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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54B5AA it is the complementary color #AB4A55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54B5AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54B5AA shade: #59B5A5, #6AC7B8, #7BD9CB, #8CEBDE and #9DFDF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54B5AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54B5AA shade: #54B5AA, #43A397, #329184, #217F71 and #106D5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54B5AA shade: #53B5AA, #53B590, #53B575, #53B55B and #66B553

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54B5AA shade: #53B5AA, #53A6B5, #538BB5, #5371B5 and #5357B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54B5AA shade matches the following richer shades: #53B5AA, #3FC9B9, #2CDDC9 and #18F0D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54B5AA shade: #53B5AA, #67A19B, #7B8D8B, #8F7A7C and #A2666D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54B5AA shade: #53B575, #53B590, #53B5AA, #53A6B5 and #538CB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54B5AA shade: #367F77, #439C92, #53B5AA, #70C1B8 and #8DCEC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54B5AA shade: #54B5AA, #5B53B5 and #B58253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54B5AA shade: #54B5AA, #AA53B5 and #B5AA53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54B5AA shade: #54B5AA, #5B53B5, #B5535F and #ADB553

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54B5AA shade: #54B5AA, #7953B5, #B5535F and #90B553

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 6 / 29

HEX #54B5AA

RGB 84 181 170

HSL 173.2, 0.4%, 0.52%

LAB 67.9, -31.19, -3.08

 

Complementary color

CMYK 0 / 57 / 50 / 33

HEX #AB4A55

RGB 171 74 85

HSL 353.2, 0.4%, 0.48%

LAB 44.53, 40.78, 13.43

 

CMYK 51 / 0 / 9 / 29

HEX #59B5A5

RGB 89 181 165

HSL 169.57, 0.38%, 0.53%

LAB 67.94, -31.36, -0.25

 

CMYK 47 / 0 / 8 / 22

HEX #6AC7B8

RGB 106 199 184

HSL 170.32, 0.45%, 0.6%

LAB 74.43, -31.32, -1.07

 

CMYK 43 / 0 / 6 / 15

HEX #7BD9CB

RGB 123 217 203

HSL 171.06, 0.55%, 0.67%

LAB 80.82, -31.25, -1.83

 

CMYK 40 / 0 / 6 / 8

HEX #8CEBDE

RGB 140 235 222

HSL 171.79, 0.7%, 0.74%

LAB 87.13, -31.14, -2.54

 

CMYK 38 / 0 / 5 / 1

HEX #9DFDF1

RGB 157 253 241

HSL 172.5, 0.96%, 0.8%

LAB 93.35, -31.03, -3.22

 

CMYK 54 / 0 / 6 / 29

HEX #54B5AA

RGB 84 181 170

HSL 173.2, 0.4%, 0.52%

LAB 67.9, -31.19, -3.08

 

CMYK 59 / 0 / 7 / 36

HEX #43A397

RGB 67 163 151

HSL 172.5, 0.42%, 0.45%

LAB 61.33, -31.04, -2.22

 

CMYK 66 / 0 / 9 / 43

HEX #329184

RGB 50 145 132

HSL 171.79, 0.49%, 0.38%

LAB 54.65, -30.75, -1.25

 

CMYK 74 / 0 / 11 / 50

HEX #217F71

RGB 33 127 113

HSL 171.06, 0.59%, 0.31%

LAB 47.87, -30.2, -0.16

 

CMYK 85 / 0 / 14 / 57

HEX #106D5E

RGB 16 109 94

HSL 170.32, 0.74%, 0.25%

LAB 40.99, -29.25, 1.12

 

CMYK 54 / 0 / 6 / 29

HEX #53B5AA

RGB 83 181 170

HSL 173.27, 0.4%, 0.52%

LAB 67.86, -31.4, -3.14

 

CMYK 54 / 0 / 20 / 29

HEX #53B590

RGB 83 181 144

HSL 157.35, 0.4%, 0.52%

LAB 67.2, -37.74, 10.23

 

