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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #545F81 it is the complementary color #ABA07E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #545F81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #545F81 shade: #595F7C, #6A718F, #7B83A2, #8C95B5 and #9DA7C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #545F81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #545F81 shade: #545F81, #434D6E, #323B5B, #212948 and #101735

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #545F81 shade: #545F81, #555481, #615481, #6E5481 and #7A5481

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #545F81 shade: #545F81 and #545481

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #545F81 shade matches the following richer shades: #545F81, #435692, #314DA4, #2045B5 and #0F3CC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #545F81 shade: #545F81, #656870, #77715E, #887A4D and #99833C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #545F81 shade: #547781, #546B81, #545F81, #555481 and #615481

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #545F81 shade: #343A4F, #444D68, #545F81, #65729A and #7D88AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #545F81 shade: #545F81, #7F5481 and #718154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #545F81 shade: #545F81, #81545F and #5F8154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #545F81 shade: #545F81, #7F5481, #817654 and #568154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #545F81 shade: #545F81, #815476, #817654 and #54815F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 26 / 0 / 49

HEX #545F81

RGB 84 95 129

HSL 225.33, 0.21%, 0.42%

LAB 40.66, 4.57, -20.38

 

Complementary color

CMYK 0 / 6 / 26 / 33

HEX #ABA07E

RGB 171 160 126

HSL 45.33, 0.21%, 0.58%

LAB 65.99, -1.5, 19.2

 

CMYK 28 / 23 / 0 / 51

HEX #595F7C

RGB 89 95 124

HSL 229.71, 0.16%, 0.42%

LAB 40.84, 4.79, -17.03

 

CMYK 26 / 21 / 0 / 44

HEX #6A718F

RGB 106 113 143

HSL 228.65, 0.15%, 0.49%

LAB 48.08, 4.43, -17.23

 

CMYK 24 / 19 / 0 / 36

HEX #7B83A2

RGB 123 131 162

HSL 227.69, 0.17%, 0.56%

LAB 55.13, 4.12, -17.47

 

CMYK 23 / 18 / 0 / 29

HEX #8C95B5

RGB 140 149 181

HSL 226.83, 0.22%, 0.63%

LAB 62, 3.84, -17.74

 

CMYK 22 / 17 / 0 / 22

HEX #9DA7C8

RGB 157 167 200

HSL 226.05, 0.28%, 0.7%

LAB 68.73, 3.59, -18.02

 

CMYK 35 / 26 / 0 / 49

HEX #545F81

RGB 84 95 129

HSL 225.33, 0.21%, 0.42%

LAB 40.66, 4.57, -20.38

 

CMYK 39 / 30 / 0 / 57

HEX #434D6E

RGB 67 77 110

HSL 226.05, 0.24%, 0.35%

LAB 33.19, 5.08, -20.31

 

CMYK 45 / 35 / 0 / 64

HEX #323B5B

RGB 50 59 91

HSL 226.83, 0.29%, 0.28%

LAB 25.45, 5.75, -20.33

 

CMYK 54 / 43 / 0 / 72

HEX #212948

RGB 33 41 72

HSL 227.69, 0.37%, 0.21%

LAB 17.35, 6.69, -20.47

 

CMYK 70 / 57 / 0 / 79

HEX #101735

RGB 16 23 53

HSL 228.65, 0.54%, 0.14%

LAB 8.82, 8.21, -20.77

 

CMYK 35 / 26 / 0 / 49

HEX #545F81

RGB 84 95 129

HSL 225.33, 0.21%, 0.42%

LAB 40.66, 4.57, -20.38

 

CMYK 34 / 35 / 0 / 49

HEX #555481

RGB 85 84 129

HSL 241.33, 0.21%, 0.42%

LAB 37.58, 11.8, -25.15

 

CMYK 25 / 35 / 0 / 49

HEX #615481

RGB 97 84 129

HSL 257.33, 0.21%, 0.42%

LAB 38.67, 15.63, -23.38

 

CMYK 15 / 35 / 0 / 49

HEX #6E5481

RGB 110 84 129

HSL 274.67, 0.21%, 0.42%

LAB 39.98, 19.98, -21.23

 

CMYK 5 / 35 / 0 / 49

HEX #7A5481

RGB 122 84 129

HSL 290.67, 0.21%, 0.42%

LAB 41.32, 24.1, -19.07

 

CMYK 35 / 26 / 0 / 49

HEX #545F81

RGB 84 95 129

HSL 225.33, 0.21%, 0.42%

LAB 40.66, 4.57, -20.38

 

CMYK 35 / 35 / 0 / 49

HEX #545481

RGB 84 84 129

HSL 240, 0.21%, 0.42%

LAB 37.5, 11.49, -25.28

 

CMYK 35 / 26 / 0 / 49

HEX #545F81

RGB 84 95 129

HSL 225.33, 0.21%, 0.42%

LAB 40.66, 4.57, -20.38

 

CMYK 54 / 41 / 0 / 43

HEX #435692

RGB 67 86 146

HSL 225.57, 0.37%, 0.42%

LAB 37.71, 10.92, -35.4

 

CMYK 70 / 53 / 0 / 36

HEX #314DA4

RGB 49 77 164

HSL 225.39, 0.54%, 0.42%

LAB 35.28, 19.78, -50.17

 

CMYK 82 / 62 / 0 / 29

HEX #2045B5

RGB 32 69 181

HSL 225.1, 0.7%, 0.42%

LAB 33.77, 29.6, -62.78

 

CMYK 92 / 70 / 0 / 22

HEX #0F3CC6

RGB 15 60 198

HSL 225.25, 0.86%, 0.42%

LAB 32.72, 40.86, -74.52

 

