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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #553FDE it is the complementary color #AAC021. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #553FDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #553FDE shade: #5A3FD9, #6B51EC, #7C63FF, #8D75FF and #9E87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #553FDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #553FDE shade: #553FDE, #442DCB, #331BB8, #2209A5 and #110092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #553FDE shade: #553FDE, #803FDE, #AB3FDE, #D63FDE and #DE3FBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #553FDE shade: #553FDE and #3F3FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #553FDE shade matches the following richer shades: #553FDE and #482CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #553FDE shade: #553FDE, #6251CC, #6F63BA, #7C75A8 and #898795

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #553FDE shade: #3F7EDE, #3F54DE, #543FDE, #7E3FDE and #A93FDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #553FDE shade: #311DAD, #3B23D0, #553FDE, #7462E4 and #9385EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #553FDE shade: #553FDE, #DE3FA9 and #69DE3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #553FDE shade: #553FDE, #DE543F and #3FDE54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #553FDE shade: #553FDE, #DE3FA9, #C9DE3F and #3FDE74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #553FDE shade: #553FDE, #DE3F79, #C9DE3F and #3FDEA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 72 / 0 / 13

HEX #553FDE

RGB 85 63 222

HSL 248.3, 0.71%, 0.56%

LAB 39.17, 53.03, -77.65

 

Complementary color

CMYK 11 / 0 / 83 / 25

HEX #AAC021

RGB 170 192 33

HSL 68.3, 0.71%, 0.44%

LAB 73.78, -26.2, 69.29

 

CMYK 59 / 71 / 0 / 15

HEX #5A3FD9

RGB 90 63 217

HSL 250.52, 0.67%, 0.55%

LAB 39.14, 52.21, -74.83

 

CMYK 55 / 66 / 0 / 7

HEX #6B51EC

RGB 107 81 236

HSL 250.06, 0.8%, 0.62%

LAB 45.73, 50.61, -74.79

 

CMYK 51 / 61 / 0 / 0

HEX #7C63FF

RGB 124 99 255

HSL 249.62, 1%, 0.69%

LAB 52.32, 49.04, -74.6

 

CMYK 45 / 54 / 0 / 0

HEX #8D75FF

RGB 141 117 255

HSL 250.43, 1%, 0.73%

LAB 57.66, 42.23, -65.89

 

CMYK 38 / 47 / 0 / 0

HEX #9E87FF

RGB 158 135 255

HSL 251.5, 1%, 0.76%

LAB 63.19, 35.88, -56.96

 

CMYK 62 / 72 / 0 / 13

HEX #553FDE

RGB 85 63 222

HSL 248.3, 0.71%, 0.56%

LAB 39.17, 53.03, -77.65

 

CMYK 67 / 78 / 0 / 20

HEX #442DCB

RGB 68 45 203

HSL 248.73, 0.64%, 0.49%

LAB 32.74, 54.61, -77.33

 

CMYK 72 / 85 / 0 / 28

HEX #331BB8

RGB 51 27 184

HSL 249.17, 0.74%, 0.41%

LAB 26.59, 55.65, -76.38

 

CMYK 79 / 95 / 0 / 35

HEX #2209A5

RGB 34 9 165

HSL 249.62, 0.9%, 0.34%

LAB 21.03, 55.33, -74.24

 

CMYK 88 / 100 / 0 / 43

HEX #110092

RGB 17 0 146

HSL 246.99, 1%, 0.29%

LAB 16.48, 52.46, -70.17

 

CMYK 62 / 72 / 0 / 13

HEX #553FDE

RGB 85 63 222

HSL 248.3, 0.71%, 0.56%

LAB 39.17, 53.03, -77.65

 

CMYK 42 / 72 / 0 / 13

HEX #803FDE

RGB 128 63 222

HSL 264.53, 0.71%, 0.56%

LAB 43.39, 59.46, -70.58

 

CMYK 23 / 72 / 0 / 13

HEX #AB3FDE

RGB 171 63 222

HSL 280.75, 0.71%, 0.56%

LAB 48.87, 67.35, -61.44

 

CMYK 4 / 72 / 0 / 13

HEX #D63FDE

RGB 214 63 222

HSL 296.98, 0.71%, 0.56%

LAB 55.2, 76.02, -50.93

 

CMYK 0 / 72 / 16 / 13

HEX #DE3FBB

RGB 222 63 187

HSL 313.21, 0.71%, 0.56%

LAB 54.73, 72.51, -31.56

 

CMYK 62 / 72 / 0 / 13

HEX #553FDE

RGB 85 63 222

HSL 248.3, 0.71%, 0.56%

LAB 39.17, 53.03, -77.65

 

CMYK 72 / 72 / 0 / 13

HEX #3F3FDE

RGB 63 63 222

HSL 240, 0.71%, 0.56%

LAB 37.64, 50.59, -80.23

 

CMYK 62 / 72 / 0 / 13

HEX #553FDE

RGB 85 63 222

HSL 248.3, 0.71%, 0.56%

LAB 39.17, 53.03, -77.65

 

CMYK 70 / 82 / 0 / 6

HEX #482CF0

RGB 72 44 240

HSL 248.57, 0.87%, 0.56%

LAB 36.87, 65.98, -91.72

 

CMYK 62 / 72 / 0 / 13

HEX #553FDE

RGB 85 63 222

HSL 248.3, 0.71%, 0.56%

LAB 39.17, 53.03, -77.65

 

CMYK 52 / 60 / 0 / 20

HEX #6251CC

RGB 98 81 204

HSL 248.29, 0.55%, 0.56%

LAB 42.52, 39.48, -61.79

 

