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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #549A1D it is the complementary color #AB65E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #549A1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #549A1D shade: #599A18, #6AAC2B, #7BBE3E, #8CD051 and #9DE264

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #549A1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #549A1D shade: #549A1D, #43880A, #327600, #216400 and #105200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #549A1D shade: #549A1D, #759A1D, #979A1D, #9A7B1D and #9A591D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #549A1D shade: #549A1D, #329A1D, #1D9A29, #1D9A4B and #1D9A6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #549A1D shade matches the following richer shades: #549A1D and #52A90E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #549A1D shade: #549A1D, #568B2C, #577C3B, #596D49 and #5B5E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #549A1D shade: #989A1D, #769A1D, #559A1D, #349A1D and #1D9A27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #549A1D shade: #2E5410, #417716, #549A1D, #67BC23 and #7BD732

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #549A1D shade: #549A1D, #1D9A7B and #9A1D87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #549A1D shade: #549A1D, #1D559A and #9A1D55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #549A1D shade: #549A1D, #1D9A7B, #621D9A and #9A1D3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #549A1D shade: #549A1D, #1D939A, #621D9A and #9A231D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 81 / 40

HEX #549A1D

RGB 84 154 29

HSL 93.6, 0.68%, 0.36%

LAB 57.16, -42.56, 53.61

 

Complementary color

CMYK 24 / 55 / 0 / 11

HEX #AB65E2

RGB 171 101 226

HSL 273.6, 0.68%, 0.64%

LAB 55.54, 50.62, -52.99

 

CMYK 42 / 0 / 84 / 40

HEX #599A18

RGB 89 154 24

HSL 90, 0.73%, 0.35%

LAB 57.37, -41.08, 55.29

 

CMYK 38 / 0 / 75 / 33

HEX #6AAC2B

RGB 106 172 43

HSL 90.7, 0.6%, 0.42%

LAB 63.95, -41.72, 55.9

 

CMYK 35 / 0 / 67 / 25

HEX #7BBE3E

RGB 123 190 62

HSL 91.41, 0.51%, 0.49%

LAB 70.45, -42.1, 55.62

 

CMYK 33 / 0 / 61 / 18

HEX #8CD051

RGB 140 208 81

HSL 92.13, 0.57%, 0.57%

LAB 76.85, -42.32, 54.89

 

CMYK 31 / 0 / 56 / 11

HEX #9DE264

RGB 157 226 100

HSL 92.86, 0.68%, 0.64%

LAB 83.17, -42.42, 53.93

 

CMYK 45 / 0 / 81 / 40

HEX #549A1D

RGB 84 154 29

HSL 93.6, 0.68%, 0.36%

LAB 57.16, -42.56, 53.61

 

CMYK 51 / 0 / 93 / 47

HEX #43880A

RGB 67 136 10

HSL 92.86, 0.86%, 0.29%

LAB 50.48, -41.61, 52.07

 

CMYK 58 / 0 / 100 / 54

HEX #327600

RGB 50 118 0

HSL 94.58, 1%, 0.23%

LAB 43.7, -40.12, 48.29

 

CMYK 67 / 0 / 100 / 61

HEX #216400

RGB 33 100 0

HSL 100.2, 1%, 0.2%

LAB 36.81, -38.02, 42.6

 

CMYK 80 / 0 / 100 / 68

HEX #105200

RGB 16 82 0

HSL 108.29, 1%, 0.16%

LAB 29.77, -35.33, 36.82

 

CMYK 45 / 0 / 81 / 40

HEX #549A1D

RGB 84 154 29

HSL 93.6, 0.68%, 0.36%

LAB 57.16, -42.56, 53.61

 

CMYK 24 / 0 / 81 / 40

HEX #759A1D

RGB 117 154 29

HSL 77.76, 0.68%, 0.36%

LAB 58.96, -30.16, 55.92

 

