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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54F9C3 it is the complementary color #AB063C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54F9C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54F9C3 shade: #59F9BE, #6AFFD1, #7BFFE4, #8CFFF7 and #9DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54F9C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54F9C3 shade: #54F9C3, #43E7B0, #32D59D, #21C38A and #10B177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54F9C3 shade: #52F8C2, #52F895, #52F868, #69F852 and #96F852

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54F9C3 shade: #52F8C2, #52F8EF, #52D5F8, #52A8F8 and #527CF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54F9C3 shade matches the following richer shades: #52F8C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54F9C3 shade: #52F8C2, #61EABD, #6FDBB8, #7ECDB3 and #8CBEAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54F9C3 shade: #52F868, #52F895, #52F8C1, #52F8ED and #52D7F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54F9C3 shade: #08F0A4, #2AF7B4, #52F8C2, #7AFAD0 and #A2FBDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54F9C3 shade: #54F9C3, #5268F8 and #F87F52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54F9C3 shade: #54F9C3, #C152F8 and #F8C152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54F9C3 shade: #54F9C3, #5268F8, #F8528A and #F8E252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54F9C3 shade: #54F9C3, #6E52F8, #F8528A and #DDF852

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 22 / 2

HEX #54F9C3

RGB 84 249 195

HSL 160.36, 0.93%, 0.65%

LAB 88.72, -54.93, 13.6

 

Complementary color

CMYK 0 / 96 / 65 / 33

HEX #AB063C

RGB 171 6 60

HSL 340.36, 0.93%, 0.35%

LAB 36.2, 60.38, 17.9

 

CMYK 64 / 0 / 24 / 2

HEX #59F9BE

RGB 89 249 190

HSL 157.88, 0.93%, 0.66%

LAB 88.73, -55.22, 16.21

 

CMYK 58 / 0 / 18 / 0

HEX #6AFFD1

RGB 106 255 209

HSL 161.48, 1%, 0.71%

LAB 91.32, -50.49, 10.15

 

CMYK 52 / 0 / 11 / 0

HEX #7BFFE4

RGB 123 255 228

HSL 167.73, 1%, 0.74%

LAB 92.28, -42.79, 1.78

 

CMYK 45 / 0 / 3 / 0

HEX #8CFFF7

RGB 140 255 247

HSL 175.83, 1%, 0.77%

LAB 93.37, -34.63, -6.38

 

CMYK 38 / 0 / 0 / 0

HEX #9DFFFF

RGB 157 255 255

HSL 180, 1%, 0.81%

LAB 94.27, -28.75, -9.1

 

CMYK 66 / 0 / 22 / 2

HEX #54F9C3

RGB 84 249 195

HSL 160.36, 0.93%, 0.65%

LAB 88.72, -54.93, 13.6

 

CMYK 71 / 0 / 24 / 9

HEX #43E7B0

RGB 67 231 176

HSL 159.88, 0.77%, 0.58%

LAB 82.64, -54.48, 14.84

 

CMYK 77 / 0 / 26 / 16

HEX #32D59D

RGB 50 213 157

HSL 159.39, 0.66%, 0.52%

LAB 76.5, -53.8, 16.19

 

CMYK 83 / 0 / 29 / 24

HEX #21C38A

RGB 33 195 138

HSL 158.89, 0.71%, 0.45%

LAB 70.31, -52.82, 17.67

 

CMYK 91 / 0 / 33 / 31

HEX #10B177

RGB 16 177 119

HSL 158.39, 0.83%, 0.38%

LAB 64.07, -51.41, 19.31

 

CMYK 67 / 0 / 22 / 3

HEX #52F8C2

RGB 82 248 194

HSL 160.48, 0.92%, 0.65%

LAB 88.36, -55.06, 13.61

 

CMYK 67 / 0 / 40 / 3

HEX #52F895

RGB 82 248 149

HSL 144.22, 0.92%, 0.65%

LAB 87.53, -64, 35.36

 

CMYK 67 / 0 / 58 / 3

HEX #52F868

RGB 82 248 104

HSL 127.95, 0.92%, 0.65%

LAB 86.96, -70.53, 55.86

 

CMYK 58 / 0 / 67 / 3

HEX #69F852

RGB 105 248 82

HSL 111.69, 0.92%, 0.65%

LAB 87.36, -67.99, 65.51

 

CMYK 40 / 0 / 67 / 3

HEX #96F852

RGB 150 248 82

HSL 95.42, 0.92%, 0.65%

LAB 89.03, -55.46, 67.78

 

CMYK 67 / 0 / 22 / 3

HEX #52F8C2

RGB 82 248 194

HSL 160.48, 0.92%, 0.65%

LAB 88.36, -55.06, 13.61

 

CMYK 67 / 0 / 4 / 3

HEX #52F8EF

RGB 82 248 239

HSL 176.75, 0.92%, 0.65%

LAB 89.47, -44.03, -8.19

 

CMYK 67 / 14 / 0 / 3

HEX #52D5F8

RGB 82 213 248

HSL 192.65, 0.92%, 0.65%

LAB 79.7, -25.09, -27.64

 

CMYK 67 / 32 / 0 / 3

HEX #52A8F8

RGB 82 168 248

HSL 208.92, 0.92%, 0.65%

LAB 66.96, -1.17, -47.44

 

CMYK 67 / 50 / 0 / 3

HEX #527CF8

RGB 82 124 248

HSL 224.82, 0.92%, 0.65%

LAB 55.06, 24.94, -66.42

 

CMYK 67 / 0 / 22 / 3

HEX #52F8C2

RGB 82 248 194

HSL 160.48, 0.92%, 0.65%

LAB 88.36, -55.06, 13.61

 

