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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #548ADE it is the complementary color #AB7521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #548ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #548ADE shade: #598AD9, #6A9CEC, #7BAEFF, #8CC0FF and #9DD2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #548ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #548ADE shade: #548ADE, #4378CB, #3266B8, #2154A5 and #104292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #548ADE shade: #5389DE, #5364DE, #6853DE, #8D53DE and #B253DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #548ADE shade: #5389DE, #5364DE and #5353DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #548ADE shade matches the following richer shades: #5389DE and #4386EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #548ADE shade: #5389DE, #648DCD, #7491BD, #8594AC and #95989C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #548ADE shade: #53D5DE, #53B0DE, #538BDE, #5366DE and #6653DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #548ADE shade: #235FBB, #3072D7, #5389DE, #76A1E4 and #98B9EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #548ADE shade: #548ADE, #C253DE and #C2DE53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #548ADE shade: #548ADE, #DE538B and #8BDE53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #548ADE shade: #548ADE, #C253DE, #DEA653 and #6FDE53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #548ADE shade: #548ADE, #DE53D0, #DEA653 and #53DE61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 38 / 0 / 13

HEX #548ADE

RGB 84 138 222

HSL 216.52, 0.68%, 0.6%

LAB 57.4, 7.9, -48.2

 

Complementary color

CMYK 0 / 32 / 81 / 33

HEX #AB7521

RGB 171 117 33

HSL 36.52, 0.68%, 0.4%

LAB 53.48, 14.02, 51.42

 

CMYK 59 / 36 / 0 / 15

HEX #598AD9

RGB 89 138 217

HSL 217.03, 0.63%, 0.6%

LAB 57.38, 7.18, -45.42

 

CMYK 55 / 34 / 0 / 7

HEX #6A9CEC

RGB 106 156 236

HSL 216.92, 0.77%, 0.67%

LAB 64.08, 6.16, -45.34

 

CMYK 52 / 32 / 0 / 0

HEX #7BAEFF

RGB 123 174 255

HSL 216.82, 1%, 0.74%

LAB 70.67, 5.32, -45.29

 

CMYK 45 / 25 / 0 / 0

HEX #8CC0FF

RGB 140 192 255

HSL 212.87, 1%, 0.77%

LAB 76.37, -0.77, -36.33

 

CMYK 38 / 18 / 0 / 0

HEX #9DD2FF

RGB 157 210 255

HSL 207.55, 1%, 0.81%

LAB 82.1, -6.18, -27.44

 

CMYK 62 / 38 / 0 / 13

HEX #548ADE

RGB 84 138 222

HSL 216.52, 0.68%, 0.6%

LAB 57.4, 7.9, -48.2

 

CMYK 67 / 41 / 0 / 20

HEX #4378CB

RGB 67 120 203

HSL 216.62, 0.57%, 0.53%

LAB 50.61, 9.32, -48.3

 

CMYK 73 / 45 / 0 / 28

HEX #3266B8

RGB 50 102 184

HSL 216.72, 0.57%, 0.46%

LAB 43.71, 11.11, -48.41

 

CMYK 80 / 49 / 0 / 35

HEX #2154A5

RGB 33 84 165

HSL 216.82, 0.67%, 0.39%

LAB 36.71, 13.4, -48.5

 

CMYK 89 / 55 / 0 / 43

HEX #104292

RGB 16 66 146

HSL 216.92, 0.8%, 0.32%

LAB 29.62, 16.39, -48.5

 

CMYK 63 / 38 / 0 / 13

HEX #5389DE

RGB 83 137 222

HSL 216.69, 0.68%, 0.6%

LAB 57.08, 8.31, -48.71

 

CMYK 63 / 55 / 0 / 13

HEX #5364DE

RGB 83 100 222

HSL 232.66, 0.68%, 0.6%

LAB 47.27, 31.03, -64.44

 

CMYK 53 / 63 / 0 / 13

HEX #6853DE

RGB 104 83 222

HSL 249.06, 0.68%, 0.6%

LAB 44.81, 44.84, -68.37

 

CMYK 36 / 63 / 0 / 13

HEX #8D53DE

RGB 141 83 222

HSL 265.04, 0.68%, 0.6%

LAB 48.41, 52.1, -62.35

 

CMYK 20 / 63 / 0 / 13

HEX #B253DE

RGB 178 83 222

HSL 281.01, 0.68%, 0.6%

LAB 52.87, 60.3, -54.96

 

CMYK 63 / 38 / 0 / 13

HEX #5389DE

RGB 83 137 222

HSL 216.69, 0.68%, 0.6%

LAB 57.08, 8.31, -48.71

 

CMYK 63 / 55 / 0 / 13

HEX #5364DE

RGB 83 100 222

HSL 232.66, 0.68%, 0.6%

LAB 47.27, 31.03, -64.44

 

CMYK 63 / 63 / 0 / 13

HEX #5353DE

RGB 83 83 222

HSL 240, 0.68%, 0.6%

LAB 43.21, 41.41, -71.04

 

CMYK 63 / 38 / 0 / 13

HEX #5389DE

RGB 83 137 222

HSL 216.69, 0.68%, 0.6%

LAB 57.08, 8.31, -48.71

 

CMYK 72 / 44 / 0 / 7

HEX #4386EE

RGB 67 134 238

HSL 216.49, 0.83%, 0.6%

LAB 56.5, 13.19, -58.58

 

CMYK 63 / 38 / 0 / 13

HEX #5389DE

RGB 83 137 222

HSL 216.69, 0.68%, 0.6%

LAB 57.08, 8.31, -48.71

 

