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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #546991 it is the complementary color #AB966E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #546991. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #546991 shade: #59698C, #6A7B9F, #7B8DB2, #8C9FC5 and #9DB1D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #546991. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #546991 shade: #546991, #43577E, #32456B, #213358 and #102145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #546991 shade: #536991, #535891, #5F5391, #705391 and #815391

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #546991 shade: #536991, #535891 and #535391

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #546991 shade matches the following richer shades: #536991, #4163A4, #2E5DB6, #1C57C9 and #0951DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #546991 shade: #536991, #666E7F, #78746C, #8B7A5A and #9E8047

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #546991 shade: #538A91, #537991, #536991, #535891 and #5F5391

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #546991 shade: #35435D, #445677, #536991, #677DA7 and #8193B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #546991 shade: #546991, #885391 and #829153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #546991 shade: #546991, #915369 and #699153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #546991 shade: #546991, #885391, #917C53 and #5D9153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #546991 shade: #546991, #915388, #917C53 and #53915D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 28 / 0 / 43

HEX #546991

RGB 84 105 145

HSL 219.34, 0.27%, 0.45%

LAB 44.28, 3.09, -24.41

 

Complementary color

CMYK 0 / 12 / 36 / 33

HEX #AB966E

RGB 171 150 110

HSL 39.34, 0.27%, 0.55%

LAB 63.01, 1.82, 23.99

 

CMYK 36 / 25 / 0 / 45

HEX #59698C

RGB 89 105 140

HSL 221.18, 0.22%, 0.45%

LAB 44.41, 3.09, -21.2

 

CMYK 33 / 23 / 0 / 38

HEX #6A7B9F

RGB 106 123 159

HSL 220.75, 0.22%, 0.52%

LAB 51.53, 2.71, -21.34

 

CMYK 31 / 21 / 0 / 30

HEX #7B8DB2

RGB 123 141 178

HSL 220.36, 0.26%, 0.59%

LAB 58.49, 2.39, -21.51

 

CMYK 29 / 19 / 0 / 23

HEX #8C9FC5

RGB 140 159 197

HSL 220, 0.33%, 0.66%

LAB 65.28, 2.1, -21.71

 

CMYK 27 / 18 / 0 / 15

HEX #9DB1D8

RGB 157 177 216

HSL 219.66, 0.43%, 0.73%

LAB 71.94, 1.85, -21.94

 

CMYK 42 / 28 / 0 / 43

HEX #546991

RGB 84 105 145

HSL 219.34, 0.27%, 0.45%

LAB 44.28, 3.09, -24.41

 

CMYK 47 / 31 / 0 / 51

HEX #43577E

RGB 67 87 126

HSL 219.66, 0.31%, 0.38%

LAB 36.96, 3.68, -24.38

 

CMYK 53 / 36 / 0 / 58

HEX #32456B

RGB 50 69 107

HSL 220, 0.36%, 0.31%

LAB 29.4, 4.46, -24.43

 

CMYK 63 / 42 / 0 / 65

HEX #213358

RGB 33 51 88

HSL 220.36, 0.45%, 0.24%

LAB 21.56, 5.58, -24.56

 

CMYK 77 / 52 / 0 / 73

HEX #102145

RGB 16 33 69

HSL 220.75, 0.62%, 0.17%

LAB 13.4, 7.34, -24.77

 

CMYK 43 / 28 / 0 / 43

HEX #536991

RGB 83 105 145

HSL 218.71, 0.27%, 0.45%

LAB 44.21, 2.81, -24.51

 

CMYK 43 / 39 / 0 / 43

HEX #535891

RGB 83 88 145

HSL 235.16, 0.27%, 0.45%

LAB 39.35, 13.43, -32.12

 

CMYK 34 / 43 / 0 / 43

HEX #5F5391

RGB 95 83 145

HSL 251.61, 0.27%, 0.45%

LAB 39.01, 20, -32.59

 

CMYK 23 / 43 / 0 / 43

HEX #705391

RGB 112 83 145

HSL 268.06, 0.27%, 0.45%

LAB 40.7, 25.14, -29.82

 

CMYK 11 / 43 / 0 / 43

HEX #815391

RGB 129 83 145

HSL 284.52, 0.27%, 0.45%

LAB 42.61, 30.5, -26.69

 

CMYK 43 / 28 / 0 / 43

HEX #536991

RGB 83 105 145

HSL 218.71, 0.27%, 0.45%

LAB 44.21, 2.81, -24.51

 

CMYK 43 / 39 / 0 / 43

HEX #535891

RGB 83 88 145

HSL 235.16, 0.27%, 0.45%

LAB 39.35, 13.43, -32.12

 

CMYK 43 / 43 / 0 / 43

HEX #535391

RGB 83 83 145

HSL 240, 0.27%, 0.45%

LAB 37.97, 16.61, -34.3

 

CMYK 43 / 28 / 0 / 43

HEX #536991

RGB 83 105 145

HSL 218.71, 0.27%, 0.45%

LAB 44.21, 2.81, -24.51

 

CMYK 60 / 40 / 0 / 36

HEX #4163A4

RGB 65 99 164

HSL 219.39, 0.43%, 0.45%

LAB 42.35, 8.35, -38.8

 

CMYK 75 / 49 / 0 / 29

HEX #2E5DB6

RGB 46 93 182

HSL 219.26, 0.6%, 0.45%

LAB 40.88, 15.62, -51.81

 

CMYK 86 / 57 / 0 / 21

HEX #1C57C9

RGB 28 87 201

HSL 219.54, 0.76%, 0.45%

LAB 40.05, 25.14, -64.25

 

CMYK 96 / 63 / 0 / 14

HEX #0951DB

RGB 9 81 219

HSL 219.43, 0.92%, 0.45%

LAB 39.68, 35.17, -75.22

 

