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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55606E it is the complementary color #AA9F91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55606E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55606E shade: #5A6069, #6B727C, #7C848F, #8D96A2 and #9EA8B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55606E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55606E shade: #55606E, #444E5B, #333C48, #222A35 and #111822

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55606E shade: #545F6D, #54586D, #56546D, #5D546D and #64546D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55606E shade: #545F6D, #54586D and #54546D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55606E shade matches the following richer shades: #545F6D, #445D7D, #345B8C, #25599C and #1557AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55606E shade: #545F6D, #63615D, #73634E, #83653E and #93662E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55606E shade: #546D6D, #54666D, #545F6D, #54586D and #56546D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55606E shade: #30363E, #424B56, #545F6D, #667384 and #7A8899

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55606E shade: #55606E, #67546D and #696D54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55606E shade: #55606E, #6D545F and #5F6D54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55606E shade: #55606E, #67546D, #6D6254 and #5A6D54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55606E shade: #55606E, #6D546C, #6D6254 and #546D55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 13 / 0 / 57

HEX #55606E

RGB 85 96 110

HSL 213.6, 0.13%, 0.38%

LAB 40.28, -0.85, -9.35

 

Complementary color

CMYK 0 / 6 / 15 / 33

HEX #AA9F91

RGB 170 159 145

HSL 33.6, 0.13%, 0.62%

LAB 66.05, 1.58, 8.74

 

CMYK 14 / 9 / 0 / 59

HEX #5A6069

RGB 90 96 105

HSL 216, 0.08%, 0.38%

LAB 40.51, -0.28, -5.91

 

CMYK 14 / 8 / 0 / 51

HEX #6B727C

RGB 107 114 124

HSL 215.29, 0.07%, 0.45%

LAB 47.77, -0.43, -6.42

 

CMYK 13 / 8 / 0 / 44

HEX #7C848F

RGB 124 132 143

HSL 214.74, 0.08%, 0.52%

LAB 54.84, -0.57, -6.91

 

CMYK 13 / 7 / 0 / 36

HEX #8D96A2

RGB 141 150 162

HSL 214.29, 0.1%, 0.59%

LAB 61.73, -0.71, -7.4

 

CMYK 13 / 7 / 0 / 29

HEX #9EA8B5

RGB 158 168 181

HSL 213.91, 0.13%, 0.66%

LAB 68.47, -0.84, -7.89

 

CMYK 23 / 13 / 0 / 57

HEX #55606E

RGB 85 96 110

HSL 213.6, 0.13%, 0.38%

LAB 40.28, -0.85, -9.35

 

CMYK 25 / 14 / 0 / 64

HEX #444E5B

RGB 68 78 91

HSL 213.91, 0.14%, 0.31%

LAB 32.77, -0.68, -8.95

 

CMYK 29 / 17 / 0 / 72

HEX #333C48

RGB 51 60 72

HSL 214.29, 0.17%, 0.24%

LAB 24.96, -0.49, -8.58

 

CMYK 36 / 21 / 0 / 79

HEX #222A35

RGB 34 42 53

HSL 214.74, 0.22%, 0.17%

LAB 16.76, -0.25, -8.24

 

CMYK 50 / 29 / 0 / 87

HEX #111822

RGB 17 24 34

HSL 215.29, 0.33%, 0.1%

LAB 8.02, 0.11, -7.98

 

CMYK 23 / 13 / 0 / 57

HEX #545F6D

RGB 84 95 109

HSL 213.6, 0.13%, 0.38%

LAB 39.87, -0.84, -9.37

 

CMYK 23 / 19 / 0 / 57

HEX #54586D

RGB 84 88 109

HSL 230.4, 0.13%, 0.38%

LAB 37.79, 3.47, -12.52

 

CMYK 21 / 23 / 0 / 57

HEX #56546D

RGB 86 84 109

HSL 244.8, 0.13%, 0.38%

LAB 36.79, 6.68, -14.02

 

