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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #556321 it is the complementary color #AA9CDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #556321. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #556321 shade: #5A631C, #6B752F, #7C8742, #8D9955 and #9EAB68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #556321. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #556321 shade: #556321, #44510E, #333F00, #222D00 and #111B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #556321 shade: #556321, #635F21, #634D21, #633B21 and #632A21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #556321 shade: #556321, #436321, #316321, #216322 and #216334

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #556321 shade matches the following richer shades: #556321, #5B6E16, #61780B and #678300

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #556321 shade: #556321, #4F582B, #494D36, #424341 and #3C384C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #556321 shade: #634D21, #635F21, #566321, #446321 and #326321

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #556321 shade: #20250C, #3A4416, #556321, #6F822B and #8AA135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #556321 shade: #556321, #21633B and #562163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #556321 shade: #556321, #215663 and #632156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #556321 shade: #556321, #21633B, #2E2163 and #632148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #556321 shade: #556321, #21634F, #2E2163 and #632135

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 67 / 61

HEX #556321

RGB 85 99 33

HSL 72.73, 0.5%, 0.26%

LAB 39.52, -15.87, 34.6

 

Complementary color

CMYK 23 / 30 / 0 / 13

HEX #AA9CDE

RGB 170 156 222

HSL 252.73, 0.5%, 0.74%

LAB 67.72, 18.91, -31.63

 

CMYK 9 / 0 / 72 / 61

HEX #5A631C

RGB 90 99 28

HSL 67.61, 0.56%, 0.25%

LAB 39.88, -13.93, 37.4

 

CMYK 9 / 0 / 60 / 54

HEX #6B752F

RGB 107 117 47

HSL 68.57, 0.43%, 0.32%

LAB 47.04, -14.54, 36.58

 

CMYK 8 / 0 / 51 / 47

HEX #7C8742

RGB 124 135 66

HSL 69.57, 0.34%, 0.39%

LAB 54.03, -14.95, 35.42

 

CMYK 8 / 0 / 44 / 40

HEX #8D9955

RGB 141 153 85

HSL 70.59, 0.29%, 0.47%

LAB 60.87, -15.24, 34.19

 

CMYK 8 / 0 / 39 / 33

HEX #9EAB68

RGB 158 171 104

HSL 71.64, 0.29%, 0.54%

LAB 67.57, -15.45, 32.97

 

CMYK 14 / 0 / 67 / 61

HEX #556321

RGB 85 99 33

HSL 72.73, 0.5%, 0.26%

LAB 39.52, -15.87, 34.6

 

CMYK 16 / 0 / 83 / 68

HEX #44510E

RGB 68 81 14

HSL 71.64, 0.71%, 0.19%

LAB 32.14, -15.2, 34.94

 

CMYK 19 / 0 / 100 / 75

HEX #333F00

RGB 51 63 0

HSL 71.43, 1%, 0.12%

LAB 24.51, -14.13, 32.87

 

CMYK 24 / 0 / 100 / 82

HEX #222D00

RGB 34 45 0

HSL 74.67, 1%, 0.09%

LAB 16.59, -12.37, 23.68

 

CMYK 37 / 0 / 100 / 89

HEX #111B00

RGB 17 27 0

HSL 82.22, 1%, 0.05%

LAB 8.16, -9.63, 12.04

 

CMYK 14 / 0 / 67 / 61

HEX #556321

RGB 85 99 33

HSL 72.73, 0.5%, 0.26%

LAB 39.52, -15.87, 34.6

 

CMYK 0 / 4 / 67 / 61

HEX #635F21

RGB 99 95 33

HSL 56.36, 0.5%, 0.26%

LAB 39.49, -7.04, 34.93

 

CMYK 0 / 22 / 67 / 61

HEX #634D21

RGB 99 77 33

HSL 40, 0.5%, 0.26%

LAB 34.13, 3.72, 29.05

 

