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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54AB4D it is the complementary color #AB54B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54AB4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54AB4D shade: #59AB48, #6ABD5B, #7BCF6E, #8CE181 and #9DF394

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54AB4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54AB4D shade: #54AB4D, #43993A, #328727, #217514 and #106301

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54AB4D shade: #54AC4D, #6EAC4D, #87AC4D, #A1AC4D and #AC9D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54AB4D shade: #54AC4D, #4DAC60, #4DAC79, #4DAC93 and #4DACAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54AB4D shade matches the following richer shades: #54AC4D, #43C039, #32D425 and #20E910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54AB4D shade: #54AC4D, #659861, #768375, #886F8A and #995B9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54AB4D shade: #88AC4D, #6EAC4D, #55AC4D, #4DAC5E and #4DAC78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54AB4D shade: #387333, #468F40, #54AC4D, #6EBB67 and #89C784

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54AB4D shade: #54AB4D, #4DA1AC and #AC4D7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54AB4D shade: #54AB4D, #4D55AC and #AC4D55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54AB4D shade: #54AB4D, #4DA1AC, #A44DAC and #AC584D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54AB4D shade: #54AB4D, #4D84AC, #A44DAC and #AC754D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 55 / 33

HEX #54AB4D

RGB 84 171 77

HSL 115.53, 0.38%, 0.49%

LAB 62.97, -45.18, 40.05

 

Complementary color

CMYK 4 / 53 / 0 / 30

HEX #AB54B2

RGB 171 84 178

HSL 295.53, 0.38%, 0.51%

LAB 49.75, 49.28, -34.67

 

CMYK 48 / 0 / 58 / 33

HEX #59AB48

RGB 89 171 72

HSL 109.7, 0.41%, 0.48%

LAB 63.11, -44.32, 42.67

 

CMYK 44 / 0 / 52 / 26

HEX #6ABD5B

RGB 106 189 91

HSL 110.82, 0.43%, 0.55%

LAB 69.62, -44.36, 41.46

 

CMYK 41 / 0 / 47 / 19

HEX #7BCF6E

RGB 123 207 110

HSL 111.96, 0.5%, 0.62%

LAB 76.05, -44.28, 40.21

 

CMYK 38 / 0 / 43 / 12

HEX #8CE181

RGB 140 225 129

HSL 113.13, 0.62%, 0.69%

LAB 82.38, -44.13, 38.99

 

CMYK 35 / 0 / 39 / 5

HEX #9DF394

RGB 157 243 148

HSL 114.32, 0.8%, 0.77%

LAB 88.64, -43.94, 37.8

 

CMYK 51 / 0 / 55 / 33

HEX #54AB4D

RGB 84 171 77

HSL 115.53, 0.38%, 0.49%

LAB 62.97, -45.18, 40.05

 

CMYK 56 / 0 / 62 / 40

HEX #43993A

RGB 67 153 58

HSL 114.32, 0.45%, 0.41%

LAB 56.37, -44.95, 41.26

 

CMYK 63 / 0 / 71 / 47

HEX #328727

RGB 50 135 39

HSL 113.13, 0.55%, 0.34%

LAB 49.68, -44.38, 42.21

 

CMYK 72 / 0 / 83 / 54

HEX #217514

RGB 33 117 20

HSL 111.96, 0.71%, 0.27%

LAB 42.91, -43.19, 42.43

 

CMYK 84 / 0 / 99 / 61

HEX #106301

RGB 16 99 1

HSL 110.82, 0.98%, 0.2%

LAB 36.05, -41.09, 41.53

 

CMYK 51 / 0 / 55 / 33

HEX #54AC4D

RGB 84 172 77

HSL 115.58, 0.38%, 0.49%

LAB 63.28, -45.59, 40.42

 

CMYK 36 / 0 / 55 / 33

HEX #6EAC4D

RGB 110 172 77

HSL 99.16, 0.38%, 0.49%

LAB 64.45, -37.35, 42.09

 

CMYK 22 / 0 / 55 / 33

HEX #87AC4D

RGB 135 172 77

HSL 83.37, 0.38%, 0.49%

LAB 65.9, -28.08, 44.16

 

