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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #552461 it is the complementary color #AADB9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #552461. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #552461 shade: #5A245C, #6B366F, #7C4882, #8D5A95 and #9E6CA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #552461. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #552461 shade: #552461, #44124E, #33003B, #220028 and #110015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #552461 shade: #542360, #60235C, #60234B, #60233B and #60232A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #552461 shade: #542360, #442360, #332360 and #232360

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #552461 shade matches the following richer shades: #542360, #5B196B, #610E76 and #680380

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #552461 shade: #542360, #4E2E56, #47394B, #414340 and #3A4E35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #552461 shade: #342360, #442360, #542360, #60235C and #60234C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #552461 shade: #200D24, #3A1842, #542360, #6F2E7E and #893A9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #552461 shade: #552461, #602323 and #23603C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #552461 shade: #552461, #605423 and #236054

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #552461 shade: #552461, #602323, #306023 and #236060

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #552461 shade: #552461, #603623, #306023 and #234E60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 63 / 0 / 62

HEX #552461

RGB 85 36 97

HSL 288.2, 0.46%, 0.26%

LAB 23.86, 33.04, -26.5

 

Complementary color

CMYK 22 / 0 / 28 / 14

HEX #AADB9E

RGB 170 219 158

HSL 108.2, 0.46%, 0.74%

LAB 82.74, -27.22, 24.98

 

CMYK 2 / 61 / 0 / 64

HEX #5A245C

RGB 90 36 92

HSL 297.86, 0.44%, 0.25%

LAB 24.35, 33.44, -22.38

 

CMYK 4 / 51 / 0 / 56

HEX #6B366F

RGB 107 54 111

HSL 295.79, 0.35%, 0.32%

LAB 31.61, 32.81, -23.09

 

CMYK 5 / 45 / 0 / 49

HEX #7C4882

RGB 124 72 130

HSL 293.79, 0.29%, 0.4%

LAB 38.78, 32.02, -23.58

 

CMYK 5 / 40 / 0 / 42

HEX #8D5A95

RGB 141 90 149

HSL 291.86, 0.25%, 0.47%

LAB 45.83, 31.2, -23.97

 

CMYK 6 / 36 / 0 / 34

HEX #9E6CA8

RGB 158 108 168

HSL 290, 0.26%, 0.54%

LAB 52.75, 30.42, -24.3

 

CMYK 12 / 63 / 0 / 62

HEX #552461

RGB 85 36 97

HSL 288.2, 0.46%, 0.26%

LAB 23.86, 33.04, -26.5

 

CMYK 13 / 77 / 0 / 69

HEX #44124E

RGB 68 18 78

HSL 290, 0.63%, 0.19%

LAB 16.56, 33.21, -25.57

 

CMYK 14 / 100 / 0 / 77

HEX #33003B

RGB 51 0 59

HSL 291.86, 1%, 0.12%

LAB 9.15, 33.09, -24.32

 

CMYK 15 / 100 / 0 / 84

HEX #220028

RGB 34 0 40

HSL 291, 1%, 0.08%

LAB 4.46, 22.93, -17.92

 

CMYK 19 / 100 / 0 / 92

HEX #110015

RGB 17 0 21

HSL 288.57, 1%, 0.04%

LAB 1.57, 8.27, -7.65

 

CMYK 13 / 64 / 0 / 62

HEX #542360

RGB 84 35 96

HSL 288.2, 0.47%, 0.26%

LAB 23.44, 33.07, -26.5

 

CMYK 0 / 64 / 4 / 62

HEX #60235C

RGB 96 35 92

HSL 303.93, 0.47%, 0.26%

LAB 25.14, 35.75, -21.07

 

CMYK 0 / 64 / 22 / 62

HEX #60234B

RGB 96 35 75

HSL 320.66, 0.47%, 0.26%

LAB 24.31, 32.73, -11.05

 

CMYK 0 / 64 / 39 / 62

HEX #60233B

RGB 96 35 59

HSL 336.39, 0.47%, 0.26%

LAB 23.69, 30.37, -1.15

 

CMYK 0 / 64 / 56 / 62

HEX #60232A

RGB 96 35 42

HSL 353.11, 0.47%, 0.26%

LAB 23.19, 28.41, 9.78

 

CMYK 13 / 64 / 0 / 62

HEX #542360

RGB 84 35 96

HSL 288.2, 0.47%, 0.26%

LAB 23.44, 33.07, -26.5

 

CMYK 29 / 64 / 0 / 62

HEX #442360

RGB 68 35 96

HSL 272.46, 0.47%, 0.26%

LAB 21.12, 28.56, -30.35

 

CMYK 47 / 64 / 0 / 62

HEX #332360

RGB 51 35 96

HSL 255.74, 0.47%, 0.26%

LAB 19.02, 24.11, -33.84

 

CMYK 64 / 64 / 0 / 62

HEX #232360

RGB 35 35 96

HSL 240, 0.47%, 0.26%

LAB 17.48, 20.53, -36.41

 

CMYK 13 / 64 / 0 / 62

HEX #542360

RGB 84 35 96

HSL 288.2, 0.47%, 0.26%

LAB 23.44, 33.07, -26.5

 

CMYK 15 / 77 / 0 / 58

HEX #5B196B

RGB 91 25 107

HSL 288.29, 0.62%, 0.26%

LAB 23.61, 41.96, -33.35

 

CMYK 18 / 88 / 0 / 54

HEX #610E76

RGB 97 14 118

HSL 287.88, 0.79%, 0.26%

LAB 24.2, 49.04, -39.43

 

CMYK 19 / 98 / 0 / 50

HEX #680380

RGB 104 3 128

HSL 288.48, 0.95%, 0.26%

LAB 25.46, 54.44, -43.69

 

