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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55355D it is the complementary color #AACAA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55355D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55355D shade: #5A3558, #6B476B, #7C597E, #8D6B91 and #9E7DA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55355D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55355D shade: #55355D, #44234A, #331137, #220024 and #110011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55355D shade: #55355D, #5D355B, #5D3550, #5D3545 and #5D353A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55355D shade: #55355D, #4B355D, #40355D and #35355D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55355D shade matches the following richer shades: #55355D, #5D2A69, #641E75, #6B1281 and #72068D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55355D shade: #55355D, #4E4151, #474D45, #40593A and #39652E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55355D shade: #40355D, #4B355D, #55355D, #5D355B and #5D3550

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55355D shade: #251729, #3D2643, #55355D, #6D4578 and #855492

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55355D shade: #55355D, #5D3535 and #355D45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55355D shade: #55355D, #5D5535 and #355D55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55355D shade: #55355D, #5D3535, #3D5D35 and #355D5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55355D shade: #55355D, #5D4135, #3D5D35 and #35515D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 43 / 0 / 64

HEX #55355D

RGB 85 53 93

HSL 288, 0.27%, 0.29%

LAB 27.48, 22.1, -18.19

 

Complementary color

CMYK 16 / 0 / 20 / 21

HEX #AACAA2

RGB 170 202 162

HSL 108, 0.27%, 0.71%

LAB 78.11, -18.21, 16.48

 

CMYK 0 / 41 / 2 / 65

HEX #5A3558

RGB 90 53 88

HSL 303.24, 0.26%, 0.28%

LAB 27.91, 22.79, -14.22

 

CMYK 0 / 34 / 0 / 58

HEX #6B476B

RGB 107 71 107

HSL 300, 0.2%, 0.35%

LAB 35.39, 21.94, -14.72

 

CMYK 2 / 29 / 0 / 51

HEX #7C597E

RGB 124 89 126

HSL 296.76, 0.17%, 0.42%

LAB 42.67, 21.18, -15.15

 

CMYK 3 / 26 / 0 / 43

HEX #8D6B91

RGB 141 107 145

HSL 293.68, 0.15%, 0.49%

LAB 49.76, 20.49, -15.56

 

CMYK 4 / 24 / 0 / 36

HEX #9E7DA4

RGB 158 125 164

HSL 290.77, 0.18%, 0.57%

LAB 56.7, 19.86, -15.95

 

CMYK 9 / 43 / 0 / 64

HEX #55355D

RGB 85 53 93

HSL 288, 0.27%, 0.29%

LAB 27.48, 22.1, -18.19

 

CMYK 8 / 53 / 0 / 71

HEX #44234A

RGB 68 35 74

HSL 290.77, 0.36%, 0.21%

LAB 19.74, 23, -17.81

 

CMYK 7 / 69 / 0 / 78

HEX #331137

RGB 51 17 55

HSL 293.68, 0.53%, 0.14%

LAB 11.83, 23.73, -17.16

 

CMYK 6 / 100 / 0 / 86

HEX #220024

RGB 34 0 36

HSL 296.67, 1%, 0.07%

LAB 4.22, 21.59, -15.2

 

CMYK 0 / 100 / 0 / 93

HEX #110011

RGB 17 0 17

HSL 300, 1%, 0.03%

LAB 1.44, 7.4, -5.29

 

CMYK 9 / 43 / 0 / 64

HEX #55355D

RGB 85 53 93

HSL 288, 0.27%, 0.29%

LAB 27.48, 22.1, -18.19

 

CMYK 0 / 43 / 2 / 64

HEX #5D355B

RGB 93 53 91

HSL 303, 0.27%, 0.29%

LAB 28.46, 24.5, -15.3

 

CMYK 0 / 43 / 14 / 64

HEX #5D3550

RGB 93 53 80

HSL 319.5, 0.27%, 0.29%

LAB 27.99, 22.31, -8.83

 