CMYK 54 / 0 / 35 / 29

HEX #53B575

RGB 83 181 117

HSL 140.82, 0.4%, 0.52%

LAB 66.65, -43.32, 24.11

 

CMYK 54 / 0 / 50 / 29

HEX #53B55B

RGB 83 181 91

HSL 124.9, 0.4%, 0.52%

LAB 66.25, -47.61, 37.11

 

CMYK 44 / 0 / 54 / 29

HEX #66B553

RGB 102 181 83

HSL 108.37, 0.4%, 0.52%

LAB 66.9, -43.21, 42.02

 

CMYK 54 / 0 / 6 / 29

HEX #53B5AA

RGB 83 181 170

HSL 173.27, 0.4%, 0.52%

LAB 67.86, -31.4, -3.14

 

CMYK 54 / 8 / 0 / 29

HEX #53A6B5

RGB 83 166 181

HSL 189.18, 0.4%, 0.52%

LAB 63.71, -20.92, -15.45

 

CMYK 54 / 23 / 0 / 29

HEX #538BB5

RGB 83 139 181

HSL 205.71, 0.4%, 0.52%

LAB 55.73, -6.22, -27.66

 

CMYK 54 / 38 / 0 / 29

HEX #5371B5

RGB 83 113 181

HSL 221.63, 0.4%, 0.52%

LAB 48.24, 9.23, -39.37

 

CMYK 54 / 52 / 0 / 29

HEX #5357B5

RGB 83 87 181

HSL 237.55, 0.4%, 0.52%

LAB 41.2, 25.52, -50.6

 

CMYK 54 / 0 / 6 / 29

HEX #53B5AA

RGB 83 181 170

HSL 173.27, 0.4%, 0.52%

LAB 67.86, -31.4, -3.14

 

CMYK 69 / 0 / 8 / 21

HEX #3FC9B9

RGB 63 201 185

HSL 173.04, 0.56%, 0.52%

LAB 73.76, -40.18, -2.74

 

CMYK 80 / 0 / 9 / 13

HEX #2CDDC9

RGB 44 221 201

HSL 173.22, 0.72%, 0.52%

LAB 79.88, -46.75, -2.39

 

CMYK 90 / 0 / 10 / 6

HEX #18F0D8

RGB 24 240 216

HSL 173.33, 0.88%, 0.52%

LAB 85.74, -51.95, -1.74

 

CMYK 54 / 0 / 6 / 29

HEX #53B5AA

RGB 83 181 170

HSL 173.27, 0.4%, 0.52%

LAB 67.86, -31.4, -3.14

 

CMYK 36 / 0 / 4 / 37

HEX #67A19B

RGB 103 161 155

HSL 173.79, 0.24%, 0.52%

LAB 62.29, -20.3, -2.89

 

CMYK 13 / 0 / 1 / 45

HEX #7B8D8B

RGB 123 141 139

HSL 173.33, 0.07%, 0.52%

LAB 57.2, -6.87, -1.13

 

CMYK 0 / 15 / 13 / 44

HEX #8F7A7C

RGB 143 122 124

HSL 354.29, 0.09%, 0.52%

LAB 53.18, 8.45, 1.91

 

CMYK 0 / 37 / 33 / 36

HEX #A2666D

RGB 162 102 109

HSL 353, 0.24%, 0.52%

LAB 49.84, 25.09, 6.22

 

CMYK 54 / 0 / 35 / 29

HEX #53B575

RGB 83 181 117

HSL 140.82, 0.4%, 0.52%

LAB 66.65, -43.32, 24.11

 

CMYK 54 / 0 / 20 / 29

HEX #53B590

RGB 83 181 144

HSL 157.35, 0.4%, 0.52%

LAB 67.2, -37.74, 10.23

 

CMYK 54 / 0 / 6 / 29

HEX #53B5AA

RGB 83 181 170

HSL 173.27, 0.4%, 0.52%

LAB 67.86, -31.4, -3.14

 

CMYK 54 / 8 / 0 / 29

HEX #53A6B5

RGB 83 166 181

HSL 189.18, 0.4%, 0.52%

LAB 63.71, -20.92, -15.45

 

