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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #558157 it is the complementary color #AA7EA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #558157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #558157 shade: #5A8152, #6B9365, #7CA578, #8DB78B and #9EC99E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #558157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #558157 shade: #558157, #446F44, #335D31, #224B1E and #11390B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #558157 shade: #548156, #5E8154, #6A8154, #768154 and #818054

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #558157 shade: #548156, #548162, #54816E, #54817B and #547C81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #558157 shade matches the following richer shades: #548156, #439246, #31A437, #20B527 and #0FC617

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #558157 shade: #548156, #657066, #775E76, #884D85 and #993C95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #558157 shade: #6B8154, #5F8154, #548156, #548162 and #54816E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #558157 shade: #344F35, #446845, #548156, #659A67 and #7DAA80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #558157 shade: #558157, #547781 and #815465

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #558157 shade: #558157, #565481 and #815654

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #558157 shade: #558157, #547781, #815480 and #815F54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #558157 shade: #558157, #546981, #815480 and #816C54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 33 / 49

HEX #558157

RGB 85 129 87

HSL 122.73, 0.21%, 0.42%

LAB 49.88, -24.28, 18.1

 

Complementary color

CMYK 0 / 26 / 1 / 33

HEX #AA7EA8

RGB 170 126 168

HSL 302.73, 0.21%, 0.58%

LAB 58.32, 24.24, -15.68

 

CMYK 30 / 0 / 36 / 49

HEX #5A8152

RGB 90 129 82

HSL 109.79, 0.22%, 0.41%

LAB 50.08, -23.36, 21.25

 

CMYK 27 / 0 / 31 / 42

HEX #6B9365

RGB 107 147 101

HSL 112.17, 0.19%, 0.49%

LAB 57.01, -23.14, 20.05

 

CMYK 25 / 0 / 27 / 35

HEX #7CA578

RGB 124 165 120

HSL 114.67, 0.2%, 0.56%

LAB 63.8, -22.92, 18.94

 

CMYK 23 / 0 / 24 / 28

HEX #8DB78B

RGB 141 183 139

HSL 117.27, 0.23%, 0.63%

LAB 70.45, -22.72, 17.91

 

CMYK 21 / 0 / 21 / 21

HEX #9EC99E

RGB 158 201 158

HSL 120, 0.28%, 0.7%

LAB 76.99, -22.53, 16.94

 

CMYK 34 / 0 / 33 / 49

HEX #558157

RGB 85 129 87

HSL 122.73, 0.21%, 0.42%

LAB 49.88, -24.28, 18.1

 

CMYK 39 / 0 / 39 / 56

HEX #446F44

RGB 68 111 68

HSL 120, 0.24%, 0.35%

LAB 42.79, -24.55, 19.37

 

CMYK 45 / 0 / 47 / 64

HEX #335D31

RGB 51 93 49

HSL 117.27, 0.31%, 0.28%

LAB 35.51, -24.78, 20.76

 

CMYK 55 / 0 / 60 / 71

HEX #224B1E

RGB 34 75 30

HSL 114.67, 0.43%, 0.21%

LAB 28.02, -24.84, 22.24

 

CMYK 70 / 0 / 81 / 78

HEX #11390B

RGB 17 57 11

HSL 112.17, 0.68%, 0.13%

LAB 20.32, -24.41, 23.35

 

CMYK 35 / 0 / 33 / 49

HEX #548156

RGB 84 129 86

HSL 122.67, 0.21%, 0.42%

LAB 49.81, -24.81, 18.56

 

CMYK 27 / 0 / 35 / 49

HEX #5E8154

RGB 94 129 84

HSL 106.67, 0.21%, 0.42%

LAB 50.36, -21.55, 20.54

 

CMYK 18 / 0 / 35 / 49

HEX #6A8154

RGB 106 129 84

HSL 90.67, 0.21%, 0.42%

LAB 51.16, -16.92, 21.74

 

