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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55372A it is the complementary color #AAC8D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55372A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55372A shade: #5A3725, #6B4938, #7C5B4B, #8D6D5E and #9E7F71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55372A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55372A shade: #55372A, #442517, #331304, #220100 and #110000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55372A shade: #55372A, #552B2A and #552A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55372A shade: #55372A, #55422A, #554E2A, #50552A and #44552A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55372A shade matches the following richer shades: #55372A, #5F331F, #6A2F15, #742A0B and #7E2600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55372A shade: #55372A, #4B3B34, #403F3E, #364349 and #2C4753

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55372A shade: #552A34, #552B2A, #55372A, #55422A and #554E2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55372A shade: #1E130E, #39251C, #55372A, #714937 and #8C5A45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55372A shade: #55372A, #3F552A and #2A2E55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55372A shade: #55372A, #2A5537 and #372A55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55372A shade: #55372A, #3F552A, #2A4855 and #3F2A55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55372A shade: #55372A, #32552A, #2A4855 and #4C2A55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 51 / 67

HEX #55372A

RGB 85 55 42

HSL 18.14, 0.34%, 0.25%

LAB 26.25, 11.65, 13.59

 

Complementary color

CMYK 20 / 6 / 0 / 16

HEX #AAC8D5

RGB 170 200 213

HSL 198.14, 0.34%, 0.75%

LAB 78.84, -7.23, -9.83

 

CMYK 0 / 39 / 59 / 65

HEX #5A3725

RGB 90 55 37

HSL 20.38, 0.42%, 0.25%

LAB 26.85, 13.47, 17.71

 

CMYK 0 / 32 / 48 / 58

HEX #6B4938

RGB 107 73 56

HSL 20, 0.31%, 0.32%

LAB 34.35, 12.22, 15.97

 

CMYK 0 / 27 / 40 / 51

HEX #7C5B4B

RGB 124 91 75

HSL 19.59, 0.25%, 0.39%

LAB 41.65, 11.24, 14.51

 

CMYK 0 / 23 / 33 / 45

HEX #8D6D5E

RGB 141 109 94

HSL 19.15, 0.2%, 0.46%

LAB 48.77, 10.45, 13.25

 

CMYK 0 / 20 / 28 / 38

HEX #9E7F71

RGB 158 127 113

HSL 18.67, 0.19%, 0.53%

LAB 55.73, 9.78, 12.13

 

CMYK 0 / 35 / 51 / 67

HEX #55372A

RGB 85 55 42

HSL 18.14, 0.34%, 0.25%

LAB 26.25, 11.65, 13.59

 

CMYK 0 / 46 / 66 / 73

HEX #442517

RGB 68 37 23

HSL 18.67, 0.49%, 0.18%

LAB 18.43, 13.06, 15.52

 

CMYK 0 / 63 / 92 / 80

HEX #331304

RGB 51 19 4

HSL 19.15, 0.85%, 0.11%

LAB 10.4, 14.9, 14.25

 

CMYK 0 / 97 / 100 / 87

HEX #220100

RGB 34 1 0

HSL 1.76, 1%, 0.07%

LAB 3.27, 13.38, 5.14

 

CMYK 0 / 100 / 100 / 93

HEX #110000

RGB 17 0 0

HSL 0, 1%, 0.03%

LAB 1.08, 4.83, 1.7

 

CMYK 0 / 35 / 51 / 67

HEX #55372A

RGB 85 55 42

HSL 18.14, 0.34%, 0.25%

LAB 26.25, 11.65, 13.59

 

CMYK 0 / 49 / 51 / 67

HEX #552B2A

RGB 85 43 42

HSL 1.4, 0.34%, 0.25%

LAB 23.09, 19.21, 9.33

 

CMYK 0 / 51 / 51 / 67

HEX #552A2A

RGB 85 42 42

HSL 0, 0.34%, 0.25%

LAB 22.84, 19.83, 8.99

 