CMYK 67 / 0 / 22 / 3

HEX #52F8C2

RGB 82 248 194

HSL 160.48, 0.92%, 0.65%

LAB 88.36, -55.06, 13.61

 

CMYK 59 / 0 / 19 / 8

HEX #61EABD

RGB 97 234 189

HSL 160.29, 0.77%, 0.65%

LAB 84.52, -47.82, 10.8

 

CMYK 49 / 0 / 16 / 14

HEX #6FDBB8

RGB 111 219 184

HSL 160.56, 0.6%, 0.65%

LAB 80.46, -39.41, 7.7

 

CMYK 39 / 0 / 13 / 20

HEX #7ECDB3

RGB 126 205 179

HSL 160.25, 0.44%, 0.65%

LAB 76.89, -30.22, 5.32

 

CMYK 26 / 0 / 8 / 25

HEX #8CBEAE

RGB 140 190 174

HSL 160.8, 0.28%, 0.65%

LAB 73.19, -19.8, 2.76

 

CMYK 67 / 0 / 58 / 3

HEX #52F868

RGB 82 248 104

HSL 127.95, 0.92%, 0.65%

LAB 86.96, -70.53, 55.86

 

CMYK 67 / 0 / 40 / 3

HEX #52F895

RGB 82 248 149

HSL 144.22, 0.92%, 0.65%

LAB 87.53, -64, 35.36

 

CMYK 67 / 0 / 22 / 3

HEX #52F8C1

RGB 82 248 193

HSL 160.12, 0.92%, 0.65%

LAB 88.34, -55.28, 14.09

 

CMYK 67 / 0 / 4 / 3

HEX #52F8ED

RGB 82 248 237

HSL 176.02, 0.92%, 0.65%

LAB 89.41, -44.56, -7.23

 

CMYK 67 / 13 / 0 / 3

HEX #52D7F8

RGB 82 215 248

HSL 191.93, 0.92%, 0.65%

LAB 80.28, -26.09, -26.77

 

CMYK 97 / 0 / 32 / 6

HEX #08F0A4

RGB 8 240 164

HSL 160.34, 0.94%, 0.49%

LAB 84.51, -65.02, 23.57

 

CMYK 83 / 0 / 27 / 3

HEX #2AF7B4

RGB 42 247 180

HSL 160.39, 0.93%, 0.57%

LAB 87.15, -62.4, 19.03

 

CMYK 67 / 0 / 22 / 3

HEX #52F8C2

RGB 82 248 194

HSL 160.48, 0.92%, 0.65%

LAB 88.36, -55.06, 13.61

 

CMYK 51 / 0 / 17 / 2

HEX #7AFAD0

RGB 122 250 208

HSL 160.31, 0.93%, 0.73%

LAB 90.35, -45.32, 9.34

 

CMYK 35 / 0 / 12 / 2

HEX #A2FBDE

RGB 162 251 222

HSL 160.45, 0.92%, 0.81%

LAB 92.55, -32.91, 5.47

 

CMYK 66 / 0 / 22 / 2

HEX #54F9C3

RGB 84 249 195

HSL 160.36, 0.93%, 0.65%

LAB 88.72, -54.93, 13.6

 

CMYK 67 / 58 / 0 / 3

HEX #5268F8

RGB 82 104 248

HSL 232.05, 0.92%, 0.65%

LAB 50.06, 37.19, -74.51

 

CMYK 0 / 49 / 67 / 3

HEX #F87F52

RGB 248 127 82

HSL 16.27, 0.92%, 0.65%

LAB 66.32, 42.84, 45.1

 

CMYK 66 / 0 / 22 / 2

HEX #54F9C3

RGB 84 249 195

HSL 160.36, 0.93%, 0.65%

LAB 88.72, -54.93, 13.6

 

CMYK 22 / 67 / 0 / 3

HEX #C152F8

RGB 193 82 248

HSL 280.12, 0.92%, 0.65%

LAB 56.24, 69.33, -64.02

 

CMYK 0 / 22 / 67 / 3

HEX #F8C152

RGB 248 193 82

HSL 40.12, 0.92%, 0.65%

LAB 81.13, 8.59, 61.51

 

CMYK 66 / 0 / 22 / 2

HEX #54F9C3

RGB 84 249 195

HSL 160.36, 0.93%, 0.65%

LAB 88.72, -54.93, 13.6

 

CMYK 67 / 58 / 0 / 3

HEX #5268F8

RGB 82 104 248

HSL 232.05, 0.92%, 0.65%

LAB 50.06, 37.19, -74.51

 

CMYK 0 / 67 / 44 / 3

HEX #F8528A

RGB 248 82 138

HSL 339.76, 0.92%, 0.65%

LAB 59.73, 67.03, 4.96

 

CMYK 0 / 9 / 67 / 3

HEX #F8E252

RGB 248 226 82

HSL 52.05, 0.92%, 0.65%

LAB 89.37, -8.26, 70.12

 

CMYK 66 / 0 / 22 / 2

HEX #54F9C3

RGB 84 249 195

HSL 160.36, 0.93%, 0.65%

LAB 88.72, -54.93, 13.6

 

CMYK 56 / 67 / 0 / 3

HEX #6E52F8

RGB 110 82 248

HSL 250.12, 0.92%, 0.65%

LAB 47.14, 54.04, -79.2

 

CMYK 0 / 67 / 44 / 3

HEX #F8528A

RGB 248 82 138

HSL 339.76, 0.92%, 0.65%

LAB 59.73, 67.03, 4.96

 

CMYK 11 / 0 / 67 / 3

HEX #DDF852

RGB 221 248 82

HSL 69.76, 0.92%, 0.65%

LAB 93.07, -29.8, 73.22

 

Description

Color code: HEX #54F9C3 | qconv.com Color code: HEX #54F9C3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 249 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 249 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 22 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 22% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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