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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5475A4 it is the complementary color #AB8A5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5475A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5475A4 shade: #59759F, #6A87B2, #7B99C5, #8CABD8 and #9DBDEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5475A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5475A4 shade: #5475A4, #436391, #32517E, #213F6B and #102D58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5475A4 shade: #5475A4, #5460A4, #5F54A4, #7454A4 and #8A54A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5475A4 shade: #5475A4, #5460A4 and #5454A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5475A4 shade matches the following richer shades: #5475A4, #4072B9, #2C6ECD, #186BE1 and #0467F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5475A4 shade: #5475A4, #697990, #7D7D7C, #918068 and #A58454

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5475A4 shade: #54A0A4, #548BA4, #5476A4, #5460A4 and #5E54A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5475A4 shade: #384F6E, #466289, #5475A4, #6E8BB4 and #89A1C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5475A4 shade: #5475A4, #9354A4 and #96A454

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5475A4 shade: #5475A4, #A45476 and #76A454

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5475A4 shade: #5475A4, #9354A4, #A48354 and #66A454

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5475A4 shade: #5475A4, #A4549E, #A48354 and #54A45B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 29 / 0 / 36

HEX #5475A4

RGB 84 117 164

HSL 215.25, 0.32%, 0.49%

LAB 48.62, 1.61, -28.87

 

Complementary color

CMYK 0 / 19 / 47 / 33

HEX #AB8A5B

RGB 171 138 91

HSL 35.25, 0.32%, 0.51%

LAB 59.52, 6.28, 29.84

 

CMYK 44 / 26 / 0 / 38

HEX #59759F

RGB 89 117 159

HSL 216, 0.28%, 0.49%

LAB 48.7, 1.4, -25.8

 

CMYK 40 / 24 / 0 / 30

HEX #6A87B2

RGB 106 135 178

HSL 215.83, 0.32%, 0.56%

LAB 55.69, 0.94, -25.9

 

CMYK 38 / 22 / 0 / 23

HEX #7B99C5

RGB 123 153 197

HSL 215.68, 0.39%, 0.63%

LAB 62.53, 0.57, -26.03

 

CMYK 35 / 21 / 0 / 15

HEX #8CABD8

RGB 140 171 216

HSL 215.53, 0.49%, 0.7%

LAB 69.23, 0.25, -26.19

 

CMYK 33 / 20 / 0 / 8

HEX #9DBDEB

RGB 157 189 235

HSL 215.38, 0.66%, 0.77%

LAB 75.8, -0.03, -26.37

 

CMYK 49 / 29 / 0 / 36

HEX #5475A4

RGB 84 117 164

HSL 215.25, 0.32%, 0.49%

LAB 48.62, 1.61, -28.87

 

CMYK 54 / 32 / 0 / 43

HEX #436391

RGB 67 99 145

HSL 215.38, 0.37%, 0.42%

LAB 41.47, 2.32, -28.86

 

CMYK 60 / 36 / 0 / 51

HEX #32517E

RGB 50 81 126

HSL 215.53, 0.43%, 0.35%

LAB 34.13, 3.27, -28.9

 

CMYK 69 / 41 / 0 / 58

HEX #213F6B

RGB 33 63 107

HSL 215.68, 0.53%, 0.27%

LAB 26.56, 4.62, -28.98

 

CMYK 82 / 49 / 0 / 65

HEX #102D58

RGB 16 45 88

HSL 215.83, 0.69%, 0.2%

LAB 18.76, 6.64, -29.07

 

CMYK 49 / 29 / 0 / 36

HEX #5475A4

RGB 84 117 164

HSL 215.25, 0.32%, 0.49%

LAB 48.62, 1.61, -28.87

 

CMYK 49 / 41 / 0 / 36

HEX #5460A4

RGB 84 96 164

HSL 231, 0.32%, 0.49%

LAB 42.66, 14.57, -38.24

 

CMYK 42 / 49 / 0 / 36

HEX #5F54A4

RGB 95 84 164

HSL 248.25, 0.32%, 0.49%

LAB 40.33, 24.9, -41.89

 

