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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54EFD5 it is the complementary color #AB102A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54EFD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54EFD5 shade: #59EFD0, #6AFFE3, #7BFFF6, #8CFFFF and #9DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54EFD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54EFD5 shade: #54EFD5, #43DDC2, #32CBAF, #21B99C and #10A789

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54EFD5 shade: #52EED4, #52EEAA, #52EE80, #52EE55 and #78EE52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54EFD5 shade: #52EED4, #52DEEE, #52B4EE, #528AEE and #5260EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54EFD5 shade matches the following richer shades: #52EED4 and #43FEDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54EFD5 shade: #52EED4, #61DFCA, #70D0C0, #80C1B6 and #8FB1AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54EFD5 shade: #52EE7E, #52EEA8, #52EED2, #52E1EE and #52B8EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54EFD5 shade: #14DAB9, #2CEBCB, #52EED4, #78F2DD and #9DF5E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54EFD5 shade: #54EFD5, #5452EE and #EE9352

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54EFD5 shade: #54EFD5, #D252EE and #EED252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54EFD5 shade: #54EFD5, #5452EE, #EE526F and #ECEE52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54EFD5 shade: #54EFD5, #8352EE, #EE526F and #BDEE52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 11 / 6

HEX #54EFD5

RGB 84 239 213

HSL 169.94, 0.83%, 0.63%

LAB 86.22, -46.52, 0.63

 

Complementary color

CMYK 0 / 91 / 75 / 33

HEX #AB102A

RGB 171 16 42

HSL 349.94, 0.83%, 0.37%

LAB 36.36, 58.21, 29.54

 

CMYK 63 / 0 / 13 / 6

HEX #59EFD0

RGB 89 239 208

HSL 167.6, 0.82%, 0.64%

LAB 86.21, -46.95, 3.26

 

CMYK 58 / 0 / 11 / 0

HEX #6AFFE3

RGB 106 255 227

HSL 168.72, 1%, 0.71%

LAB 91.74, -46.32, 1.46

 

CMYK 52 / 0 / 4 / 0

HEX #7BFFF6

RGB 123 255 246

HSL 175.91, 1%, 0.74%

LAB 92.74, -38.47, -6.85

 

CMYK 45 / 0 / 0 / 0

HEX #8CFFFF

RGB 140 255 255

HSL 180, 1%, 0.77%

LAB 93.59, -32.69, -10.19

 

CMYK 38 / 0 / 0 / 0

HEX #9DFFFF

RGB 157 255 255

HSL 180, 1%, 0.81%

LAB 94.27, -28.75, -9.1

 

CMYK 65 / 0 / 11 / 6

HEX #54EFD5

RGB 84 239 213

HSL 169.94, 0.83%, 0.63%

LAB 86.22, -46.52, 0.63

 

CMYK 70 / 0 / 12 / 13

HEX #43DDC2

RGB 67 221 194

HSL 169.48, 0.69%, 0.56%

LAB 80.07, -46.04, 1.66

 

CMYK 75 / 0 / 14 / 20

HEX #32CBAF

RGB 50 203 175

HSL 169.02, 0.6%, 0.5%

LAB 73.86, -45.35, 2.79

 

CMYK 82 / 0 / 16 / 27

HEX #21B99C

RGB 33 185 156

HSL 168.55, 0.7%, 0.43%

LAB 67.59, -44.38, 4.04

 

CMYK 90 / 0 / 18 / 35

HEX #10A789

RGB 16 167 137

HSL 168.08, 0.83%, 0.36%

LAB 61.27, -43.03, 5.44

 

CMYK 66 / 0 / 11 / 7

HEX #52EED4

RGB 82 238 212

HSL 170, 0.82%, 0.63%

LAB 85.85, -46.64, 0.62

 

CMYK 66 / 0 / 29 / 7

HEX #52EEAA

RGB 82 238 170

HSL 153.85, 0.82%, 0.63%

LAB 84.92, -56.25, 21.19

 

