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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #557484 it is the complementary color #AA8B7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #557484. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #557484 shade: #5A747F, #6B8692, #7C98A5, #8DAAB8 and #9EBCCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #557484. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #557484 shade: #557484, #446271, #33505E, #223E4B and #112C38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #557484 shade: #557585, #556885, #555B85, #5C5585 and #695585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #557484 shade: #557585, #556885, #555B85 and #555585

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #557484 shade matches the following richer shades: #557585, #437B97, #3280A9, #2086BA and #0E8BCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #557484 shade: #557585, #676F74, #796A62, #8A6450 and #9C5E3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #557484 shade: #55857C, #558285, #557585, #556885 and #555B85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #557484 shade: #354953, #455F6C, #557585, #668B9D and #809EAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #557484 shade: #557484, #6F5585 and #858255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #557484 shade: #557484, #855575 and #758555

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #557484 shade: #557484, #6F5585, #856555 and #6C8555

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #557484 shade: #557484, #7D5585, #856555 and #5D8555

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 12 / 0 / 48

HEX #557484

RGB 85 116 132

HSL 200.43, 0.22%, 0.43%

LAB 47.09, -6.9, -12.35

 

Complementary color

CMYK 0 / 18 / 28 / 33

HEX #AA8B7B

RGB 170 139 123

HSL 20.43, 0.22%, 0.57%

LAB 60.29, 9.28, 12.97

 

CMYK 29 / 9 / 0 / 50

HEX #5A747F

RGB 90 116 127

HSL 197.84, 0.17%, 0.43%

LAB 47.23, -6.66, -9.14

 

CMYK 27 / 8 / 0 / 43

HEX #6B8692

RGB 107 134 146

HSL 198.46, 0.15%, 0.5%

LAB 54.29, -6.7, -9.59

 

CMYK 25 / 8 / 0 / 35

HEX #7C98A5

RGB 124 152 165

HSL 199.02, 0.19%, 0.57%

LAB 61.18, -6.74, -10.04

 

CMYK 23 / 8 / 0 / 28

HEX #8DAAB8

RGB 141 170 184

HSL 199.53, 0.23%, 0.64%

LAB 67.93, -6.78, -10.48

 

CMYK 22 / 7 / 0 / 20

HEX #9EBCCB

RGB 158 188 203

HSL 200, 0.3%, 0.71%

LAB 74.54, -6.82, -10.92

 

CMYK 36 / 12 / 0 / 48

HEX #557484

RGB 85 116 132

HSL 200.43, 0.22%, 0.43%

LAB 47.09, -6.9, -12.35

 

CMYK 40 / 13 / 0 / 56

HEX #446271

RGB 68 98 113

HSL 200, 0.25%, 0.35%

LAB 39.84, -6.79, -11.97

 

CMYK 46 / 15 / 0 / 63

HEX #33505E

RGB 51 80 94

HSL 199.53, 0.3%, 0.28%

LAB 32.37, -6.62, -11.58

 

CMYK 55 / 17 / 0 / 71

HEX #223E4B

RGB 34 62 75

HSL 199.02, 0.38%, 0.21%

LAB 24.62, -6.35, -11.19

 

CMYK 70 / 21 / 0 / 78

HEX #112C38

RGB 17 44 56

HSL 198.46, 0.53%, 0.14%

LAB 16.53, -5.84, -10.78

 

CMYK 36 / 12 / 0 / 48

HEX #557585

RGB 85 117 133

HSL 200, 0.22%, 0.43%

LAB 47.43, -7.21, -12.44

 

CMYK 36 / 22 / 0 / 48

HEX #556885

RGB 85 104 133

HSL 216.25, 0.22%, 0.43%

LAB 43.54, 0.5, -18.35

 

CMYK 36 / 32 / 0 / 48

HEX #555B85

RGB 85 91 133

HSL 232.5, 0.22%, 0.43%

LAB 39.76, 8.53, -24.2

 

