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Color name
HEX #549A31

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #549A31 it is the complementary color #AB65CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #549A31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #549A31 shade: #599A2C, #6AAC3F, #7BBE52, #8CD065 and #9DE278

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #549A31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #549A31 shade: #549A31, #43881E, #32760B, #216400 and #105200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #549A31 shade: #549B30, #709B30, #8D9B30, #9B8B30 and #9B6F30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #549A31 shade: #549B30, #379B30, #309B46, #309B63 and #309B80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #549A31 shade matches the following richer shades: #549B30, #4EAB20 and #49BC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #549A31 shade: #549B30, #598A41, #5F7A51, #646962 and #6A5972

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #549A31 shade: #8C9B30, #709B30, #549B30, #389B30 and #309B46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #549A31 shade: #325C1D, #437B27, #549B30, #65BA3A and #7BC955

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #549A31 shade: #549A31, #309B8C and #9B307E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #549A31 shade: #549A31, #30549B and #9B3054

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #549A31 shade: #549A31, #309B8C, #77309B and #9B303F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #549A31 shade: #549A31, #30899B, #77309B and #9B4230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 68 / 40

HEX #549A31

RGB 84 154 49

HSL 100, 0.52%, 0.4%

LAB 57.29, -41.17, 46.46

 

Complementary color

CMYK 17 / 51 / 0 / 19

HEX #AB65CE

RGB 171 101 206

HSL 280, 0.52%, 0.6%

LAB 54.47, 46.2, -43.37

 

CMYK 42 / 0 / 71 / 40

HEX #599A2C

RGB 89 154 44

HSL 95.45, 0.56%, 0.39%

LAB 57.48, -39.9, 48.77

 

CMYK 38 / 0 / 63 / 33

HEX #6AAC3F

RGB 106 172 63

HSL 96.33, 0.46%, 0.46%

LAB 64.1, -40.18, 48.11

 

CMYK 35 / 0 / 57 / 25

HEX #7BBE52

RGB 123 190 82

HSL 97.22, 0.45%, 0.53%

LAB 70.63, -40.28, 47.13

 

CMYK 33 / 0 / 51 / 18

HEX #8CD065

RGB 140 208 101

HSL 98.13, 0.53%, 0.61%

LAB 77.06, -40.29, 46.01

 

CMYK 31 / 0 / 47 / 11

HEX #9DE278

RGB 157 226 120

HSL 99.06, 0.65%, 0.68%

LAB 83.4, -40.22, 44.85

 

CMYK 45 / 0 / 68 / 40

HEX #549A31

RGB 84 154 49

HSL 100, 0.52%, 0.4%

LAB 57.29, -41.17, 46.46

 

CMYK 51 / 0 / 78 / 47

HEX #43881E

RGB 67 136 30

HSL 99.06, 0.64%, 0.33%

LAB 50.56, -40.67, 46.78

 

CMYK 58 / 0 / 91 / 54

HEX #32760B

RGB 50 118 11

HSL 98.13, 0.83%, 0.25%

LAB 43.74, -39.72, 45.86

 

CMYK 67 / 0 / 100 / 61

HEX #216400

RGB 33 100 0

HSL 100.2, 1%, 0.2%

LAB 36.81, -38.02, 42.6

 

CMYK 80 / 0 / 100 / 68

HEX #105200

RGB 16 82 0

HSL 108.29, 1%, 0.16%

LAB 29.77, -35.33, 36.82

 

CMYK 46 / 0 / 69 / 39

HEX #549B30

RGB 84 155 48

HSL 99.81, 0.53%, 0.4%

LAB 57.6, -41.67, 47.21

 

CMYK 28 / 0 / 69 / 39

HEX #709B30

RGB 112 155 48

HSL 84.11, 0.53%, 0.4%

LAB 59.07, -31.54, 49.2

 

