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Color name
HEX #54C940

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54C940 it is the complementary color #AB36BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54C940. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54C940 shade: #59C93B, #6ADB4E, #7BED61, #8CFF74 and #9DFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54C940. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54C940 shade: #54C940, #43B72D, #32A51A, #219307 and #108100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54C940 shade: #54C940, #79C940, #9EC940, #C2C940 and #C9AA40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54C940 shade: #54C940, #40C951, #40C975, #40C99A and #40C9BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54C940 shade matches the following richer shades: #54C940, #46DC2C and #38F018

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54C940 shade: #54C940, #62B553, #70A167, #7E8D7B and #8C798F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54C940 shade: #9DC940, #79C940, #54C940, #40C950 and #40C974

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54C940 shade: #378E28, #43AE31, #54C940, #70D260 and #8DDB80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54C940 shade: #54C940, #40C2C9 and #C9408B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54C940 shade: #54C940, #4054C9 and #C94054

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54C940 shade: #54C940, #40C2C9, #B440C9 and #C94640

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54C940 shade: #54C940, #4099C9, #B440C9 and #C97040

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 68 / 21

HEX #54C940

RGB 84 201 64

HSL 111.24, 0.56%, 0.52%

LAB 72.25, -58.03, 56.24

 

Complementary color

CMYK 10 / 72 / 0 / 25

HEX #AB36BF

RGB 171 54 191

HSL 291.24, 0.56%, 0.48%

LAB 45.71, 64.77, -48.66

 

CMYK 56 / 0 / 71 / 21

HEX #59C93B

RGB 89 201 59

HSL 107.32, 0.57%, 0.51%

LAB 72.37, -57.18, 58.34

 

CMYK 52 / 0 / 64 / 14

HEX #6ADB4E

RGB 106 219 78

HSL 108.09, 0.66%, 0.58%

LAB 78.62, -57.68, 57.68

 

CMYK 48 / 0 / 59 / 7

HEX #7BED61

RGB 123 237 97

HSL 108.86, 0.8%, 0.65%

LAB 84.81, -57.95, 56.74

 

CMYK 45 / 0 / 55 / 0

HEX #8CFF74

RGB 140 255 116

HSL 109.64, 1%, 0.73%

LAB 90.94, -58.07, 55.66

 

CMYK 38 / 0 / 47 / 0

HEX #9DFF87

RGB 157 255 135

HSL 109, 1%, 0.76%

LAB 91.88, -50.79, 48.22

 

CMYK 58 / 0 / 68 / 21

HEX #54C940

RGB 84 201 64

HSL 111.24, 0.56%, 0.52%

LAB 72.25, -58.03, 56.24

 

CMYK 63 / 0 / 75 / 28

HEX #43B72D

RGB 67 183 45

HSL 110.43, 0.61%, 0.45%

LAB 65.94, -57.19, 56.66

 

CMYK 70 / 0 / 84 / 35

HEX #32A51A

RGB 50 165 26

HSL 109.64, 0.73%, 0.37%

LAB 59.58, -55.85, 56.26

 

CMYK 78 / 0 / 95 / 42

HEX #219307

RGB 33 147 7

HSL 108.86, 0.91%, 0.3%

LAB 53.17, -53.77, 54.43

 

CMYK 88 / 0 / 100 / 49

HEX #108100

RGB 16 129 0

HSL 112.56, 1%, 0.25%

LAB 46.73, -50.66, 50.36

 

CMYK 58 / 0 / 68 / 21

HEX #54C940

RGB 84 201 64

HSL 111.24, 0.56%, 0.52%

LAB 72.25, -58.03, 56.24

 

CMYK 40 / 0 / 68 / 21

HEX #79C940

RGB 121 201 64

HSL 95.04, 0.56%, 0.52%

LAB 73.68, -47.27, 58.19

 

CMYK 21 / 0 / 68 / 21

HEX #9EC940

RGB 158 201 64

HSL 78.83, 0.56%, 0.52%

LAB 75.71, -33.82, 60.93

 