CMYK 43 / 28 / 0 / 43

HEX #536991

RGB 83 105 145

HSL 218.71, 0.27%, 0.45%

LAB 44.21, 2.81, -24.51

 

CMYK 20 / 13 / 0 / 50

HEX #666E7F

RGB 102 110 127

HSL 220.8, 0.11%, 0.45%

LAB 46.32, 0.88, -10.41

 

CMYK 0 / 3 / 10 / 53

HEX #78746C

RGB 120 116 108

HSL 40, 0.05%, 0.45%

LAB 48.97, 0.01, 4.96

 

CMYK 0 / 12 / 35 / 45

HEX #8B7A5A

RGB 139 122 90

HSL 39.18, 0.21%, 0.45%

LAB 52, 1.54, 19.95

 

CMYK 0 / 19 / 55 / 38

HEX #9E8047

RGB 158 128 71

HSL 39.31, 0.38%, 0.45%

LAB 55.24, 4.32, 34.99

 

CMYK 43 / 5 / 0 / 43

HEX #538A91

RGB 83 138 145

HSL 186.77, 0.27%, 0.45%

LAB 54.09, -16.23, -9.45

 

CMYK 43 / 17 / 0 / 43

HEX #537991

RGB 83 121 145

HSL 203.23, 0.27%, 0.45%

LAB 48.96, -6.72, -17.22

 

CMYK 43 / 28 / 0 / 43

HEX #536991

RGB 83 105 145

HSL 218.71, 0.27%, 0.45%

LAB 44.21, 2.81, -24.51

 

CMYK 43 / 39 / 0 / 43

HEX #535891

RGB 83 88 145

HSL 235.16, 0.27%, 0.45%

LAB 39.35, 13.43, -32.12

 

CMYK 34 / 43 / 0 / 43

HEX #5F5391

RGB 95 83 145

HSL 251.61, 0.27%, 0.45%

LAB 39.01, 20, -32.59

 

CMYK 43 / 28 / 0 / 64

HEX #35435D

RGB 53 67 93

HSL 219, 0.27%, 0.29%

LAB 28.28, 1.97, -17.21

 

CMYK 43 / 28 / 0 / 53

HEX #445677

RGB 68 86 119

HSL 218.82, 0.27%, 0.37%

LAB 36.4, 2.39, -20.94

 

CMYK 43 / 28 / 0 / 43

HEX #536991

RGB 83 105 145

HSL 218.71, 0.27%, 0.45%

LAB 44.21, 2.81, -24.51

 

CMYK 38 / 25 / 0 / 35

HEX #677DA7

RGB 103 125 167

HSL 219.38, 0.27%, 0.53%

LAB 52.22, 2.86, -24.94

 

CMYK 29 / 19 / 0 / 29

HEX #8193B6

RGB 129 147 182

HSL 219.62, 0.27%, 0.61%

LAB 60.7, 1.8, -20.35

 

CMYK 42 / 28 / 0 / 43

HEX #546991

RGB 84 105 145

HSL 219.34, 0.27%, 0.45%

LAB 44.28, 3.09, -24.41

 

CMYK 6 / 43 / 0 / 43

HEX #885391

RGB 136 83 145

HSL 291.29, 0.27%, 0.45%

LAB 43.46, 32.74, -25.31

 

CMYK 10 / 0 / 43 / 43

HEX #829153

RGB 130 145 83

HSL 74.52, 0.27%, 0.45%

LAB 57.68, -15.81, 31.06

 

CMYK 42 / 28 / 0 / 43

HEX #546991

RGB 84 105 145

HSL 219.34, 0.27%, 0.45%

LAB 44.28, 3.09, -24.41

 

CMYK 0 / 43 / 28 / 43

HEX #915369

RGB 145 83 105

HSL 338.71, 0.27%, 0.45%

LAB 43.1, 28.72, -1.4

 

CMYK 28 / 0 / 43 / 43

HEX #699153

RGB 105 145 83

HSL 98.71, 0.27%, 0.45%

LAB 55.97, -25.68, 28.54

 

CMYK 42 / 28 / 0 / 43

HEX #546991

RGB 84 105 145

HSL 219.34, 0.27%, 0.45%

LAB 44.28, 3.09, -24.41

 

CMYK 6 / 43 / 0 / 43

HEX #885391

RGB 136 83 145

HSL 291.29, 0.27%, 0.45%

LAB 43.46, 32.74, -25.31

 

CMYK 0 / 14 / 43 / 43

HEX #917C53

RGB 145 124 83

HSL 39.68, 0.27%, 0.45%

LAB 53.01, 2.11, 25.36

 

CMYK 36 / 0 / 43 / 43

HEX #5D9153

RGB 93 145 83

HSL 110.32, 0.27%, 0.45%

LAB 55.28, -30.01, 27.52

 

CMYK 42 / 28 / 0 / 43

HEX #546991

RGB 84 105 145

HSL 219.34, 0.27%, 0.45%

LAB 44.28, 3.09, -24.41

 

CMYK 0 / 43 / 6 / 43

HEX #915388

RGB 145 83 136

HSL 308.71, 0.27%, 0.45%

LAB 44.21, 33.92, -18.62

 

CMYK 0 / 14 / 43 / 43

HEX #917C53

RGB 145 124 83

HSL 39.68, 0.27%, 0.45%

LAB 53.01, 2.11, 25.36

 

CMYK 43 / 0 / 36 / 43

HEX #53915D

RGB 83 145 93

HSL 129.68, 0.27%, 0.45%

LAB 54.95, -31.66, 21.51

 

Description

Color code: HEX #546991 | qconv.com Color code: HEX #546991 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 105 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 105 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 28 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 28% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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