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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54D854 it is the complementary color #AB27AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54D854. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54D854 shade: #59D84F, #6AEA62, #7BFC75, #8CFF88 and #9DFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54D854. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54D854 shade: #54D854, #43C641, #32B42E, #21A21B and #109008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54D854 shade: #54D854, #78D854, #9BD854, #BFD854 and #D8CD54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54D854 shade: #54D854, #54D878, #54D89B, #54D8BF and #54CDD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54D854 shade matches the following richer shades: #54D854, #43E943 and #32FA32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54D854 shade: #54D854, #65C765, #76B676, #87A587 and #989498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54D854 shade: #9AD854, #77D854, #54D854, #54D877 and #54D89A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54D854 shade: #28B128, #32D032, #54D854, #76DF76 and #97E797

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54D854 shade: #54D854, #54BDD8 and #D85489

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54D854 shade: #54D854, #5454D8 and #D85454

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54D854 shade: #54D854, #54BDD8, #D854D8 and #D86E54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54D854 shade: #54D854, #5496D8, #D854D8 and #D89654

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 61 / 15

HEX #54D854

RGB 84 216 84

HSL 120, 0.63%, 0.59%

LAB 77.06, -61.41, 53.22

 

Complementary color

CMYK 0 / 77 / 0 / 33

HEX #AB27AB

RGB 171 39 171

HSL 300, 0.63%, 0.41%

LAB 42.84, 66.2, -41.48

 

CMYK 59 / 0 / 63 / 15

HEX #59D84F

RGB 89 216 79

HSL 115.62, 0.64%, 0.58%

LAB 77.16, -60.8, 55.5

 

CMYK 55 / 0 / 58 / 8

HEX #6AEA62

RGB 106 234 98

HSL 116.47, 0.76%, 0.65%

LAB 83.33, -61.21, 54.45

 

CMYK 51 / 0 / 54 / 1

HEX #7BFC75

RGB 123 252 117

HSL 117.33, 0.96%, 0.72%

LAB 89.45, -61.41, 53.28

 

CMYK 45 / 0 / 47 / 0

HEX #8CFF88

RGB 140 255 136

HSL 117.98, 1%, 0.77%

LAB 91.18, -55.62, 46.71

 

CMYK 38 / 0 / 39 / 0

HEX #9DFF9B

RGB 157 255 155

HSL 118.8, 1%, 0.8%

LAB 92.16, -48.07, 38.92

 

CMYK 61 / 0 / 61 / 15

HEX #54D854

RGB 84 216 84

HSL 120, 0.63%, 0.59%

LAB 77.06, -61.41, 53.22

 

CMYK 66 / 0 / 67 / 22

HEX #43C641

RGB 67 198 65

HSL 119.1, 0.54%, 0.52%

LAB 70.85, -60.68, 54.21

 

CMYK 72 / 0 / 74 / 29

HEX #32B42E

RGB 50 180 46

HSL 118.21, 0.59%, 0.44%

LAB 64.58, -59.5, 54.82

 

CMYK 80 / 0 / 83 / 36

HEX #21A21B

RGB 33 162 27

HSL 117.33, 0.71%, 0.37%

LAB 58.27, -57.67, 54.67

 

CMYK 89 / 0 / 94 / 44

HEX #109008

RGB 16 144 8

HSL 116.47, 0.89%, 0.3%

LAB 51.92, -54.92, 53.12

 

CMYK 61 / 0 / 61 / 15

HEX #54D854

RGB 84 216 84

HSL 120, 0.63%, 0.59%

LAB 77.06, -61.41, 53.22

 

CMYK 44 / 0 / 61 / 15

HEX #78D854

RGB 120 216 84

HSL 103.64, 0.63%, 0.59%

LAB 78.31, -51.93, 54.97

 

CMYK 28 / 0 / 61 / 15

HEX #9BD854

RGB 155 216 84

HSL 87.73, 0.63%, 0.59%

LAB 80.02, -40.22, 57.35

 

CMYK 12 / 0 / 61 / 15

HEX #BFD854

RGB 191 216 84

HSL 71.36, 0.63%, 0.59%

LAB 82.29, -26.47, 60.48

 

CMYK 0 / 5 / 61 / 15

HEX #D8CD54

RGB 216 205 84

HSL 55, 0.63%, 0.59%

LAB 81.24, -10.84, 59.9

 

CMYK 61 / 0 / 61 / 15

HEX #54D854

RGB 84 216 84

HSL 120, 0.63%, 0.59%

LAB 77.06, -61.41, 53.22

 

CMYK 61 / 0 / 44 / 15

HEX #54D878

RGB 84 216 120

HSL 136.36, 0.63%, 0.59%

LAB 77.49, -56.59, 36.78

 

CMYK 61 / 0 / 28 / 15

HEX #54D89B

RGB 84 216 155

HSL 152.27, 0.63%, 0.59%

LAB 78.09, -50.17, 19.57

 

CMYK 61 / 0 / 12 / 15

HEX #54D8BF

RGB 84 216 191

HSL 168.64, 0.63%, 0.59%

LAB 78.9, -41.96, 1.61

 

CMYK 61 / 5 / 0 / 15

HEX #54CDD8

RGB 84 205 216

HSL 185, 0.63%, 0.59%

LAB 76.38, -30.22, -15.55

 

CMYK 61 / 0 / 61 / 15

HEX #54D854

RGB 84 216 84

HSL 120, 0.63%, 0.59%

LAB 77.06, -61.41, 53.22

 

CMYK 71 / 0 / 71 / 9

HEX #43E943

RGB 67 233 67

HSL 120, 0.79%, 0.59%

LAB 81.77, -71.91, 64.92

 

