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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54D92B it is the complementary color #AB26D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54D92B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54D92B shade: #59D926, #6AEB39, #7BFD4C, #8CFF5F and #9DFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54D92B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54D92B shade: #54D92B, #43C718, #32B505, #21A300 and #109100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54D92B shade: #53D92A, #82D92A, #B2D92A, #D9D12A and #D9A22A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54D92B shade: #53D92A, #2AD930, #2AD95F, #2AD98E and #2AD9BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54D92B shade matches the following richer shades: #53D92A and #49ED16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54D92B shade: #53D92A, #5EC53E, #69B153, #739C67 and #7E887B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54D92B shade: #B3D92A, #84D92A, #56D92A, #2AD92D and #2AD95C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54D92B shade: #37961A, #44BA20, #53D92A, #70DF4D and #8CE570

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54D92B shade: #54D92B, #2AD9D0 and #D92A9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54D92B shade: #54D92B, #2A56D9 and #D92A56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54D92B shade: #54D92B, #2AD9D0, #AD2AD9 and #D92A33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54D92B shade: #54D92B, #2AADD9, #AD2AD9 and #D9562A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 80 / 15

HEX #54D92B

RGB 84 217 43

HSL 105.86, 0.7%, 0.51%

LAB 77.09, -65.02, 68.1

 

Complementary color

CMYK 19 / 82 / 0 / 17

HEX #AB26D4

RGB 171 38 212

HSL 285.86, 0.7%, 0.49%

LAB 45.36, 73.57, -61.39

 

CMYK 59 / 0 / 82 / 15

HEX #59D926

RGB 89 217 38

HSL 102.91, 0.7%, 0.5%

LAB 77.21, -64.09, 69.57

 

CMYK 55 / 0 / 76 / 8

HEX #6AEB39

RGB 106 235 57

HSL 103.48, 0.82%, 0.57%

LAB 83.32, -65.06, 70.14

 

CMYK 51 / 0 / 70 / 1

HEX #7BFD4C

RGB 123 253 76

HSL 104.07, 0.98%, 0.65%

LAB 89.39, -65.71, 70.01

 

CMYK 45 / 0 / 63 / 0

HEX #8CFF5F

RGB 140 255 95

HSL 103.13, 1%, 0.69%

LAB 90.74, -60.17, 64.41

 

CMYK 38 / 0 / 55 / 0

HEX #9DFF72

RGB 157 255 114

HSL 101.7, 1%, 0.72%

LAB 91.64, -53.2, 57.56

 

CMYK 61 / 0 / 80 / 15

HEX #54D92B

RGB 84 217 43

HSL 105.86, 0.7%, 0.51%

LAB 77.09, -65.02, 68.1

 

CMYK 66 / 0 / 88 / 22

HEX #43C718

RGB 67 199 24

HSL 105.26, 0.78%, 0.44%

LAB 70.94, -63.62, 66.9

 

CMYK 72 / 0 / 97 / 29

HEX #32B505

RGB 50 181 5

HSL 104.66, 0.95%, 0.36%

LAB 64.75, -61.65, 64.35

 

CMYK 80 / 0 / 100 / 36

HEX #21A300

RGB 33 163 0

HSL 107.85, 1%, 0.32%

LAB 58.53, -58.92, 59.89

 

CMYK 89 / 0 / 100 / 43

HEX #109100

RGB 16 145 0

HSL 113.38, 1%, 0.28%

LAB 52.24, -55.47, 54.77

 

CMYK 62 / 0 / 81 / 15

HEX #53D92A

RGB 83 217 42

HSL 105.94, 0.7%, 0.51%

LAB 77.06, -65.3, 68.33

 

CMYK 40 / 0 / 81 / 15

HEX #82D92A

RGB 130 217 42

HSL 89.83, 0.7%, 0.51%

LAB 78.77, -52.06, 70.53

 

