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Color name
HEX #549120

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #549120 it is the complementary color #AB6EDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #549120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #549120 shade: #59911B, #6AA32E, #7BB541, #8CC754 and #9DD967

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #549120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #549120 shade: #549120, #437F0D, #326D00, #215B00 and #104900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #549120 shade: #549220, #739220, #929220, #927320 and #925420

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #549120 shade: #549220, #359220, #209229, #209247 and #209266

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #549120 shade matches the following richer shades: #549220, #53A011 and #52AF03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #549120 shade: #549220, #55832E, #57753D, #58674B and #595859

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #549120 shade: #929220, #739220, #559220, #369220 and #209227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #549120 shade: #2D4E11, #417018, #549220, #68B427 and #7CD232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #549120 shade: #549120, #209273 and #922083

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #549120 shade: #549120, #205592 and #922055

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #549120 shade: #549120, #209273, #5D2092 and #92203E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #549120 shade: #549120, #208E92, #5D2092 and #922320

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 78 / 43

HEX #549120

RGB 84 145 32

HSL 92.39, 0.64%, 0.35%

LAB 54.28, -38.61, 49.94

 

Complementary color

CMYK 23 / 51 / 0 / 13

HEX #AB6EDF

RGB 171 110 223

HSL 272.39, 0.64%, 0.65%

LAB 57.21, 45.16, -48.65

 

CMYK 39 / 0 / 81 / 43

HEX #59911B

RGB 89 145 27

HSL 88.47, 0.69%, 0.34%

LAB 54.51, -37.09, 51.86

 

CMYK 35 / 0 / 72 / 36

HEX #6AA32E

RGB 106 163 46

HSL 89.23, 0.56%, 0.41%

LAB 61.18, -37.61, 52.04

 

CMYK 32 / 0 / 64 / 29

HEX #7BB541

RGB 123 181 65

HSL 90, 0.47%, 0.48%

LAB 67.75, -37.91, 51.5

 

CMYK 30 / 0 / 58 / 22

HEX #8CC754

RGB 140 199 84

HSL 90.78, 0.51%, 0.55%

LAB 74.23, -38.07, 50.6

 

CMYK 28 / 0 / 53 / 15

HEX #9DD967

RGB 157 217 103

HSL 91.58, 0.6%, 0.63%

LAB 80.61, -38.13, 49.55

 

CMYK 42 / 0 / 78 / 43

HEX #549120

RGB 84 145 32

HSL 92.39, 0.64%, 0.35%

LAB 54.28, -38.61, 49.94

 

CMYK 47 / 0 / 90 / 50

HEX #437F0D

RGB 67 127 13

HSL 91.58, 0.81%, 0.27%

LAB 47.5, -37.83, 48.93

 

CMYK 54 / 0 / 100 / 57

HEX #326D00

RGB 50 109 0

HSL 92.48, 1%, 0.21%

LAB 40.6, -36.55, 45.85

 

CMYK 64 / 0 / 100 / 64

HEX #215B00

RGB 33 91 0

HSL 98.24, 1%, 0.18%

LAB 33.57, -34.58, 40.04

 

CMYK 78 / 0 / 100 / 71

HEX #104900

RGB 16 73 0

HSL 106.85, 1%, 0.14%

LAB 26.38, -32.08, 33.97

 

CMYK 42 / 0 / 78 / 43

HEX #549220

RGB 84 146 32

HSL 92.63, 0.64%, 0.35%

LAB 54.6, -39.04, 50.25

 

CMYK 21 / 0 / 78 / 43

HEX #739220

RGB 115 146 32

HSL 76.32, 0.64%, 0.35%

LAB 56.39, -27, 52.58

 

CMYK 0 / 0 / 78 / 43

HEX #929220

RGB 146 146 32

HSL 60, 0.64%, 0.35%

LAB 58.76, -13.44, 55.63

 

CMYK 0 / 21 / 78 / 43

HEX #927320

RGB 146 115 32

HSL 43.68, 0.64%, 0.35%

LAB 50.07, 3.65, 47.59

 

CMYK 0 / 42 / 78 / 43

HEX #925420

RGB 146 84 32

HSL 27.37, 0.64%, 0.35%

LAB 42.09, 21.53, 39.85

 

CMYK 42 / 0 / 78 / 43

HEX #549220

RGB 84 146 32

HSL 92.63, 0.64%, 0.35%

LAB 54.6, -39.04, 50.25

 

CMYK 64 / 0 / 78 / 43

HEX #359220

RGB 53 146 32

HSL 108.95, 0.64%, 0.35%

LAB 53.4, -48.27, 48.68

 

CMYK 78 / 0 / 72 / 43

HEX #209229

RGB 32 146 41

HSL 124.74, 0.64%, 0.35%

LAB 52.98, -51.64, 44.72

 

CMYK 78 / 0 / 51 / 43

HEX #209247

RGB 32 146 71

HSL 140.53, 0.64%, 0.35%

LAB 53.3, -47.78, 30.95

 

CMYK 78 / 0 / 30 / 43

HEX #209266

RGB 32 146 102

HSL 156.84, 0.64%, 0.35%

LAB 53.84, -41.63, 14.69

 

CMYK 42 / 0 / 78 / 43

HEX #549220

RGB 84 146 32

HSL 92.63, 0.64%, 0.35%

LAB 54.6, -39.04, 50.25

 

CMYK 48 / 0 / 89 / 37

HEX #53A011

RGB 83 160 17

HSL 92.31, 0.81%, 0.35%

LAB 58.99, -45.8, 58.21

 

CMYK 53 / 0 / 98 / 31

HEX #52AF03

RGB 82 175 3

HSL 92.44, 0.97%, 0.35%

LAB 63.72, -52.17, 64.15

 