CMYK 80 / 0 / 80 / 2

HEX #32FA32

RGB 50 250 50

HSL 120, 0.95%, 0.59%

LAB 86.64, -80.4, 74.86

 

CMYK 61 / 0 / 61 / 15

HEX #54D854

RGB 84 216 84

HSL 120, 0.63%, 0.59%

LAB 77.06, -61.41, 53.22

 

CMYK 49 / 0 / 49 / 22

HEX #65C765

RGB 101 199 101

HSL 120, 0.47%, 0.59%

LAB 72.6, -48.64, 40.16

 

CMYK 35 / 0 / 35 / 29

HEX #76B676

RGB 118 182 118

HSL 120, 0.3%, 0.59%

LAB 68.47, -33.53, 26.28

 

CMYK 18 / 0 / 18 / 35

HEX #87A587

RGB 135 165 135

HSL 120, 0.14%, 0.59%

LAB 64.81, -16.35, 12.18

 

CMYK 0 / 3 / 0 / 40

HEX #989498

RGB 152 148 152

HSL 300, 0.02%, 0.59%

LAB 61.76, 2.23, -1.59

 

CMYK 29 / 0 / 61 / 15

HEX #9AD854

RGB 154 216 84

HSL 88.18, 0.63%, 0.59%

LAB 79.97, -40.58, 57.27

 

CMYK 45 / 0 / 61 / 15

HEX #77D854

RGB 119 216 84

HSL 104.09, 0.63%, 0.59%

LAB 78.27, -52.23, 54.91

 

CMYK 61 / 0 / 61 / 15

HEX #54D854

RGB 84 216 84

HSL 120, 0.63%, 0.59%

LAB 77.06, -61.41, 53.22

 

CMYK 61 / 0 / 45 / 15

HEX #54D877

RGB 84 216 119

HSL 135.91, 0.63%, 0.59%

LAB 77.48, -56.75, 37.26

 

CMYK 61 / 0 / 29 / 15

HEX #54D89A

RGB 84 216 154

HSL 151.82, 0.63%, 0.59%

LAB 78.07, -50.38, 20.07

 

CMYK 77 / 0 / 77 / 31

HEX #28B128

RGB 40 177 40

HSL 120, 0.63%, 0.43%

LAB 63.38, -60.56, 55.62

 

CMYK 76 / 0 / 76 / 18

HEX #32D032

RGB 50 208 50

HSL 120, 0.63%, 0.51%

LAB 73.56, -68.05, 62.37

 

CMYK 61 / 0 / 61 / 15

HEX #54D854

RGB 84 216 84

HSL 120, 0.63%, 0.59%

LAB 77.06, -61.41, 53.22

 

CMYK 47 / 0 / 47 / 13

HEX #76DF76

RGB 118 223 118

HSL 120, 0.62%, 0.67%

LAB 80.7, -51.32, 42.07

 

CMYK 35 / 0 / 35 / 9

HEX #97E797

RGB 151 231 151

HSL 120, 0.63%, 0.75%

LAB 84.98, -40.08, 31.42

 

CMYK 61 / 0 / 61 / 15

HEX #54D854

RGB 84 216 84

HSL 120, 0.63%, 0.59%

LAB 77.06, -61.41, 53.22

 

CMYK 61 / 13 / 0 / 15

HEX #54BDD8

RGB 84 189 216

HSL 192.27, 0.63%, 0.59%

LAB 71.72, -22.29, -22.61

 

CMYK 0 / 61 / 37 / 15

HEX #D85489

RGB 216 84 137

HSL 335.91, 0.63%, 0.59%

LAB 54.81, 56.57, -2.25

 

CMYK 61 / 0 / 61 / 15

HEX #54D854

RGB 84 216 84

HSL 120, 0.63%, 0.59%

LAB 77.06, -61.41, 53.22

 

CMYK 61 / 61 / 0 / 15

HEX #5454D8

RGB 84 84 216

HSL 240, 0.63%, 0.59%

LAB 43.04, 39.01, -67.9

 

CMYK 0 / 61 / 61 / 15

HEX #D85454

RGB 216 84 84

HSL 0, 0.63%, 0.59%

LAB 53.58, 51.83, 27.36

 

CMYK 61 / 0 / 61 / 15

HEX #54D854

RGB 84 216 84

HSL 120, 0.63%, 0.59%

LAB 77.06, -61.41, 53.22

 

CMYK 61 / 13 / 0 / 15

HEX #54BDD8

RGB 84 189 216

HSL 192.27, 0.63%, 0.59%

LAB 71.72, -22.29, -22.61

 

CMYK 0 / 61 / 0 / 15

HEX #D854D8

RGB 216 84 216

HSL 300, 0.63%, 0.59%

LAB 57.94, 67.74, -43.18

 

CMYK 0 / 49 / 61 / 15

HEX #D86E54

RGB 216 110 84

HSL 11.82, 0.63%, 0.59%

LAB 58.41, 39.35, 33.45

 

CMYK 61 / 0 / 61 / 15

HEX #54D854

RGB 84 216 84

HSL 120, 0.63%, 0.59%

LAB 77.06, -61.41, 53.22

 

CMYK 61 / 31 / 0 / 15

HEX #5496D8

RGB 84 150 216

HSL 210, 0.63%, 0.59%

LAB 60.48, -1.13, -40

 

CMYK 0 / 61 / 0 / 15

HEX #D854D8

RGB 216 84 216

HSL 300, 0.63%, 0.59%

LAB 57.94, 67.74, -43.18

 

CMYK 0 / 31 / 61 / 15

HEX #D89654

RGB 216 150 84

HSL 30, 0.63%, 0.59%

LAB 67.32, 18.13, 44.2

 

Description

Color code: HEX #54D854 | qconv.com Color code: HEX #54D854 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 216 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 216 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 61 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 61% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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