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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #553F47 it is the complementary color #AAC0B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #553F47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #553F47 shade: #5A3F42, #6B5155, #7C6368, #8D757B and #9E878E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #553F47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #553F47 shade: #553F47, #442D34, #331B21, #22090E and #110000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #553F47 shade: #553E46, #553E40 and #553E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #553F47 shade: #553E46, #553E4C, #553E52, #513E55 and #4B3E55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #553F47 shade matches the following richer shades: #553E46, #613243, #6C2640, #781A3D and #840E39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #553F47 shade: #553E46, #494A4A, #3D564D, #316250 and #256E53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #553F47 shade: #553E52, #553E4C, #553E46, #553E41 and #55423E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #553F47 shade: #251B1F, #3D2D33, #553E46, #6C505A and #84616E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #553F47 shade: #553F47, #55513E and #3E4F55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #553F47 shade: #553F47, #46553E and #3E4655

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #553F47 shade: #553F47, #55513E, #3E554C and #3E4255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #553F47 shade: #553F47, #52553E, #3E554C and #413E55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 16 / 67

HEX #553F47

RGB 85 63 71

HSL 338.18, 0.15%, 0.29%

LAB 29.26, 11.04, -1.14

 

Complementary color

CMYK 11 / 0 / 4 / 25

HEX #AAC0B8

RGB 170 192 184

HSL 158.18, 0.15%, 0.71%

LAB 75.89, -9.05, 1.48

 

CMYK 0 / 30 / 27 / 65

HEX #5A3F42

RGB 90 63 66

HSL 353.33, 0.18%, 0.3%

LAB 29.72, 12.3, 2.85

 

CMYK 0 / 24 / 21 / 58

HEX #6B5155

RGB 107 81 85

HSL 350.77, 0.14%, 0.37%

LAB 37.24, 11.55, 1.86

 

CMYK 0 / 20 / 16 / 51

HEX #7C6368

RGB 124 99 104

HSL 348, 0.11%, 0.44%

LAB 44.53, 10.92, 0.99

 

CMYK 0 / 17 / 13 / 45

HEX #8D757B

RGB 141 117 123

HSL 345, 0.1%, 0.51%

LAB 51.63, 10.39, 0.21

 

CMYK 0 / 15 / 10 / 38

HEX #9E878E

RGB 158 135 142

HSL 341.74, 0.11%, 0.57%

LAB 58.56, 9.93, -0.52

 

CMYK 0 / 26 / 16 / 67

HEX #553F47

RGB 85 63 71

HSL 338.18, 0.15%, 0.29%

LAB 29.26, 11.04, -1.14

 

CMYK 0 / 34 / 24 / 73

HEX #442D34

RGB 68 45 52

HSL 341.74, 0.2%, 0.22%

LAB 21.41, 11.83, -0.22

 

CMYK 0 / 47 / 35 / 80

HEX #331B21

RGB 51 27 33

HSL 345, 0.31%, 0.15%

LAB 13.21, 12.84, 0.98

 

CMYK 0 / 74 / 59 / 87

HEX #22090E

RGB 34 9 14

HSL 348, 0.58%, 0.08%

LAB 5.12, 12.19, 1.96

 

CMYK 0 / 100 / 100 / 93

HEX #110000

RGB 17 0 0

HSL 0, 1%, 0.03%

LAB 1.08, 4.83, 1.7

 

CMYK 0 / 27 / 18 / 67

HEX #553E46

RGB 85 62 70

HSL 339.13, 0.16%, 0.29%

LAB 28.95, 11.49, -0.95

 

CMYK 0 / 27 / 25 / 67

HEX #553E40

RGB 85 62 64

HSL 354.78, 0.16%, 0.29%

LAB 28.76, 10.41, 2.7

 

CMYK 0 / 27 / 27 / 67

HEX #553E3E

RGB 85 62 62

HSL 0, 0.16%, 0.29%

LAB 28.71, 10.06, 3.93

 