CMYK 0 / 35 / 51 / 67

HEX #55372A

RGB 85 55 42

HSL 18.14, 0.34%, 0.25%

LAB 26.25, 11.65, 13.59

 

CMYK 0 / 22 / 51 / 67

HEX #55422A

RGB 85 66 42

HSL 33.49, 0.34%, 0.25%

LAB 29.4, 4.63, 17.7

 

CMYK 0 / 8 / 51 / 67

HEX #554E2A

RGB 85 78 42

HSL 50.23, 0.34%, 0.25%

LAB 33.02, -2.83, 22.26

 

CMYK 6 / 0 / 51 / 67

HEX #50552A

RGB 80 85 42

HSL 66.98, 0.34%, 0.25%

LAB 34.74, -9.38, 24.27

 

CMYK 20 / 0 / 51 / 67

HEX #44552A

RGB 68 85 42

HSL 83.72, 0.34%, 0.25%

LAB 33.76, -14.84, 22.84

 

CMYK 0 / 35 / 51 / 67

HEX #55372A

RGB 85 55 42

HSL 18.14, 0.34%, 0.25%

LAB 26.25, 11.65, 13.59

 

CMYK 0 / 46 / 67 / 63

HEX #5F331F

RGB 95 51 31

HSL 18.75, 0.51%, 0.25%

LAB 26.45, 17.78, 21.15

 

CMYK 0 / 56 / 80 / 58

HEX #6A2F15

RGB 106 47 21

HSL 18.35, 0.67%, 0.25%

LAB 27.16, 24.49, 28.36

 

CMYK 0 / 64 / 91 / 55

HEX #742A0B

RGB 116 42 11

HSL 17.71, 0.83%, 0.25%

LAB 27.83, 31.04, 34.66

 

CMYK 0 / 70 / 100 / 51

HEX #7E2600

RGB 126 38 0

HSL 18.1, 1%, 0.25%

LAB 28.96, 36.59, 40.86

 

CMYK 0 / 35 / 51 / 67

HEX #55372A

RGB 85 55 42

HSL 18.14, 0.34%, 0.25%

LAB 26.25, 11.65, 13.59

 

CMYK 0 / 21 / 31 / 71

HEX #4B3B34

RGB 75 59 52

HSL 18.26, 0.18%, 0.25%

LAB 26.37, 5.8, 7

 

CMYK 0 / 2 / 3 / 75

HEX #403F3E

RGB 64 63 62

HSL 30, 0.02%, 0.25%

LAB 26.71, 0.2, 0.76

 

CMYK 26 / 8 / 0 / 71

HEX #364349

RGB 54 67 73

HSL 198.95, 0.15%, 0.25%

LAB 27.52, -3.65, -5.37

 

CMYK 47 / 14 / 0 / 67

HEX #2C4753

RGB 44 71 83

HSL 198.46, 0.31%, 0.25%

LAB 28.55, -6.55, -10.37

 

CMYK 0 / 51 / 39 / 67

HEX #552A34

RGB 85 42 52

HSL 346.05, 0.34%, 0.25%

LAB 23.12, 21.13, 2.58

 

CMYK 0 / 49 / 51 / 67

HEX #552B2A

RGB 85 43 42

HSL 1.4, 0.34%, 0.25%

LAB 23.09, 19.21, 9.33

 

CMYK 0 / 35 / 51 / 67

HEX #55372A

RGB 85 55 42

HSL 18.14, 0.34%, 0.25%

LAB 26.25, 11.65, 13.59

 

CMYK 0 / 22 / 51 / 67

HEX #55422A

RGB 85 66 42

HSL 33.49, 0.34%, 0.25%

LAB 29.4, 4.63, 17.7

 

CMYK 0 / 8 / 51 / 67

HEX #554E2A

RGB 85 78 42

HSL 50.23, 0.34%, 0.25%

LAB 33.02, -2.83, 22.26

 