CMYK 2 / 0 / 81 / 40

HEX #979A1D

RGB 151 154 29

HSL 61.44, 0.68%, 0.36%

LAB 61.46, -15.51, 59.11

 

CMYK 0 / 20 / 81 / 40

HEX #9A7B1D

RGB 154 123 29

HSL 45.12, 0.68%, 0.36%

LAB 53.09, 2.71, 51.79

 

CMYK 0 / 42 / 81 / 40

HEX #9A591D

RGB 154 89 29

HSL 28.8, 0.68%, 0.36%

LAB 44.38, 22.11, 43.82

 

CMYK 45 / 0 / 81 / 40

HEX #549A1D

RGB 84 154 29

HSL 93.6, 0.68%, 0.36%

LAB 57.16, -42.56, 53.61

 

CMYK 68 / 0 / 81 / 40

HEX #329A1D

RGB 50 154 29

HSL 109.92, 0.68%, 0.36%

LAB 55.97, -51.97, 52.07

 

CMYK 81 / 0 / 73 / 40

HEX #1D9A29

RGB 29 154 41

HSL 125.76, 0.68%, 0.36%

LAB 55.62, -54.68, 47.44

 

CMYK 81 / 0 / 51 / 40

HEX #1D9A4B

RGB 29 154 75

HSL 142.08, 0.68%, 0.36%

LAB 55.97, -50.41, 32.18

 

CMYK 81 / 0 / 29 / 40

HEX #1D9A6D

RGB 29 154 109

HSL 158.4, 0.68%, 0.36%

LAB 56.56, -43.63, 14.51

 

CMYK 45 / 0 / 81 / 40

HEX #549A1D

RGB 84 154 29

HSL 93.6, 0.68%, 0.36%

LAB 57.16, -42.56, 53.61

 

CMYK 51 / 0 / 92 / 34

HEX #52A90E

RGB 82 169 14

HSL 93.68, 0.85%, 0.36%

LAB 61.83, -49.68, 61.12

 

CMYK 45 / 0 / 81 / 40

HEX #549A1D

RGB 84 154 29

HSL 93.6, 0.68%, 0.36%

LAB 57.16, -42.56, 53.61

 

CMYK 38 / 0 / 68 / 45

HEX #568B2C

RGB 86 139 44

HSL 93.47, 0.52%, 0.36%

LAB 52.54, -34.38, 43.56

 

CMYK 30 / 0 / 52 / 51

HEX #577C3B

RGB 87 124 59

HSL 94.15, 0.36%, 0.36%

LAB 47.95, -25.33, 31.13

 

CMYK 18 / 0 / 33 / 57

HEX #596D49

RGB 89 109 73

HSL 93.33, 0.2%, 0.36%

LAB 43.57, -14.65, 17.74

 

CMYK 3 / 0 / 6 / 63

HEX #5B5E58

RGB 91 94 88

HSL 90, 0.03%, 0.36%

LAB 39.47, -2.43, 3.02

 

CMYK 1 / 0 / 81 / 40

HEX #989A1D

RGB 152 154 29

HSL 60.96, 0.68%, 0.36%

LAB 61.55, -15.07, 59.21

 

CMYK 23 / 0 / 81 / 40

HEX #769A1D

RGB 118 154 29

HSL 77.28, 0.68%, 0.36%

LAB 59.02, -29.75, 56.01

 

CMYK 45 / 0 / 81 / 40

HEX #559A1D

RGB 85 154 29

HSL 93.12, 0.68%, 0.36%

LAB 57.2, -42.22, 53.67

 

CMYK 66 / 0 / 81 / 40

HEX #349A1D

RGB 52 154 29

HSL 108.96, 0.68%, 0.36%

LAB 56.02, -51.53, 52.14

 

CMYK 81 / 0 / 75 / 40

HEX #1D9A27

RGB 29 154 39

HSL 124.8, 0.68%, 0.36%

LAB 55.6, -54.85, 48.18

 