CMYK 9 / 0 / 69 / 39

HEX #8D9B30

RGB 141 155 48

HSL 67.85, 0.53%, 0.4%

LAB 61.06, -19.51, 51.87

 

CMYK 0 / 10 / 69 / 39

HEX #9B8B30

RGB 155 139 48

HSL 51.03, 0.53%, 0.4%

LAB 57.7, -4.82, 48.83

 

CMYK 0 / 28 / 69 / 39

HEX #9B6F30

RGB 155 111 48

HSL 35.33, 0.53%, 0.4%

LAB 50.16, 10.92, 40.87

 

CMYK 46 / 0 / 69 / 39

HEX #549B30

RGB 84 155 48

HSL 99.81, 0.53%, 0.4%

LAB 57.6, -41.67, 47.21

 

CMYK 65 / 0 / 69 / 39

HEX #379B30

RGB 55 155 48

HSL 116.07, 0.53%, 0.4%

LAB 56.55, -49.74, 45.78

 

CMYK 69 / 0 / 55 / 39

HEX #309B46

RGB 48 155 70

HSL 132.34, 0.53%, 0.4%

LAB 56.6, -48.58, 35.58

 

CMYK 69 / 0 / 36 / 39

HEX #309B63

RGB 48 155 99

HSL 148.6, 0.53%, 0.4%

LAB 57.05, -43.51, 20.79

 

CMYK 69 / 0 / 17 / 39

HEX #309B80

RGB 48 155 128

HSL 164.86, 0.53%, 0.4%

LAB 57.68, -36.8, 5.43

 

CMYK 46 / 0 / 69 / 39

HEX #549B30

RGB 84 155 48

HSL 99.81, 0.53%, 0.4%

LAB 57.6, -41.67, 47.21

 

CMYK 54 / 0 / 81 / 33

HEX #4EAB20

RGB 78 171 32

HSL 100.14, 0.68%, 0.4%

LAB 62.38, -50.9, 57.48

 

CMYK 61 / 0 / 92 / 26

HEX #49BC0F

RGB 73 188 15

HSL 99.88, 0.85%, 0.4%

LAB 67.59, -58.91, 65.65

 

CMYK 46 / 0 / 69 / 39

HEX #549B30

RGB 84 155 48

HSL 99.81, 0.53%, 0.4%

LAB 57.6, -41.67, 47.21

 

CMYK 36 / 0 / 53 / 46

HEX #598A41

RGB 89 138 65

HSL 100.27, 0.36%, 0.4%

LAB 52.6, -30.61, 33.66

 

CMYK 22 / 0 / 34 / 52

HEX #5F7A51

RGB 95 122 81

HSL 99.51, 0.2%, 0.4%

LAB 48.19, -18, 19.37

 

CMYK 5 / 0 / 7 / 59

HEX #646962

RGB 100 105 98

HSL 102.86, 0.03%, 0.4%

LAB 43.79, -3.37, 3.26

 

CMYK 7 / 22 / 0 / 55

HEX #6A5972

RGB 106 89 114

HSL 280.8, 0.12%, 0.4%

LAB 40.29, 12.02, -11.62

 

CMYK 10 / 0 / 69 / 39

HEX #8C9B30

RGB 140 155 48

HSL 68.41, 0.53%, 0.4%

LAB 60.99, -19.94, 51.77

 

CMYK 28 / 0 / 69 / 39

HEX #709B30

RGB 112 155 48

HSL 84.11, 0.53%, 0.4%

LAB 59.07, -31.54, 49.2

 

CMYK 46 / 0 / 69 / 39

HEX #549B30

RGB 84 155 48

HSL 99.81, 0.53%, 0.4%

LAB 57.6, -41.67, 47.21

 

CMYK 64 / 0 / 69 / 39

HEX #389B30

RGB 56 155 48

HSL 115.51, 0.53%, 0.4%

LAB 56.58, -49.51, 45.82

 