CMYK 42 / 0 / 78 / 43

HEX #549220

RGB 84 146 32

HSL 92.63, 0.64%, 0.35%

LAB 54.6, -39.04, 50.25

 

CMYK 35 / 0 / 65 / 49

HEX #55832E

RGB 85 131 46

HSL 92.47, 0.48%, 0.35%

LAB 49.93, -30.9, 39.84

 

CMYK 26 / 0 / 48 / 54

HEX #57753D

RGB 87 117 61

HSL 92.14, 0.31%, 0.35%

LAB 45.75, -21.52, 27.35

 

CMYK 15 / 0 / 27 / 60

HEX #58674B

RGB 88 103 75

HSL 92.14, 0.16%, 0.35%

LAB 41.66, -11.37, 13.97

 

CMYK 0 / 1 / 0 / 65

HEX #595859

RGB 89 88 89

HSL 300, 0.01%, 0.35%

LAB 37.53, 0.61, -0.44

 

CMYK 0 / 0 / 78 / 43

HEX #929220

RGB 146 146 32

HSL 60, 0.64%, 0.35%

LAB 58.76, -13.44, 55.63

 

CMYK 21 / 0 / 78 / 43

HEX #739220

RGB 115 146 32

HSL 76.32, 0.64%, 0.35%

LAB 56.39, -27, 52.58

 

CMYK 42 / 0 / 78 / 43

HEX #559220

RGB 85 146 32

HSL 92.11, 0.64%, 0.35%

LAB 54.65, -38.69, 50.31

 

CMYK 63 / 0 / 78 / 43

HEX #369220

RGB 54 146 32

HSL 108.42, 0.64%, 0.35%

LAB 53.43, -48.03, 48.72

 

CMYK 78 / 0 / 73 / 43

HEX #209227

RGB 32 146 39

HSL 123.68, 0.64%, 0.35%

LAB 52.96, -51.82, 45.5

 

CMYK 42 / 0 / 78 / 69

HEX #2D4E11

RGB 45 78 17

HSL 92.46, 0.64%, 0.19%

LAB 29.53, -23.68, 30.65

 

CMYK 42 / 0 / 79 / 56

HEX #417018

RGB 65 112 24

HSL 92.05, 0.65%, 0.27%

LAB 42.43, -31.46, 41

 

CMYK 42 / 0 / 78 / 43

HEX #549220

RGB 84 146 32

HSL 92.63, 0.64%, 0.35%

LAB 54.6, -39.04, 50.25

 

CMYK 42 / 0 / 78 / 29

HEX #68B427

RGB 104 180 39

HSL 92.34, 0.64%, 0.43%

LAB 66.31, -45.98, 59.44

 

CMYK 41 / 0 / 76 / 18

HEX #7CD232

RGB 124 210 50

HSL 92.25, 0.64%, 0.51%

LAB 76.44, -50.86, 65.94

 

CMYK 42 / 0 / 78 / 43

HEX #549120

RGB 84 145 32

HSL 92.39, 0.64%, 0.35%

LAB 54.28, -38.61, 49.94

 

CMYK 78 / 0 / 21 / 43

HEX #209273

RGB 32 146 115

HSL 163.68, 0.64%, 0.35%

LAB 54.14, -38.45, 7.71

 

CMYK 0 / 78 / 10 / 43

HEX #922083

RGB 146 32 131

HSL 307.89, 0.64%, 0.35%

LAB 35.56, 56.49, -28.99

 

CMYK 42 / 0 / 78 / 43

HEX #549120

RGB 84 145 32

HSL 92.39, 0.64%, 0.35%

LAB 54.28, -38.61, 49.94

 

CMYK 78 / 42 / 0 / 43

HEX #205592

RGB 32 85 146

HSL 212.11, 0.64%, 0.35%

LAB 35.75, 5.11, -38.61

 

CMYK 0 / 78 / 42 / 43

HEX #922055

RGB 146 32 85

HSL 332.11, 0.64%, 0.35%

LAB 33.56, 50.49, -2.82

 

CMYK 42 / 0 / 78 / 43

HEX #549120

RGB 84 145 32

HSL 92.39, 0.64%, 0.35%

LAB 54.28, -38.61, 49.94

 

CMYK 78 / 0 / 21 / 43

HEX #209273

RGB 32 146 115

HSL 163.68, 0.64%, 0.35%

LAB 54.14, -38.45, 7.71

 

CMYK 36 / 78 / 0 / 43

HEX #5D2092

RGB 93 32 146

HSL 272.11, 0.64%, 0.35%

LAB 27.94, 48.35, -50.97

 

CMYK 0 / 78 / 58 / 43

HEX #92203E

RGB 146 32 62

HSL 344.21, 0.64%, 0.35%

LAB 32.9, 48.41, 11.26

 

CMYK 42 / 0 / 78 / 43

HEX #549120

RGB 84 145 32

HSL 92.39, 0.64%, 0.35%

LAB 54.28, -38.61, 49.94

 

CMYK 78 / 3 / 0 / 43

HEX #208E92

RGB 32 142 146

HSL 182.11, 0.64%, 0.35%

LAB 53.74, -27.68, -10.73

 

CMYK 36 / 78 / 0 / 43

HEX #5D2092

RGB 93 32 146

HSL 272.11, 0.64%, 0.35%

LAB 27.94, 48.35, -50.97

 

CMYK 0 / 76 / 78 / 43

HEX #922320

RGB 146 35 32

HSL 1.58, 0.64%, 0.35%

LAB 32.74, 45.64, 30.16

 

Description

Color code: HEX #549120 | qconv.com Color code: HEX #549120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 145 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 145 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 78 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 78% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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