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Color name
HEX #553F2A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #553F2A it is the complementary color #AAC0D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #553F2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #553F2A shade: #5A3F25, #6B5138, #7C634B, #8D755E and #9E8771

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #553F2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #553F2A shade: #553F2A, #442D17, #331B04, #220900 and #110000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #553F2A shade: #553F2A, #55332A and #552A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #553F2A shade: #553F2A, #554A2A, #54552A, #48552A and #3C552A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #553F2A shade matches the following richer shades: #553F2A, #5F3F1F, #6A3E15, #743E0B and #7E3E00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #553F2A shade: #553F2A, #4B3F34, #403F3E, #363F49 and #2C4053

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #553F2A shade: #552A2C, #55332A, #553F2A, #554A2A and #54552A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #553F2A shade: #1E160E, #392A1C, #553F2A, #715337 and #8C6845

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #553F2A shade: #553F2A, #37552A and #2D2A55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #553F2A shade: #553F2A, #2A553F and #3F2A55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #553F2A shade: #553F2A, #37552A, #2A4055 and #472A55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #553F2A shade: #553F2A, #2A552A, #2A4055 and #542A55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 51 / 67

HEX #553F2A

RGB 85 63 42

HSL 29.3, 0.34%, 0.25%

LAB 28.52, 6.54, 16.57

 

Complementary color

CMYK 20 / 10 / 0 / 16

HEX #AAC0D5

RGB 170 192 213

HSL 209.3, 0.34%, 0.75%

LAB 76.71, -3, -13.02

 

CMYK 0 / 30 / 59 / 65

HEX #5A3F25

RGB 90 63 37

HSL 29.43, 0.42%, 0.25%

LAB 29.06, 8.41, 20.49

 

CMYK 0 / 24 / 48 / 58

HEX #6B5138

RGB 107 81 56

HSL 29.41, 0.31%, 0.32%

LAB 36.55, 7.31, 18.87

 

CMYK 0 / 20 / 40 / 51

HEX #7C634B

RGB 124 99 75

HSL 29.39, 0.25%, 0.39%

LAB 43.82, 6.47, 17.45

 

CMYK 0 / 17 / 33 / 45

HEX #8D755E

RGB 141 117 94

HSL 29.36, 0.2%, 0.46%

LAB 50.91, 5.8, 16.2

 

CMYK 0 / 15 / 28 / 38

HEX #9E8771

RGB 158 135 113

HSL 29.33, 0.19%, 0.53%

LAB 57.84, 5.25, 15.07

 

CMYK 0 / 26 / 51 / 67

HEX #553F2A

RGB 85 63 42

HSL 29.3, 0.34%, 0.25%

LAB 28.52, 6.54, 16.57

 

CMYK 0 / 34 / 66 / 73

HEX #442D17

RGB 68 45 23

HSL 29.33, 0.49%, 0.18%

LAB 20.7, 7.78, 18.3

 

CMYK 0 / 47 / 92 / 80

HEX #331B04

RGB 51 27 4

HSL 29.36, 0.85%, 0.11%

LAB 12.59, 9.54, 17.27

 

CMYK 0 / 74 / 100 / 87

HEX #220900

RGB 34 9 0

HSL 15.88, 1%, 0.07%

LAB 4.84, 10.18, 7.43

 

CMYK 0 / 100 / 100 / 93

HEX #110000

RGB 17 0 0

HSL 0, 1%, 0.03%

LAB 1.08, 4.83, 1.7

 

CMYK 0 / 26 / 51 / 67

HEX #553F2A

RGB 85 63 42

HSL 29.3, 0.34%, 0.25%

LAB 28.52, 6.54, 16.57

 

CMYK 0 / 40 / 51 / 67

HEX #55332A

RGB 85 51 42

HSL 12.56, 0.34%, 0.25%

LAB 25.16, 14.2, 12.13

 

CMYK 0 / 51 / 51 / 67

HEX #552A2A

RGB 85 42 42

HSL 0, 0.34%, 0.25%

LAB 22.84, 19.83, 8.99

 