CMYK 45 / 0 / 81 / 67

HEX #2E5410

RGB 46 84 16

HSL 93.53, 0.68%, 0.2%

LAB 31.71, -26.26, 33.26

 

CMYK 45 / 0 / 82 / 53

HEX #417716

RGB 65 119 22

HSL 93.4, 0.69%, 0.28%

LAB 44.77, -34.69, 43.94

 

CMYK 45 / 0 / 81 / 40

HEX #549A1D

RGB 84 154 29

HSL 93.6, 0.68%, 0.36%

LAB 57.16, -42.56, 53.61

 

CMYK 45 / 0 / 81 / 26

HEX #67BC23

RGB 103 188 35

HSL 93.33, 0.69%, 0.44%

LAB 68.73, -49.72, 62.83

 

CMYK 43 / 0 / 77 / 16

HEX #7BD732

RGB 123 215 50

HSL 93.45, 0.67%, 0.52%

LAB 77.9, -53.16, 67.32

 

CMYK 45 / 0 / 81 / 40

HEX #549A1D

RGB 84 154 29

HSL 93.6, 0.68%, 0.36%

LAB 57.16, -42.56, 53.61

 

CMYK 81 / 0 / 20 / 40

HEX #1D9A7B

RGB 29 154 123

HSL 165.12, 0.68%, 0.36%

LAB 56.88, -40.17, 7.06

 

CMYK 0 / 81 / 12 / 40

HEX #9A1D87

RGB 154 29 135

HSL 309.12, 0.68%, 0.36%

LAB 36.93, 59.74, -29.22

 

CMYK 45 / 0 / 81 / 40

HEX #549A1D

RGB 84 154 29

HSL 93.6, 0.68%, 0.36%

LAB 57.16, -42.56, 53.61

 

CMYK 81 / 45 / 0 / 40

HEX #1D559A

RGB 29 85 154

HSL 213.12, 0.68%, 0.36%

LAB 36.16, 7.93, -42.79

 

CMYK 0 / 81 / 45 / 40

HEX #9A1D55

RGB 154 29 85

HSL 333.12, 0.68%, 0.36%

LAB 34.81, 53.6, -0.8

 

CMYK 45 / 0 / 81 / 40

HEX #549A1D

RGB 84 154 29

HSL 93.6, 0.68%, 0.36%

LAB 57.16, -42.56, 53.61

 

CMYK 81 / 0 / 20 / 40

HEX #1D9A7B

RGB 29 154 123

HSL 165.12, 0.68%, 0.36%

LAB 56.88, -40.17, 7.06

 

CMYK 36 / 81 / 0 / 40

HEX #621D9A

RGB 98 29 154

HSL 273.12, 0.68%, 0.36%

LAB 28.92, 52.29, -54.25

 

CMYK 0 / 81 / 61 / 40

HEX #9A1D3C

RGB 154 29 60

HSL 345.12, 0.68%, 0.36%

LAB 34.14, 51.55, 14.52

 

CMYK 45 / 0 / 81 / 40

HEX #549A1D

RGB 84 154 29

HSL 93.6, 0.68%, 0.36%

LAB 57.16, -42.56, 53.61

 

CMYK 81 / 5 / 0 / 40

HEX #1D939A

RGB 29 147 154

HSL 183.36, 0.68%, 0.36%

LAB 55.54, -27.93, -12.62

 

CMYK 36 / 81 / 0 / 40

HEX #621D9A

RGB 98 29 154

HSL 273.12, 0.68%, 0.36%

LAB 28.92, 52.29, -54.25

 

CMYK 0 / 77 / 81 / 40

HEX #9A231D

RGB 154 35 29

HSL 2.88, 0.68%, 0.36%

LAB 34.32, 48.12, 34.05

 

Description

Color code: HEX #549A1D | qconv.com Color code: HEX #549A1D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 154 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 154 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 81 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 81% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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