CMYK 0 / 37 / 53 / 88

HEX #1E130E

RGB 30 19 14

HSL 18.75, 0.36%, 0.09%

LAB 6.99, 4.6, 4.61

 

CMYK 0 / 35 / 51 / 78

HEX #39251C

RGB 57 37 28

HSL 18.62, 0.34%, 0.17%

LAB 16.88, 8.13, 9.8

 

CMYK 0 / 35 / 51 / 67

HEX #55372A

RGB 85 55 42

HSL 18.14, 0.34%, 0.25%

LAB 26.25, 11.65, 13.59

 

CMYK 0 / 35 / 51 / 56

HEX #714937

RGB 113 73 55

HSL 18.62, 0.35%, 0.33%

LAB 35.11, 14.83, 17.74

 

CMYK 0 / 36 / 51 / 45

HEX #8C5A45

RGB 140 90 69

HSL 17.75, 0.34%, 0.41%

LAB 43.24, 18.1, 20.58

 

CMYK 0 / 35 / 51 / 67

HEX #55372A

RGB 85 55 42

HSL 18.14, 0.34%, 0.25%

LAB 26.25, 11.65, 13.59

 

CMYK 26 / 0 / 51 / 67

HEX #3F552A

RGB 63 85 42

HSL 90.7, 0.34%, 0.25%

LAB 33.39, -17.01, 22.31

 

CMYK 51 / 46 / 0 / 67

HEX #2A2E55

RGB 42 46 85

HSL 234.42, 0.34%, 0.25%

LAB 20.45, 10.37, -24.3

 

CMYK 0 / 35 / 51 / 67

HEX #55372A

RGB 85 55 42

HSL 18.14, 0.34%, 0.25%

LAB 26.25, 11.65, 13.59

 

CMYK 51 / 0 / 35 / 67

HEX #2A5537

RGB 42 85 55

HSL 138.14, 0.34%, 0.25%

LAB 32.4, -22.63, 13

 

CMYK 35 / 51 / 0 / 67

HEX #372A55

RGB 55 42 85

HSL 258.14, 0.34%, 0.25%

LAB 20.53, 17.07, -24.08

 

CMYK 0 / 35 / 51 / 67

HEX #55372A

RGB 85 55 42

HSL 18.14, 0.34%, 0.25%

LAB 26.25, 11.65, 13.59

 

CMYK 26 / 0 / 51 / 67

HEX #3F552A

RGB 63 85 42

HSL 90.7, 0.34%, 0.25%

LAB 33.39, -17.01, 22.31

 

CMYK 51 / 15 / 0 / 67

HEX #2A4855

RGB 42 72 85

HSL 198.14, 0.34%, 0.25%

LAB 28.86, -7.11, -11.21

 

CMYK 26 / 51 / 0 / 67

HEX #3F2A55

RGB 63 42 85

HSL 269.3, 0.34%, 0.25%

LAB 21.46, 19.64, -22.55

 

CMYK 0 / 35 / 51 / 67

HEX #55372A

RGB 85 55 42

HSL 18.14, 0.34%, 0.25%

LAB 26.25, 11.65, 13.59

 

CMYK 41 / 0 / 51 / 67

HEX #32552A

RGB 50 85 42

HSL 108.84, 0.34%, 0.25%

LAB 32.57, -22.25, 21.11

 

CMYK 51 / 15 / 0 / 67

HEX #2A4855

RGB 42 72 85

HSL 198.14, 0.34%, 0.25%

LAB 28.86, -7.11, -11.21

 

CMYK 11 / 51 / 0 / 67

HEX #4C2A55

RGB 76 42 85

HSL 287.44, 0.34%, 0.25%

LAB 23.16, 23.98, -19.76

 

Description

Color code: HEX #55372A | qconv.com Color code: HEX #55372A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 55 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 55 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 51 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 51% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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