CMYK 54 / 23 / 0 / 29

HEX #538CB5

RGB 83 140 181

HSL 205.1, 0.4%, 0.52%

LAB 56.02, -6.79, -27.21

 

CMYK 57 / 0 / 6 / 50

HEX #367F77

RGB 54 127 119

HSL 173.42, 0.4%, 0.35%

LAB 48.63, -24.71, -2.52

 

CMYK 57 / 0 / 6 / 39

HEX #439C92

RGB 67 156 146

HSL 173.26, 0.4%, 0.44%

LAB 59.02, -29, -2.79

 

CMYK 54 / 0 / 6 / 29

HEX #53B5AA

RGB 83 181 170

HSL 173.27, 0.4%, 0.52%

LAB 67.86, -31.4, -3.14

 

CMYK 42 / 0 / 5 / 24

HEX #70C1B8

RGB 112 193 184

HSL 173.33, 0.4%, 0.6%

LAB 72.92, -26.95, -3.25

 

CMYK 32 / 0 / 4 / 19

HEX #8DCEC6

RGB 141 206 198

HSL 172.62, 0.4%, 0.68%

LAB 78.39, -22.29, -2.62

 

CMYK 54 / 0 / 6 / 29

HEX #54B5AA

RGB 84 181 170

HSL 173.2, 0.4%, 0.52%

LAB 67.9, -31.19, -3.08

 

CMYK 50 / 54 / 0 / 29

HEX #5B53B5

RGB 91 83 181

HSL 244.9, 0.4%, 0.52%

LAB 40.81, 29.75, -51.19

 

CMYK 0 / 28 / 54 / 29

HEX #B58253

RGB 181 130 83

HSL 28.78, 0.4%, 0.52%

LAB 58.43, 14.24, 33.04

 

CMYK 54 / 0 / 6 / 29

HEX #54B5AA

RGB 84 181 170

HSL 173.2, 0.4%, 0.52%

LAB 67.9, -31.19, -3.08

 

CMYK 6 / 54 / 0 / 29

HEX #AA53B5

RGB 170 83 181

HSL 293.27, 0.4%, 0.52%

LAB 49.58, 50.07, -36.71

 

CMYK 0 / 6 / 54 / 29

HEX #B5AA53

RGB 181 170 83

HSL 53.27, 0.4%, 0.52%

LAB 68.89, -7.57, 45.65

 

CMYK 54 / 0 / 6 / 29

HEX #54B5AA

RGB 84 181 170

HSL 173.2, 0.4%, 0.52%

LAB 67.9, -31.19, -3.08

 

CMYK 50 / 54 / 0 / 29

HEX #5B53B5

RGB 91 83 181

HSL 244.9, 0.4%, 0.52%

LAB 40.81, 29.75, -51.19

 

CMYK 0 / 54 / 48 / 29

HEX #B5535F

RGB 181 83 95

HSL 352.65, 0.4%, 0.52%

LAB 48.05, 40.88, 12.46

 

CMYK 4 / 0 / 54 / 29

HEX #ADB553

RGB 173 181 83

HSL 64.9, 0.4%, 0.52%

LAB 71.25, -16.62, 48.22

 

CMYK 54 / 0 / 6 / 29

HEX #54B5AA

RGB 84 181 170

HSL 173.2, 0.4%, 0.52%

LAB 67.9, -31.19, -3.08

 

CMYK 33 / 54 / 0 / 29

HEX #7953B5

RGB 121 83 181

HSL 263.27, 0.4%, 0.52%

LAB 43.64, 36.93, -46.51

 

CMYK 0 / 54 / 48 / 29

HEX #B5535F

RGB 181 83 95

HSL 352.65, 0.4%, 0.52%

LAB 48.05, 40.88, 12.46

 

CMYK 20 / 0 / 54 / 29

HEX #90B553

RGB 144 181 83

HSL 82.65, 0.4%, 0.52%

LAB 69.18, -28.31, 45.28

 

Description

Color code: HEX #54B5AA | qconv.com Color code: HEX #54B5AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 181 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 181 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 6 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 6% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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