CMYK 18 / 0 / 81 / 15

HEX #B2D92A

RGB 178 217 42

HSL 73.37, 0.7%, 0.51%

LAB 81.43, -34.38, 73.92

 

CMYK 0 / 4 / 81 / 15

HEX #D9D12A

RGB 217 209 42

HSL 57.26, 0.7%, 0.51%

LAB 82.12, -14.43, 75.63

 

CMYK 0 / 25 / 81 / 15

HEX #D9A22A

RGB 217 162 42

HSL 41.14, 0.7%, 0.51%

LAB 70.01, 9.98, 65.06

 

CMYK 62 / 0 / 81 / 15

HEX #53D92A

RGB 83 217 42

HSL 105.94, 0.7%, 0.51%

LAB 77.06, -65.3, 68.33

 

CMYK 81 / 0 / 78 / 15

HEX #2AD930

RGB 42 217 48

HSL 122.06, 0.7%, 0.51%

LAB 76.27, -71.9, 65.59

 

CMYK 81 / 0 / 56 / 15

HEX #2AD95F

RGB 42 217 95

HSL 138.17, 0.7%, 0.51%

LAB 76.65, -67.3, 47.59

 

CMYK 81 / 0 / 35 / 15

HEX #2AD98E

RGB 42 217 142

HSL 154.29, 0.7%, 0.51%

LAB 77.32, -59.38, 25.18

 

CMYK 81 / 0 / 12 / 15

HEX #2AD9BE

RGB 42 217 190

HSL 170.74, 0.7%, 0.51%

LAB 78.37, -48.16, 1.27

 

CMYK 62 / 0 / 81 / 15

HEX #53D92A

RGB 83 217 42

HSL 105.94, 0.7%, 0.51%

LAB 77.06, -65.3, 68.33

 

CMYK 69 / 0 / 91 / 7

HEX #49ED16

RGB 73 237 22

HSL 105.77, 0.86%, 0.51%

LAB 82.94, -74.4, 77.47

 

CMYK 62 / 0 / 81 / 15

HEX #53D92A

RGB 83 217 42

HSL 105.94, 0.7%, 0.51%

LAB 77.06, -65.3, 68.33

 

CMYK 52 / 0 / 69 / 23

HEX #5EC53E

RGB 94 197 62

HSL 105.78, 0.54%, 0.51%

LAB 71.32, -54.12, 56.16

 

CMYK 41 / 0 / 53 / 31

HEX #69B153

RGB 105 177 83

HSL 105.96, 0.38%, 0.51%

LAB 65.8, -40.54, 40.74

 

CMYK 26 / 0 / 34 / 39

HEX #739C67

RGB 115 156 103

HSL 106.42, 0.21%, 0.51%

LAB 60.25, -24.45, 23.38

 

CMYK 7 / 0 / 10 / 47

HEX #7E887B

RGB 126 136 123

HSL 106.15, 0.05%, 0.51%

LAB 55.56, -6.24, 5.72

 

CMYK 18 / 0 / 81 / 15

HEX #B3D92A

RGB 179 217 42

HSL 73.03, 0.7%, 0.51%

LAB 81.5, -33.99, 74

 

CMYK 39 / 0 / 81 / 15

HEX #84D92A

RGB 132 217 42

HSL 89.14, 0.7%, 0.51%

LAB 78.87, -51.4, 70.65

 

CMYK 60 / 0 / 81 / 15

HEX #56D92A

RGB 86 217 42

HSL 104.91, 0.7%, 0.51%

LAB 77.14, -64.61, 68.44

 

CMYK 81 / 0 / 79 / 15

HEX #2AD92D

RGB 42 217 45

HSL 121.03, 0.7%, 0.51%

LAB 76.26, -72.09, 66.46

 

CMYK 81 / 0 / 58 / 15

HEX #2AD95C

RGB 42 217 92

HSL 137.14, 0.7%, 0.51%

LAB 76.61, -67.69, 48.93

 