CMYK 0 / 40 / 67 / 61

HEX #633B21

RGB 99 59 33

HSL 23.64, 0.5%, 0.26%

LAB 29.13, 14.88, 23.28

 

CMYK 0 / 58 / 67 / 61

HEX #632A21

RGB 99 42 33

HSL 8.18, 0.5%, 0.26%

LAB 25.01, 25.03, 18.27

 

CMYK 14 / 0 / 67 / 61

HEX #556321

RGB 85 99 33

HSL 72.73, 0.5%, 0.26%

LAB 39.52, -15.87, 34.6

 

CMYK 32 / 0 / 67 / 61

HEX #436321

RGB 67 99 33

HSL 89.09, 0.5%, 0.26%

LAB 38.25, -23.73, 32.85

 

CMYK 51 / 0 / 67 / 61

HEX #316321

RGB 49 99 33

HSL 105.45, 0.5%, 0.26%

LAB 37.27, -30.51, 31.5

 

CMYK 67 / 0 / 66 / 61

HEX #216322

RGB 33 99 34

HSL 120.91, 0.5%, 0.26%

LAB 36.67, -35.09, 30.16

 

CMYK 67 / 0 / 47 / 61

HEX #216334

RGB 33 99 52

HSL 137.27, 0.5%, 0.26%

LAB 36.92, -32.29, 20.69

 

CMYK 14 / 0 / 67 / 61

HEX #556321

RGB 85 99 33

HSL 72.73, 0.5%, 0.26%

LAB 39.52, -15.87, 34.6

 

CMYK 17 / 0 / 80 / 57

HEX #5B6E16

RGB 91 110 22

HSL 72.95, 0.67%, 0.26%

LAB 43.41, -19.76, 43.24

 

CMYK 19 / 0 / 91 / 53

HEX #61780B

RGB 97 120 11

HSL 72.66, 0.83%, 0.26%

LAB 46.97, -22.66, 49.63

 

CMYK 21 / 0 / 100 / 49

HEX #678300

RGB 103 131 0

HSL 72.82, 1%, 0.26%

LAB 50.82, -25.81, 55.03

 

CMYK 14 / 0 / 67 / 61

HEX #556321

RGB 85 99 33

HSL 72.73, 0.5%, 0.26%

LAB 39.52, -15.87, 34.6

 

CMYK 10 / 0 / 51 / 65

HEX #4F582B

RGB 79 88 43

HSL 72, 0.34%, 0.26%

LAB 35.63, -11.46, 24.76

 

CMYK 5 / 0 / 30 / 70

HEX #494D36

RGB 73 77 54

HSL 70.43, 0.18%, 0.26%

LAB 31.79, -6.14, 13.14

 

CMYK 1 / 0 / 3 / 74

HEX #424341

RGB 66 67 65

HSL 90, 0.02%, 0.26%

LAB 28.26, -0.86, 1.06

 

CMYK 21 / 26 / 0 / 70

HEX #3C384C

RGB 60 56 76

HSL 252, 0.15%, 0.26%

LAB 24.67, 6.66, -11.59

 

CMYK 0 / 22 / 67 / 61

HEX #634D21

RGB 99 77 33

HSL 40, 0.5%, 0.26%

LAB 34.13, 3.72, 29.05

 

CMYK 0 / 4 / 67 / 61

HEX #635F21

RGB 99 95 33

HSL 56.36, 0.5%, 0.26%

LAB 39.49, -7.04, 34.93

 

CMYK 13 / 0 / 67 / 61

HEX #566321

RGB 86 99 33

HSL 71.82, 0.5%, 0.26%

LAB 39.6, -15.41, 34.71

 

CMYK 31 / 0 / 67 / 61

HEX #446321

RGB 68 99 33

HSL 88.18, 0.5%, 0.26%

LAB 38.31, -23.32, 32.93

 