CMYK 15 / 23 / 0 / 57

HEX #5D546D

RGB 93 84 109

HSL 261.6, 0.13%, 0.38%

LAB 37.43, 9.19, -12.99

 

CMYK 8 / 23 / 0 / 57

HEX #64546D

RGB 100 84 109

HSL 278.4, 0.13%, 0.38%

LAB 38.12, 11.76, -11.88

 

CMYK 23 / 13 / 0 / 57

HEX #545F6D

RGB 84 95 109

HSL 213.6, 0.13%, 0.38%

LAB 39.87, -0.84, -9.37

 

CMYK 23 / 19 / 0 / 57

HEX #54586D

RGB 84 88 109

HSL 230.4, 0.13%, 0.38%

LAB 37.79, 3.47, -12.52

 

CMYK 23 / 23 / 0 / 57

HEX #54546D

RGB 84 84 109

HSL 240, 0.13%, 0.38%

LAB 36.61, 5.97, -14.31

 

CMYK 23 / 13 / 0 / 57

HEX #545F6D

RGB 84 95 109

HSL 213.6, 0.13%, 0.38%

LAB 39.87, -0.84, -9.37

 

CMYK 46 / 26 / 0 / 51

HEX #445D7D

RGB 68 93 125

HSL 213.68, 0.3%, 0.38%

LAB 38.79, -0.13, -20.92

 

CMYK 63 / 35 / 0 / 45

HEX #345B8C

RGB 52 91 140

HSL 213.41, 0.46%, 0.38%

LAB 38.03, 2.29, -31.3

 

CMYK 76 / 43 / 0 / 39

HEX #25599C

RGB 37 89 156

HSL 213.78, 0.62%, 0.38%

LAB 37.73, 7.06, -41.47

 

CMYK 88 / 49 / 0 / 33

HEX #1557AC

RGB 21 87 172

HSL 213.77, 0.78%, 0.38%

LAB 37.76, 13.14, -50.98

 

CMYK 23 / 13 / 0 / 57

HEX #545F6D

RGB 84 95 109

HSL 213.6, 0.13%, 0.38%

LAB 39.87, -0.84, -9.37

 

CMYK 0 / 2 / 6 / 61

HEX #63615D

RGB 99 97 93

HSL 40, 0.03%, 0.38%

LAB 41.2, -0.02, 2.55

 

CMYK 0 / 14 / 32 / 55

HEX #73634E

RGB 115 99 78

HSL 34.05, 0.19%, 0.38%

LAB 42.94, 2.94, 14.31

 

CMYK 0 / 23 / 53 / 49

HEX #83653E

RGB 131 101 62

HSL 33.91, 0.36%, 0.38%

LAB 44.91, 6.94, 26.59

 

CMYK 0 / 31 / 69 / 42

HEX #93662E

RGB 147 102 46

HSL 33.27, 0.52%, 0.38%

LAB 46.85, 12.34, 37.98

 

CMYK 23 / 0 / 0 / 57

HEX #546D6D

RGB 84 109 109

HSL 180, 0.13%, 0.38%

LAB 44.13, -9.14, -3.02

 

CMYK 23 / 6 / 0 / 57

HEX #54666D

RGB 84 102 109

HSL 196.8, 0.13%, 0.38%

LAB 41.99, -5.05, -6.2

 

CMYK 23 / 13 / 0 / 57

HEX #545F6D

RGB 84 95 109

HSL 213.6, 0.13%, 0.38%

LAB 39.87, -0.84, -9.37

 

CMYK 23 / 19 / 0 / 57

HEX #54586D

RGB 84 88 109

HSL 230.4, 0.13%, 0.38%

LAB 37.79, 3.47, -12.52

 

CMYK 21 / 23 / 0 / 57

HEX #56546D

RGB 86 84 109

HSL 244.8, 0.13%, 0.38%

LAB 36.79, 6.68, -14.02

 