CMYK 0 / 27 / 18 / 67

HEX #553E46

RGB 85 62 70

HSL 339.13, 0.16%, 0.29%

LAB 28.95, 11.49, -0.95

 

CMYK 0 / 27 / 11 / 67

HEX #553E4C

RGB 85 62 76

HSL 323.48, 0.16%, 0.29%

LAB 29.15, 12.67, -4.56

 

CMYK 0 / 27 / 4 / 67

HEX #553E52

RGB 85 62 82

HSL 307.83, 0.16%, 0.29%

LAB 29.38, 13.91, -8.14

 

CMYK 5 / 27 / 0 / 67

HEX #513E55

RGB 81 62 85

HSL 289.57, 0.16%, 0.29%

LAB 29.03, 13.01, -10.65

 

CMYK 12 / 27 / 0 / 67

HEX #4B3E55

RGB 75 62 85

HSL 273.91, 0.16%, 0.29%

LAB 28.37, 10.71, -11.72

 

CMYK 0 / 27 / 18 / 67

HEX #553E46

RGB 85 62 70

HSL 339.13, 0.16%, 0.29%

LAB 28.95, 11.49, -0.95

 

CMYK 0 / 48 / 31 / 62

HEX #613243

RGB 97 50 67

HSL 338.3, 0.32%, 0.29%

LAB 27.37, 23.46, -1.09

 

CMYK 0 / 65 / 41 / 58

HEX #6C2640

RGB 108 38 64

HSL 337.71, 0.48%, 0.29%

LAB 26.58, 33.79, -0.04

 

CMYK 0 / 78 / 49 / 53

HEX #781A3D

RGB 120 26 61

HSL 337.66, 0.64%, 0.29%

LAB 26.93, 42.49, 2.78

 

CMYK 0 / 89 / 57 / 48

HEX #840E39

RGB 132 14 57

HSL 338.14, 0.81%, 0.29%

LAB 28.15, 48.91, 7.57

 

CMYK 0 / 27 / 18 / 67

HEX #553E46

RGB 85 62 70

HSL 339.13, 0.16%, 0.29%

LAB 28.95, 11.49, -0.95

 

CMYK 1 / 0 / 0 / 71

HEX #494A4A

RGB 73 74 74

HSL 180, 0.01%, 0.29%

LAB 31.37, -0.41, -0.15

 

CMYK 29 / 0 / 10 / 66

HEX #3D564D

RGB 61 86 77

HSL 158.4, 0.17%, 0.29%

LAB 34.36, -11.65, 2.19

 

CMYK 50 / 0 / 18 / 62

HEX #316250

RGB 49 98 80

HSL 157.96, 0.33%, 0.29%

LAB 37.78, -21.43, 5.16

 

CMYK 66 / 0 / 25 / 57

HEX #256E53

RGB 37 110 83

HSL 157.81, 0.5%, 0.29%

LAB 41.48, -29.57, 8.53

 

CMYK 0 / 27 / 4 / 67

HEX #553E52

RGB 85 62 82

HSL 307.83, 0.16%, 0.29%

LAB 29.38, 13.91, -8.14

 

CMYK 0 / 27 / 11 / 67

HEX #553E4C

RGB 85 62 76

HSL 323.48, 0.16%, 0.29%

LAB 29.15, 12.67, -4.56

 

CMYK 0 / 27 / 18 / 67

HEX #553E46

RGB 85 62 70

HSL 339.13, 0.16%, 0.29%

LAB 28.95, 11.49, -0.95

 

CMYK 0 / 27 / 24 / 67

HEX #553E41

RGB 85 62 65

HSL 352.17, 0.16%, 0.29%

LAB 28.79, 10.58, 2.09

 

CMYK 0 / 22 / 27 / 67

HEX #55423E

RGB 85 66 62

HSL 10.43, 0.16%, 0.29%

LAB 29.85, 7.5, 5.56

 