CMYK 31 / 36 / 0 / 48

HEX #5C5585

RGB 92 85 133

HSL 248.75, 0.22%, 0.43%

LAB 38.67, 14.48, -25.86

 

CMYK 21 / 36 / 0 / 48

HEX #695585

RGB 105 85 133

HSL 265, 0.22%, 0.43%

LAB 39.9, 18.66, -23.83

 

CMYK 36 / 12 / 0 / 48

HEX #557585

RGB 85 117 133

HSL 200, 0.22%, 0.43%

LAB 47.43, -7.21, -12.44

 

CMYK 36 / 22 / 0 / 48

HEX #556885

RGB 85 104 133

HSL 216.25, 0.22%, 0.43%

LAB 43.54, 0.5, -18.35

 

CMYK 36 / 32 / 0 / 48

HEX #555B85

RGB 85 91 133

HSL 232.5, 0.22%, 0.43%

LAB 39.76, 8.53, -24.2

 

CMYK 36 / 36 / 0 / 48

HEX #555585

RGB 85 85 133

HSL 240, 0.22%, 0.43%

LAB 38.06, 12.32, -26.85

 

CMYK 36 / 12 / 0 / 48

HEX #557585

RGB 85 117 133

HSL 200, 0.22%, 0.43%

LAB 47.43, -7.21, -12.44

 

CMYK 56 / 19 / 0 / 41

HEX #437B97

RGB 67 123 151

HSL 200, 0.39%, 0.43%

LAB 49, -10.07, -20.74

 

CMYK 70 / 24 / 0 / 34

HEX #3280A9

RGB 50 128 169

HSL 200.67, 0.54%, 0.43%

LAB 50.66, -10.15, -28.71

 

CMYK 83 / 28 / 0 / 27

HEX #2086BA

RGB 32 134 186

HSL 200.26, 0.71%, 0.43%

LAB 52.84, -9.69, -35.13

 

CMYK 93 / 32 / 0 / 20

HEX #0E8BCC

RGB 14 139 204

HSL 200.53, 0.87%, 0.43%

LAB 54.99, -7.05, -42.01

 

CMYK 36 / 12 / 0 / 48

HEX #557585

RGB 85 117 133

HSL 200, 0.22%, 0.43%

LAB 47.43, -7.21, -12.44

 

CMYK 11 / 4 / 0 / 55

HEX #676F74

RGB 103 111 116

HSL 203.08, 0.06%, 0.43%

LAB 46.33, -1.92, -3.82

 

CMYK 0 / 12 / 19 / 53

HEX #796A62

RGB 121 106 98

HSL 20.87, 0.11%, 0.43%

LAB 45.98, 4.5, 6.65

 

CMYK 0 / 28 / 42 / 46

HEX #8A6450

RGB 138 100 80

HSL 20.69, 0.27%, 0.43%

LAB 45.77, 12.61, 17.37

 

CMYK 0 / 40 / 60 / 39

HEX #9C5E3E

RGB 156 94 62

HSL 20.43, 0.43%, 0.43%

LAB 46.21, 22.07, 28.87

 

CMYK 36 / 0 / 7 / 48

HEX #55857C

RGB 85 133 124

HSL 168.75, 0.22%, 0.43%

LAB 52.02, -18.43, -0.31

 

CMYK 36 / 2 / 0 / 48

HEX #558285

RGB 85 130 133

HSL 183.75, 0.22%, 0.43%

LAB 51.37, -14.53, -6.52

 

CMYK 36 / 12 / 0 / 48

HEX #557585

RGB 85 117 133

HSL 200, 0.22%, 0.43%

LAB 47.43, -7.21, -12.44

 

CMYK 36 / 22 / 0 / 48

HEX #556885

RGB 85 104 133

HSL 216.25, 0.22%, 0.43%

LAB 43.54, 0.5, -18.35

 