CMYK 13 / 64 / 0 / 62

HEX #542360

RGB 84 35 96

HSL 288.2, 0.47%, 0.26%

LAB 23.44, 33.07, -26.5

 

CMYK 9 / 47 / 0 / 66

HEX #4E2E56

RGB 78 46 86

HSL 288, 0.3%, 0.26%

LAB 24.47, 22.41, -18.36

 

CMYK 5 / 24 / 0 / 71

HEX #47394B

RGB 71 57 75

HSL 286.67, 0.14%, 0.26%

LAB 26.08, 10.02, -8.69

 

CMYK 3 / 0 / 4 / 74

HEX #414340

RGB 65 67 64

HSL 100, 0.02%, 0.26%

LAB 28.14, -1.5, 1.52

 

CMYK 26 / 0 / 32 / 69

HEX #3A4E35

RGB 58 78 53

HSL 108, 0.19%, 0.26%

LAB 30.89, -13.38, 12.35

 

CMYK 46 / 64 / 0 / 62

HEX #342360

RGB 52 35 96

HSL 256.72, 0.47%, 0.26%

LAB 19.13, 24.35, -33.66

 

CMYK 29 / 64 / 0 / 62

HEX #442360

RGB 68 35 96

HSL 272.46, 0.47%, 0.26%

LAB 21.12, 28.56, -30.35

 

CMYK 13 / 64 / 0 / 62

HEX #542360

RGB 84 35 96

HSL 288.2, 0.47%, 0.26%

LAB 23.44, 33.07, -26.5

 

CMYK 0 / 64 / 4 / 62

HEX #60235C

RGB 96 35 92

HSL 303.93, 0.47%, 0.26%

LAB 25.14, 35.75, -21.07

 

CMYK 0 / 64 / 21 / 62

HEX #60234C

RGB 96 35 76

HSL 319.67, 0.47%, 0.26%

LAB 24.36, 32.9, -11.65

 

CMYK 11 / 64 / 0 / 86

HEX #200D24

RGB 32 13 36

HSL 289.57, 0.47%, 0.1%

LAB 6.52, 14.55, -11.66

 

CMYK 12 / 64 / 0 / 74

HEX #3A1842

RGB 58 24 66

HSL 288.57, 0.47%, 0.18%

LAB 15.2, 24.48, -19.54

 

CMYK 13 / 64 / 0 / 62

HEX #542360

RGB 84 35 96

HSL 288.2, 0.47%, 0.26%

LAB 23.44, 33.07, -26.5

 

CMYK 12 / 63 / 0 / 51

HEX #6F2E7E

RGB 111 46 126

HSL 288.75, 0.47%, 0.34%

LAB 31.44, 41.37, -32.77

 

CMYK 13 / 63 / 0 / 38

HEX #893A9D

RGB 137 58 157

HSL 287.88, 0.46%, 0.42%

LAB 39.21, 48.73, -39.21

 

CMYK 12 / 63 / 0 / 62

HEX #552461

RGB 85 36 97

HSL 288.2, 0.46%, 0.26%

LAB 23.86, 33.04, -26.5

 

CMYK 0 / 64 / 64 / 62

HEX #602323

RGB 96 35 35

HSL 0, 0.47%, 0.26%

LAB 23.03, 27.79, 14.32

 

CMYK 64 / 0 / 38 / 62

HEX #23603C

RGB 35 96 60

HSL 144.59, 0.47%, 0.26%

LAB 36.08, -28.86, 14.88

 

CMYK 12 / 63 / 0 / 62

HEX #552461

RGB 85 36 97

HSL 288.2, 0.46%, 0.26%

LAB 23.86, 33.04, -26.5

 

CMYK 0 / 13 / 64 / 62

HEX #605423

RGB 96 84 35

HSL 48.2, 0.47%, 0.26%

LAB 35.89, -1.84, 29.87

 

CMYK 64 / 0 / 13 / 62

HEX #236054

RGB 35 96 84

HSL 168.2, 0.47%, 0.26%

LAB 36.67, -22.82, 1.03

 

CMYK 12 / 63 / 0 / 62

HEX #552461

RGB 85 36 97

HSL 288.2, 0.46%, 0.26%

LAB 23.86, 33.04, -26.5

 

CMYK 0 / 64 / 64 / 62

HEX #602323

RGB 96 35 35

HSL 0, 0.47%, 0.26%

LAB 23.03, 27.79, 14.32

 

CMYK 50 / 0 / 64 / 62

HEX #306023

RGB 48 96 35

HSL 107.21, 0.47%, 0.26%

LAB 36.21, -29.25, 29.28

 

CMYK 64 / 0 / 0 / 62

HEX #236060

RGB 35 96 96

HSL 180, 0.47%, 0.26%

LAB 37.05, -19.23, -5.85

 

CMYK 12 / 63 / 0 / 62

HEX #552461

RGB 85 36 97

HSL 288.2, 0.46%, 0.26%

LAB 23.86, 33.04, -26.5

 

CMYK 0 / 44 / 64 / 62

HEX #603623

RGB 96 54 35

HSL 18.69, 0.47%, 0.26%

LAB 27.43, 16.73, 19.88

 

CMYK 50 / 0 / 64 / 62

HEX #306023

RGB 48 96 35

HSL 107.21, 0.47%, 0.26%

LAB 36.21, -29.25, 29.28

 

CMYK 64 / 19 / 0 / 62

HEX #234E60

RGB 35 78 96

HSL 197.7, 0.47%, 0.26%

LAB 31, -8.85, -15.01

 

Description

Color code: HEX #552461 | qconv.com Color code: HEX #552461 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 36 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 36 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 63 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 63% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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