CMYK 40 / 47 / 0 / 27

HEX #6F63BA

RGB 111 99 186

HSL 248.28, 0.39%, 0.56%

LAB 46.77, 26.22, -44.47

 

CMYK 26 / 30 / 0 / 34

HEX #7C75A8

RGB 124 117 168

HSL 248.24, 0.23%, 0.56%

LAB 51.65, 14.19, -26.28

 

CMYK 8 / 9 / 0 / 42

HEX #898795

RGB 137 135 149

HSL 248.57, 0.06%, 0.56%

LAB 56.9, 3.59, -7.2

 

CMYK 72 / 43 / 0 / 13

HEX #3F7EDE

RGB 63 126 222

HSL 216.23, 0.71%, 0.56%

LAB 53.22, 11.81, -54.9

 

CMYK 72 / 62 / 0 / 13

HEX #3F54DE

RGB 63 84 222

HSL 232.08, 0.71%, 0.56%

LAB 42.26, 38.13, -72.64

 

CMYK 62 / 72 / 0 / 13

HEX #543FDE

RGB 84 63 222

HSL 247.92, 0.71%, 0.56%

LAB 39.09, 52.91, -77.78

 

CMYK 43 / 72 / 0 / 13

HEX #7E3FDE

RGB 126 63 222

HSL 263.77, 0.71%, 0.56%

LAB 43.16, 59.12, -70.96

 

CMYK 24 / 72 / 0 / 13

HEX #A93FDE

RGB 169 63 222

HSL 280, 0.71%, 0.56%

LAB 48.59, 66.96, -61.9

 

CMYK 72 / 83 / 0 / 32

HEX #311DAD

RGB 49 29 173

HSL 248.33, 0.71%, 0.4%

LAB 25.41, 51.49, -71.76

 

CMYK 72 / 83 / 0 / 18

HEX #3B23D0

RGB 59 35 208

HSL 248.32, 0.71%, 0.48%

LAB 31.08, 59.8, -83.01

 

CMYK 62 / 72 / 0 / 13

HEX #553FDE

RGB 85 63 222

HSL 248.3, 0.71%, 0.56%

LAB 39.17, 53.03, -77.65

 

CMYK 49 / 57 / 0 / 11

HEX #7462E4

RGB 116 98 228

HSL 248.31, 0.71%, 0.64%

LAB 49.56, 40.22, -64.02

 

CMYK 37 / 43 / 0 / 8

HEX #9385EA

RGB 147 133 234

HSL 248.32, 0.71%, 0.72%

LAB 60.71, 28.66, -49.38

 

CMYK 62 / 72 / 0 / 13

HEX #553FDE

RGB 85 63 222

HSL 248.3, 0.71%, 0.56%

LAB 39.17, 53.03, -77.65

 

CMYK 0 / 72 / 24 / 13

HEX #DE3FA9

RGB 222 63 169

HSL 320, 0.71%, 0.56%

LAB 53.97, 70.14, -22.25

 

CMYK 53 / 0 / 72 / 13

HEX #69DE3F

RGB 105 222 63

HSL 104.15, 0.71%, 0.56%

LAB 79.39, -60.29, 64.23

 

CMYK 62 / 72 / 0 / 13

HEX #553FDE

RGB 85 63 222

HSL 248.3, 0.71%, 0.56%

LAB 39.17, 53.03, -77.65

 

CMYK 0 / 62 / 72 / 13

HEX #DE543F

RGB 222 84 63

HSL 7.92, 0.71%, 0.56%

LAB 54.27, 52.72, 40.31

 

CMYK 72 / 0 / 62 / 13

HEX #3FDE54

RGB 63 222 84

HSL 127.92, 0.71%, 0.56%

LAB 78.43, -67.44, 54.63

 

CMYK 62 / 72 / 0 / 13

HEX #553FDE

RGB 85 63 222

HSL 248.3, 0.71%, 0.56%

LAB 39.17, 53.03, -77.65

 

CMYK 0 / 72 / 24 / 13

HEX #DE3FA9

RGB 222 63 169

HSL 320, 0.71%, 0.56%

LAB 53.97, 70.14, -22.25

 

CMYK 9 / 0 / 72 / 13

HEX #C9DE3F

RGB 201 222 63

HSL 67.92, 0.71%, 0.56%

LAB 84.49, -26.58, 70.99

 

CMYK 72 / 0 / 48 / 13

HEX #3FDE74

RGB 63 222 116

HSL 140, 0.71%, 0.56%

LAB 78.79, -63.2, 40.3

 

CMYK 62 / 72 / 0 / 13

HEX #553FDE

RGB 85 63 222

HSL 248.3, 0.71%, 0.56%

LAB 39.17, 53.03, -77.65

 

CMYK 0 / 72 / 45 / 13

HEX #DE3F79

RGB 222 63 121

HSL 338.11, 0.71%, 0.56%

LAB 52.36, 64.93, 3.84

 

CMYK 9 / 0 / 72 / 13

HEX #C9DE3F

RGB 201 222 63

HSL 67.92, 0.71%, 0.56%

LAB 84.49, -26.58, 70.99

 

CMYK 72 / 0 / 26 / 13

HEX #3FDEA4

RGB 63 222 164

HSL 158.11, 0.71%, 0.56%

LAB 79.6, -54.13, 16.87

 

Description

Color code: HEX #553FDE | qconv.com Color code: HEX #553FDE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 63 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 63 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 72 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 72% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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