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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54AD9F it is the complementary color #AB5260. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54AD9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54AD9F shade: #59AD9A, #6ABFAD, #7BD1C0, #8CE3D3 and #9DF5E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54AD9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54AD9F shade: #54AD9F, #439B8C, #328979, #217766 and #106553

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54AD9F shade: #52AC9E, #52AC86, #52AC6D, #52AC55 and #67AC52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54AD9F shade: #52AC9E, #52A2AC, #528AAC, #5271AC and #5259AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54AD9F shade matches the following richer shades: #52AC9E, #3EC0AC, #29D5BA, #14EAC8 and #00FED6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54AD9F shade: #52AC9E, #67978F, #7C8281, #906E73 and #A55965

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54AD9F shade: #52AC6D, #52AC85, #52AC9D, #52A3AC and #528BAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54AD9F shade: #38746A, #459084, #52AC9E, #6EB9AD and #8AC6BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54AD9F shade: #54AD9F, #5552AC and #AC7952

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54AD9F shade: #54AD9F, #9D52AC and #AC9D52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54AD9F shade: #54AD9F, #5552AC, #AC5261 and #A9AC52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54AD9F shade: #54AD9F, #7052AC, #AC5261 and #8EAC52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 8 / 32

HEX #54AD9F

RGB 84 173 159

HSL 170.56, 0.35%, 0.5%

LAB 65.18, -30.17, -0.98

 

Complementary color

CMYK 0 / 52 / 44 / 33

HEX #AB5260

RGB 171 82 96

HSL 350.56, 0.35%, 0.5%

LAB 46.36, 37.84, 9.27

 

CMYK 49 / 0 / 11 / 32

HEX #59AD9A

RGB 89 173 154

HSL 166.43, 0.34%, 0.51%

LAB 65.23, -30.23, 1.91

 

CMYK 45 / 0 / 9 / 25

HEX #6ABFAD

RGB 106 191 173

HSL 167.29, 0.4%, 0.58%

LAB 71.79, -30.13, 1.06

 

CMYK 41 / 0 / 8 / 18

HEX #7BD1C0

RGB 123 209 192

HSL 168.14, 0.48%, 0.65%

LAB 78.24, -30, 0.27

 

CMYK 38 / 0 / 7 / 11

HEX #8CE3D3

RGB 140 227 211

HSL 168.97, 0.61%, 0.72%

LAB 84.6, -29.86, -0.46

 

CMYK 36 / 0 / 6 / 4

HEX #9DF5E6

RGB 157 245 230

HSL 169.77, 0.81%, 0.79%

LAB 90.86, -29.71, -1.16

 

CMYK 51 / 0 / 8 / 32

HEX #54AD9F

RGB 84 173 159

HSL 170.56, 0.35%, 0.5%

LAB 65.18, -30.17, -0.98

 

CMYK 57 / 0 / 10 / 39

HEX #439B8C

RGB 67 155 140

HSL 169.77, 0.4%, 0.44%

LAB 58.54, -30.11, -0.08

 

CMYK 64 / 0 / 12 / 46

HEX #328979

RGB 50 137 121

HSL 168.97, 0.47%, 0.37%

LAB 51.78, -29.92, 0.91

 

CMYK 72 / 0 / 14 / 53

HEX #217766

RGB 33 119 102

HSL 168.14, 0.57%, 0.3%

LAB 44.91, -29.5, 2.05

 

CMYK 84 / 0 / 18 / 60

HEX #106553

RGB 16 101 83

HSL 167.29, 0.73%, 0.23%

LAB 37.92, -28.69, 3.38

 

CMYK 52 / 0 / 8 / 33

HEX #52AC9E

RGB 82 172 158

HSL 170.67, 0.35%, 0.5%

LAB 64.78, -30.39, -1.02

 

CMYK 52 / 0 / 22 / 33

HEX #52AC86

RGB 82 172 134

HSL 154.67, 0.35%, 0.5%

LAB 64.18, -36.13, 11.45

 

CMYK 52 / 0 / 37 / 33

HEX #52AC6D

RGB 82 172 109

HSL 138, 0.35%, 0.5%

LAB 63.67, -41.19, 24.41

 

