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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #554176 it is the complementary color #AABE89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #554176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #554176 shade: #5A4171, #6B5384, #7C6597, #8D77AA and #9E89BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #554176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #554176 shade: #554176, #442F63, #331D50, #220B3D and #11002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #554176 shade: #554176, #634176, #714176, #76416C and #76415E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #554176 shade: #554176, #464176 and #414176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #554176 shade matches the following richer shades: #554176, #513285, #4D2394, #4A14A2 and #4605B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #554176 shade: #554176, #585067, #5C5E58, #606D49 and #637C3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #554176 shade: #414A76, #464176, #544176, #624176 and #714176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #554176 shade: #2E2341, #42325B, #554176, #684F91 and #7C61A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #554176 shade: #554176, #764158 and #427641

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #554176 shade: #554176, #765441 and #417654

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #554176 shade: #554176, #764158, #627641 and #41765F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #554176 shade: #554176, #764148, #627641 and #41766F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 45 / 0 / 54

HEX #554176

RGB 85 65 118

HSL 262.64, 0.29%, 0.36%

LAB 31.85, 20.85, -27.31

 

Complementary color

CMYK 11 / 0 / 28 / 25

HEX #AABE89

RGB 170 190 137

HSL 82.64, 0.29%, 0.64%

LAB 74.3, -16.1, 24.56

 

CMYK 20 / 42 / 0 / 56

HEX #5A4171

RGB 90 65 113

HSL 271.25, 0.27%, 0.35%

LAB 32.14, 21.14, -23.68

 

CMYK 19 / 37 / 0 / 48

HEX #6B5384

RGB 107 83 132

HSL 269.39, 0.23%, 0.42%

LAB 39.54, 20.31, -23.77

 

CMYK 18 / 33 / 0 / 41

HEX #7C6597

RGB 124 101 151

HSL 267.6, 0.2%, 0.49%

LAB 46.75, 19.58, -23.89

 

CMYK 17 / 30 / 0 / 33

HEX #8D77AA

RGB 141 119 170

HSL 265.88, 0.23%, 0.57%

LAB 53.77, 18.93, -24.04

 

CMYK 16 / 28 / 0 / 26

HEX #9E89BD

RGB 158 137 189

HSL 264.23, 0.28%, 0.64%

LAB 60.64, 18.35, -24.21

 

CMYK 28 / 45 / 0 / 54

HEX #554176

RGB 85 65 118

HSL 262.64, 0.29%, 0.36%

LAB 31.85, 20.85, -27.31

 

CMYK 31 / 53 / 0 / 61

HEX #442F63

RGB 68 47 99

HSL 264.23, 0.36%, 0.29%

LAB 24.2, 21.88, -27.39

 

CMYK 36 / 64 / 0 / 69

HEX #331D50

RGB 51 29 80

HSL 265.88, 0.47%, 0.21%

LAB 16.31, 23.05, -27.47

 

CMYK 44 / 82 / 0 / 76

HEX #220B3D

RGB 34 11 61

HSL 267.6, 0.69%, 0.14%

LAB 8.27, 24.09, -27.33

 

CMYK 60 / 100 / 0 / 84

HEX #11002A

RGB 17 0 42

HSL 264.29, 1%, 0.08%

LAB 2.59, 15.44, -22.52

 

CMYK 28 / 45 / 0 / 54

HEX #554176

RGB 85 65 118

HSL 262.64, 0.29%, 0.36%

LAB 31.85, 20.85, -27.31

 

CMYK 16 / 45 / 0 / 54

HEX #634176

RGB 99 65 118

HSL 278.49, 0.29%, 0.36%

LAB 33.44, 25.33, -24.71

 

CMYK 4 / 45 / 0 / 54

HEX #714176

RGB 113 65 118

HSL 294.34, 0.29%, 0.36%

LAB 35.2, 29.93, -21.83

 

CMYK 0 / 45 / 8 / 54

HEX #76416C

RGB 118 65 108

HSL 311.32, 0.29%, 0.36%

LAB 35.43, 29.63, -15.16

 

CMYK 0 / 45 / 20 / 54

HEX #76415E

RGB 118 65 94

HSL 327.17, 0.29%, 0.36%

LAB 34.88, 27.12, -7.13

 

CMYK 28 / 45 / 0 / 54

HEX #554176

RGB 85 65 118

HSL 262.64, 0.29%, 0.36%

LAB 31.85, 20.85, -27.31

 

CMYK 41 / 45 / 0 / 54

HEX #464176

RGB 70 65 118

HSL 245.66, 0.29%, 0.36%

LAB 30.38, 16.32, -29.74

 

CMYK 45 / 45 / 0 / 54

HEX #414176

RGB 65 65 118

HSL 240, 0.29%, 0.36%

LAB 29.94, 14.9, -30.46

 

CMYK 28 / 45 / 0 / 54

HEX #554176

RGB 85 65 118

HSL 262.64, 0.29%, 0.36%

LAB 31.85, 20.85, -27.31

 

CMYK 39 / 62 / 0 / 48

HEX #513285

RGB 81 50 133

HSL 262.41, 0.45%, 0.36%

LAB 28.71, 33.22, -41.74

 

CMYK 48 / 76 / 0 / 42

HEX #4D2394

RGB 77 35 148

HSL 262.3, 0.62%, 0.36%

LAB 26.5, 44.77, -54.65

 

CMYK 54 / 88 / 0 / 36

HEX #4A14A2

RGB 74 20 162

HSL 262.82, 0.78%, 0.36%

LAB 25.46, 54.12, -64.95

 

CMYK 60 / 97 / 0 / 31

HEX #4605B1

RGB 70 5 177

HSL 262.67, 0.95%, 0.36%

LAB 25.52, 61.08, -73.92

 

