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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54F381 it is the complementary color #AB0C7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54F381. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54F381 shade: #59F37C, #6AFF8F, #7BFFA2, #8CFFB5 and #9DFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54F381. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54F381 shade: #54F381, #43E16E, #32CF5B, #21BD48 and #10AB35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54F381 shade: #53F380, #53F355, #7CF353, #A7F353 and #D2F353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54F381 shade: #53F380, #53F3AB, #53F3D6, #53E4F3 and #53B9F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54F381 shade matches the following richer shades: #53F380

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54F381 shade: #53F380, #62E486, #71D58D, #7FC693 and #8EB79A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54F381 shade: #7DF353, #53F353, #53F37D, #53F3A8 and #53F3D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54F381 shade: #0FE44B, #2CF064, #53F380, #79F59C and #A0F8B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54F381 shade: #54F381, #53A8F3 and #F35368

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54F381 shade: #54F381, #7D53F3 and #F37D53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54F381 shade: #54F381, #53A8F3, #F353C8 and #F39D53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54F381 shade: #54F381, #5378F3, #F353C8 and #F3CD53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 47 / 5

HEX #54F381

RGB 84 243 129

HSL 136.98, 0.87%, 0.64%

LAB 85.79, -65.1, 42.92

 

Complementary color

CMYK 0 / 93 / 26 / 33

HEX #AB0C7E

RGB 171 12 126

HSL 316.98, 0.87%, 0.36%

LAB 38.6, 65.45, -20.79

 

CMYK 63 / 0 / 49 / 5

HEX #59F37C

RGB 89 243 124

HSL 133.64, 0.87%, 0.65%

LAB 85.85, -64.9, 45.41

 

CMYK 58 / 0 / 44 / 0

HEX #6AFF8F

RGB 106 255 143

HSL 134.9, 1%, 0.71%

LAB 90.12, -62.99, 41.78

 

CMYK 52 / 0 / 36 / 0

HEX #7BFFA2

RGB 123 255 162

HSL 137.73, 1%, 0.74%

LAB 90.93, -56.09, 33.6

 

CMYK 45 / 0 / 29 / 0

HEX #8CFFB5

RGB 140 255 181

HSL 141.39, 1%, 0.77%

LAB 91.88, -48.55, 25.43

 

CMYK 38 / 0 / 22 / 0

HEX #9DFFC8

RGB 157 255 200

HSL 146.33, 1%, 0.81%

LAB 92.95, -40.49, 17.34

 

CMYK 65 / 0 / 47 / 5

HEX #54F381

RGB 84 243 129

HSL 136.98, 0.87%, 0.64%

LAB 85.79, -65.1, 42.92

 

CMYK 70 / 0 / 51 / 12

HEX #43E16E

RGB 67 225 110

HSL 136.33, 0.72%, 0.57%

LAB 79.71, -64.51, 44.37

 

CMYK 76 / 0 / 56 / 19

HEX #32CF5B

RGB 50 207 91

HSL 135.67, 0.62%, 0.5%

LAB 73.58, -63.59, 45.83

 

CMYK 83 / 0 / 62 / 26

HEX #21BD48

RGB 33 189 72

HSL 135, 0.7%, 0.44%

LAB 67.42, -62.19, 47.26

 

CMYK 91 / 0 / 69 / 33

HEX #10AB35

RGB 16 171 53

HSL 134.32, 0.83%, 0.37%

LAB 61.21, -60.12, 48.5

 

CMYK 66 / 0 / 47 / 5

HEX #53F380

RGB 83 243 128

HSL 136.88, 0.87%, 0.64%

LAB 85.76, -65.43, 43.35

 

CMYK 66 / 0 / 65 / 5

HEX #53F355

RGB 83 243 85

HSL 120.75, 0.87%, 0.64%

LAB 85.3, -70.71, 61.95

 

CMYK 49 / 0 / 66 / 5

HEX #7CF353

RGB 124 243 83

HSL 104.63, 0.87%, 0.64%

LAB 86.51, -61.24, 64.4

 

CMYK 31 / 0 / 66 / 5

HEX #A7F353

RGB 167 243 83

HSL 88.5, 0.87%, 0.64%

LAB 88.42, -47.68, 67.01

 

CMYK 14 / 0 / 66 / 5

HEX #D2F353

RGB 210 243 83

HSL 72.38, 0.87%, 0.64%

LAB 90.97, -31.73, 70.47

 

CMYK 66 / 0 / 47 / 5

HEX #53F380

RGB 83 243 128

HSL 136.88, 0.87%, 0.64%

LAB 85.76, -65.43, 43.35

 

CMYK 66 / 0 / 30 / 5

HEX #53F3AB

RGB 83 243 171

HSL 153, 0.87%, 0.64%

LAB 86.44, -57.83, 22.78

 

CMYK 66 / 0 / 12 / 5

HEX #53F3D6

RGB 83 243 214

HSL 169.13, 0.87%, 0.64%

LAB 87.39, -48.13, 1.8

 

CMYK 66 / 6 / 0 / 5

HEX #53E4F3

RGB 83 228 243

HSL 185.63, 0.87%, 0.64%

LAB 83.86, -33.68, -18.67

 

CMYK 66 / 24 / 0 / 5

HEX #53B9F3

RGB 83 185 243

HSL 201.75, 0.87%, 0.64%

LAB 71.56, -12.02, -37.52

 

CMYK 66 / 0 / 47 / 5

HEX #53F380

RGB 83 243 128

HSL 136.88, 0.87%, 0.64%

LAB 85.76, -65.43, 43.35

 

CMYK 66 / 0 / 47 / 5

HEX #53F380

RGB 83 243 128

HSL 136.88, 0.87%, 0.64%

LAB 85.76, -65.43, 43.35

 