CMYK 0 / 43 / 26 / 64

HEX #5D3545

RGB 93 53 69

HSL 336, 0.27%, 0.29%

LAB 27.58, 20.34, -2.18

 

CMYK 0 / 43 / 38 / 64

HEX #5D353A

RGB 93 53 58

HSL 352.5, 0.27%, 0.29%

LAB 27.24, 18.63, 4.6

 

CMYK 9 / 43 / 0 / 64

HEX #55355D

RGB 85 53 93

HSL 288, 0.27%, 0.29%

LAB 27.48, 22.1, -18.19

 

CMYK 19 / 43 / 0 / 64

HEX #4B355D

RGB 75 53 93

HSL 273, 0.27%, 0.29%

LAB 26.25, 18.62, -20.2

 

CMYK 31 / 43 / 0 / 64

HEX #40355D

RGB 64 53 93

HSL 256.5, 0.27%, 0.29%

LAB 25.03, 14.91, -22.2

 

CMYK 43 / 43 / 0 / 64

HEX #35355D

RGB 53 53 93

HSL 240, 0.27%, 0.29%

LAB 23.98, 11.43, -23.93

 

CMYK 9 / 43 / 0 / 64

HEX #55355D

RGB 85 53 93

HSL 288, 0.27%, 0.29%

LAB 27.48, 22.1, -18.19

 

CMYK 11 / 60 / 0 / 59

HEX #5D2A69

RGB 93 42 105

HSL 288.57, 0.43%, 0.29%

LAB 26.74, 33.89, -27.04

 

CMYK 15 / 74 / 0 / 54

HEX #641E75

RGB 100 30 117

HSL 288.28, 0.59%, 0.29%

LAB 26.51, 44.07, -35.05

 

CMYK 17 / 86 / 0 / 49

HEX #6B1281

RGB 107 18 129

HSL 288.11, 0.76%, 0.29%

LAB 27.14, 51.99, -41.58

 

CMYK 19 / 96 / 0 / 45

HEX #72068D

RGB 114 6 141

HSL 288, 0.92%, 0.29%

LAB 28.46, 57.88, -46.89

 

CMYK 9 / 43 / 0 / 64

HEX #55355D

RGB 85 53 93

HSL 288, 0.27%, 0.29%

LAB 27.48, 22.1, -18.19

 

CMYK 4 / 20 / 0 / 68

HEX #4E4151

RGB 78 65 81

HSL 288.75, 0.11%, 0.29%

LAB 29.4, 8.97, -7.53

 

CMYK 8 / 0 / 10 / 70

HEX #474D45

RGB 71 77 69

HSL 105, 0.05%, 0.29%

LAB 31.98, -4.18, 3.91

 

CMYK 28 / 0 / 35 / 65

HEX #40593A

RGB 64 89 58

HSL 108.39, 0.21%, 0.29%

LAB 35.08, -16.24, 15

 

CMYK 44 / 0 / 54 / 60

HEX #39652E

RGB 57 101 46

HSL 108, 0.37%, 0.29%

LAB 38.51, -27.03, 26.26

 

CMYK 31 / 43 / 0 / 64

HEX #40355D

RGB 64 53 93

HSL 256.5, 0.27%, 0.29%

LAB 25.03, 14.91, -22.2

 

CMYK 19 / 43 / 0 / 64

HEX #4B355D

RGB 75 53 93

HSL 273, 0.27%, 0.29%

LAB 26.25, 18.62, -20.2

 

CMYK 9 / 43 / 0 / 64

HEX #55355D

RGB 85 53 93

HSL 288, 0.27%, 0.29%

LAB 27.48, 22.1, -18.19

 

CMYK 0 / 43 / 2 / 64

HEX #5D355B

RGB 93 53 91

HSL 303, 0.27%, 0.29%

LAB 28.46, 24.5, -15.3

 