CMYK 0 / 26 / 51 / 67

HEX #553F2A

RGB 85 63 42

HSL 29.3, 0.34%, 0.25%

LAB 28.52, 6.54, 16.57

 

CMYK 0 / 13 / 51 / 67

HEX #554A2A

RGB 85 74 42

HSL 44.65, 0.34%, 0.25%

LAB 31.8, -0.38, 20.74

 

CMYK 1 / 0 / 51 / 67

HEX #54552A

RGB 84 85 42

HSL 61.4, 0.34%, 0.25%

LAB 35.1, -7.51, 24.79

 

CMYK 15 / 0 / 51 / 67

HEX #48552A

RGB 72 85 42

HSL 78.14, 0.34%, 0.25%

LAB 34.07, -13.05, 23.29

 

CMYK 29 / 0 / 51 / 67

HEX #3C552A

RGB 60 85 42

HSL 94.88, 0.34%, 0.25%

LAB 33.19, -18.28, 22.01

 

CMYK 0 / 26 / 51 / 67

HEX #553F2A

RGB 85 63 42

HSL 29.3, 0.34%, 0.25%

LAB 28.52, 6.54, 16.57

 

CMYK 0 / 34 / 67 / 63

HEX #5F3F1F

RGB 95 63 31

HSL 30, 0.51%, 0.25%

LAB 29.63, 10.31, 24.9

 

CMYK 0 / 42 / 80 / 58

HEX #6A3E15

RGB 106 62 21

HSL 28.94, 0.67%, 0.25%

LAB 30.79, 15.61, 32.05

 

CMYK 0 / 47 / 91 / 55

HEX #743E0B

RGB 116 62 11

HSL 29.14, 0.83%, 0.25%

LAB 32.22, 19.94, 38.27

 

CMYK 0 / 51 / 100 / 51

HEX #7E3E00

RGB 126 62 0

HSL 29.52, 1%, 0.25%

LAB 33.73, 24.22, 44.19

 

CMYK 0 / 26 / 51 / 67

HEX #553F2A

RGB 85 63 42

HSL 29.3, 0.34%, 0.25%

LAB 28.52, 6.54, 16.57

 

CMYK 0 / 16 / 31 / 71

HEX #4B3F34

RGB 75 63 52

HSL 28.7, 0.18%, 0.25%

LAB 27.57, 3.21, 8.68

 

CMYK 0 / 2 / 3 / 75

HEX #403F3E

RGB 64 63 62

HSL 30, 0.02%, 0.25%

LAB 26.71, 0.2, 0.76

 

CMYK 26 / 14 / 0 / 71

HEX #363F49

RGB 54 63 73

HSL 211.58, 0.15%, 0.25%

LAB 26.22, -1.07, -7.32

 

CMYK 47 / 23 / 0 / 67

HEX #2C4053

RGB 44 64 83

HSL 209.23, 0.31%, 0.25%

LAB 26.24, -2.06, -13.92

 

CMYK 0 / 51 / 48 / 67

HEX #552A2C

RGB 85 42 44

HSL 357.21, 0.34%, 0.25%

LAB 22.89, 20.07, 7.71

 

CMYK 0 / 40 / 51 / 67

HEX #55332A

RGB 85 51 42

HSL 12.56, 0.34%, 0.25%

LAB 25.16, 14.2, 12.13

 

CMYK 0 / 26 / 51 / 67

HEX #553F2A

RGB 85 63 42

HSL 29.3, 0.34%, 0.25%

LAB 28.52, 6.54, 16.57

 

CMYK 0 / 13 / 51 / 67

HEX #554A2A

RGB 85 74 42

HSL 44.65, 0.34%, 0.25%

LAB 31.8, -0.38, 20.74

 

CMYK 1 / 0 / 51 / 67

HEX #54552A

RGB 84 85 42

HSL 61.4, 0.34%, 0.25%

LAB 35.1, -7.51, 24.79

 