CMYK 35 / 26 / 0 / 49

HEX #545F81

RGB 84 95 129

HSL 225.33, 0.21%, 0.42%

LAB 40.66, 4.57, -20.38

 

CMYK 10 / 7 / 0 / 56

HEX #656870

RGB 101 104 112

HSL 223.64, 0.05%, 0.42%

LAB 44, 0.59, -4.88

 

CMYK 0 / 5 / 21 / 53

HEX #77715E

RGB 119 113 94

HSL 45.6, 0.12%, 0.42%

LAB 47.68, -1.1, 11.4

 

CMYK 0 / 10 / 43 / 47

HEX #887A4D

RGB 136 122 77

HSL 45.76, 0.28%, 0.42%

LAB 51.48, -1.36, 26.57

 

CMYK 0 / 14 / 61 / 40

HEX #99833C

RGB 153 131 60

HSL 45.81, 0.44%, 0.42%

LAB 55.41, -0.49, 40.72

 

CMYK 35 / 8 / 0 / 49

HEX #547781

RGB 84 119 129

HSL 193.33, 0.21%, 0.42%

LAB 47.83, -9.74, -9.46

 

CMYK 35 / 17 / 0 / 49

HEX #546B81

RGB 84 107 129

HSL 209.33, 0.21%, 0.42%

LAB 44.21, -2.74, -14.93

 

CMYK 35 / 26 / 0 / 49

HEX #545F81

RGB 84 95 129

HSL 225.33, 0.21%, 0.42%

LAB 40.66, 4.57, -20.38

 

CMYK 34 / 35 / 0 / 49

HEX #555481

RGB 85 84 129

HSL 241.33, 0.21%, 0.42%

LAB 37.58, 11.8, -25.15

 

CMYK 25 / 35 / 0 / 49

HEX #615481

RGB 97 84 129

HSL 257.33, 0.21%, 0.42%

LAB 38.67, 15.63, -23.38

 

CMYK 34 / 27 / 0 / 69

HEX #343A4F

RGB 52 58 79

HSL 226.67, 0.21%, 0.26%

LAB 24.7, 3.27, -13.6

 

CMYK 35 / 26 / 0 / 59

HEX #444D68

RGB 68 77 104

HSL 225, 0.21%, 0.34%

LAB 33, 3.61, -16.84

 

CMYK 35 / 26 / 0 / 49

HEX #545F81

RGB 84 95 129

HSL 225.33, 0.21%, 0.42%

LAB 40.66, 4.57, -20.38

 

CMYK 34 / 26 / 0 / 40

HEX #65729A

RGB 101 114 154

HSL 225.28, 0.21%, 0.5%

LAB 48.43, 5.19, -23.22

 

CMYK 26 / 20 / 0 / 33

HEX #7D88AA

RGB 125 136 170

HSL 225.33, 0.21%, 0.58%

LAB 56.95, 3.85, -19.28

 

CMYK 35 / 26 / 0 / 49

HEX #545F81

RGB 84 95 129

HSL 225.33, 0.21%, 0.42%

LAB 40.66, 4.57, -20.38

 

CMYK 2 / 35 / 0 / 49

HEX #7F5481

RGB 127 84 129

HSL 297.33, 0.21%, 0.42%

LAB 41.9, 25.83, -18.11

 

CMYK 12 / 0 / 35 / 49

HEX #718154

RGB 113 129 84

HSL 81.33, 0.21%, 0.42%

LAB 51.67, -14.11, 22.51

 

CMYK 35 / 26 / 0 / 49

HEX #545F81

RGB 84 95 129

HSL 225.33, 0.21%, 0.42%

LAB 40.66, 4.57, -20.38

 

CMYK 0 / 35 / 26 / 49

HEX #81545F

RGB 129 84 95

HSL 345.33, 0.21%, 0.42%

LAB 40.95, 20.39, 1.36

 

CMYK 26 / 0 / 35 / 49

HEX #5F8154

RGB 95 129 84

HSL 105.33, 0.21%, 0.42%

LAB 50.42, -21.18, 20.63

 

CMYK 35 / 26 / 0 / 49

HEX #545F81

RGB 84 95 129

HSL 225.33, 0.21%, 0.42%

LAB 40.66, 4.57, -20.38

 

CMYK 2 / 35 / 0 / 49

HEX #7F5481

RGB 127 84 129

HSL 297.33, 0.21%, 0.42%

LAB 41.9, 25.83, -18.11

 

CMYK 0 / 9 / 35 / 49

HEX #817654

RGB 129 118 84

HSL 45.33, 0.21%, 0.42%

LAB 49.81, -1.24, 20.3

 

CMYK 33 / 0 / 35 / 49

HEX #568154

RGB 86 129 84

HSL 117.33, 0.21%, 0.42%

LAB 49.88, -24.46, 19.81

 

CMYK 35 / 26 / 0 / 49

HEX #545F81

RGB 84 95 129

HSL 225.33, 0.21%, 0.42%

LAB 40.66, 4.57, -20.38

 

CMYK 0 / 35 / 9 / 49

HEX #815476

RGB 129 84 118

HSL 314.67, 0.21%, 0.42%

LAB 41.71, 24.37, -11.66

 

CMYK 0 / 9 / 35 / 49

HEX #817654

RGB 129 118 84

HSL 45.33, 0.21%, 0.42%

LAB 49.81, -1.24, 20.3

 

CMYK 35 / 0 / 26 / 49

HEX #54815F

RGB 84 129 95

HSL 134.67, 0.21%, 0.42%

LAB 49.99, -23.11, 13.65

 

Description

Color code: HEX #545F81 | qconv.com Color code: HEX #545F81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 95 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 95 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 26 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 26% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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