CMYK 36 / 32 / 0 / 48

HEX #555B85

RGB 85 91 133

HSL 232.5, 0.22%, 0.43%

LAB 39.76, 8.53, -24.2

 

CMYK 36 / 12 / 0 / 67

HEX #354953

RGB 53 73 83

HSL 200, 0.22%, 0.27%

LAB 29.78, -4.97, -8.46

 

CMYK 36 / 12 / 0 / 58

HEX #455F6C

RGB 69 95 108

HSL 200, 0.22%, 0.35%

LAB 38.78, -6.11, -10.5

 

CMYK 36 / 12 / 0 / 48

HEX #557585

RGB 85 117 133

HSL 200, 0.22%, 0.43%

LAB 47.43, -7.21, -12.44

 

CMYK 35 / 11 / 0 / 38

HEX #668B9D

RGB 102 139 157

HSL 199.64, 0.22%, 0.51%

LAB 55.81, -8.23, -13.69

 

CMYK 26 / 9 / 0 / 32

HEX #809EAD

RGB 128 158 173

HSL 200, 0.22%, 0.59%

LAB 63.39, -6.88, -11.22

 

CMYK 36 / 12 / 0 / 48

HEX #557484

RGB 85 116 132

HSL 200.43, 0.22%, 0.43%

LAB 47.09, -6.9, -12.35

 

CMYK 17 / 36 / 0 / 48

HEX #6F5585

RGB 111 85 133

HSL 272.5, 0.22%, 0.43%

LAB 40.52, 20.66, -22.82

 

CMYK 0 / 2 / 36 / 48

HEX #858255

RGB 133 130 85

HSL 56.25, 0.22%, 0.43%

LAB 53.61, -6.18, 24.8

 

CMYK 36 / 12 / 0 / 48

HEX #557484

RGB 85 116 132

HSL 200.43, 0.22%, 0.43%

LAB 47.09, -6.9, -12.35

 

CMYK 0 / 36 / 12 / 48

HEX #855575

RGB 133 85 117

HSL 320, 0.22%, 0.43%

LAB 42.41, 25.06, -9.95

 

CMYK 12 / 0 / 36 / 48

HEX #758555

RGB 117 133 85

HSL 80, 0.22%, 0.43%

LAB 53.18, -14.49, 24

 

CMYK 36 / 12 / 0 / 48

HEX #557484

RGB 85 116 132

HSL 200.43, 0.22%, 0.43%

LAB 47.09, -6.9, -12.35

 

CMYK 17 / 36 / 0 / 48

HEX #6F5585

RGB 111 85 133

HSL 272.5, 0.22%, 0.43%

LAB 40.52, 20.66, -22.82

 

CMYK 0 / 24 / 36 / 48

HEX #856555

RGB 133 101 85

HSL 20, 0.22%, 0.43%

LAB 45.57, 10.52, 14.03

 

CMYK 19 / 0 / 36 / 48

HEX #6C8555

RGB 108 133 85

HSL 91.25, 0.22%, 0.43%

LAB 52.53, -18.1, 23.02

 

CMYK 36 / 12 / 0 / 48

HEX #557484

RGB 85 116 132

HSL 200.43, 0.22%, 0.43%

LAB 47.09, -6.9, -12.35

 

CMYK 6 / 36 / 0 / 48

HEX #7D5585

RGB 125 85 133

HSL 290, 0.22%, 0.43%

LAB 42.08, 25.39, -20.3

 

CMYK 0 / 24 / 36 / 48

HEX #856555

RGB 133 101 85

HSL 20, 0.22%, 0.43%

LAB 45.57, 10.52, 14.03

 

CMYK 30 / 0 / 36 / 48

HEX #5D8555

RGB 93 133 85

HSL 110, 0.22%, 0.43%

LAB 51.56, -23.8, 21.56

 

Description

Color code: HEX #557484 | qconv.com Color code: HEX #557484 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 116 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 116 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 12 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 12% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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