CMYK 51 / 31 / 0 / 20

HEX #648DCD

RGB 100 141 205

HSL 216.57, 0.51%, 0.6%

LAB 58.2, 3.93, -37.35

 

CMYK 39 / 23 / 0 / 26

HEX #7491BD

RGB 116 145 189

HSL 216.16, 0.36%, 0.6%

LAB 59.56, 1.01, -26.14

 

CMYK 23 / 14 / 0 / 33

HEX #8594AC

RGB 133 148 172

HSL 216.92, 0.19%, 0.6%

LAB 60.91, 0.03, -14.35

 

CMYK 4 / 3 / 0 / 39

HEX #95989C

RGB 149 152 156

HSL 214.29, 0.03%, 0.6%

LAB 62.72, -0.29, -2.48

 

CMYK 63 / 4 / 0 / 13

HEX #53D5DE

RGB 83 213 222

HSL 183.88, 0.68%, 0.6%

LAB 78.87, -32.53, -15.03

 

CMYK 63 / 21 / 0 / 13

HEX #53B0DE

RGB 83 176 222

HSL 199.86, 0.68%, 0.6%

LAB 68.14, -13.84, -31.38

 

CMYK 63 / 37 / 0 / 13

HEX #538BDE

RGB 83 139 222

HSL 215.83, 0.68%, 0.6%

LAB 57.63, 7.12, -47.83

 

CMYK 63 / 54 / 0 / 13

HEX #5366DE

RGB 83 102 222

HSL 231.8, 0.68%, 0.6%

LAB 47.77, 29.79, -63.63

 

CMYK 54 / 63 / 0 / 13

HEX #6653DE

RGB 102 83 222

HSL 248.2, 0.68%, 0.6%

LAB 44.64, 44.49, -68.65

 

CMYK 81 / 49 / 0 / 27

HEX #235FBB

RGB 35 95 187

HSL 216.32, 0.68%, 0.44%

LAB 41.42, 15, -53.88

 

CMYK 78 / 47 / 0 / 16

HEX #3072D7

RGB 48 114 215

HSL 216.29, 0.68%, 0.52%

LAB 48.97, 14.86, -57.8

 

CMYK 63 / 38 / 0 / 13

HEX #5389DE

RGB 83 137 222

HSL 216.69, 0.68%, 0.6%

LAB 57.08, 8.31, -48.71

 

CMYK 48 / 29 / 0 / 11

HEX #76A1E4

RGB 118 161 228

HSL 216.55, 0.67%, 0.68%

LAB 65.7, 3.53, -38.34

 

CMYK 35 / 21 / 0 / 8

HEX #98B9EB

RGB 152 185 235

HSL 216.14, 0.67%, 0.76%

LAB 74.43, 0.77, -28.5

 

CMYK 62 / 38 / 0 / 13

HEX #548ADE

RGB 84 138 222

HSL 216.52, 0.68%, 0.6%

LAB 57.4, 7.9, -48.2

 

CMYK 13 / 63 / 0 / 13

HEX #C253DE

RGB 194 83 222

HSL 287.91, 0.68%, 0.6%

LAB 55, 64, -51.43

 

CMYK 13 / 0 / 63 / 13

HEX #C2DE53

RGB 194 222 83

HSL 72.09, 0.68%, 0.6%

LAB 84.14, -28.2, 62.95

 

CMYK 62 / 38 / 0 / 13

HEX #548ADE

RGB 84 138 222

HSL 216.52, 0.68%, 0.6%

LAB 57.4, 7.9, -48.2

 

CMYK 0 / 63 / 37 / 13

HEX #DE538B

RGB 222 83 139

HSL 335.83, 0.68%, 0.6%

LAB 55.66, 59.05, -2.06

 

CMYK 37 / 0 / 63 / 13

HEX #8BDE53

RGB 139 222 83

HSL 95.83, 0.68%, 0.6%

LAB 80.94, -48.42, 58.54

 

CMYK 62 / 38 / 0 / 13

HEX #548ADE

RGB 84 138 222

HSL 216.52, 0.68%, 0.6%

LAB 57.4, 7.9, -48.2

 

CMYK 13 / 63 / 0 / 13

HEX #C253DE

RGB 194 83 222

HSL 287.91, 0.68%, 0.6%

LAB 55, 64, -51.43

 

CMYK 0 / 25 / 63 / 13

HEX #DEA653

RGB 222 166 83

HSL 35.83, 0.68%, 0.6%

LAB 71.84, 11.99, 50.09

 

CMYK 50 / 0 / 63 / 13

HEX #6FDE53

RGB 111 222 83

HSL 107.91, 0.68%, 0.6%

LAB 79.75, -56.97, 56.9

 

CMYK 62 / 38 / 0 / 13

HEX #548ADE

RGB 84 138 222

HSL 216.52, 0.68%, 0.6%

LAB 57.4, 7.9, -48.2

 

CMYK 0 / 63 / 6 / 13

HEX #DE53D0

RGB 222 83 208

HSL 306.04, 0.68%, 0.6%

LAB 58.29, 68.32, -38.03

 

CMYK 0 / 25 / 63 / 13

HEX #DEA653

RGB 222 166 83

HSL 35.83, 0.68%, 0.6%

LAB 71.84, 11.99, 50.09

 

CMYK 63 / 0 / 56 / 13

HEX #53DE61

RGB 83 222 97

HSL 126.04, 0.68%, 0.6%

LAB 79.01, -62.25, 49.67

 

Description

Color code: HEX #548ADE | qconv.com Color code: HEX #548ADE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 138 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 138 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 38 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 38% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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