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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54768D it is the complementary color #AB8972. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54768D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54768D shade: #597688, #6A889B, #7B9AAE, #8CACC1 and #9DBED4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54768D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54768D shade: #54768D, #43647A, #325267, #214054 and #102E41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54768D shade: #54758C, #54668C, #54578C, #60548C and #6F548C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54768D shade: #54758C, #54668C, #54578C and #54548C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54768D shade matches the following richer shades: #54758C, #41799E, #2F7CB0, #1D80C2 and #0B83D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54768D shade: #54758C, #66727A, #786E67, #8A6B55 and #9C6743

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54768D shade: #548C84, #54848C, #54758C, #54668C and #54578C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54768D shade: #354A58, #445F72, #54758C, #668AA3 and #809EB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54768D shade: #54768D, #75548C and #8C8C54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54768D shade: #54768D, #8C5475 and #758C54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54768D shade: #54768D, #75548C, #8C6A54 and #6A8C54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54768D shade: #54768D, #86548C, #8C6A54 and #598C54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 16 / 0 / 45

HEX #54768D

RGB 84 118 141

HSL 204.21, 0.25%, 0.44%

LAB 47.96, -5.84, -16.37

 

Complementary color

CMYK 0 / 20 / 33 / 33

HEX #AB8972

RGB 171 137 114

HSL 24.21, 0.25%, 0.56%

LAB 59.68, 9.56, 17.24

 

CMYK 35 / 13 / 0 / 47

HEX #597688

RGB 89 118 136

HSL 202.98, 0.21%, 0.44%

LAB 48.08, -5.76, -13.2

 

CMYK 32 / 12 / 0 / 39

HEX #6A889B

RGB 106 136 155

HSL 203.27, 0.2%, 0.51%

LAB 55.11, -5.87, -13.57

 

CMYK 29 / 11 / 0 / 32

HEX #7B9AAE

RGB 123 154 174

HSL 203.53, 0.24%, 0.58%

LAB 61.98, -5.96, -13.94

 

CMYK 27 / 11 / 0 / 24

HEX #8CACC1

RGB 140 172 193

HSL 203.77, 0.3%, 0.65%

LAB 68.7, -6.05, -14.31

 

CMYK 26 / 10 / 0 / 17

HEX #9DBED4

RGB 157 190 212

HSL 204, 0.39%, 0.72%

LAB 75.29, -6.13, -14.69

 

CMYK 40 / 16 / 0 / 45

HEX #54768D

RGB 84 118 141

HSL 204.21, 0.25%, 0.44%

LAB 47.96, -5.84, -16.37

 

CMYK 45 / 18 / 0 / 52

HEX #43647A

RGB 67 100 122

HSL 204, 0.29%, 0.37%

LAB 40.76, -5.61, -16.07

 

CMYK 51 / 20 / 0 / 60

HEX #325267

RGB 50 82 103

HSL 203.77, 0.35%, 0.3%

LAB 33.33, -5.27, -15.79

 

CMYK 61 / 24 / 0 / 67

HEX #214054

RGB 33 64 84

HSL 203.53, 0.44%, 0.23%

LAB 25.65, -4.75, -15.52

 

CMYK 75 / 29 / 0 / 75

HEX #102E41

RGB 16 46 65

HSL 203.27, 0.6%, 0.16%

LAB 17.67, -3.84, -15.24

 

CMYK 40 / 16 / 0 / 45

HEX #54758C

RGB 84 117 140

HSL 204.64, 0.25%, 0.44%

LAB 47.62, -5.55, -16.29

 

CMYK 40 / 27 / 0 / 45

HEX #54668C

RGB 84 102 140

HSL 220.71, 0.25%, 0.44%

LAB 43.18, 3.44, -23.11

 

CMYK 40 / 38 / 0 / 45

HEX #54578C

RGB 84 87 140

HSL 236.79, 0.25%, 0.44%

LAB 38.89, 12.83, -29.81

 

