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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #552163 it is the complementary color #AADE9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #552163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #552163 shade: #5A215E, #6B3371, #7C4584, #8D5797 and #9E69AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #552163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #552163 shade: #552163, #440F50, #33003D, #22002A and #110017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #552163 shade: #552163, #63215F, #63214D, #63213B and #63212A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #552163 shade: #552163, #432163, #312163 and #212163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #552163 shade matches the following richer shades: #552163, #5B166E, #610B78 and #670083

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #552163 shade: #552163, #4F2B58, #49364D, #424143 and #3C4C38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #552163 shade: #312163, #432163, #552163, #632160 and #63214E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #552163 shade: #200C25, #3A1644, #552163, #6F2B82 and #8A35A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #552163 shade: #552163, #632122 and #21633A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #552163 shade: #552163, #635521 and #216355

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #552163 shade: #552163, #632122, #2F6321 and #216362

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #552163 shade: #552163, #633321, #2F6321 and #215063

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 67 / 0 / 61

HEX #552163

RGB 85 33 99

HSL 287.27, 0.5%, 0.26%

LAB 23.4, 35.06, -28.52

 

Complementary color

CMYK 23 / 0 / 30 / 13

HEX #AADE9C

RGB 170 222 156

HSL 107.27, 0.5%, 0.74%

LAB 83.54, -28.96, 27.1

 

CMYK 4 / 65 / 0 / 63

HEX #5A215E

RGB 90 33 94

HSL 296.07, 0.48%, 0.25%

LAB 23.9, 35.39, -24.41

 

CMYK 5 / 55 / 0 / 56

HEX #6B3371

RGB 107 51 113

HSL 294.19, 0.38%, 0.32%

LAB 31.08, 34.89, -25.18

 

CMYK 6 / 48 / 0 / 48

HEX #7C4584

RGB 124 69 132

HSL 292.38, 0.31%, 0.39%

LAB 38.21, 34.14, -25.69

 

CMYK 7 / 42 / 0 / 41

HEX #8D5797

RGB 141 87 151

HSL 290.63, 0.27%, 0.47%

LAB 45.24, 33.33, -26.08

 

CMYK 7 / 38 / 0 / 33

HEX #9E69AA

RGB 158 105 170

HSL 288.92, 0.28%, 0.54%

LAB 52.15, 32.53, -26.4

 

CMYK 14 / 67 / 0 / 61

HEX #552163

RGB 85 33 99

HSL 287.27, 0.5%, 0.26%

LAB 23.4, 35.06, -28.52

 

CMYK 15 / 81 / 0 / 69

HEX #440F50

RGB 68 15 80

HSL 288.92, 0.68%, 0.19%

LAB 16.25, 34.93, -27.43

 

CMYK 16 / 100 / 0 / 76

HEX #33003D

RGB 51 0 61

HSL 290.16, 1%, 0.12%

LAB 9.33, 33.49, -25.48

 

CMYK 19 / 100 / 0 / 84

HEX #22002A

RGB 34 0 42

HSL 288.57, 1%, 0.08%

LAB 4.58, 23.61, -19.25

 

CMYK 26 / 100 / 0 / 91

HEX #110017

RGB 17 0 23

HSL 284.35, 1%, 0.05%

LAB 1.64, 8.76, -8.98

 

CMYK 14 / 67 / 0 / 61

HEX #552163

RGB 85 33 99

HSL 287.27, 0.5%, 0.26%

LAB 23.4, 35.06, -28.52

 

CMYK 0 / 67 / 4 / 61

HEX #63215F

RGB 99 33 95

HSL 303.64, 0.5%, 0.26%

LAB 25.46, 38.15, -22.5

 

CMYK 0 / 67 / 22 / 61

HEX #63214D

RGB 99 33 77

HSL 320, 0.5%, 0.26%

LAB 24.56, 35.03, -11.96

 

CMYK 0 / 67 / 40 / 61

HEX #63213B

RGB 99 33 59

HSL 336.36, 0.5%, 0.26%

LAB 23.86, 32.45, -0.83

 

CMYK 0 / 67 / 58 / 61

HEX #63212A

RGB 99 33 42

HSL 351.82, 0.5%, 0.26%

LAB 23.36, 30.6, 10.11

 

CMYK 14 / 67 / 0 / 61

HEX #552163

RGB 85 33 99

HSL 287.27, 0.5%, 0.26%

LAB 23.4, 35.06, -28.52

 

CMYK 32 / 67 / 0 / 61

HEX #432163

RGB 67 33 99

HSL 270.91, 0.5%, 0.26%

LAB 20.76, 30.28, -32.91

 

CMYK 51 / 67 / 0 / 61

HEX #312163

RGB 49 33 99

HSL 254.55, 0.5%, 0.26%

LAB 18.55, 25.91, -36.59

 

CMYK 67 / 67 / 0 / 61

HEX #212163

RGB 33 33 99

HSL 240, 0.5%, 0.26%

LAB 17.05, 22.68, -39.1

 

CMYK 14 / 67 / 0 / 61

HEX #552163

RGB 85 33 99

HSL 287.27, 0.5%, 0.26%

LAB 23.4, 35.06, -28.52

 

CMYK 17 / 80 / 0 / 57

HEX #5B166E

RGB 91 22 110

HSL 287.05, 0.67%, 0.26%

LAB 23.42, 43.75, -35.6

 

CMYK 19 / 91 / 0 / 53

HEX #610B78

RGB 97 11 120

HSL 287.34, 0.83%, 0.26%

LAB 24.12, 50.14, -40.85

 

CMYK 21 / 100 / 0 / 49

HEX #670083

RGB 103 0 131

HSL 287.18, 1%, 0.26%

LAB 25.33, 55.44, -45.81

 

