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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54712C it is the complementary color #AB8ED3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54712C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54712C shade: #597127, #6A833A, #7B954D, #8CA760 and #9DB973

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54712C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54712C shade: #54712C, #435F19, #324D06, #213B00 and #102900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54712C shade: #54712C, #67712C, #71692C, #71562C and #71442C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54712C shade: #54712C, #41712C, #2F712C, #2C713C and #2C714E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54712C shade matches the following richer shades: #54712C, #567E1F, #588B12 and #5A9805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54712C shade: #54712C, #526539, #505845, #4E4B52 and #4C3E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54712C shade: #71692C, #67712C, #54712C, #42712C and #2F712C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54712C shade: #283615, #3E5420, #54712C, #6A8F37 and #80AD43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54712C shade: #54712C, #2C7157 and #712C70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54712C shade: #54712C, #2C5471 and #712C54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54712C shade: #54712C, #2C7157, #492C71 and #712C46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54712C shade: #54712C, #2C716C, #492C71 and #712C32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 61 / 56

HEX #54712C

RGB 84 113 44

HSL 85.22, 0.44%, 0.31%

LAB 44.06, -22.69, 34.23

 

Complementary color

CMYK 19 / 33 / 0 / 17

HEX #AB8ED3

RGB 171 142 211

HSL 265.22, 0.44%, 0.69%

LAB 63.92, 24.57, -31.4

 

CMYK 21 / 0 / 65 / 56

HEX #597127

RGB 89 113 39

HSL 79.46, 0.49%, 0.3%

LAB 44.35, -21.04, 37.07

 

CMYK 19 / 0 / 56 / 49

HEX #6A833A

RGB 106 131 58

HSL 80.55, 0.39%, 0.37%

LAB 51.38, -21.31, 36.04

 

CMYK 17 / 0 / 48 / 42

HEX #7B954D

RGB 123 149 77

HSL 81.67, 0.32%, 0.44%

LAB 58.27, -21.46, 34.84

 

CMYK 16 / 0 / 43 / 35

HEX #8CA760

RGB 140 167 96

HSL 82.82, 0.29%, 0.52%

LAB 65.01, -21.53, 33.63

 

CMYK 15 / 0 / 38 / 27

HEX #9DB973

RGB 157 185 115

HSL 84, 0.33%, 0.59%

LAB 71.63, -21.55, 32.44

 

CMYK 26 / 0 / 61 / 56

HEX #54712C

RGB 84 113 44

HSL 85.22, 0.44%, 0.31%

LAB 44.06, -22.69, 34.23

 

CMYK 29 / 0 / 74 / 63

HEX #435F19

RGB 67 95 25

HSL 84, 0.58%, 0.24%

LAB 36.83, -22.4, 35.04

 

CMYK 35 / 0 / 92 / 70

HEX #324D06

RGB 50 77 6

HSL 82.82, 0.86%, 0.16%

LAB 29.41, -21.78, 34.81

 

CMYK 44 / 0 / 100 / 77

HEX #213B00

RGB 33 59 0

HSL 86.44, 1%, 0.12%

LAB 21.77, -20.49, 29.65

 

CMYK 61 / 0 / 100 / 84

HEX #102900

RGB 16 41 0

HSL 96.59, 1%, 0.08%

LAB 13.8, -18.66, 19.88

 

CMYK 26 / 0 / 61 / 56

HEX #54712C

RGB 84 113 44

HSL 85.22, 0.44%, 0.31%

LAB 44.06, -22.69, 34.23

 

CMYK 9 / 0 / 61 / 56

HEX #67712C

RGB 103 113 44

HSL 68.7, 0.44%, 0.31%

LAB 45.46, -14.42, 36.19

 

CMYK 0 / 7 / 61 / 56

HEX #71692C

RGB 113 105 44

HSL 53.04, 0.44%, 0.31%

LAB 43.94, -5.34, 34.73

 