CMYK 0 / 27 / 53 / 88

HEX #1E160E

RGB 30 22 14

HSL 30, 0.36%, 0.09%

LAB 7.96, 2.55, 6.03

 

CMYK 0 / 26 / 51 / 78

HEX #392A1C

RGB 57 42 28

HSL 28.97, 0.34%, 0.17%

LAB 18.41, 4.72, 11.82

 

CMYK 0 / 26 / 51 / 67

HEX #553F2A

RGB 85 63 42

HSL 29.3, 0.34%, 0.25%

LAB 28.52, 6.54, 16.57

 

CMYK 0 / 27 / 51 / 56

HEX #715337

RGB 113 83 55

HSL 28.97, 0.35%, 0.33%

LAB 37.79, 8.75, 21.22

 

CMYK 0 / 26 / 51 / 45

HEX #8C6845

RGB 140 104 69

HSL 29.58, 0.34%, 0.41%

LAB 46.85, 9.92, 25.25

 

CMYK 0 / 26 / 51 / 67

HEX #553F2A

RGB 85 63 42

HSL 29.3, 0.34%, 0.25%

LAB 28.52, 6.54, 16.57

 

CMYK 35 / 0 / 51 / 67

HEX #37552A

RGB 55 85 42

HSL 101.86, 0.34%, 0.25%

LAB 32.87, -20.31, 21.54

 

CMYK 47 / 51 / 0 / 67

HEX #2D2A55

RGB 45 42 85

HSL 244.19, 0.34%, 0.25%

LAB 19.51, 14.05, -25.76

 

CMYK 0 / 26 / 51 / 67

HEX #553F2A

RGB 85 63 42

HSL 29.3, 0.34%, 0.25%

LAB 28.52, 6.54, 16.57

 

CMYK 51 / 0 / 26 / 67

HEX #2A553F

RGB 42 85 63

HSL 149.3, 0.34%, 0.25%

LAB 32.59, -20.83, 8.29

 

CMYK 26 / 51 / 0 / 67

HEX #3F2A55

RGB 63 42 85

HSL 269.3, 0.34%, 0.25%

LAB 21.46, 19.64, -22.55

 

CMYK 0 / 26 / 51 / 67

HEX #553F2A

RGB 85 63 42

HSL 29.3, 0.34%, 0.25%

LAB 28.52, 6.54, 16.57

 

CMYK 35 / 0 / 51 / 67

HEX #37552A

RGB 55 85 42

HSL 101.86, 0.34%, 0.25%

LAB 32.87, -20.31, 21.54

 

CMYK 51 / 25 / 0 / 67

HEX #2A4055

RGB 42 64 85

HSL 209.3, 0.34%, 0.25%

LAB 26.2, -1.99, -15.29

 

CMYK 16 / 51 / 0 / 67

HEX #472A55

RGB 71 42 85

HSL 280.47, 0.34%, 0.25%

LAB 22.48, 22.29, -20.87

 

CMYK 0 / 26 / 51 / 67

HEX #553F2A

RGB 85 63 42

HSL 29.3, 0.34%, 0.25%

LAB 28.52, 6.54, 16.57

 

CMYK 51 / 0 / 51 / 67

HEX #2A552A

RGB 42 85 42

HSL 120, 0.34%, 0.25%

LAB 32.16, -25.1, 20.5

 

CMYK 51 / 25 / 0 / 67

HEX #2A4055

RGB 42 64 85

HSL 209.3, 0.34%, 0.25%

LAB 26.2, -1.99, -15.29

 

CMYK 1 / 51 / 0 / 67

HEX #542A55

RGB 84 42 85

HSL 298.6, 0.34%, 0.25%

LAB 24.31, 26.69, -17.88

 

Description

Color code: HEX #553F2A | qconv.com Color code: HEX #553F2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 63 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 63 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 51 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 51% 67% C M Y K

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Provide designers and agencies with accurate color values.

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