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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #554907 it is the complementary color #AAB6F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #554907. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #554907 shade: #5A4902, #6B5B15, #7C6D28, #8D7F3B and #9E914E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #554907. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #554907 shade: #554907, #443700, #332500, #221300 and #110100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #554907 shade: #544806, #543306, #541E06, #540906 and #540606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #554907 shade: #544806, #4B5406, #365406, #215406 and #0C5406

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #554907 shade matches the following richer shades: #544806

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #554907 shade: #544806, #4D430E, #463E15, #3E391D and #373424

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #554907 shade: #541E06, #543306, #544706, #4D5406 and #385406

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #554907 shade: #080700, #2E2803, #544806, #7B6909 and #A18A0D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #554907 shade: #554907, #065409 and #280654

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #554907 shade: #554907, #065447 and #470654

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #554907 shade: #554907, #065409, #061354 and #540652

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #554907 shade: #554907, #065420, #061354 and #54063A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 92 / 67

HEX #554907

RGB 85 73 7

HSL 50.77, 0.85%, 0.18%

LAB 31.14, -2.28, 37.13

 

Complementary color

CMYK 31 / 27 / 0 / 3

HEX #AAB6F8

RGB 170 182 248

HSL 230.77, 0.85%, 0.82%

LAB 75.31, 10.7, -34.06

 

CMYK 0 / 19 / 98 / 65

HEX #5A4902

RGB 90 73 2

HSL 48.41, 0.96%, 0.18%

LAB 31.68, 0.11, 39.64

 

CMYK 0 / 15 / 80 / 58

HEX #6B5B15

RGB 107 91 21

HSL 48.84, 0.67%, 0.25%

LAB 39.01, -1.52, 40.01

 

CMYK 0 / 12 / 68 / 51

HEX #7C6D28

RGB 124 109 40

HSL 49.29, 0.51%, 0.32%

LAB 46.14, -2.78, 39.42

 

CMYK 0 / 10 / 58 / 45

HEX #8D7F3B

RGB 141 127 59

HSL 49.76, 0.41%, 0.39%

LAB 53.12, -3.73, 38.29

 

CMYK 0 / 8 / 51 / 38

HEX #9E914E

RGB 158 145 78

HSL 50.25, 0.34%, 0.46%

LAB 59.95, -4.47, 37.03

 

CMYK 0 / 14 / 92 / 67

HEX #554907

RGB 85 73 7

HSL 50.77, 0.85%, 0.18%

LAB 31.14, -2.28, 37.13

 

CMYK 0 / 19 / 100 / 73

HEX #443700

RGB 68 55 0

HSL 48.53, 1%, 0.13%

LAB 23.54, -0.23, 32.48

 

CMYK 0 / 27 / 100 / 80

HEX #332500

RGB 51 37 0

HSL 43.53, 1%, 0.1%

LAB 15.63, 2.33, 22.88

 

CMYK 0 / 44 / 100 / 87

HEX #221300

RGB 34 19 0

HSL 33.53, 1%, 0.07%

LAB 7.28, 5.15, 11

 

CMYK 0 / 94 / 100 / 93

HEX #110100

RGB 17 1 0

HSL 3.53, 1%, 0.03%

LAB 1.27, 4.43, 1.99

 

CMYK 0 / 14 / 93 / 67

HEX #544806

RGB 84 72 6

HSL 50.77, 0.87%, 0.18%

LAB 30.72, -2.22, 37.1

 

CMYK 0 / 39 / 93 / 67

HEX #543306

RGB 84 51 6

HSL 34.62, 0.87%, 0.18%

LAB 24.53, 11.04, 31.73

 

CMYK 0 / 64 / 93 / 67

HEX #541E06

RGB 84 30 6

HSL 18.46, 0.87%, 0.18%

LAB 19.34, 23.8, 26.2

 

CMYK 0 / 89 / 93 / 67

HEX #540906

RGB 84 9 6

HSL 2.31, 0.87%, 0.18%

LAB 15.97, 32.97, 22.14

 

CMYK 0 / 93 / 93 / 67

HEX #540606

RGB 84 6 6

HSL 0, 0.87%, 0.18%

LAB 15.63, 33.92, 21.72

 

CMYK 0 / 14 / 93 / 67

HEX #544806

RGB 84 72 6

HSL 50.77, 0.87%, 0.18%

LAB 30.72, -2.22, 37.1

 

CMYK 11 / 0 / 93 / 67

HEX #4B5406

RGB 75 84 6

HSL 66.92, 0.87%, 0.18%

LAB 33.67, -13.85, 39.17

 

CMYK 36 / 0 / 93 / 67

HEX #365406

RGB 54 84 6

HSL 83.08, 0.87%, 0.18%

LAB 32.12, -23.57, 37.24

 

CMYK 61 / 0 / 93 / 67

HEX #215406

RGB 33 84 6

HSL 99.23, 0.87%, 0.18%

LAB 31.06, -31.42, 35.91

 

CMYK 86 / 0 / 93 / 67

HEX #0C5406

RGB 12 84 6

HSL 115.38, 0.87%, 0.18%

LAB 30.48, -36.32, 35.17

 

CMYK 0 / 14 / 93 / 67

HEX #544806

RGB 84 72 6

HSL 50.77, 0.87%, 0.18%

LAB 30.72, -2.22, 37.1

 

CMYK 0 / 14 / 93 / 67

HEX #544806

RGB 84 72 6

HSL 50.77, 0.87%, 0.18%

LAB 30.72, -2.22, 37.1

 

