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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #547CED it is the complementary color #AB8312. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #547CED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #547CED shade: #597CE8, #6A8EFB, #7BA0FF, #8CB2FF and #9DC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #547CED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #547CED shade: #547CED, #436ADA, #3258C7, #2146B4 and #1034A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #547CED shade: #547CED, #5554ED, #7E54ED, #A754ED and #D154ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #547CED shade: #547CED and #5454ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #547CED shade matches the following richer shades: #547CED and #4474FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #547CED shade: #547CED, #6383DD, #728ACE, #8292BF and #9199B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #547CED shade: #54CEED, #54A5ED, #547CED, #5454ED and #7C54ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #547CED shade: #1649D8, #2E5FE9, #547CED, #7998F0 and #9EB5F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #547CED shade: #547CED, #E254ED and #BAED54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #547CED shade: #547CED, #ED547C and #7CED54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #547CED shade: #547CED, #E254ED, #EDC454 and #5EED54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #547CED shade: #547CED, #ED54C9, #EDC454 and #54ED77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 48 / 0 / 7

HEX #547CED

RGB 84 124 237

HSL 224.31, 0.81%, 0.63%

LAB 54.46, 21.47, -61.26

 

Complementary color

CMYK 0 / 23 / 89 / 33

HEX #AB8312

RGB 171 131 18

HSL 44.31, 0.81%, 0.37%

LAB 57.01, 5.74, 59.03

 

CMYK 62 / 47 / 0 / 9

HEX #597CE8

RGB 89 124 232

HSL 225.31, 0.76%, 0.63%

LAB 54.41, 20.63, -58.54

 

CMYK 58 / 43 / 0 / 2

HEX #6A8EFB

RGB 106 142 251

HSL 225.1, 0.95%, 0.7%

LAB 61.11, 19.15, -58.29

 

CMYK 52 / 37 / 0 / 0

HEX #7BA0FF

RGB 123 160 255

HSL 223.18, 1%, 0.74%

LAB 66.96, 13.31, -51.14

 

CMYK 45 / 30 / 0 / 0

HEX #8CB2FF

RGB 140 178 255

HSL 220.17, 1%, 0.77%

LAB 72.65, 6.96, -42.12

 

CMYK 38 / 23 / 0 / 0

HEX #9DC4FF

RGB 157 196 255

HSL 216.12, 1%, 0.81%

LAB 78.38, 1.31, -33.14

 

CMYK 65 / 48 / 0 / 7

HEX #547CED

RGB 84 124 237

HSL 224.31, 0.81%, 0.63%

LAB 54.46, 21.47, -61.26

 

CMYK 69 / 51 / 0 / 15

HEX #436ADA

RGB 67 106 218

HSL 224.5, 0.67%, 0.56%

LAB 47.71, 23.42, -61.51

 

CMYK 75 / 56 / 0 / 22

HEX #3258C7

RGB 50 88 199

HSL 224.7, 0.6%, 0.49%

LAB 40.87, 25.77, -61.73

 

CMYK 82 / 61 / 0 / 29

HEX #2146B4

RGB 33 70 180

HSL 224.9, 0.69%, 0.42%

LAB 33.98, 28.64, -61.85

 

CMYK 90 / 68 / 0 / 37

HEX #1034A1

RGB 16 52 161

HSL 225.1, 0.82%, 0.35%

LAB 27.13, 32.08, -61.72

 

CMYK 65 / 48 / 0 / 7

HEX #547CED

RGB 84 124 237

HSL 224.31, 0.81%, 0.63%

LAB 54.46, 21.47, -61.26

 

CMYK 64 / 65 / 0 / 7

HEX #5554ED

RGB 85 84 237

HSL 240.39, 0.81%, 0.63%

LAB 44.78, 45.94, -76.96

 

CMYK 47 / 65 / 0 / 7

HEX #7E54ED

RGB 126 84 237

HSL 256.47, 0.81%, 0.63%

LAB 48.12, 52.54, -71.37

 

CMYK 30 / 65 / 0 / 7

HEX #A754ED

RGB 167 84 237

HSL 272.55, 0.81%, 0.63%

LAB 52.59, 60.66, -63.93

 

CMYK 12 / 65 / 0 / 7

HEX #D154ED

RGB 209 84 237

HSL 289.02, 0.81%, 0.63%

LAB 58.05, 69.81, -54.87

 

CMYK 65 / 48 / 0 / 7

HEX #547CED

RGB 84 124 237

HSL 224.31, 0.81%, 0.63%

LAB 54.46, 21.47, -61.26

 

CMYK 65 / 65 / 0 / 7

HEX #5454ED

RGB 84 84 237

HSL 240, 0.81%, 0.63%

LAB 44.72, 45.81, -77.07

 

CMYK 65 / 48 / 0 / 7

HEX #547CED

RGB 84 124 237

HSL 224.31, 0.81%, 0.63%

LAB 54.46, 21.47, -61.26

 

CMYK 73 / 54 / 0 / 1

HEX #4474FC

RGB 68 116 252

HSL 224.35, 0.97%, 0.63%

LAB 52.67, 29.4, -72.52

 

CMYK 65 / 48 / 0 / 7

HEX #547CED

RGB 84 124 237

HSL 224.31, 0.81%, 0.63%

LAB 54.46, 21.47, -61.26

 

CMYK 55 / 41 / 0 / 13

HEX #6383DD

RGB 99 131 221

HSL 224.26, 0.64%, 0.63%

LAB 56.19, 14.69, -49.51

 