CMYK 28 / 45 / 0 / 54

HEX #554176

RGB 85 65 118

HSL 262.64, 0.29%, 0.36%

LAB 31.85, 20.85, -27.31

 

CMYK 15 / 22 / 0 / 60

HEX #585067

RGB 88 80 103

HSL 260.87, 0.13%, 0.36%

LAB 35.58, 8.42, -12.1

 

CMYK 2 / 0 / 6 / 63

HEX #5C5E58

RGB 92 94 88

HSL 80, 0.03%, 0.36%

LAB 39.56, -2.03, 3.16

 

CMYK 12 / 0 / 33 / 57

HEX #606D49

RGB 96 109 73

HSL 81.67, 0.2%, 0.36%

LAB 44.1, -11.77, 18.54

 

CMYK 20 / 0 / 52 / 51

HEX #637C3B

RGB 99 124 59

HSL 83.08, 0.36%, 0.36%

LAB 48.74, -20.5, 32.27

 

CMYK 45 / 37 / 0 / 54

HEX #414A76

RGB 65 74 118

HSL 229.81, 0.29%, 0.36%

LAB 32.55, 8.95, -26.35

 

CMYK 41 / 45 / 0 / 54

HEX #464176

RGB 70 65 118

HSL 245.66, 0.29%, 0.36%

LAB 30.38, 16.32, -29.74

 

CMYK 29 / 45 / 0 / 54

HEX #544176

RGB 84 65 118

HSL 261.51, 0.29%, 0.36%

LAB 31.75, 20.53, -27.49

 

CMYK 17 / 45 / 0 / 54

HEX #624176

RGB 98 65 118

HSL 277.36, 0.29%, 0.36%

LAB 33.32, 25, -24.91

 

CMYK 4 / 45 / 0 / 54

HEX #714176

RGB 113 65 118

HSL 294.34, 0.29%, 0.36%

LAB 35.2, 29.93, -21.83

 

CMYK 29 / 46 / 0 / 75

HEX #2E2341

RGB 46 35 65

HSL 262, 0.3%, 0.2%

LAB 16.33, 12.87, -17.18

 

CMYK 27 / 45 / 0 / 64

HEX #42325B

RGB 66 50 91

HSL 263.41, 0.29%, 0.28%

LAB 24.31, 17, -22.02

 

CMYK 28 / 45 / 0 / 54

HEX #554176

RGB 85 65 118

HSL 262.64, 0.29%, 0.36%

LAB 31.85, 20.85, -27.31

 

CMYK 28 / 46 / 0 / 43

HEX #684F91

RGB 104 79 145

HSL 262.73, 0.29%, 0.44%

LAB 38.86, 25.14, -32.76

 

CMYK 26 / 42 / 0 / 34

HEX #7C61A8

RGB 124 97 168

HSL 262.82, 0.29%, 0.52%

LAB 46.53, 26.16, -34.27

 

CMYK 28 / 45 / 0 / 54

HEX #554176

RGB 85 65 118

HSL 262.64, 0.29%, 0.36%

LAB 31.85, 20.85, -27.31

 

CMYK 0 / 45 / 25 / 54

HEX #764158

RGB 118 65 88

HSL 333.96, 0.29%, 0.36%

LAB 34.67, 26.14, -3.63

 

CMYK 44 / 0 / 45 / 54

HEX #427641

RGB 66 118 65

HSL 118.87, 0.29%, 0.36%

LAB 44.94, -29.17, 23.86

 

CMYK 28 / 45 / 0 / 54

HEX #554176

RGB 85 65 118

HSL 262.64, 0.29%, 0.36%

LAB 31.85, 20.85, -27.31

 

CMYK 0 / 29 / 45 / 54

HEX #765441

RGB 118 84 65

HSL 21.51, 0.29%, 0.36%

LAB 38.85, 11.55, 16.69

 

CMYK 45 / 0 / 29 / 54

HEX #417654

RGB 65 118 84

HSL 141.51, 0.29%, 0.36%

LAB 45.25, -25.95, 13.34

 

CMYK 28 / 45 / 0 / 54

HEX #554176

RGB 85 65 118

HSL 262.64, 0.29%, 0.36%

LAB 31.85, 20.85, -27.31

 

CMYK 0 / 45 / 25 / 54

HEX #764158

RGB 118 65 88

HSL 333.96, 0.29%, 0.36%

LAB 34.67, 26.14, -3.63

 

CMYK 17 / 0 / 45 / 54

HEX #627641

RGB 98 118 65

HSL 82.64, 0.29%, 0.36%

LAB 46.89, -17.01, 26.74

 

CMYK 45 / 0 / 19 / 54

HEX #41765F

RGB 65 118 95

HSL 153.96, 0.29%, 0.36%

LAB 45.51, -23.51, 7.21

 

CMYK 28 / 45 / 0 / 54

HEX #554176

RGB 85 65 118

HSL 262.64, 0.29%, 0.36%

LAB 31.85, 20.85, -27.31

 

CMYK 0 / 45 / 39 / 54

HEX #764148

RGB 118 65 72

HSL 352.08, 0.29%, 0.36%

LAB 34.19, 23.81, 5.89

 

CMYK 17 / 0 / 45 / 54

HEX #627641

RGB 98 118 65

HSL 82.64, 0.29%, 0.36%

LAB 46.89, -17.01, 26.74

 

CMYK 45 / 0 / 6 / 54

HEX #41766F

RGB 65 118 111

HSL 172.08, 0.29%, 0.36%

LAB 45.95, -19.51, -1.67

 

Description

Color code: HEX #554176 | qconv.com Color code: HEX #554176 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 65 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 65 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 45 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 45% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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