CMYK 9 / 0 / 35 / 49

HEX #768154

RGB 118 129 84

HSL 74.67, 0.21%, 0.42%

LAB 52.05, -12.06, 23.09

 

CMYK 0 / 1 / 35 / 49

HEX #818054

RGB 129 128 84

HSL 58.67, 0.21%, 0.42%

LAB 52.67, -6.89, 24.07

 

CMYK 35 / 0 / 33 / 49

HEX #548156

RGB 84 129 86

HSL 122.67, 0.21%, 0.42%

LAB 49.81, -24.81, 18.56

 

CMYK 35 / 0 / 24 / 49

HEX #548162

RGB 84 129 98

HSL 138.67, 0.21%, 0.42%

LAB 50.06, -22.5, 12

 

CMYK 35 / 0 / 15 / 49

HEX #54816E

RGB 84 129 110

HSL 154.67, 0.21%, 0.42%

LAB 50.35, -19.92, 5.43

 

CMYK 35 / 0 / 5 / 49

HEX #54817B

RGB 84 129 123

HSL 172, 0.21%, 0.42%

LAB 50.71, -16.83, -1.66

 

CMYK 35 / 4 / 0 / 49

HEX #547C81

RGB 84 124 129

HSL 186.67, 0.21%, 0.42%

LAB 49.36, -12.55, -7.18

 

CMYK 35 / 0 / 33 / 49

HEX #548156

RGB 84 129 86

HSL 122.67, 0.21%, 0.42%

LAB 49.81, -24.81, 18.56

 

CMYK 54 / 0 / 52 / 43

HEX #439246

RGB 67 146 70

HSL 122.28, 0.37%, 0.42%

LAB 54.23, -40.57, 32.83

 

CMYK 70 / 0 / 66 / 36

HEX #31A437

RGB 49 164 55

HSL 123.13, 0.54%, 0.42%

LAB 59.42, -53.48, 45.86

 

CMYK 82 / 0 / 78 / 29

HEX #20B527

RGB 32 181 39

HSL 122.82, 0.7%, 0.42%

LAB 64.56, -62.89, 57.05

 

CMYK 92 / 0 / 88 / 22

HEX #0FC617

RGB 15 198 23

HSL 122.62, 0.86%, 0.42%

LAB 69.86, -70.01, 65.85

 

CMYK 35 / 0 / 33 / 49

HEX #548156

RGB 84 129 86

HSL 122.67, 0.21%, 0.42%

LAB 49.81, -24.81, 18.56

 

CMYK 10 / 0 / 9 / 56

HEX #657066

RGB 101 112 102

HSL 125.45, 0.05%, 0.42%

LAB 46.06, -6.25, 4.14

 

CMYK 0 / 21 / 1 / 53

HEX #775E76

RGB 119 94 118

HSL 302.4, 0.12%, 0.42%

LAB 43.12, 14.67, -9.66

 

CMYK 0 / 43 / 2 / 47

HEX #884D85

RGB 136 77 133

HSL 303.05, 0.28%, 0.42%

LAB 41.59, 33.71, -20.94

 

CMYK 0 / 61 / 3 / 40

HEX #993C95

RGB 153 60 149

HSL 302.58, 0.44%, 0.42%

LAB 41.49, 50.47, -30.61

 

CMYK 17 / 0 / 35 / 49

HEX #6B8154

RGB 107 129 84

HSL 89.33, 0.21%, 0.42%

LAB 51.23, -16.53, 21.85

 

CMYK 26 / 0 / 35 / 49

HEX #5F8154

RGB 95 129 84

HSL 105.33, 0.21%, 0.42%

LAB 50.42, -21.18, 20.63

 

CMYK 35 / 0 / 33 / 49

HEX #548156

RGB 84 129 86

HSL 122.67, 0.21%, 0.42%

LAB 49.81, -24.81, 18.56

 

CMYK 35 / 0 / 24 / 49

HEX #548162

RGB 84 129 98

HSL 138.67, 0.21%, 0.42%

LAB 50.06, -22.5, 12

 