CMYK 45 / 33 / 0 / 19

HEX #728ACE

RGB 114 138 206

HSL 224.35, 0.48%, 0.63%

LAB 58.24, 9.38, -37.79

 

CMYK 32 / 24 / 0 / 25

HEX #8292BF

RGB 130 146 191

HSL 224.26, 0.32%, 0.63%

LAB 60.84, 4.97, -25.22

 

CMYK 18 / 13 / 0 / 31

HEX #9199B0

RGB 145 153 176

HSL 224.52, 0.16%, 0.63%

LAB 63.29, 2.05, -12.94

 

CMYK 65 / 13 / 0 / 7

HEX #54CEED

RGB 84 206 237

HSL 192.16, 0.81%, 0.63%

LAB 77.37, -24.61, -25.34

 

CMYK 65 / 30 / 0 / 7

HEX #54A5ED

RGB 84 165 237

HSL 208.24, 0.81%, 0.63%

LAB 65.68, -2.79, -43.44

 

CMYK 65 / 48 / 0 / 7

HEX #547CED

RGB 84 124 237

HSL 224.31, 0.81%, 0.63%

LAB 54.46, 21.47, -61.26

 

CMYK 65 / 65 / 0 / 7

HEX #5454ED

RGB 84 84 237

HSL 240, 0.81%, 0.63%

LAB 44.72, 45.81, -77.07

 

CMYK 48 / 65 / 0 / 7

HEX #7C54ED

RGB 124 84 237

HSL 255.69, 0.81%, 0.63%

LAB 47.93, 52.18, -71.69

 

CMYK 90 / 66 / 0 / 15

HEX #1649D8

RGB 22 73 216

HSL 224.23, 0.82%, 0.47%

LAB 37.65, 39.6, -76.83

 

CMYK 80 / 59 / 0 / 9

HEX #2E5FE9

RGB 46 95 233

HSL 224.28, 0.81%, 0.55%

LAB 45.15, 33.46, -74.19

 

CMYK 65 / 48 / 0 / 7

HEX #547CED

RGB 84 124 237

HSL 224.31, 0.81%, 0.63%

LAB 54.46, 21.47, -61.26

 

CMYK 50 / 37 / 0 / 6

HEX #7998F0

RGB 121 152 240

HSL 224.37, 0.8%, 0.71%

LAB 64.01, 12.97, -47.6

 

CMYK 35 / 26 / 0 / 4

HEX #9EB5F4

RGB 158 181 244

HSL 223.95, 0.8%, 0.79%

LAB 74.09, 6.93, -33.85

 

CMYK 65 / 48 / 0 / 7

HEX #547CED

RGB 84 124 237

HSL 224.31, 0.81%, 0.63%

LAB 54.46, 21.47, -61.26

 

CMYK 5 / 65 / 0 / 7

HEX #E254ED

RGB 226 84 237

HSL 295.69, 0.81%, 0.63%

LAB 60.45, 73.63, -50.91

 

CMYK 22 / 0 / 65 / 7

HEX #BAED54

RGB 186 237 84

HSL 80, 0.81%, 0.63%

LAB 87.8, -38.12, 66.29

 

CMYK 65 / 48 / 0 / 7

HEX #547CED

RGB 84 124 237

HSL 224.31, 0.81%, 0.63%

LAB 54.46, 21.47, -61.26

 

CMYK 0 / 65 / 48 / 7

HEX #ED547C

RGB 237 84 124

HSL 344.31, 0.81%, 0.63%

LAB 57.85, 61.72, 10.23

 

CMYK 48 / 0 / 65 / 7

HEX #7CED54

RGB 124 237 84

HSL 104.31, 0.81%, 0.63%

LAB 84.74, -58.91, 62.1

 

CMYK 65 / 48 / 0 / 7

HEX #547CED

RGB 84 124 237

HSL 224.31, 0.81%, 0.63%

LAB 54.46, 21.47, -61.26

 

CMYK 5 / 65 / 0 / 7

HEX #E254ED

RGB 226 84 237

HSL 295.69, 0.81%, 0.63%

LAB 60.45, 73.63, -50.91

 

CMYK 0 / 17 / 65 / 7

HEX #EDC454

RGB 237 196 84

HSL 43.92, 0.81%, 0.63%

LAB 80.81, 2.55, 59.98

 

CMYK 60 / 0 / 65 / 7

HEX #5EED54

RGB 94 237 84

HSL 116.08, 0.81%, 0.63%

LAB 83.75, -66.53, 60.74

 

CMYK 65 / 48 / 0 / 7

HEX #547CED

RGB 84 124 237

HSL 224.31, 0.81%, 0.63%

LAB 54.46, 21.47, -61.26

 

CMYK 0 / 65 / 15 / 7

HEX #ED54C9

RGB 237 84 201

HSL 314.12, 0.81%, 0.63%

LAB 60.39, 70.65, -30.61

 

CMYK 0 / 17 / 65 / 7

HEX #EDC454

RGB 237 196 84

HSL 43.92, 0.81%, 0.63%

LAB 80.81, 2.55, 59.98

 

CMYK 65 / 0 / 50 / 7

HEX #54ED77

RGB 84 237 119

HSL 133.73, 0.81%, 0.63%

LAB 83.85, -64.44, 45.28

 

Description

Color code: HEX #547CED | qconv.com Color code: HEX #547CED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 124 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 124 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 48 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 48% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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