CMYK 0 / 27 / 16 / 85

HEX #251B1F

RGB 37 27 31

HSL 336, 0.16%, 0.13%

LAB 11.11, 5.79, -0.87

 

CMYK 0 / 26 / 16 / 76

HEX #3D2D33

RGB 61 45 51

HSL 337.5, 0.15%, 0.21%

LAB 20.47, 8.51, -1.01

 

CMYK 0 / 27 / 18 / 67

HEX #553E46

RGB 85 62 70

HSL 339.13, 0.16%, 0.29%

LAB 28.95, 11.49, -0.95

 

CMYK 0 / 26 / 17 / 58

HEX #6C505A

RGB 108 80 90

HSL 338.57, 0.15%, 0.37%

LAB 37.23, 13.46, -1.27

 

CMYK 0 / 27 / 17 / 48

HEX #84616E

RGB 132 97 110

HSL 337.71, 0.15%, 0.45%

LAB 45.05, 16.35, -1.77

 

CMYK 0 / 26 / 16 / 67

HEX #553F47

RGB 85 63 71

HSL 338.18, 0.15%, 0.29%

LAB 29.26, 11.04, -1.14

 

CMYK 0 / 5 / 27 / 67

HEX #55513E

RGB 85 81 62

HSL 49.57, 0.16%, 0.29%

LAB 34.32, -1.89, 11.79

 

CMYK 27 / 7 / 0 / 67

HEX #3E4F55

RGB 62 79 85

HSL 195.65, 0.16%, 0.29%

LAB 32.42, -5.05, -5.72

 

CMYK 0 / 26 / 16 / 67

HEX #553F47

RGB 85 63 71

HSL 338.18, 0.15%, 0.29%

LAB 29.26, 11.04, -1.14

 

CMYK 18 / 0 / 27 / 67

HEX #46553E

RGB 70 85 62

HSL 99.13, 0.16%, 0.29%

LAB 34.29, -10.79, 11.54

 

CMYK 27 / 18 / 0 / 67

HEX #3E4655

RGB 62 70 85

HSL 219.13, 0.16%, 0.29%

LAB 29.56, 0.64, -10.01

 

CMYK 0 / 26 / 16 / 67

HEX #553F47

RGB 85 63 71

HSL 338.18, 0.15%, 0.29%

LAB 29.26, 11.04, -1.14

 

CMYK 0 / 5 / 27 / 67

HEX #55513E

RGB 85 81 62

HSL 49.57, 0.16%, 0.29%

LAB 34.32, -1.89, 11.79

 

CMYK 27 / 0 / 11 / 67

HEX #3E554C

RGB 62 85 76

HSL 156.52, 0.16%, 0.29%

LAB 34.07, -10.94, 2.41

 

CMYK 27 / 22 / 0 / 67

HEX #3E4255

RGB 62 66 85

HSL 229.57, 0.16%, 0.29%

LAB 28.32, 3.24, -11.91

 

CMYK 0 / 26 / 16 / 67

HEX #553F47

RGB 85 63 71

HSL 338.18, 0.15%, 0.29%

LAB 29.26, 11.04, -1.14

 

CMYK 4 / 0 / 27 / 67

HEX #52553E

RGB 82 85 62

HSL 67.83, 0.16%, 0.29%

LAB 35.28, -5.64, 13.05

 

CMYK 27 / 0 / 11 / 67

HEX #3E554C

RGB 62 85 76

HSL 156.52, 0.16%, 0.29%

LAB 34.07, -10.94, 2.41

 

CMYK 24 / 27 / 0 / 67

HEX #413E55

RGB 65 62 85

HSL 247.83, 0.16%, 0.29%

LAB 27.37, 6.97, -13.34

 

Description

Color code: HEX #553F47 | qconv.com Color code: HEX #553F47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 63 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 63 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 16 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 16% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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