CMYK 35 / 0 / 15 / 49

HEX #54816E

RGB 84 129 110

HSL 154.67, 0.21%, 0.42%

LAB 50.35, -19.92, 5.43

 

CMYK 34 / 0 / 33 / 69

HEX #344F35

RGB 52 79 53

HSL 122.22, 0.21%, 0.26%

LAB 30.83, -16.33, 12.2

 

CMYK 35 / 0 / 34 / 59

HEX #446845

RGB 68 104 69

HSL 121.67, 0.21%, 0.34%

LAB 40.51, -20.77, 15.74

 

CMYK 35 / 0 / 33 / 49

HEX #548156

RGB 84 129 86

HSL 122.67, 0.21%, 0.42%

LAB 49.81, -24.81, 18.56

 

CMYK 34 / 0 / 33 / 40

HEX #659A67

RGB 101 154 103

HSL 122.26, 0.21%, 0.5%

LAB 58.84, -28.35, 21.35

 

CMYK 26 / 0 / 25 / 33

HEX #7DAA80

RGB 125 170 128

HSL 124, 0.21%, 0.58%

LAB 65.49, -23.67, 16.89

 

CMYK 34 / 0 / 33 / 49

HEX #558157

RGB 85 129 87

HSL 122.73, 0.21%, 0.42%

LAB 49.88, -24.28, 18.1

 

CMYK 35 / 8 / 0 / 49

HEX #547781

RGB 84 119 129

HSL 193.33, 0.21%, 0.42%

LAB 47.83, -9.74, -9.46

 

CMYK 0 / 35 / 22 / 49

HEX #815465

RGB 129 84 101

HSL 337.33, 0.21%, 0.42%

LAB 41.13, 21.35, -2.08

 

CMYK 34 / 0 / 33 / 49

HEX #558157

RGB 85 129 87

HSL 122.73, 0.21%, 0.42%

LAB 49.88, -24.28, 18.1

 

CMYK 33 / 35 / 0 / 49

HEX #565481

RGB 86 84 129

HSL 242.67, 0.21%, 0.42%

LAB 37.67, 12.11, -25.01

 

CMYK 0 / 33 / 35 / 49

HEX #815654

RGB 129 86 84

HSL 2.67, 0.21%, 0.42%

LAB 41.16, 17.57, 8.43

 

CMYK 34 / 0 / 33 / 49

HEX #558157

RGB 85 129 87

HSL 122.73, 0.21%, 0.42%

LAB 49.88, -24.28, 18.1

 

CMYK 35 / 8 / 0 / 49

HEX #547781

RGB 84 119 129

HSL 193.33, 0.21%, 0.42%

LAB 47.83, -9.74, -9.46

 

CMYK 0 / 35 / 1 / 49

HEX #815480

RGB 129 84 128

HSL 301.33, 0.21%, 0.42%

LAB 42.1, 26.32, -17.18

 

CMYK 0 / 26 / 35 / 49

HEX #815F54

RGB 129 95 84

HSL 14.67, 0.21%, 0.42%

LAB 43.49, 12.22, 11.7

 

CMYK 34 / 0 / 33 / 49

HEX #558157

RGB 85 129 87

HSL 122.73, 0.21%, 0.42%

LAB 49.88, -24.28, 18.1

 

CMYK 35 / 19 / 0 / 49

HEX #546981

RGB 84 105 129

HSL 212, 0.21%, 0.42%

LAB 43.61, -1.54, -15.84

 

CMYK 0 / 35 / 1 / 49

HEX #815480

RGB 129 84 128

HSL 301.33, 0.21%, 0.42%

LAB 42.1, 26.32, -17.18

 

CMYK 0 / 16 / 35 / 49

HEX #816C54

RGB 129 108 84

HSL 32, 0.21%, 0.42%

LAB 47.02, 4.54, 16.54

 

Description

Color code: HEX #558157 | qconv.com Color code: HEX #558157 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 129 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 129 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 33 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 33% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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