CMYK 3 / 0 / 68 / 21

HEX #C2C940

RGB 194 201 64

HSL 63.07, 0.56%, 0.52%

LAB 78.24, -19.22, 64.31

 

CMYK 0 / 15 / 68 / 21

HEX #C9AA40

RGB 201 170 64

HSL 46.42, 0.56%, 0.52%

LAB 70.55, -0.29, 56.67

 

CMYK 58 / 0 / 68 / 21

HEX #54C940

RGB 84 201 64

HSL 111.24, 0.56%, 0.52%

LAB 72.25, -58.03, 56.24

 

CMYK 68 / 0 / 60 / 21

HEX #40C951

RGB 64 201 81

HSL 127.45, 0.56%, 0.52%

LAB 71.86, -60.58, 48.47

 

CMYK 68 / 0 / 42 / 21

HEX #40C975

RGB 64 201 117

HSL 143.21, 0.56%, 0.52%

LAB 72.33, -55.27, 31.53

 

CMYK 68 / 0 / 23 / 21

HEX #40C99A

RGB 64 201 154

HSL 159.42, 0.56%, 0.52%

LAB 73.02, -47.75, 12.95

 

CMYK 68 / 0 / 5 / 21

HEX #40C9BF

RGB 64 201 191

HSL 175.62, 0.56%, 0.52%

LAB 73.95, -38.42, -5.71

 

CMYK 58 / 0 / 68 / 21

HEX #54C940

RGB 84 201 64

HSL 111.24, 0.56%, 0.52%

LAB 72.25, -58.03, 56.24

 

CMYK 68 / 0 / 80 / 14

HEX #46DC2C

RGB 70 220 44

HSL 111.14, 0.72%, 0.52%

LAB 77.68, -68.84, 68.25

 

CMYK 77 / 0 / 90 / 6

HEX #38F018

RGB 56 240 24

HSL 111.11, 0.88%, 0.52%

LAB 83.56, -77.88, 77.58

 

CMYK 58 / 0 / 68 / 21

HEX #54C940

RGB 84 201 64

HSL 111.24, 0.56%, 0.52%

LAB 72.25, -58.03, 56.24

 

CMYK 46 / 0 / 54 / 29

HEX #62B553

RGB 98 181 83

HSL 110.82, 0.4%, 0.52%

LAB 66.72, -44.44, 41.77

 

CMYK 30 / 0 / 36 / 37

HEX #70A167

RGB 112 161 103

HSL 110.69, 0.24%, 0.52%

LAB 61.58, -27.98, 25.12

 

CMYK 11 / 0 / 13 / 45

HEX #7E8D7B

RGB 126 141 123

HSL 110, 0.07%, 0.52%

LAB 56.99, -9.01, 7.78

 

CMYK 2 / 15 / 0 / 44

HEX #8C798F

RGB 140 121 143

HSL 291.82, 0.09%, 0.52%

LAB 53.2, 11.52, -9.2

 

CMYK 22 / 0 / 68 / 21

HEX #9DC940

RGB 157 201 64

HSL 79.27, 0.56%, 0.52%

LAB 75.64, -34.21, 60.84

 

CMYK 40 / 0 / 68 / 21

HEX #79C940

RGB 121 201 64

HSL 95.04, 0.56%, 0.52%

LAB 73.68, -47.27, 58.19

 

CMYK 58 / 0 / 68 / 21

HEX #54C940

RGB 84 201 64

HSL 111.24, 0.56%, 0.52%

LAB 72.25, -58.03, 56.24

 

CMYK 68 / 0 / 60 / 21

HEX #40C950

RGB 64 201 80

HSL 127.01, 0.56%, 0.52%

LAB 71.85, -60.69, 48.9

 

CMYK 68 / 0 / 42 / 21

HEX #40C974

RGB 64 201 116

HSL 142.77, 0.56%, 0.52%

LAB 72.31, -55.44, 32.02

 