CMYK 52 / 0 / 51 / 33

HEX #52AC55

RGB 82 172 85

HSL 122, 0.35%, 0.5%

LAB 63.31, -45.08, 36.48

 

CMYK 40 / 0 / 52 / 33

HEX #67AC52

RGB 103 172 82

HSL 106, 0.35%, 0.5%

LAB 64.16, -39.13, 39.22

 

CMYK 52 / 0 / 8 / 33

HEX #52AC9E

RGB 82 172 158

HSL 170.67, 0.35%, 0.5%

LAB 64.78, -30.39, -1.02

 

CMYK 52 / 6 / 0 / 33

HEX #52A2AC

RGB 82 162 172

HSL 186.67, 0.35%, 0.5%

LAB 62.18, -21.63, -12.71

 

CMYK 52 / 20 / 0 / 33

HEX #528AAC

RGB 82 138 172

HSL 202.67, 0.35%, 0.5%

LAB 55.02, -8.65, -23.61

 

CMYK 52 / 34 / 0 / 33

HEX #5271AC

RGB 82 113 172

HSL 219.33, 0.35%, 0.5%

LAB 47.73, 6.08, -34.95

 

CMYK 52 / 48 / 0 / 33

HEX #5259AC

RGB 82 89 172

HSL 235.33, 0.35%, 0.5%

LAB 41.08, 21.1, -45.49

 

CMYK 52 / 0 / 8 / 33

HEX #52AC9E

RGB 82 172 158

HSL 170.67, 0.35%, 0.5%

LAB 64.78, -30.39, -1.02

 

CMYK 68 / 0 / 10 / 25

HEX #3EC0AC

RGB 62 192 172

HSL 170.77, 0.51%, 0.5%

LAB 70.66, -39.75, -0.2

 

CMYK 81 / 0 / 13 / 16

HEX #29D5BA

RGB 41 213 186

HSL 170.58, 0.68%, 0.5%

LAB 77.04, -47.61, 1.48

 

CMYK 91 / 0 / 15 / 8

HEX #14EAC8

RGB 20 234 200

HSL 170.47, 0.84%, 0.5%

LAB 83.53, -53.88, 3.44

 

CMYK 100 / 0 / 16 / 0

HEX #00FED6

RGB 0 254 214

HSL 170.55, 1%, 0.5%

LAB 89.74, -58.76, 5.11

 

CMYK 52 / 0 / 8 / 33

HEX #52AC9E

RGB 82 172 158

HSL 170.67, 0.35%, 0.5%

LAB 64.78, -30.39, -1.02

 

CMYK 32 / 0 / 5 / 41

HEX #67978F

RGB 103 151 143

HSL 170, 0.19%, 0.5%

LAB 58.97, -17.96, -0.96

 

CMYK 5 / 0 / 1 / 49

HEX #7C8281

RGB 124 130 129

HSL 170, 0.02%, 0.5%

LAB 53.85, -2.42, -0.24

 

CMYK 0 / 24 / 20 / 44

HEX #906E73

RGB 144 110 115

HSL 351.18, 0.13%, 0.5%

LAB 49.88, 14.28, 2.43

 

CMYK 0 / 46 / 39 / 35

HEX #A55965

RGB 165 89 101

HSL 350.53, 0.3%, 0.5%

LAB 47.08, 32.45, 7.14

 

CMYK 52 / 0 / 37 / 33

HEX #52AC6D

RGB 82 172 109

HSL 138, 0.35%, 0.5%

LAB 63.67, -41.19, 24.41

 

CMYK 52 / 0 / 23 / 33

HEX #52AC85

RGB 82 172 133

HSL 154, 0.35%, 0.5%

LAB 64.15, -36.35, 11.97

 

CMYK 52 / 0 / 9 / 33

HEX #52AC9D

RGB 82 172 157

HSL 170, 0.35%, 0.5%

LAB 64.75, -30.64, -0.5

 

CMYK 52 / 5 / 0 / 33

HEX #52A3AC

RGB 82 163 172

HSL 186, 0.35%, 0.5%

LAB 62.48, -22.14, -12.26

 