CMYK 31 / 40 / 0 / 45

HEX #60548C

RGB 96 84 140

HSL 252.86, 0.25%, 0.44%

LAB 39.11, 18.28, -29.4

 

CMYK 21 / 40 / 0 / 45

HEX #6F548C

RGB 111 84 140

HSL 268.93, 0.25%, 0.44%

LAB 40.6, 22.97, -26.96

 

CMYK 40 / 16 / 0 / 45

HEX #54758C

RGB 84 117 140

HSL 204.64, 0.25%, 0.44%

LAB 47.62, -5.55, -16.29

 

CMYK 40 / 27 / 0 / 45

HEX #54668C

RGB 84 102 140

HSL 220.71, 0.25%, 0.44%

LAB 43.18, 3.44, -23.11

 

CMYK 40 / 38 / 0 / 45

HEX #54578C

RGB 84 87 140

HSL 236.79, 0.25%, 0.44%

LAB 38.89, 12.83, -29.81

 

CMYK 40 / 40 / 0 / 45

HEX #54548C

RGB 84 84 140

HSL 240, 0.25%, 0.44%

LAB 38.06, 14.73, -31.13

 

CMYK 40 / 16 / 0 / 45

HEX #54758C

RGB 84 117 140

HSL 204.64, 0.25%, 0.44%

LAB 47.62, -5.55, -16.29

 

CMYK 59 / 23 / 0 / 38

HEX #41799E

RGB 65 121 158

HSL 203.87, 0.42%, 0.44%

LAB 48.59, -7.1, -25.48

 

CMYK 73 / 30 / 0 / 31

HEX #2F7CB0

RGB 47 124 176

HSL 204.19, 0.58%, 0.44%

LAB 49.68, -5.8, -34.31

 

CMYK 85 / 34 / 0 / 24

HEX #1D80C2

RGB 29 128 194

HSL 204, 0.74%, 0.44%

LAB 51.38, -3.48, -42.02

 

CMYK 95 / 38 / 0 / 17

HEX #0B83D4

RGB 11 131 212

HSL 204.18, 0.9%, 0.44%

LAB 53.01, 0.61, -49.67

 

CMYK 40 / 16 / 0 / 45

HEX #54758C

RGB 84 117 140

HSL 204.64, 0.25%, 0.44%

LAB 47.62, -5.55, -16.29

 

CMYK 16 / 7 / 0 / 52

HEX #66727A

RGB 102 114 122

HSL 204, 0.09%, 0.44%

LAB 47.32, -2.67, -5.94

 

CMYK 0 / 8 / 14 / 53

HEX #786E67

RGB 120 110 103

HSL 24.71, 0.08%, 0.44%

LAB 47.14, 2.6, 5.3

 

CMYK 0 / 22 / 38 / 46

HEX #8A6B55

RGB 138 107 85

HSL 24.91, 0.24%, 0.44%

LAB 47.72, 9.14, 17.06

 

CMYK 0 / 34 / 57 / 39

HEX #9C6743

RGB 156 103 67

HSL 24.27, 0.4%, 0.44%

LAB 48.48, 17.34, 28.85

 

CMYK 40 / 0 / 6 / 45

HEX #548C84

RGB 84 140 132

HSL 171.43, 0.25%, 0.44%

LAB 54.35, -20.43, -1.55

 

CMYK 40 / 6 / 0 / 45

HEX #54848C

RGB 84 132 140

HSL 188.57, 0.25%, 0.44%

LAB 52.15, -14.05, -9.45

 

CMYK 40 / 16 / 0 / 45

HEX #54758C

RGB 84 117 140

HSL 204.64, 0.25%, 0.44%

LAB 47.62, -5.55, -16.29

 

CMYK 40 / 27 / 0 / 45

HEX #54668C

RGB 84 102 140

HSL 220.71, 0.25%, 0.44%

LAB 43.18, 3.44, -23.11

 