CMYK 49 / 0 / 67 / 61

HEX #326321

RGB 50 99 33

HSL 104.55, 0.5%, 0.26%

LAB 37.32, -30.17, 31.56

 

CMYK 14 / 0 / 68 / 85

HEX #20250C

RGB 32 37 12

HSL 72, 0.51%, 0.1%

LAB 13.57, -7.17, 14.85

 

CMYK 15 / 0 / 68 / 73

HEX #3A4416

RGB 58 68 22

HSL 73.04, 0.51%, 0.18%

LAB 26.99, -12.03, 25.83

 

CMYK 14 / 0 / 67 / 61

HEX #556321

RGB 85 99 33

HSL 72.73, 0.5%, 0.26%

LAB 39.52, -15.87, 34.6

 

CMYK 15 / 0 / 67 / 49

HEX #6F822B

RGB 111 130 43

HSL 73.1, 0.5%, 0.34%

LAB 51.29, -19.99, 43.16

 

CMYK 14 / 0 / 67 / 37

HEX #8AA135

RGB 138 161 53

HSL 72.78, 0.5%, 0.42%

LAB 62.63, -23.49, 51.38

 

CMYK 14 / 0 / 67 / 61

HEX #556321

RGB 85 99 33

HSL 72.73, 0.5%, 0.26%

LAB 39.52, -15.87, 34.6

 

CMYK 67 / 0 / 40 / 61

HEX #21633B

RGB 33 99 59

HSL 143.64, 0.5%, 0.26%

LAB 37.05, -30.91, 16.76

 

CMYK 13 / 67 / 0 / 61

HEX #562163

RGB 86 33 99

HSL 288.18, 0.5%, 0.26%

LAB 23.56, 35.34, -28.26

 

CMYK 14 / 0 / 67 / 61

HEX #556321

RGB 85 99 33

HSL 72.73, 0.5%, 0.26%

LAB 39.52, -15.87, 34.6

 

CMYK 67 / 13 / 0 / 61

HEX #215663

RGB 33 86 99

HSL 191.82, 0.5%, 0.26%

LAB 33.73, -13.01, -12.73

 

CMYK 0 / 67 / 13 / 61

HEX #632156

RGB 99 33 86

HSL 311.82, 0.5%, 0.26%

LAB 24.99, 36.52, -17.3

 

CMYK 14 / 0 / 67 / 61

HEX #556321

RGB 85 99 33

HSL 72.73, 0.5%, 0.26%

LAB 39.52, -15.87, 34.6

 

CMYK 67 / 0 / 40 / 61

HEX #21633B

RGB 33 99 59

HSL 143.64, 0.5%, 0.26%

LAB 37.05, -30.91, 16.76

 

CMYK 54 / 67 / 0 / 61

HEX #2E2163

RGB 46 33 99

HSL 251.82, 0.5%, 0.26%

LAB 18.23, 25.25, -37.12

 

CMYK 0 / 67 / 27 / 61

HEX #632148

RGB 99 33 72

HSL 324.55, 0.5%, 0.26%

LAB 24.35, 34.25, -8.93

 

CMYK 14 / 0 / 67 / 61

HEX #556321

RGB 85 99 33

HSL 72.73, 0.5%, 0.26%

LAB 39.52, -15.87, 34.6

 

CMYK 67 / 0 / 20 / 61

HEX #21634F

RGB 33 99 79

HSL 161.82, 0.5%, 0.26%

LAB 37.5, -26.14, 5.29

 

CMYK 54 / 67 / 0 / 61

HEX #2E2163

RGB 46 33 99

HSL 251.82, 0.5%, 0.26%

LAB 18.23, 25.25, -37.12

 

CMYK 0 / 67 / 46 / 61

HEX #632135

RGB 99 33 53

HSL 341.82, 0.5%, 0.26%

LAB 23.66, 31.73, 2.99

 

Description

Color code: HEX #556321 | qconv.com Color code: HEX #556321 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 99 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 99 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 67 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 67% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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