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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #548AC9 it is the complementary color #AB7536. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #548AC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #548AC9 shade: #598AC4, #6A9CD7, #7BAEEA, #8CC0FD and #9DD2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #548AC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #548AC9 shade: #548AC9, #4378B6, #3266A3, #215490 and #10427D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #548AC9 shade: #548AC9, #546AC9, #5D54C9, #7D54C9 and #9C54C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #548AC9 shade: #548AC9, #546AC9 and #5454C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #548AC9 shade matches the following richer shades: #548AC9, #4288DB and #3087ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #548AC9 shade: #548AC9, #668BB6, #788DA4, #8A8E92 and #9D8F80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #548AC9 shade: #54C9C9, #54AAC9, #548AC9, #546BC9 and #5C54C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #548AC9 shade: #30619A, #3A75B9, #548AC9, #739FD3 and #93B5DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #548AC9 shade: #548AC9, #AA54C9 and #B9C954

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #548AC9 shade: #548AC9, #C9548A and #8AC954

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #548AC9 shade: #548AC9, #AA54C9, #C99254 and #73C954

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #548AC9 shade: #548AC9, #C954C5, #C99254 and #54C958

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 31 / 0 / 21

HEX #548AC9

RGB 84 138 201

HSL 212.31, 0.52%, 0.56%

LAB 56.37, 0.95, -38.02

 

Complementary color

CMYK 0 / 32 / 68 / 33

HEX #AB7536

RGB 171 117 54

HSL 32.31, 0.52%, 0.44%

LAB 53.65, 15.03, 42.27

 

CMYK 55 / 30 / 0 / 23

HEX #598AC4

RGB 89 138 196

HSL 212.52, 0.48%, 0.56%

LAB 56.37, 0.4, -35.16

 

CMYK 51 / 27 / 0 / 16

HEX #6A9CD7

RGB 106 156 215

HSL 212.48, 0.58%, 0.63%

LAB 63.13, -0.29, -35.21

 

CMYK 47 / 26 / 0 / 8

HEX #7BAEEA

RGB 123 174 234

HSL 212.43, 0.73%, 0.7%

LAB 69.77, -0.85, -35.28

 

CMYK 45 / 24 / 0 / 1

HEX #8CC0FD

RGB 140 192 253

HSL 212.39, 0.97%, 0.77%

LAB 76.29, -1.33, -35.38

 

CMYK 38 / 18 / 0 / 0

HEX #9DD2FF

RGB 157 210 255

HSL 207.55, 1%, 0.81%

LAB 82.1, -6.18, -27.44

 

CMYK 58 / 31 / 0 / 21

HEX #548AC9

RGB 84 138 201

HSL 212.31, 0.52%, 0.56%

LAB 56.37, 0.95, -38.02

 

CMYK 63 / 34 / 0 / 29

HEX #4378B6

RGB 67 120 182

HSL 212.35, 0.46%, 0.49%

LAB 49.5, 1.98, -38.01

 

CMYK 69 / 37 / 0 / 36

HEX #3266A3

RGB 50 102 163

HSL 212.39, 0.53%, 0.42%

LAB 42.5, 3.32, -38.02

 

CMYK 77 / 42 / 0 / 44

HEX #215490

RGB 33 84 144

HSL 212.43, 0.63%, 0.35%

LAB 35.36, 5.1, -38.02

 

CMYK 87 / 47 / 0 / 51

HEX #10427D

RGB 16 66 125

HSL 212.48, 0.77%, 0.28%

LAB 28.08, 7.56, -37.98

 

CMYK 58 / 31 / 0 / 21

HEX #548AC9

RGB 84 138 201

HSL 212.31, 0.52%, 0.56%

LAB 56.37, 0.95, -38.02

 

CMYK 58 / 47 / 0 / 21

HEX #546AC9

RGB 84 106 201

HSL 228.72, 0.52%, 0.56%

LAB 47.51, 20.41, -52.07

 

CMYK 54 / 58 / 0 / 21

HEX #5D54C9

RGB 93 84 201

HSL 244.62, 0.52%, 0.56%

LAB 42.59, 35.79, -59.97

 

CMYK 38 / 58 / 0 / 21

HEX #7D54C9

RGB 125 84 201

HSL 261.03, 0.52%, 0.56%

LAB 45.52, 42.61, -55.09

 

CMYK 22 / 58 / 0 / 21

HEX #9C54C9

RGB 156 84 201

HSL 276.92, 0.52%, 0.56%

LAB 49.04, 50.05, -49.26

 

CMYK 58 / 31 / 0 / 21

HEX #548AC9

RGB 84 138 201

HSL 212.31, 0.52%, 0.56%

LAB 56.37, 0.95, -38.02

 

CMYK 58 / 47 / 0 / 21

HEX #546AC9

RGB 84 106 201

HSL 228.72, 0.52%, 0.56%

LAB 47.51, 20.41, -52.07

 

CMYK 58 / 58 / 0 / 21

HEX #5454C9

RGB 84 84 201

HSL 240, 0.52%, 0.56%

LAB 41.91, 34.12, -61.1

 

CMYK 58 / 31 / 0 / 21

HEX #548AC9

RGB 84 138 201

HSL 212.31, 0.52%, 0.56%

LAB 56.37, 0.95, -38.02

 

CMYK 70 / 38 / 0 / 14

HEX #4288DB

RGB 66 136 219

HSL 212.55, 0.68%, 0.56%

LAB 55.97, 5.1, -48.83

 

CMYK 80 / 43 / 0 / 7

HEX #3087ED

RGB 48 135 237

HSL 212.38, 0.84%, 0.56%

LAB 56.16, 10.05, -58.61

 