CMYK 69 / 0 / 55 / 39

HEX #309B46

RGB 48 155 70

HSL 132.34, 0.53%, 0.4%

LAB 56.6, -48.58, 35.58

 

CMYK 46 / 0 / 68 / 64

HEX #325C1D

RGB 50 92 29

HSL 100, 0.52%, 0.24%

LAB 34.84, -27.37, 30.78

 

CMYK 46 / 0 / 68 / 52

HEX #437B27

RGB 67 123 39

HSL 100, 0.52%, 0.32%

LAB 46.32, -34.45, 38.83

 

CMYK 46 / 0 / 69 / 39

HEX #549B30

RGB 84 155 48

HSL 99.81, 0.53%, 0.4%

LAB 57.6, -41.67, 47.21

 

CMYK 46 / 0 / 69 / 27

HEX #65BA3A

RGB 101 186 58

HSL 99.84, 0.52%, 0.48%

LAB 68.16, -48.1, 54.49

 

CMYK 39 / 0 / 58 / 21

HEX #7BC955

RGB 123 201 85

HSL 100.34, 0.52%, 0.56%

LAB 73.96, -44.71, 49.61

 

CMYK 45 / 0 / 68 / 40

HEX #549A31

RGB 84 154 49

HSL 100, 0.52%, 0.4%

LAB 57.29, -41.17, 46.46

 

CMYK 69 / 0 / 10 / 39

HEX #309B8C

RGB 48 155 140

HSL 171.59, 0.53%, 0.4%

LAB 58, -33.59, -0.93

 

CMYK 0 / 69 / 19 / 39

HEX #9B307E

RGB 155 48 126

HSL 316.26, 0.53%, 0.4%

LAB 38.88, 52.38, -20.6

 

CMYK 45 / 0 / 68 / 40

HEX #549A31

RGB 84 154 49

HSL 100, 0.52%, 0.4%

LAB 57.29, -41.17, 46.46

 

CMYK 69 / 46 / 0 / 39

HEX #30549B

RGB 48 84 155

HSL 219.81, 0.53%, 0.4%

LAB 36.62, 11.6, -42.62

 

CMYK 0 / 69 / 46 / 39

HEX #9B3054

RGB 155 48 84

HSL 339.81, 0.53%, 0.4%

LAB 37.34, 47.17, 3.54

 

CMYK 45 / 0 / 68 / 40

HEX #549A31

RGB 84 154 49

HSL 100, 0.52%, 0.4%

LAB 57.29, -41.17, 46.46

 

CMYK 69 / 0 / 10 / 39

HEX #309B8C

RGB 48 155 140

HSL 171.59, 0.53%, 0.4%

LAB 58, -33.59, -0.93

 

CMYK 23 / 69 / 0 / 39

HEX #77309B

RGB 119 48 155

HSL 279.81, 0.53%, 0.4%

LAB 34.81, 48.67, -45.18

 

CMYK 0 / 69 / 59 / 39

HEX #9B303F

RGB 155 48 63

HSL 351.59, 0.53%, 0.4%

LAB 36.82, 45.33, 16.21

 

CMYK 45 / 0 / 68 / 40

HEX #549A31

RGB 84 154 49

HSL 100, 0.52%, 0.4%

LAB 57.29, -41.17, 46.46

 

CMYK 69 / 12 / 0 / 39

HEX #30899B

RGB 48 137 155

HSL 190.09, 0.53%, 0.4%

LAB 52.82, -20.12, -17.28

 

CMYK 23 / 69 / 0 / 39

HEX #77309B

RGB 119 48 155

HSL 279.81, 0.53%, 0.4%

LAB 34.81, 48.67, -45.18

 

CMYK 0 / 57 / 69 / 39

HEX #9B4230

RGB 155 66 48

HSL 10.09, 0.53%, 0.4%

LAB 39.71, 35.93, 29.07

 

Description

Color code: HEX #549A31 | qconv.com Color code: HEX #549A31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 154 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 154 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 68 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 68% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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