CMYK 6 / 0 / 55 / 33

HEX #A1AC4D

RGB 161 172 77

HSL 66.95, 0.38%, 0.49%

LAB 67.74, -17.55, 46.76

 

CMYK 0 / 9 / 55 / 33

HEX #AC9D4D

RGB 172 157 77

HSL 50.53, 0.38%, 0.49%

LAB 64.5, -5.01, 43.25

 

CMYK 51 / 0 / 55 / 33

HEX #54AC4D

RGB 84 172 77

HSL 115.58, 0.38%, 0.49%

LAB 63.28, -45.59, 40.42

 

CMYK 55 / 0 / 44 / 33

HEX #4DAC60

RGB 77 172 96

HSL 132, 0.38%, 0.49%

LAB 63.28, -44.72, 30.76

 

CMYK 55 / 0 / 30 / 33

HEX #4DAC79

RGB 77 172 121

HSL 147.79, 0.38%, 0.49%

LAB 63.72, -40.1, 17.94

 

CMYK 55 / 0 / 15 / 33

HEX #4DAC93

RGB 77 172 147

HSL 164.21, 0.38%, 0.49%

LAB 64.31, -34.24, 4.41

 

CMYK 55 / 0 / 0 / 33

HEX #4DACAC

RGB 77 172 172

HSL 180, 0.38%, 0.49%

LAB 65.01, -27.72, -8.49

 

CMYK 51 / 0 / 55 / 33

HEX #54AC4D

RGB 84 172 77

HSL 115.58, 0.38%, 0.49%

LAB 63.28, -45.59, 40.42

 

CMYK 65 / 0 / 70 / 25

HEX #43C039

RGB 67 192 57

HSL 115.56, 0.54%, 0.49%

LAB 68.89, -59.35, 55.29

 

CMYK 76 / 0 / 83 / 17

HEX #32D425

RGB 50 212 37

HSL 115.54, 0.7%, 0.49%

LAB 74.76, -70.03, 67.26

 

CMYK 86 / 0 / 93 / 9

HEX #20E910

RGB 32 233 16

HSL 115.58, 0.87%, 0.49%

LAB 81.08, -78.68, 76.45

 

CMYK 51 / 0 / 55 / 33

HEX #54AC4D

RGB 84 172 77

HSL 115.58, 0.38%, 0.49%

LAB 63.28, -45.59, 40.42

 

CMYK 34 / 0 / 36 / 40

HEX #659861

RGB 101 152 97

HSL 115.64, 0.22%, 0.49%

LAB 58.12, -28.4, 23.69

 

CMYK 10 / 0 / 11 / 49

HEX #768375

RGB 118 131 117

HSL 115.71, 0.06%, 0.49%

LAB 53.35, -7.61, 5.95

 

CMYK 1 / 20 / 0 / 46

HEX #886F8A

RGB 136 111 138

HSL 295.56, 0.11%, 0.49%

LAB 50.02, 14.91, -11.08

 

CMYK 3 / 42 / 0 / 38

HEX #995B9E

RGB 153 91 158

HSL 295.52, 0.27%, 0.49%

LAB 47.91, 36.33, -25.98

 

CMYK 21 / 0 / 55 / 33

HEX #88AC4D

RGB 136 172 77

HSL 82.74, 0.38%, 0.49%

LAB 65.96, -27.69, 44.25

 

CMYK 36 / 0 / 55 / 33

HEX #6EAC4D

RGB 110 172 77

HSL 99.16, 0.38%, 0.49%

LAB 64.45, -37.35, 42.09

 

CMYK 51 / 0 / 55 / 33

HEX #55AC4D

RGB 85 172 77

HSL 114.95, 0.38%, 0.49%

LAB 63.32, -45.3, 40.48

 

CMYK 55 / 0 / 45 / 33

HEX #4DAC5E

RGB 77 172 94

HSL 130.74, 0.38%, 0.49%

LAB 63.25, -45.04, 31.77

 