CMYK 40 / 38 / 0 / 45

HEX #54578C

RGB 84 87 140

HSL 236.79, 0.25%, 0.44%

LAB 38.89, 12.83, -29.81

 

CMYK 40 / 16 / 0 / 65

HEX #354A58

RGB 53 74 88

HSL 204, 0.25%, 0.28%

LAB 30.3, -4.11, -10.89

 

CMYK 40 / 17 / 0 / 55

HEX #445F72

RGB 68 95 114

HSL 204.78, 0.25%, 0.36%

LAB 38.95, -4.69, -13.94

 

CMYK 40 / 16 / 0 / 45

HEX #54758C

RGB 84 117 140

HSL 204.64, 0.25%, 0.44%

LAB 47.62, -5.55, -16.29

 

CMYK 37 / 15 / 0 / 36

HEX #668AA3

RGB 102 138 163

HSL 204.59, 0.25%, 0.52%

LAB 55.73, -6.06, -17.26

 

CMYK 28 / 11 / 0 / 30

HEX #809EB2

RGB 128 158 178

HSL 204, 0.25%, 0.6%

LAB 63.55, -5.67, -13.78

 

CMYK 40 / 16 / 0 / 45

HEX #54768D

RGB 84 118 141

HSL 204.21, 0.25%, 0.44%

LAB 47.96, -5.84, -16.37

 

CMYK 16 / 40 / 0 / 45

HEX #75548C

RGB 117 84 140

HSL 275.36, 0.25%, 0.44%

LAB 41.24, 24.9, -25.91

 

CMYK 0 / 0 / 40 / 45

HEX #8C8C54

RGB 140 140 84

HSL 60, 0.25%, 0.44%

LAB 57.05, -8.83, 29.9

 

CMYK 40 / 16 / 0 / 45

HEX #54768D

RGB 84 118 141

HSL 204.21, 0.25%, 0.44%

LAB 47.96, -5.84, -16.37

 

CMYK 0 / 40 / 16 / 45

HEX #8C5475

RGB 140 84 117

HSL 324.64, 0.25%, 0.44%

LAB 43.06, 28.21, -8.88

 

CMYK 16 / 0 / 40 / 45

HEX #758C54

RGB 117 140 84

HSL 84.64, 0.25%, 0.44%

LAB 55.26, -18.34, 27.24

 

CMYK 40 / 16 / 0 / 45

HEX #54768D

RGB 84 118 141

HSL 204.21, 0.25%, 0.44%

LAB 47.96, -5.84, -16.37

 

CMYK 16 / 40 / 0 / 45

HEX #75548C

RGB 117 84 140

HSL 275.36, 0.25%, 0.44%

LAB 41.24, 24.9, -25.91

 

CMYK 0 / 24 / 40 / 45

HEX #8C6A54

RGB 140 106 84

HSL 23.57, 0.25%, 0.44%

LAB 47.65, 10.45, 17.6

 

CMYK 24 / 0 / 40 / 45

HEX #6A8C54

RGB 106 140 84

HSL 96.43, 0.25%, 0.44%

LAB 54.51, -22.65, 26.14

 

CMYK 40 / 16 / 0 / 45

HEX #54768D

RGB 84 118 141

HSL 204.21, 0.25%, 0.44%

LAB 47.96, -5.84, -16.37

 

CMYK 4 / 40 / 0 / 45

HEX #86548C

RGB 134 84 140

HSL 293.57, 0.25%, 0.44%

LAB 43.22, 30.48, -22.69

 

CMYK 0 / 24 / 40 / 45

HEX #8C6A54

RGB 140 106 84

HSL 23.57, 0.25%, 0.44%

LAB 47.65, 10.45, 17.6

 

CMYK 36 / 0 / 40 / 45

HEX #598C54

RGB 89 140 84

HSL 114.64, 0.25%, 0.44%

LAB 53.51, -28.84, 24.65

 

Description

Color code: HEX #54768D | qconv.com Color code: HEX #54768D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 118 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 118 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 16 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 16% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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