CMYK 29 / 49 / 0 / 36

HEX #7454A4

RGB 116 84 164

HSL 264, 0.32%, 0.49%

LAB 42.36, 30.57, -38.54

 

CMYK 16 / 49 / 0 / 36

HEX #8A54A4

RGB 138 84 164

HSL 280.5, 0.32%, 0.49%

LAB 44.84, 36.91, -34.47

 

CMYK 49 / 29 / 0 / 36

HEX #5475A4

RGB 84 117 164

HSL 215.25, 0.32%, 0.49%

LAB 48.62, 1.61, -28.87

 

CMYK 49 / 41 / 0 / 36

HEX #5460A4

RGB 84 96 164

HSL 231, 0.32%, 0.49%

LAB 42.66, 14.57, -38.24

 

CMYK 49 / 49 / 0 / 36

HEX #5454A4

RGB 84 84 164

HSL 240, 0.32%, 0.49%

LAB 39.42, 22.17, -43.4

 

CMYK 49 / 29 / 0 / 36

HEX #5475A4

RGB 84 117 164

HSL 215.25, 0.32%, 0.49%

LAB 48.62, 1.61, -28.87

 

CMYK 65 / 38 / 0 / 27

HEX #4072B9

RGB 64 114 185

HSL 215.21, 0.49%, 0.49%

LAB 47.79, 6.15, -42.47

 

CMYK 79 / 46 / 0 / 20

HEX #2C6ECD

RGB 44 110 205

HSL 215.4, 0.65%, 0.49%

LAB 47.1, 13.19, -55.12

 

CMYK 89 / 52 / 0 / 12

HEX #186BE1

RGB 24 107 225

HSL 215.22, 0.81%, 0.49%

LAB 47.17, 21.24, -66.41

 

CMYK 98 / 58 / 0 / 4

HEX #0467F5

RGB 4 103 245

HSL 215.35, 0.97%, 0.49%

LAB 47.39, 30.86, -77.29

 

CMYK 49 / 29 / 0 / 36

HEX #5475A4

RGB 84 117 164

HSL 215.25, 0.32%, 0.49%

LAB 48.62, 1.61, -28.87

 

CMYK 27 / 16 / 0 / 44

HEX #697990

RGB 105 121 144

HSL 215.38, 0.16%, 0.49%

LAB 50.32, -0.37, -14.42

 

CMYK 0 / 0 / 1 / 51

HEX #7D7D7C

RGB 125 125 124

HSL 60, 0%, 0.49%

LAB 52.38, -0.2, 0.54

 

CMYK 0 / 12 / 28 / 43

HEX #918068

RGB 145 128 104

HSL 35.12, 0.16%, 0.49%

LAB 54.51, 2.59, 15.42

 

CMYK 0 / 20 / 49 / 35

HEX #A58454

RGB 165 132 84

HSL 35.56, 0.33%, 0.49%

LAB 57.21, 6.35, 30.6

 

CMYK 49 / 2 / 0 / 36

HEX #54A0A4

RGB 84 160 164

HSL 183, 0.32%, 0.49%

LAB 61.4, -22.37, -9.37

 

CMYK 49 / 15 / 0 / 36

HEX #548BA4

RGB 84 139 164

HSL 198.75, 0.32%, 0.49%

LAB 55.1, -11.13, -18.88

 

CMYK 49 / 28 / 0 / 36

HEX #5476A4

RGB 84 118 164

HSL 214.5, 0.32%, 0.49%

LAB 48.91, 1.01, -28.42

 

CMYK 49 / 41 / 0 / 36

HEX #5460A4

RGB 84 96 164

HSL 231, 0.32%, 0.49%

LAB 42.66, 14.57, -38.24

 

CMYK 43 / 49 / 0 / 36

HEX #5E54A4

RGB 94 84 164

HSL 247.5, 0.32%, 0.49%

LAB 40.25, 24.64, -42.03

 

