #52556A

RGB 82 85 106

HSL 232.5, 0.13%, 0.37%

LAB 36.61, 3.86, -12.45

 

CMYK 21 / 23 / 0 / 58

HEX #54526A

RGB 84 82 106

HSL 245, 0.13%, 0.37%

LAB 35.91, 6.46, -13.51

 

CMYK 14 / 23 / 0 / 58

HEX #5B526A

RGB 91 82 106

HSL 262.5, 0.13%, 0.37%

LAB 36.55, 8.99, -12.47

 

CMYK 8 / 23 / 0 / 58

HEX #62526A

RGB 98 82 106

HSL 280, 0.13%, 0.37%

LAB 37.25, 11.58, -11.35

 

CMYK 20 / 22 / 0 / 77

HEX #2F2E3B

RGB 47 46 59

HSL 244.62, 0.12%, 0.21%

LAB 19.53, 3.77, -8.08

 

CMYK 20 / 23 / 0 / 67

HEX #424053

RGB 66 64 83

HSL 246.32, 0.13%, 0.29%

LAB 27.98, 5.47, -11.1

 

CMYK 20 / 23 / 0 / 58

HEX #55526A

RGB 85 82 106

HSL 247.5, 0.13%, 0.37%

LAB 36, 6.81, -13.37

 

CMYK 20 / 22 / 0 / 49

HEX #676481

RGB 103 100 129

HSL 246.21, 0.13%, 0.45%

LAB 43.63, 7.75, -15.69

 

CMYK 19 / 21 / 0 / 41

HEX #7B7897

RGB 123 120 151

HSL 245.81, 0.13%, 0.53%

LAB 51.7, 7.9, -16.3

 

CMYK 21 / 24 / 0 / 58

HEX #54516A

RGB 84 81 106

HSL 247.2, 0.13%, 0.37%

LAB 35.62, 7.09, -13.96

 

CMYK 0 / 23 / 8 / 58

HEX #6A5262

RGB 106 82 98

HSL 320, 0.13%, 0.37%

LAB 37.81, 12.95, -5.44

 

CMYK 16 / 0 / 23 / 58

HEX #596A52

RGB 89 106 82

HSL 102.5, 0.13%, 0.37%

LAB 42.83, -11.4, 11.4

 

CMYK 21 / 24 / 0 / 58

HEX #54516A

RGB 84 81 106

HSL 247.2, 0.13%, 0.37%

LAB 35.62, 7.09, -13.96

 

CMYK 0 / 21 / 23 / 58

HEX #6A5452

RGB 106 84 82

HSL 5, 0.13%, 0.37%

LAB 37.87, 8.77, 4.62

 

CMYK 23 / 0 / 21 / 58

HEX #526A54

RGB 82 106 84

HSL 125, 0.13%, 0.37%

LAB 42.37, -13.73, 9.49

 

CMYK 21 / 24 / 0 / 58

HEX #54516A

RGB 84 81 106

HSL 247.2, 0.13%, 0.37%

LAB 35.62, 7.09, -13.96

 

CMYK 0 / 23 / 8 / 58

HEX #6A5262

RGB 106 82 98

HSL 320, 0.13%, 0.37%

LAB 37.81, 12.95, -5.44

 

CMYK 3 / 0 / 23 / 58

HEX #676A52

RGB 103 106 82

HSL 67.5, 0.13%, 0.37%

LAB 43.95, -5.68, 13.12

 

CMYK 23 / 0 / 16 / 58

HEX #526A59

RGB 82 106 89

HSL 137.5, 0.13%, 0.37%

LAB 42.5, -12.7, 6.66

 

CMYK 21 / 24 / 0 / 58

HEX #54516A

RGB 84 81 106

HSL 247.2, 0.13%, 0.37%

LAB 35.62, 7.09, -13.96

 

CMYK 0 / 23 / 14 / 58

HEX #6A525B

RGB 106 82 91

HSL 337.5, 0.13%, 0.37%

LAB 37.58, 11.6, -1.41

 

CMYK 3 / 0 / 23 / 58

HEX #676A52

RGB 103 106 82

HSL 67.5, 0.13%, 0.37%

LAB 43.95, -5.68, 13.12

 

CMYK 23 / 0 / 8 / 58

HEX #526A61

RGB 82 106 97

HSL 157.5, 0.13%, 0.37%

LAB 42.71, -10.95, 2.13

 

Description

Color code: HEX #54516A | qconv.com Color code: HEX #54516A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 81 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 81 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 24 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 24% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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