CMYK 0 / 43 / 14 / 64

HEX #5D3550

RGB 93 53 80

HSL 319.5, 0.27%, 0.29%

LAB 27.99, 22.31, -8.83

 

CMYK 10 / 44 / 0 / 84

HEX #251729

RGB 37 23 41

HSL 286.67, 0.28%, 0.13%

LAB 10.31, 11.18, -9.49

 

CMYK 9 / 43 / 0 / 74

HEX #3D2643

RGB 61 38 67

HSL 287.59, 0.28%, 0.21%

LAB 19.16, 16.86, -14.01

 

CMYK 9 / 43 / 0 / 64

HEX #55355D

RGB 85 53 93

HSL 288, 0.27%, 0.29%

LAB 27.48, 22.1, -18.19

 

CMYK 9 / 43 / 0 / 53

HEX #6D4578

RGB 109 69 120

HSL 287.06, 0.27%, 0.37%

LAB 35.72, 26.68, -22.31

 

CMYK 9 / 42 / 0 / 43

HEX #855492

RGB 133 84 146

HSL 287.42, 0.27%, 0.45%

LAB 43.36, 31.42, -26.08

 

CMYK 9 / 43 / 0 / 64

HEX #55355D

RGB 85 53 93

HSL 288, 0.27%, 0.29%

LAB 27.48, 22.1, -18.19

 

CMYK 0 / 43 / 43 / 64

HEX #5D3535

RGB 93 53 53

HSL 0, 0.27%, 0.29%

LAB 27.1, 17.94, 7.72

 

CMYK 43 / 0 / 26 / 64

HEX #355D45

RGB 53 93 69

HSL 144, 0.27%, 0.29%

LAB 36.01, -20.18, 9.44

 

CMYK 9 / 43 / 0 / 64

HEX #55355D

RGB 85 53 93

HSL 288, 0.27%, 0.29%

LAB 27.48, 22.1, -18.19

 

CMYK 0 / 9 / 43 / 64

HEX #5D5535

RGB 93 85 53

HSL 48, 0.27%, 0.29%

LAB 36.14, -1.98, 19.85

 

CMYK 43 / 0 / 9 / 64

HEX #355D55

RGB 53 93 85

HSL 168, 0.27%, 0.29%

LAB 36.45, -16.25, 0.16

 

CMYK 9 / 43 / 0 / 64

HEX #55355D

RGB 85 53 93

HSL 288, 0.27%, 0.29%

LAB 27.48, 22.1, -18.19

 

CMYK 0 / 43 / 43 / 64

HEX #5D3535

RGB 93 53 53

HSL 0, 0.27%, 0.29%

LAB 27.1, 17.94, 7.72

 

CMYK 34 / 0 / 43 / 64

HEX #3D5D35

RGB 61 93 53

HSL 108, 0.27%, 0.29%

LAB 36.13, -20.44, 19.34

 

CMYK 43 / 0 / 0 / 64

HEX #355D5D

RGB 53 93 93

HSL 180, 0.27%, 0.29%

LAB 36.7, -14.05, -4.43

 

CMYK 9 / 43 / 0 / 64

HEX #55355D

RGB 85 53 93

HSL 288, 0.27%, 0.29%

LAB 27.48, 22.1, -18.19

 

CMYK 0 / 30 / 43 / 64

HEX #5D4135

RGB 93 65 53

HSL 18, 0.27%, 0.29%

LAB 30.31, 10.42, 12.14

 

CMYK 34 / 0 / 43 / 64

HEX #3D5D35

RGB 61 93 53

HSL 108, 0.27%, 0.29%

LAB 36.13, -20.44, 19.34

 

CMYK 43 / 13 / 0 / 64

HEX #35515D

RGB 53 81 93

HSL 198, 0.27%, 0.29%

LAB 32.77, -6.95, -10.32

 

Description

Color code: HEX #55355D | qconv.com Color code: HEX #55355D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 53 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 53 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 43 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 43% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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