CMYK 55 / 0 / 30 / 33

HEX #4DAC78

RGB 77 172 120

HSL 147.16, 0.38%, 0.49%

LAB 63.7, -40.31, 18.46

 

CMYK 51 / 0 / 56 / 55

HEX #387333

RGB 56 115 51

HSL 115.31, 0.39%, 0.33%

LAB 43.27, -33.13, 29.32

 

CMYK 51 / 0 / 55 / 44

HEX #468F40

RGB 70 143 64

HSL 115.44, 0.38%, 0.41%

LAB 53.29, -39.27, 34.79

 

CMYK 51 / 0 / 55 / 33

HEX #54AC4D

RGB 84 172 77

HSL 115.58, 0.38%, 0.49%

LAB 63.28, -45.59, 40.42

 

CMYK 41 / 0 / 45 / 27

HEX #6EBB67

RGB 110 187 103

HSL 115, 0.38%, 0.57%

LAB 69.35, -40.64, 35.17

 

CMYK 31 / 0 / 34 / 22

HEX #89C784

RGB 137 199 132

HSL 115.52, 0.37%, 0.65%

LAB 74.72, -32.97, 27.4

 

CMYK 51 / 0 / 55 / 33

HEX #54AB4D

RGB 84 171 77

HSL 115.53, 0.38%, 0.49%

LAB 62.97, -45.18, 40.05

 

CMYK 55 / 6 / 0 / 33

HEX #4DA1AC

RGB 77 161 172

HSL 186.95, 0.38%, 0.49%

LAB 61.69, -22.18, -13.46

 

CMYK 0 / 55 / 28 / 33

HEX #AC4D7B

RGB 172 77 123

HSL 330.95, 0.38%, 0.49%

LAB 46.32, 44.03, -7.19

 

CMYK 51 / 0 / 55 / 33

HEX #54AB4D

RGB 84 171 77

HSL 115.53, 0.38%, 0.49%

LAB 62.97, -45.18, 40.05

 

CMYK 55 / 51 / 0 / 33

HEX #4D55AC

RGB 77 85 172

HSL 234.95, 0.38%, 0.49%

LAB 39.67, 22.55, -47.78

 

CMYK 0 / 55 / 51 / 33

HEX #AC4D55

RGB 172 77 85

HSL 354.95, 0.38%, 0.49%

LAB 45.27, 39.65, 14.46

 

CMYK 51 / 0 / 55 / 33

HEX #54AB4D

RGB 84 171 77

HSL 115.53, 0.38%, 0.49%

LAB 62.97, -45.18, 40.05

 

CMYK 55 / 6 / 0 / 33

HEX #4DA1AC

RGB 77 161 172

HSL 186.95, 0.38%, 0.49%

LAB 61.69, -22.18, -13.46

 

CMYK 5 / 55 / 0 / 33

HEX #A44DAC

RGB 164 77 172

HSL 294.95, 0.38%, 0.49%

LAB 47.21, 49.65, -35.22

 

CMYK 0 / 49 / 55 / 33

HEX #AC584D

RGB 172 88 77

HSL 6.95, 0.38%, 0.49%

LAB 47.35, 33.21, 22.06

 

CMYK 51 / 0 / 55 / 33

HEX #54AB4D

RGB 84 171 77

HSL 115.53, 0.38%, 0.49%

LAB 62.97, -45.18, 40.05

 

CMYK 55 / 23 / 0 / 33

HEX #4D84AC

RGB 77 132 172

HSL 205.26, 0.38%, 0.49%

LAB 53.01, -6.37, -26.72

 

CMYK 5 / 55 / 0 / 33

HEX #A44DAC

RGB 164 77 172

HSL 294.95, 0.38%, 0.49%

LAB 47.21, 49.65, -35.22

 

CMYK 0 / 32 / 55 / 33

HEX #AC754D

RGB 172 117 77

HSL 25.26, 0.38%, 0.49%

LAB 54.06, 17.16, 30.64

 

Description

Color code: HEX #54AB4D | qconv.com Color code: HEX #54AB4D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 171 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 171 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 55 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 55% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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