CMYK 63 / 0 / 83 / 41

HEX #37961A

RGB 55 150 26

HSL 105.97, 0.7%, 0.35%

LAB 54.76, -49.6, 51.89

 

CMYK 63 / 0 / 83 / 27

HEX #44BA20

RGB 68 186 32

HSL 105.97, 0.71%, 0.43%

LAB 66.86, -58.77, 61.48

 

CMYK 62 / 0 / 81 / 15

HEX #53D92A

RGB 83 217 42

HSL 105.94, 0.7%, 0.51%

LAB 77.06, -65.3, 68.33

 

CMYK 50 / 0 / 65 / 13

HEX #70DF4D

RGB 112 223 77

HSL 105.62, 0.7%, 0.59%

LAB 80.04, -57.62, 59.69

 

CMYK 39 / 0 / 51 / 10

HEX #8CE570

RGB 140 229 112

HSL 105.64, 0.69%, 0.67%

LAB 83.33, -48.03, 48.39

 

CMYK 61 / 0 / 80 / 15

HEX #54D92B

RGB 84 217 43

HSL 105.86, 0.7%, 0.51%

LAB 77.09, -65.02, 68.1

 

CMYK 81 / 0 / 4 / 15

HEX #2AD9D0

RGB 42 217 208

HSL 176.91, 0.7%, 0.51%

LAB 78.85, -43.26, -7.64

 

CMYK 0 / 81 / 28 / 15

HEX #D92A9C

RGB 217 42 156

HSL 320.91, 0.7%, 0.51%

LAB 50.46, 73.42, -20.04

 

CMYK 61 / 0 / 80 / 15

HEX #54D92B

RGB 84 217 43

HSL 105.86, 0.7%, 0.51%

LAB 77.09, -65.02, 68.1

 

CMYK 81 / 60 / 0 / 15

HEX #2A56D9

RGB 42 86 217

HSL 224.91, 0.7%, 0.51%

LAB 41.47, 32.95, -71.12

 

CMYK 0 / 81 / 60 / 15

HEX #D92A56

RGB 217 42 86

HSL 344.91, 0.7%, 0.51%

LAB 48.36, 67.21, 19.37

 

CMYK 61 / 0 / 80 / 15

HEX #54D92B

RGB 84 217 43

HSL 105.86, 0.7%, 0.51%

LAB 77.09, -65.02, 68.1

 

CMYK 81 / 0 / 4 / 15

HEX #2AD9D0

RGB 42 217 208

HSL 176.91, 0.7%, 0.51%

LAB 78.85, -43.26, -7.64

 

CMYK 20 / 81 / 0 / 15

HEX #AD2AD9

RGB 173 42 217

HSL 284.91, 0.7%, 0.51%

LAB 46.38, 73.76, -62.59

 

CMYK 0 / 81 / 76 / 15

HEX #D92A33

RGB 217 42 51

HSL 356.91, 0.7%, 0.51%

LAB 47.81, 65.54, 39.56

 

CMYK 61 / 0 / 80 / 15

HEX #54D92B

RGB 84 217 43

HSL 105.86, 0.7%, 0.51%

LAB 77.09, -65.02, 68.1

 

CMYK 81 / 20 / 0 / 15

HEX #2AADD9

RGB 42 173 217

HSL 195.09, 0.7%, 0.51%

LAB 66.05, -19.31, -31.95

 

CMYK 20 / 81 / 0 / 15

HEX #AD2AD9

RGB 173 42 217

HSL 284.91, 0.7%, 0.51%

LAB 46.38, 73.76, -62.59

 

CMYK 0 / 60 / 81 / 15

HEX #D9562A

RGB 217 86 42

HSL 15.09, 0.7%, 0.51%

LAB 53.57, 49.26, 50.05

 

Description

Color code: HEX #54D92B | qconv.com Color code: HEX #54D92B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 217 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 217 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 80 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 80% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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