CMYK 14 / 67 / 0 / 61

HEX #552163

RGB 85 33 99

HSL 287.27, 0.5%, 0.26%

LAB 23.4, 35.06, -28.52

 

CMYK 10 / 51 / 0 / 65

HEX #4F2B58

RGB 79 43 88

HSL 288, 0.34%, 0.26%

LAB 23.98, 25.08, -20.43

 

CMYK 5 / 30 / 0 / 70

HEX #49364D

RGB 73 54 77

HSL 289.57, 0.18%, 0.26%

LAB 25.54, 13.26, -10.82

 

CMYK 1 / 3 / 0 / 74

HEX #424143

RGB 66 65 67

HSL 270, 0.02%, 0.26%

LAB 27.69, 0.87, -1.07

 

CMYK 21 / 0 / 26 / 70

HEX #3C4C38

RGB 60 76 56

HSL 108, 0.15%, 0.26%

LAB 30.44, -10.81, 9.87

 

CMYK 51 / 67 / 0 / 61

HEX #312163

RGB 49 33 99

HSL 254.55, 0.5%, 0.26%

LAB 18.55, 25.91, -36.59

 

CMYK 32 / 67 / 0 / 61

HEX #432163

RGB 67 33 99

HSL 270.91, 0.5%, 0.26%

LAB 20.76, 30.28, -32.91

 

CMYK 14 / 67 / 0 / 61

HEX #552163

RGB 85 33 99

HSL 287.27, 0.5%, 0.26%

LAB 23.4, 35.06, -28.52

 

CMYK 0 / 67 / 3 / 61

HEX #632160

RGB 99 33 96

HSL 302.73, 0.5%, 0.26%

LAB 25.52, 38.33, -23.07

 

CMYK 0 / 67 / 21 / 61

HEX #63214E

RGB 99 33 78

HSL 319.09, 0.5%, 0.26%

LAB 24.61, 35.19, -12.56

 

CMYK 14 / 68 / 0 / 85

HEX #200C25

RGB 32 12 37

HSL 288, 0.51%, 0.1%

LAB 6.36, 15.39, -12.69

 

CMYK 15 / 68 / 0 / 73

HEX #3A1644

RGB 58 22 68

HSL 286.96, 0.51%, 0.18%

LAB 14.9, 26.12, -21.41

 

CMYK 14 / 67 / 0 / 61

HEX #552163

RGB 85 33 99

HSL 287.27, 0.5%, 0.26%

LAB 23.4, 35.06, -28.52

 

CMYK 15 / 67 / 0 / 49

HEX #6F2B82

RGB 111 43 130

HSL 286.9, 0.5%, 0.34%

LAB 31.16, 43.66, -35.72

 

CMYK 14 / 67 / 0 / 37

HEX #8A35A1

RGB 138 53 161

HSL 287.22, 0.5%, 0.42%

LAB 38.76, 52.07, -42.31

 

CMYK 14 / 67 / 0 / 61

HEX #552163

RGB 85 33 99

HSL 287.27, 0.5%, 0.26%

LAB 23.4, 35.06, -28.52

 

CMYK 0 / 67 / 66 / 61

HEX #632122

RGB 99 33 34

HSL 359.09, 0.5%, 0.26%

LAB 23.19, 29.93, 15.31

 

CMYK 67 / 0 / 41 / 61

HEX #21633A

RGB 33 99 58

HSL 142.73, 0.5%, 0.26%

LAB 37.03, -31.12, 17.32

 

CMYK 14 / 67 / 0 / 61

HEX #552163

RGB 85 33 99

HSL 287.27, 0.5%, 0.26%

LAB 23.4, 35.06, -28.52

 

CMYK 0 / 14 / 67 / 61

HEX #635521

RGB 99 85 33

HSL 47.27, 0.5%, 0.26%

LAB 36.48, -1.14, 31.67

 

CMYK 67 / 0 / 14 / 61

HEX #216355

RGB 33 99 85

HSL 167.27, 0.5%, 0.26%

LAB 37.67, -24.49, 1.84

 

CMYK 14 / 67 / 0 / 61

HEX #552163

RGB 85 33 99

HSL 287.27, 0.5%, 0.26%

LAB 23.4, 35.06, -28.52

 

CMYK 0 / 67 / 66 / 61

HEX #632122

RGB 99 33 34

HSL 359.09, 0.5%, 0.26%

LAB 23.19, 29.93, 15.31

 

CMYK 53 / 0 / 67 / 61

HEX #2F6321

RGB 47 99 33

HSL 107.27, 0.5%, 0.26%

LAB 37.18, -31.17, 31.37

 

CMYK 67 / 0 / 1 / 61

HEX #216362

RGB 33 99 98

HSL 179.09, 0.5%, 0.26%

LAB 38.07, -20.6, -5.57

 

CMYK 14 / 67 / 0 / 61

HEX #552163

RGB 85 33 99

HSL 287.27, 0.5%, 0.26%

LAB 23.4, 35.06, -28.52

 

CMYK 0 / 48 / 67 / 61

HEX #633321

RGB 99 51 33

HSL 16.36, 0.5%, 0.26%

LAB 27.1, 19.77, 20.84

 

CMYK 53 / 0 / 67 / 61

HEX #2F6321

RGB 47 99 33

HSL 107.27, 0.5%, 0.26%

LAB 37.18, -31.17, 31.37

 

CMYK 67 / 19 / 0 / 61

HEX #215063

RGB 33 80 99

HSL 197.27, 0.5%, 0.26%

LAB 31.72, -9.43, -15.82

 

Description

Color code: HEX #552163 | qconv.com Color code: HEX #552163 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 33 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 33 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 67 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 67% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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