CMYK 61 / 0 / 72 / 44

HEX #378E28

RGB 55 142 40

HSL 111.18, 0.56%, 0.36%

LAB 52.19, -45.67, 44.47

 

CMYK 61 / 0 / 72 / 32

HEX #43AE31

RGB 67 174 49

HSL 111.36, 0.56%, 0.44%

LAB 63.08, -53.72, 52.33

 

CMYK 58 / 0 / 68 / 21

HEX #54C940

RGB 84 201 64

HSL 111.24, 0.56%, 0.52%

LAB 72.25, -58.03, 56.24

 

CMYK 47 / 0 / 54 / 18

HEX #70D260

RGB 112 210 96

HSL 111.58, 0.56%, 0.6%

LAB 76.3, -50.6, 47.16

 

CMYK 36 / 0 / 42 / 14

HEX #8DDB80

RGB 141 219 128

HSL 111.43, 0.56%, 0.68%

LAB 80.67, -41.34, 37.3

 

CMYK 58 / 0 / 68 / 21

HEX #54C940

RGB 84 201 64

HSL 111.24, 0.56%, 0.52%

LAB 72.25, -58.03, 56.24

 

CMYK 68 / 3 / 0 / 21

HEX #40C2C9

RGB 64 194 201

HSL 183.07, 0.56%, 0.52%

LAB 72.16, -32.33, -13.82

 

CMYK 0 / 68 / 31 / 21

HEX #C9408B

RGB 201 64 139

HSL 327.15, 0.56%, 0.52%

LAB 49.43, 60.58, -11.71

 

CMYK 58 / 0 / 68 / 21

HEX #54C940

RGB 84 201 64

HSL 111.24, 0.56%, 0.52%

LAB 72.25, -58.03, 56.24

 

CMYK 68 / 58 / 0 / 21

HEX #4054C9

RGB 64 84 201

HSL 231.24, 0.56%, 0.52%

LAB 40.65, 30.9, -63.21

 

CMYK 0 / 68 / 58 / 21

HEX #C94054

RGB 201 64 84

HSL 351.24, 0.56%, 0.52%

LAB 47.91, 55.31, 19.46

 

CMYK 58 / 0 / 68 / 21

HEX #54C940

RGB 84 201 64

HSL 111.24, 0.56%, 0.52%

LAB 72.25, -58.03, 56.24

 

CMYK 68 / 3 / 0 / 21

HEX #40C2C9

RGB 64 194 201

HSL 183.07, 0.56%, 0.52%

LAB 72.16, -32.33, -13.82

 

CMYK 10 / 68 / 0 / 21

HEX #B440C9

RGB 180 64 201

HSL 290.8, 0.56%, 0.52%

LAB 48.99, 64.77, -49.14

 

CMYK 0 / 65 / 68 / 21

HEX #C94640

RGB 201 70 64

HSL 2.63, 0.56%, 0.52%

LAB 48.47, 51.61, 32.08

 

CMYK 58 / 0 / 68 / 21

HEX #54C940

RGB 84 201 64

HSL 111.24, 0.56%, 0.52%

LAB 72.25, -58.03, 56.24

 

CMYK 68 / 24 / 0 / 21

HEX #4099C9

RGB 64 153 201

HSL 201.02, 0.56%, 0.52%

LAB 59.97, -11.21, -32.45

 

CMYK 10 / 68 / 0 / 21

HEX #B440C9

RGB 180 64 201

HSL 290.8, 0.56%, 0.52%

LAB 48.99, 64.77, -49.14

 

CMYK 0 / 44 / 68 / 21

HEX #C97040

RGB 201 112 64

HSL 21.02, 0.56%, 0.52%

LAB 56.46, 31.12, 41.41

 

Description

Color code: HEX #54C940 | qconv.com Color code: HEX #54C940 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 201 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 201 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 68 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 68% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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