CMYK 57 / 0 / 41 / 11

HEX #62E486

RGB 98 228 134

HSL 136.62, 0.71%, 0.64%

LAB 81.73, -55.9, 35.33

 

CMYK 47 / 0 / 34 / 16

HEX #71D58D

RGB 113 213 141

HSL 136.8, 0.54%, 0.64%

LAB 77.89, -44.91, 26.77

 

CMYK 36 / 0 / 26 / 22

HEX #7FC693

RGB 127 198 147

HSL 136.9, 0.38%, 0.64%

LAB 74.19, -33.09, 18.67

 

CMYK 22 / 0 / 16 / 28

HEX #8EB79A

RGB 142 183 154

HSL 137.56, 0.22%, 0.64%

LAB 70.84, -19.63, 10.3

 

CMYK 49 / 0 / 66 / 5

HEX #7DF353

RGB 125 243 83

HSL 104.25, 0.87%, 0.64%

LAB 86.55, -60.96, 64.45

 

CMYK 66 / 0 / 66 / 5

HEX #53F353

RGB 83 243 83

HSL 120, 0.87%, 0.64%

LAB 85.28, -70.9, 62.72

 

CMYK 66 / 0 / 49 / 5

HEX #53F37D

RGB 83 243 125

HSL 135.75, 0.87%, 0.64%

LAB 85.72, -65.87, 44.74

 

CMYK 66 / 0 / 31 / 5

HEX #53F3A8

RGB 83 243 168

HSL 151.88, 0.87%, 0.64%

LAB 86.39, -58.43, 24.24

 

CMYK 66 / 0 / 13 / 5

HEX #53F3D3

RGB 83 243 211

HSL 168, 0.87%, 0.64%

LAB 87.31, -48.87, 3.26

 

CMYK 93 / 0 / 67 / 11

HEX #0FE44B

RGB 15 228 75

HSL 136.9, 0.88%, 0.48%

LAB 79.67, -74.95, 59.53

 

CMYK 82 / 0 / 58 / 6

HEX #2CF064

RGB 44 240 100

HSL 137.14, 0.87%, 0.56%

LAB 83.85, -73.72, 53.83

 

CMYK 66 / 0 / 47 / 5

HEX #53F380

RGB 83 243 128

HSL 136.88, 0.87%, 0.64%

LAB 85.76, -65.43, 43.35

 

CMYK 51 / 0 / 36 / 4

HEX #79F59C

RGB 121 245 156

HSL 136.94, 0.86%, 0.72%

LAB 87.86, -53.57, 32.5

 

CMYK 35 / 0 / 25 / 3

HEX #A0F8B9

RGB 160 248 185

HSL 137.05, 0.86%, 0.8%

LAB 90.83, -39.27, 22.08

 

CMYK 65 / 0 / 47 / 5

HEX #54F381

RGB 84 243 129

HSL 136.98, 0.87%, 0.64%

LAB 85.79, -65.1, 42.92

 

CMYK 66 / 31 / 0 / 5

HEX #53A8F3

RGB 83 168 243

HSL 208.13, 0.87%, 0.64%

LAB 66.76, -2.67, -45.02

 

CMYK 0 / 66 / 57 / 5

HEX #F35368

RGB 243 83 104

HSL 352.13, 0.87%, 0.64%

LAB 58.26, 62.4, 22.68

 

CMYK 65 / 0 / 47 / 5

HEX #54F381

RGB 84 243 129

HSL 136.98, 0.87%, 0.64%

LAB 85.79, -65.1, 42.92

 

CMYK 49 / 66 / 0 / 5

HEX #7D53F3

RGB 125 83 243

HSL 255.75, 0.87%, 0.64%

LAB 48.28, 54.54, -74.48

 

CMYK 0 / 49 / 66 / 5

HEX #F37D53

RGB 243 125 83

HSL 15.75, 0.87%, 0.64%

LAB 65.24, 42, 43.13

 

CMYK 65 / 0 / 47 / 5

HEX #54F381

RGB 84 243 129

HSL 136.98, 0.87%, 0.64%

LAB 85.79, -65.1, 42.92

 

CMYK 66 / 31 / 0 / 5

HEX #53A8F3

RGB 83 168 243

HSL 208.13, 0.87%, 0.64%

LAB 66.76, -2.67, -45.02

 

CMYK 0 / 66 / 18 / 5

HEX #F353C8

RGB 243 83 200

HSL 316.13, 0.87%, 0.64%

LAB 61.14, 72.4, -28.8

 

CMYK 0 / 35 / 66 / 5

HEX #F39D53

RGB 243 157 83

HSL 27.75, 0.87%, 0.64%

LAB 72.09, 25.48, 51

 

CMYK 65 / 0 / 47 / 5

HEX #54F381

RGB 84 243 129

HSL 136.98, 0.87%, 0.64%

LAB 85.79, -65.1, 42.92

 

CMYK 66 / 51 / 0 / 5

HEX #5378F3

RGB 83 120 243

HSL 226.13, 0.87%, 0.64%

LAB 53.75, 25.82, -65.75

 

CMYK 0 / 66 / 18 / 5

HEX #F353C8

RGB 243 83 200

HSL 316.13, 0.87%, 0.64%

LAB 61.14, 72.4, -28.8

 

CMYK 0 / 16 / 66 / 5

HEX #F3CD53

RGB 243 205 83

HSL 45.75, 0.87%, 0.64%

LAB 83.62, 0.36, 63.59

 

Description

Color code: HEX #54F381 | qconv.com Color code: HEX #54F381 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 243 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 243 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 47 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 47% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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