CMYK 66 / 0 / 46 / 7

HEX #52EE80

RGB 82 238 128

HSL 137.69, 0.82%, 0.63%

LAB 84.23, -63.83, 41.41

 

CMYK 66 / 0 / 64 / 7

HEX #52EE55

RGB 82 238 85

HSL 121.15, 0.82%, 0.63%

LAB 83.76, -69.25, 60.25

 

CMYK 50 / 0 / 66 / 7

HEX #78EE52

RGB 120 238 82

HSL 105.38, 0.82%, 0.63%

LAB 84.87, -60.58, 62.99

 

CMYK 66 / 0 / 11 / 7

HEX #52EED4

RGB 82 238 212

HSL 170, 0.82%, 0.63%

LAB 85.85, -46.64, 0.62

 

CMYK 66 / 7 / 0 / 7

HEX #52DEEE

RGB 82 222 238

HSL 186.15, 0.82%, 0.63%

LAB 81.95, -32.41, -18.91

 

CMYK 66 / 24 / 0 / 7

HEX #52B4EE

RGB 82 180 238

HSL 202.31, 0.82%, 0.63%

LAB 69.9, -11.09, -37.39

 

CMYK 66 / 42 / 0 / 7

HEX #528AEE

RGB 82 138 238

HSL 218.46, 0.82%, 0.63%

LAB 58.17, 12.98, -55.88

 

CMYK 66 / 60 / 0 / 7

HEX #5260EE

RGB 82 96 238

HSL 234.62, 0.82%, 0.63%

LAB 47.41, 38.7, -73.25

 

CMYK 66 / 0 / 11 / 7

HEX #52EED4

RGB 82 238 212

HSL 170, 0.82%, 0.63%

LAB 85.85, -46.64, 0.62

 

CMYK 74 / 0 / 13 / 0

HEX #43FEDE

RGB 67 254 222

HSL 169.73, 0.99%, 0.63%

LAB 90.48, -52.83, 2.11

 

CMYK 66 / 0 / 11 / 7

HEX #52EED4

RGB 82 238 212

HSL 170, 0.82%, 0.63%

LAB 85.85, -46.64, 0.62

 

CMYK 57 / 0 / 9 / 13

HEX #61DFCA

RGB 97 223 202

HSL 170, 0.66%, 0.63%

LAB 81.61, -39.96, -0.25

 

CMYK 46 / 0 / 8 / 18

HEX #70D0C0

RGB 112 208 192

HSL 170, 0.51%, 0.63%

LAB 77.5, -32.25, -0.86

 

CMYK 34 / 0 / 6 / 24

HEX #80C1B6

RGB 128 193 182

HSL 169.85, 0.34%, 0.63%

LAB 73.61, -23.12, -1.05

 

CMYK 19 / 0 / 3 / 31

HEX #8FB1AC

RGB 143 177 172

HSL 171.18, 0.18%, 0.63%

LAB 69.66, -12.55, -1.27

 

CMYK 66 / 0 / 47 / 7

HEX #52EE7E

RGB 82 238 126

HSL 136.92, 0.82%, 0.63%

LAB 84.2, -64.13, 42.35

 

CMYK 66 / 0 / 29 / 7

HEX #52EEA8

RGB 82 238 168

HSL 153.08, 0.82%, 0.63%

LAB 84.88, -56.66, 22.17

 

CMYK 66 / 0 / 12 / 7

HEX #52EED2

RGB 82 238 210

HSL 169.23, 0.82%, 0.63%

LAB 85.8, -47.14, 1.6

 

CMYK 66 / 5 / 0 / 7

HEX #52E1EE

RGB 82 225 238

HSL 185, 0.82%, 0.63%

LAB 82.82, -33.83, -17.61

 

CMYK 66 / 23 / 0 / 7

HEX #52B8EE

RGB 82 184 238

HSL 200.77, 0.82%, 0.63%

LAB 71.04, -13.24, -35.62

 