CMYK 0 / 24 / 61 / 56

HEX #71562C

RGB 113 86 44

HSL 36.52, 0.44%, 0.31%

LAB 38.46, 5.87, 28.41

 

CMYK 0 / 40 / 61 / 56

HEX #71442C

RGB 113 68 44

HSL 20.87, 0.44%, 0.31%

LAB 33.62, 16.79, 22.56

 

CMYK 26 / 0 / 61 / 56

HEX #54712C

RGB 84 113 44

HSL 85.22, 0.44%, 0.31%

LAB 44.06, -22.69, 34.23

 

CMYK 42 / 0 / 61 / 56

HEX #41712C

RGB 65 113 44

HSL 101.74, 0.44%, 0.31%

LAB 42.94, -30.1, 32.65

 

CMYK 58 / 0 / 61 / 56

HEX #2F712C

RGB 47 113 44

HSL 117.39, 0.44%, 0.31%

LAB 42.15, -35.88, 31.53

 

CMYK 61 / 0 / 47 / 56

HEX #2C713C

RGB 44 113 60

HSL 133.91, 0.44%, 0.31%

LAB 42.26, -34.24, 23.05

 

CMYK 61 / 0 / 31 / 56

HEX #2C714E

RGB 44 113 78

HSL 149.57, 0.44%, 0.31%

LAB 42.61, -30.61, 13.1

 

CMYK 26 / 0 / 61 / 56

HEX #54712C

RGB 84 113 44

HSL 85.22, 0.44%, 0.31%

LAB 44.06, -22.69, 34.23

 

CMYK 32 / 0 / 75 / 51

HEX #567E1F

RGB 86 126 31

HSL 85.26, 0.61%, 0.31%

LAB 48.26, -29.35, 44.48

 

CMYK 37 / 0 / 87 / 45

HEX #588B12

RGB 88 139 18

HSL 85.29, 0.77%, 0.31%

LAB 52.49, -35.21, 52.5

 

CMYK 41 / 0 / 97 / 40

HEX #5A9805

RGB 90 152 5

HSL 85.31, 0.94%, 0.31%

LAB 56.72, -40.46, 58.44

 

CMYK 26 / 0 / 61 / 56

HEX #54712C

RGB 84 113 44

HSL 85.22, 0.44%, 0.31%

LAB 44.06, -22.69, 34.23

 

CMYK 19 / 0 / 44 / 60

HEX #526539

RGB 82 101 57

HSL 85.91, 0.28%, 0.31%

LAB 40.24, -15.61, 22.58

 

CMYK 9 / 0 / 22 / 65

HEX #505845

RGB 80 88 69

HSL 85.26, 0.12%, 0.31%

LAB 36.2, -7.07, 9.98

 

CMYK 5 / 9 / 0 / 68

HEX #4E4B52

RGB 78 75 82

HSL 265.71, 0.04%, 0.31%

LAB 32.39, 2.78, -3.7

 

CMYK 20 / 35 / 0 / 63

HEX #4C3E5F

RGB 76 62 95

HSL 265.45, 0.21%, 0.31%

LAB 28.92, 13.62, -17.33

 

CMYK 0 / 7 / 61 / 56

HEX #71692C

RGB 113 105 44

HSL 53.04, 0.44%, 0.31%

LAB 43.94, -5.34, 34.73

 

CMYK 9 / 0 / 61 / 56

HEX #67712C

RGB 103 113 44

HSL 68.7, 0.44%, 0.31%

LAB 45.46, -14.42, 36.19

 

CMYK 26 / 0 / 61 / 56

HEX #54712C

RGB 84 113 44

HSL 85.22, 0.44%, 0.31%

LAB 44.06, -22.69, 34.23

 

CMYK 42 / 0 / 61 / 56

HEX #42712C

RGB 66 113 44

HSL 100.87, 0.44%, 0.31%

LAB 42.99, -29.74, 32.72

 