CMYK 23 / 13 / 0 / 76

HEX #30363E

RGB 48 54 62

HSL 214.29, 0.13%, 0.22%

LAB 22.35, -0.45, -5.85

 

CMYK 23 / 13 / 0 / 66

HEX #424B56

RGB 66 75 86

HSL 213, 0.13%, 0.3%

LAB 31.49, -0.84, -7.71

 

CMYK 23 / 13 / 0 / 57

HEX #545F6D

RGB 84 95 109

HSL 213.6, 0.13%, 0.38%

LAB 39.87, -0.84, -9.37

 

CMYK 23 / 13 / 0 / 48

HEX #667384

RGB 102 115 132

HSL 214, 0.13%, 0.46%

LAB 47.95, -0.85, -10.95

 

CMYK 20 / 11 / 0 / 40

HEX #7A8899

RGB 122 136 153

HSL 212.9, 0.13%, 0.54%

LAB 56.13, -1.25, -10.77

 

CMYK 23 / 13 / 0 / 57

HEX #55606E

RGB 85 96 110

HSL 213.6, 0.13%, 0.38%

LAB 40.28, -0.85, -9.35

 

CMYK 6 / 23 / 0 / 57

HEX #67546D

RGB 103 84 109

HSL 285.6, 0.13%, 0.38%

LAB 38.43, 12.88, -11.38

 

CMYK 4 / 0 / 23 / 57

HEX #696D54

RGB 105 109 84

HSL 69.6, 0.13%, 0.38%

LAB 45.05, -6.25, 13.49

 

CMYK 23 / 13 / 0 / 57

HEX #55606E

RGB 85 96 110

HSL 213.6, 0.13%, 0.38%

LAB 40.28, -0.85, -9.35

 

CMYK 0 / 23 / 13 / 57

HEX #6D545F

RGB 109 84 95

HSL 333.6, 0.13%, 0.38%

LAB 38.58, 12.33, -2.39

 

CMYK 13 / 0 / 23 / 57

HEX #5F6D54

RGB 95 109 84

HSL 93.6, 0.13%, 0.38%

LAB 44.25, -10.34, 12.25

 

CMYK 23 / 13 / 0 / 57

HEX #55606E

RGB 85 96 110

HSL 213.6, 0.13%, 0.38%

LAB 40.28, -0.85, -9.35

 

CMYK 6 / 23 / 0 / 57

HEX #67546D

RGB 103 84 109

HSL 285.6, 0.13%, 0.38%

LAB 38.43, 12.88, -11.38

 

CMYK 0 / 10 / 23 / 57

HEX #6D6254

RGB 109 98 84

HSL 33.6, 0.13%, 0.38%

LAB 42.2, 1.89, 9.57

 

CMYK 17 / 0 / 23 / 57

HEX #5A6D54

RGB 90 109 84

HSL 105.6, 0.13%, 0.38%

LAB 43.87, -12.33, 11.67

 

CMYK 23 / 13 / 0 / 57

HEX #55606E

RGB 85 96 110

HSL 213.6, 0.13%, 0.38%

LAB 40.28, -0.85, -9.35

 

CMYK 0 / 23 / 1 / 57

HEX #6D546C

RGB 109 84 108

HSL 302.4, 0.13%, 0.38%

LAB 39.03, 14.92, -9.79

 

CMYK 0 / 10 / 23 / 57

HEX #6D6254

RGB 109 98 84

HSL 33.6, 0.13%, 0.38%

LAB 42.2, 1.89, 9.57

 

CMYK 23 / 0 / 22 / 57

HEX #546D55

RGB 84 109 85

HSL 122.4, 0.13%, 0.38%

LAB 43.47, -14.45, 10.46

 

Description

Color code: HEX #55606E | qconv.com Color code: HEX #55606E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 96 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 96 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 13 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 13% 0% 57% C M Y K



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This color is used by at least one manufactures. Here you can see which:

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