CMYK 49 / 28 / 0 / 57

HEX #384F6E

RGB 56 79 110

HSL 214.44, 0.33%, 0.33%

LAB 33.05, 0.56, -20.6

 

CMYK 49 / 28 / 0 / 46

HEX #466289

RGB 70 98 137

HSL 214.93, 0.32%, 0.41%

LAB 40.97, 1.1, -24.82

 

CMYK 49 / 29 / 0 / 36

HEX #5475A4

RGB 84 117 164

HSL 215.25, 0.32%, 0.49%

LAB 48.62, 1.61, -28.87

 

CMYK 39 / 23 / 0 / 29

HEX #6E8BB4

RGB 110 139 180

HSL 215.14, 0.32%, 0.57%

LAB 57.15, 0.3, -24.77

 

CMYK 29 / 17 / 0 / 24

HEX #89A1C2

RGB 137 161 194

HSL 214.74, 0.32%, 0.65%

LAB 65.52, -0.66, -19.7

 

CMYK 49 / 29 / 0 / 36

HEX #5475A4

RGB 84 117 164

HSL 215.25, 0.32%, 0.49%

LAB 48.62, 1.61, -28.87

 

CMYK 10 / 49 / 0 / 36

HEX #9354A4

RGB 147 84 164

HSL 287.25, 0.32%, 0.49%

LAB 45.94, 39.57, -32.65

 

CMYK 9 / 0 / 49 / 36

HEX #96A454

RGB 150 164 84

HSL 70.5, 0.32%, 0.49%

LAB 64.7, -17.35, 39.56

 

CMYK 49 / 29 / 0 / 36

HEX #5475A4

RGB 84 117 164

HSL 215.25, 0.32%, 0.49%

LAB 48.62, 1.61, -28.87

 

CMYK 0 / 49 / 28 / 36

HEX #A45476

RGB 164 84 118

HSL 334.5, 0.32%, 0.49%

LAB 46.37, 37.01, -4.22

 

CMYK 28 / 0 / 49 / 36

HEX #76A454

RGB 118 164 84

HSL 94.5, 0.32%, 0.49%

LAB 62.54, -29.95, 36.43

 

CMYK 49 / 29 / 0 / 36

HEX #5475A4

RGB 84 117 164

HSL 215.25, 0.32%, 0.49%

LAB 48.62, 1.61, -28.87

 

CMYK 10 / 49 / 0 / 36

HEX #9354A4

RGB 147 84 164

HSL 287.25, 0.32%, 0.49%

LAB 45.94, 39.57, -32.65

 

CMYK 0 / 20 / 49 / 36

HEX #A48354

RGB 164 131 84

HSL 35.25, 0.32%, 0.49%

LAB 56.85, 6.48, 30.11

 

CMYK 38 / 0 / 49 / 36

HEX #66A454

RGB 102 164 84

HSL 106.5, 0.32%, 0.49%

LAB 61.67, -35.63, 35.16

 

CMYK 49 / 29 / 0 / 36

HEX #5475A4

RGB 84 117 164

HSL 215.25, 0.32%, 0.49%

LAB 48.62, 1.61, -28.87

 

CMYK 0 / 49 / 4 / 36

HEX #A4549E

RGB 164 84 158

HSL 304.5, 0.32%, 0.49%

LAB 47.88, 43.51, -25.91

 

CMYK 0 / 20 / 49 / 36

HEX #A48354

RGB 164 131 84

HSL 35.25, 0.32%, 0.49%

LAB 56.85, 6.48, 30.11

 

CMYK 49 / 0 / 45 / 36

HEX #54A45B

RGB 84 164 91

HSL 125.25, 0.32%, 0.49%

LAB 60.95, -40.25, 30.45

 

Description

Color code: HEX #5475A4 | qconv.com Color code: HEX #5475A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 117 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 117 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 29 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 29% 0% 36% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - Создание сайтов в Мо...
Link: http://webadminka.ru

13% - ファーウェイ・ジャパン・デバイス
Link: http://consumer.huawei.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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