CMYK 58 / 0 / 61 / 56

HEX #2F712C

RGB 47 113 44

HSL 117.39, 0.44%, 0.31%

LAB 42.15, -35.88, 31.53

 

CMYK 26 / 0 / 61 / 79

HEX #283615

RGB 40 54 21

HSL 85.45, 0.44%, 0.15%

LAB 20.61, -12.56, 18.69

 

CMYK 26 / 0 / 62 / 67

HEX #3E5420

RGB 62 84 32

HSL 85.38, 0.45%, 0.23%

LAB 32.85, -18.14, 27.21

 

CMYK 26 / 0 / 61 / 56

HEX #54712C

RGB 84 113 44

HSL 85.22, 0.44%, 0.31%

LAB 44.06, -22.69, 34.23

 

CMYK 26 / 0 / 62 / 44

HEX #6A8F37

RGB 106 143 55

HSL 85.23, 0.44%, 0.39%

LAB 55.06, -27.6, 41.7

 

CMYK 26 / 0 / 61 / 32

HEX #80AD43

RGB 128 173 67

HSL 85.47, 0.44%, 0.47%

LAB 65.66, -32.21, 48.4

 

CMYK 26 / 0 / 61 / 56

HEX #54712C

RGB 84 113 44

HSL 85.22, 0.44%, 0.31%

LAB 44.06, -22.69, 34.23

 

CMYK 61 / 0 / 23 / 56

HEX #2C7157

RGB 44 113 87

HSL 157.39, 0.44%, 0.31%

LAB 42.81, -28.48, 8.04

 

CMYK 0 / 61 / 1 / 56

HEX #712C70

RGB 113 44 112

HSL 300.87, 0.44%, 0.31%

LAB 30.6, 40.09, -25.24

 

CMYK 26 / 0 / 61 / 56

HEX #54712C

RGB 84 113 44

HSL 85.22, 0.44%, 0.31%

LAB 44.06, -22.69, 34.23

 

CMYK 61 / 26 / 0 / 56

HEX #2C5471

RGB 44 84 113

HSL 205.22, 0.44%, 0.31%

LAB 34.12, -4.6, -20.85

 

CMYK 0 / 61 / 26 / 56

HEX #712C54

RGB 113 44 84

HSL 325.22, 0.44%, 0.31%

LAB 29.29, 35.27, -9.18

 

CMYK 26 / 0 / 61 / 56

HEX #54712C

RGB 84 113 44

HSL 85.22, 0.44%, 0.31%

LAB 44.06, -22.69, 34.23

 

CMYK 61 / 0 / 23 / 56

HEX #2C7157

RGB 44 113 87

HSL 157.39, 0.44%, 0.31%

LAB 42.81, -28.48, 8.04

 

CMYK 35 / 61 / 0 / 56

HEX #492C71

RGB 73 44 113

HSL 265.22, 0.44%, 0.31%

LAB 24.98, 29.16, -35.15

 

CMYK 0 / 61 / 38 / 56

HEX #712C46

RGB 113 44 70

HSL 337.39, 0.44%, 0.31%

LAB 28.78, 33.3, -0.71

 

CMYK 26 / 0 / 61 / 56

HEX #54712C

RGB 84 113 44

HSL 85.22, 0.44%, 0.31%

LAB 44.06, -22.69, 34.23

 

CMYK 61 / 0 / 4 / 56

HEX #2C716C

RGB 44 113 108

HSL 175.65, 0.44%, 0.31%

LAB 43.4, -22.78, -3.71

 

CMYK 35 / 61 / 0 / 56

HEX #492C71

RGB 73 44 113

HSL 265.22, 0.44%, 0.31%

LAB 24.98, 29.16, -35.15

 

CMYK 0 / 61 / 56 / 56

HEX #712C32

RGB 113 44 50

HSL 354.78, 0.44%, 0.31%

LAB 28.23, 31.07, 11.76

 

Description

Color code: HEX #54712C | qconv.com Color code: HEX #54712C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 113 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 113 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 61 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 61% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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