CMYK 58 / 31 / 0 / 21

HEX #548AC9

RGB 84 138 201

HSL 212.31, 0.52%, 0.56%

LAB 56.37, 0.95, -38.02

 

CMYK 44 / 24 / 0 / 29

HEX #668BB6

RGB 102 139 182

HSL 212.25, 0.35%, 0.56%

LAB 56.75, -1.3, -26.57

 

CMYK 27 / 14 / 0 / 36

HEX #788DA4

RGB 120 141 164

HSL 211.36, 0.19%, 0.56%

LAB 57.77, -2.08, -14.63

 

CMYK 5 / 3 / 0 / 43

HEX #8A8E92

RGB 138 142 146

HSL 210, 0.04%, 0.56%

LAB 58.81, -0.65, -2.64

 

CMYK 0 / 9 / 18 / 38

HEX #9D8F80

RGB 157 143 128

HSL 31.03, 0.13%, 0.56%

LAB 60.22, 2.65, 9.87

 

CMYK 58 / 0 / 0 / 21

HEX #54C9C9

RGB 84 201 201

HSL 180, 0.52%, 0.56%

LAB 74.75, -32.47, -9.89

 

CMYK 58 / 15 / 0 / 21

HEX #54AAC9

RGB 84 170 201

HSL 195.9, 0.52%, 0.56%

LAB 65.63, -16.92, -23.66

 

CMYK 58 / 31 / 0 / 21

HEX #548AC9

RGB 84 138 201

HSL 212.31, 0.52%, 0.56%

LAB 56.37, 0.95, -38.02

 

CMYK 58 / 47 / 0 / 21

HEX #546BC9

RGB 84 107 201

HSL 228.21, 0.52%, 0.56%

LAB 47.77, 19.79, -51.65

 

CMYK 54 / 58 / 0 / 21

HEX #5C54C9

RGB 92 84 201

HSL 244.1, 0.52%, 0.56%

LAB 42.51, 35.6, -60.1

 

CMYK 69 / 37 / 0 / 40

HEX #30619A

RGB 48 97 154

HSL 212.26, 0.52%, 0.4%

LAB 40.43, 2.82, -35.95

 

CMYK 69 / 37 / 0 / 27

HEX #3A75B9

RGB 58 117 185

HSL 212.13, 0.52%, 0.48%

LAB 48.42, 3.3, -41.48

 

CMYK 58 / 31 / 0 / 21

HEX #548AC9

RGB 84 138 201

HSL 212.31, 0.52%, 0.56%

LAB 56.37, 0.95, -38.02

 

CMYK 45 / 25 / 0 / 17

HEX #739FD3

RGB 115 159 211

HSL 212.5, 0.52%, 0.64%

LAB 64.28, -1.01, -31.18

 

CMYK 33 / 18 / 0 / 14

HEX #93B5DC

RGB 147 181 220

HSL 212.05, 0.51%, 0.72%

LAB 72.51, -2.25, -23.32

 

CMYK 58 / 31 / 0 / 21

HEX #548AC9

RGB 84 138 201

HSL 212.31, 0.52%, 0.56%

LAB 56.37, 0.95, -38.02

 

CMYK 15 / 58 / 0 / 21

HEX #AA54C9

RGB 170 84 201

HSL 284.1, 0.52%, 0.56%

LAB 50.81, 53.56, -46.33

 

CMYK 8 / 0 / 58 / 21

HEX #B9C954

RGB 185 201 84

HSL 68.21, 0.52%, 0.56%

LAB 77.71, -21.61, 55.33

 

CMYK 58 / 31 / 0 / 21

HEX #548AC9

RGB 84 138 201

HSL 212.31, 0.52%, 0.56%

LAB 56.37, 0.95, -38.02

 

CMYK 0 / 58 / 31 / 21

HEX #C9548A

RGB 201 84 138

HSL 332.31, 0.52%, 0.56%

LAB 52.5, 52.01, -6.51

 

CMYK 31 / 0 / 58 / 21

HEX #8AC954

RGB 138 201 84

HSL 92.31, 0.52%, 0.56%

LAB 74.71, -39.68, 51.12

 

CMYK 58 / 31 / 0 / 21

HEX #548AC9

RGB 84 138 201

HSL 212.31, 0.52%, 0.56%

LAB 56.37, 0.95, -38.02

 

CMYK 15 / 58 / 0 / 21

HEX #AA54C9

RGB 170 84 201

HSL 284.1, 0.52%, 0.56%

LAB 50.81, 53.56, -46.33

 

CMYK 0 / 27 / 58 / 21

HEX #C99254

RGB 201 146 84

HSL 31.79, 0.52%, 0.56%

LAB 64.66, 14, 40.63

 

CMYK 43 / 0 / 58 / 21

HEX #73C954

RGB 115 201 84

HSL 104.1, 0.52%, 0.56%

LAB 73.58, -47.39, 49.53

 

CMYK 58 / 31 / 0 / 21

HEX #548AC9

RGB 84 138 201

HSL 212.31, 0.52%, 0.56%

LAB 56.37, 0.95, -38.02

 

CMYK 0 / 58 / 2 / 21

HEX #C954C5

RGB 201 84 197

HSL 302.05, 0.52%, 0.56%

LAB 54.85, 60.78, -37.36

 

CMYK 0 / 27 / 58 / 21

HEX #C99254

RGB 201 146 84

HSL 31.79, 0.52%, 0.56%

LAB 64.66, 14, 40.63

 

CMYK 58 / 0 / 56 / 21

HEX #54C958

RGB 84 201 88

HSL 122.05, 0.52%, 0.56%

LAB 72.47, -55.5, 46.1

 

Description

Color code: HEX #548AC9 | qconv.com Color code: HEX #548AC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 138 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 138 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 31 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 31% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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