CMYK 91 / 0 / 15 / 15

HEX #14DAB9

RGB 20 218 185

HSL 170, 0.83%, 0.47%

LAB 78.34, -51.3, 3.88

 

CMYK 81 / 0 / 14 / 8

HEX #2CEBCB

RGB 44 235 203

HSL 169.95, 0.83%, 0.55%

LAB 84.1, -52.08, 2.72

 

CMYK 66 / 0 / 11 / 7

HEX #52EED4

RGB 82 238 212

HSL 170, 0.82%, 0.63%

LAB 85.85, -46.64, 0.62

 

CMYK 50 / 0 / 9 / 5

HEX #78F2DD

RGB 120 242 221

HSL 169.67, 0.82%, 0.71%

LAB 88.31, -39.25, -0.37

 

CMYK 36 / 0 / 6 / 4

HEX #9DF5E7

RGB 157 245 231

HSL 170.45, 0.81%, 0.79%

LAB 90.89, -29.49, -1.64

 

CMYK 65 / 0 / 11 / 6

HEX #54EFD5

RGB 84 239 213

HSL 169.94, 0.83%, 0.63%

LAB 86.22, -46.52, 0.63

 

CMYK 65 / 66 / 0 / 7

HEX #5452EE

RGB 84 82 238

HSL 240.77, 0.82%, 0.63%

LAB 44.37, 47.29, -78.21

 

CMYK 0 / 38 / 66 / 7

HEX #EE9352

RGB 238 147 82

HSL 25, 0.82%, 0.63%

LAB 69.22, 28.66, 48.08

 

CMYK 65 / 0 / 11 / 6

HEX #54EFD5

RGB 84 239 213

HSL 169.94, 0.83%, 0.63%

LAB 86.22, -46.52, 0.63

 

CMYK 12 / 66 / 0 / 7

HEX #D252EE

RGB 210 82 238

HSL 289.23, 0.82%, 0.63%

LAB 57.95, 71.03, -55.58

 

CMYK 0 / 12 / 66 / 7

HEX #EED252

RGB 238 210 82

HSL 49.23, 0.82%, 0.63%

LAB 84.42, -4.34, 64.71

 

CMYK 65 / 0 / 11 / 6

HEX #54EFD5

RGB 84 239 213

HSL 169.94, 0.83%, 0.63%

LAB 86.22, -46.52, 0.63

 

CMYK 65 / 66 / 0 / 7

HEX #5452EE

RGB 84 82 238

HSL 240.77, 0.82%, 0.63%

LAB 44.37, 47.29, -78.21

 

CMYK 0 / 66 / 53 / 7

HEX #EE526F

RGB 238 82 111

HSL 348.85, 0.82%, 0.63%

LAB 57.42, 61.76, 17.31

 

CMYK 1 / 0 / 66 / 7

HEX #ECEE52

RGB 236 238 82

HSL 60.77, 0.82%, 0.63%

LAB 91.5, -19.07, 71.98

 

CMYK 65 / 0 / 11 / 6

HEX #54EFD5

RGB 84 239 213

HSL 169.94, 0.83%, 0.63%

LAB 86.22, -46.52, 0.63

 

CMYK 45 / 66 / 0 / 7

HEX #8352EE

RGB 131 82 238

HSL 258.85, 0.82%, 0.63%

LAB 48.3, 54.78, -71.62

 

CMYK 0 / 66 / 53 / 7

HEX #EE526F

RGB 238 82 111

HSL 348.85, 0.82%, 0.63%

LAB 57.42, 61.76, 17.31

 

CMYK 21 / 0 / 66 / 7

HEX #BDEE52

RGB 189 238 82

HSL 78.85, 0.82%, 0.63%

LAB 88.25, -37.57, 67.59

 

Description

Color code: HEX #54EFD5 | qconv.com Color code: HEX #54EFD5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 239 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 239 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 11 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 11% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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