CMYK 0 / 13 / 82 / 70

HEX #4D430E

RGB 77 67 14

HSL 50.48, 0.69%, 0.18%

LAB 28.44, -2.4, 31.75

 

CMYK 0 / 11 / 70 / 73

HEX #463E15

RGB 70 62 21

HSL 50.2, 0.54%, 0.18%

LAB 26.16, -2.42, 25.78

 

CMYK 0 / 8 / 53 / 76

HEX #3E391D

RGB 62 57 29

HSL 50.91, 0.36%, 0.18%

LAB 23.8, -2.53, 18.16

 

CMYK 0 / 5 / 35 / 78

HEX #373424

RGB 55 52 36

HSL 50.53, 0.21%, 0.18%

LAB 21.56, -1.78, 10.62

 

CMYK 0 / 64 / 93 / 67

HEX #541E06

RGB 84 30 6

HSL 18.46, 0.87%, 0.18%

LAB 19.34, 23.8, 26.2

 

CMYK 0 / 39 / 93 / 67

HEX #543306

RGB 84 51 6

HSL 34.62, 0.87%, 0.18%

LAB 24.53, 11.04, 31.73

 

CMYK 0 / 15 / 93 / 67

HEX #544706

RGB 84 71 6

HSL 50, 0.87%, 0.18%

LAB 30.41, -1.6, 36.84

 

CMYK 8 / 0 / 93 / 67

HEX #4D5406

RGB 77 84 6

HSL 65.38, 0.87%, 0.18%

LAB 33.84, -12.87, 39.38

 

CMYK 33 / 0 / 93 / 67

HEX #385406

RGB 56 84 6

HSL 81.54, 0.87%, 0.18%

LAB 32.25, -22.7, 37.4

 

CMYK 0 / 13 / 100 / 97

HEX #080700

RGB 8 7 0

HSL 52.5, 1%, 0.02%

LAB 1.84, -0.71, 2.74

 

CMYK 0 / 13 / 93 / 82

HEX #2E2803

RGB 46 40 3

HSL 51.63, 0.88%, 0.1%

LAB 16.03, -2.31, 22.03

 

CMYK 0 / 14 / 93 / 67

HEX #544806

RGB 84 72 6

HSL 50.77, 0.87%, 0.18%

LAB 30.72, -2.22, 37.1

 

CMYK 0 / 15 / 93 / 52

HEX #7B6909

RGB 123 105 9

HSL 50.53, 0.86%, 0.26%

LAB 44.71, -2.29, 49.18

 

CMYK 0 / 14 / 92 / 37

HEX #A18A0D

RGB 161 138 13

HSL 50.68, 0.85%, 0.34%

LAB 57.83, -2.83, 60.26

 

CMYK 0 / 14 / 92 / 67

HEX #554907

RGB 85 73 7

HSL 50.77, 0.85%, 0.18%

LAB 31.14, -2.28, 37.13

 

CMYK 93 / 0 / 89 / 67

HEX #065409

RGB 6 84 9

HSL 122.31, 0.87%, 0.18%

LAB 30.4, -36.96, 34.05

 

CMYK 52 / 93 / 0 / 67

HEX #280654

RGB 40 6 84

HSL 266.15, 0.87%, 0.18%

LAB 10.71, 34.35, -39.38

 

CMYK 0 / 14 / 92 / 67

HEX #554907

RGB 85 73 7

HSL 50.77, 0.85%, 0.18%

LAB 31.14, -2.28, 37.13

 

CMYK 93 / 0 / 15 / 67

HEX #065447

RGB 6 84 71

HSL 170, 0.87%, 0.18%

LAB 31.43, -25.13, 1.46

 

CMYK 15 / 93 / 0 / 67

HEX #470654

RGB 71 6 84

HSL 290, 0.87%, 0.18%

LAB 16.05, 39.5, -30.45

 

CMYK 0 / 14 / 92 / 67

HEX #554907

RGB 85 73 7

HSL 50.77, 0.85%, 0.18%

LAB 31.14, -2.28, 37.13

 

CMYK 93 / 0 / 89 / 67

HEX #065409

RGB 6 84 9

HSL 122.31, 0.87%, 0.18%

LAB 30.4, -36.96, 34.05

 

CMYK 93 / 77 / 0 / 67

HEX #061354

RGB 6 19 84

HSL 230, 0.87%, 0.18%

LAB 10.14, 23.21, -40.43

 

CMYK 0 / 93 / 2 / 67

HEX #540652

RGB 84 6 82

HSL 301.54, 0.87%, 0.18%

LAB 18.47, 41.77, -25.07

 

CMYK 0 / 14 / 92 / 67

HEX #554907

RGB 85 73 7

HSL 50.77, 0.85%, 0.18%

LAB 31.14, -2.28, 37.13

 

CMYK 93 / 0 / 62 / 67

HEX #065420

RGB 6 84 32

HSL 140, 0.87%, 0.18%

LAB 30.6, -34.42, 24.01

 

CMYK 93 / 77 / 0 / 67

HEX #061354

RGB 6 19 84

HSL 230, 0.87%, 0.18%

LAB 10.14, 23.21, -40.43

 

CMYK 0 / 93 / 31 / 67

HEX #54063A

RGB 84 6 58

HSL 320, 0.87%, 0.18%

LAB 17.09, 38.06, -10.61

 

Description

Color code: HEX #554907 | qconv.com Color code: HEX #554907 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 73 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 73 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 92 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 92% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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