CMYK 52 / 19 / 0 / 33

HEX #528BAC

RGB 82 139 172

HSL 202, 0.35%, 0.5%

LAB 55.32, -9.22, -23.15

 

CMYK 52 / 0 / 9 / 55

HEX #38746A

RGB 56 116 106

HSL 170, 0.35%, 0.34%

LAB 44.76, -22.16, -0.46

 

CMYK 52 / 0 / 8 / 44

HEX #459084

RGB 69 144 132

HSL 170.4, 0.35%, 0.42%

LAB 54.95, -26.36, -0.75

 

CMYK 52 / 0 / 8 / 33

HEX #52AC9E

RGB 82 172 158

HSL 170.67, 0.35%, 0.5%

LAB 64.78, -30.39, -1.02

 

CMYK 41 / 0 / 6 / 27

HEX #6EB9AD

RGB 110 185 173

HSL 170.4, 0.35%, 0.58%

LAB 70.2, -26.18, -1.24

 

CMYK 30 / 0 / 5 / 22

HEX #8AC6BD

RGB 138 198 189

HSL 171, 0.34%, 0.66%

LAB 75.74, -21.17, -1.68

HEX #8AC6BD

CMYK 51 / 0 / 8 / 32

HEX #54AD9F

RGB 84 173 159

HSL 170.56, 0.35%, 0.5%

LAB 65.18, -30.17, -0.98

 

CMYK 51 / 52 / 0 / 33

HEX #5552AC

RGB 85 82 172

HSL 242, 0.35%, 0.5%

LAB 39.49, 26.21, -48.04

 

CMYK 0 / 30 / 52 / 33

HEX #AC7952

RGB 172 121 82

HSL 26, 0.35%, 0.5%

LAB 55.13, 15.36, 29.22

 

CMYK 51 / 0 / 8 / 32

HEX #54AD9F

RGB 84 173 159

HSL 170.56, 0.35%, 0.5%

LAB 65.18, -30.17, -0.98

 

CMYK 9 / 52 / 0 / 33

HEX #9D52AC

RGB 157 82 172

HSL 290, 0.35%, 0.5%

LAB 47.21, 45.18, -35.28

 

CMYK 0 / 9 / 52 / 33

HEX #AC9D52

RGB 172 157 82

HSL 50, 0.35%, 0.5%

LAB 64.56, -4.57, 40.83

 

CMYK 51 / 0 / 8 / 32

HEX #54AD9F

RGB 84 173 159

HSL 170.56, 0.35%, 0.5%

LAB 65.18, -30.17, -0.98

 

CMYK 51 / 52 / 0 / 33

HEX #5552AC

RGB 85 82 172

HSL 242, 0.35%, 0.5%

LAB 39.49, 26.21, -48.04

 

CMYK 0 / 52 / 44 / 33

HEX #AC5261

RGB 172 82 97

HSL 350, 0.35%, 0.5%

LAB 46.54, 38.32, 8.93

 

CMYK 2 / 0 / 52 / 33

HEX #A9AC52

RGB 169 172 82

HSL 62, 0.35%, 0.5%

LAB 68.42, -13.76, 45.33

 

CMYK 51 / 0 / 8 / 32

HEX #54AD9F

RGB 84 173 159

HSL 170.56, 0.35%, 0.5%

LAB 65.18, -30.17, -0.98

 

CMYK 35 / 52 / 0 / 33

HEX #7052AC

RGB 112 82 172

HSL 260, 0.35%, 0.5%

LAB 41.93, 32.8, -43.98

 

CMYK 0 / 52 / 44 / 33

HEX #AC5261

RGB 172 82 97

HSL 350, 0.35%, 0.5%

LAB 46.54, 38.32, 8.93

 

CMYK 17 / 0 / 52 / 33

HEX #8EAC52

RGB 142 172 82

HSL 80, 0.35%, 0.5%

LAB 66.42, -24.82, 42.47

 

Description

Color code: HEX #54AD9F | qconv.com Color code: HEX #54AD9F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 173 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 173 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 8 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 8% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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