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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5581FA it is the complementary color #AA7E05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5581FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5581FA shade: #5A81F5, #6B93FF, #7CA5FF, #8DB7FF and #9EC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5581FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5581FA shade: #5581FA, #446FE7, #335DD4, #224BC1 and #1139AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5581FA shade: #5682F9, #5756F9, #8356F9, #AF56F9 and #DB56F9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5581FA shade: #5682F9 and #5656F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5581FA shade matches the following richer shades: #5682F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5581FA shade: #5682F9, #6488EB, #728FDD, #8095CF and #8E9CC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5581FA shade: #56D9F9, #56ADF9, #5682F9, #5656F9 and #8256F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5581FA shade: #0747F6, #2E64F8, #5682F9, #7E9FFB and #A6BDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5581FA shade: #5581FA, #EE56F9 and #C3F956

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5581FA shade: #5581FA, #F95682 and #82F956

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5581FA shade: #5581FA, #EE56F9, #F9CE56 and #61F956

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5581FA shade: #5581FA, #F956D3, #F9CE56 and #56F97C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 48 / 0 / 2

HEX #5581FA

RGB 85 129 250

HSL 224, 0.94%, 0.66%

LAB 56.62, 23.02, -65

 

Complementary color

CMYK 0 / 26 / 97 / 33

HEX #AA7E05

RGB 170 126 5

HSL 44, 0.94%, 0.34%

LAB 55.56, 7.86, 60.36

 

CMYK 63 / 47 / 0 / 4

HEX #5A81F5

RGB 90 129 245

HSL 224.9, 0.89%, 0.66%

LAB 56.55, 22.12, -62.33

 

CMYK 58 / 42 / 0 / 0

HEX #6B93FF

RGB 107 147 255

HSL 223.78, 1%, 0.71%

LAB 62.69, 17.66, -57.97

 

CMYK 51 / 35 / 0 / 0

HEX #7CA5FF

RGB 124 165 255

HSL 221.22, 1%, 0.74%

LAB 68.33, 10.65, -48.97

 

CMYK 45 / 28 / 0 / 0

HEX #8DB7FF

RGB 141 183 255

HSL 217.89, 1%, 0.78%

LAB 74.03, 4.41, -39.96

 

CMYK 38 / 21 / 0 / 0

HEX #9EC9FF

RGB 158 201 255

HSL 213.4, 1%, 0.81%

LAB 79.76, -1.13, -31.01

 

CMYK 66 / 48 / 0 / 2

HEX #5581FA

RGB 85 129 250

HSL 224, 0.94%, 0.66%

LAB 56.62, 23.02, -65

 

CMYK 71 / 52 / 0 / 9

HEX #446FE7

RGB 68 111 231

HSL 224.17, 0.77%, 0.59%

LAB 49.94, 25.05, -65.24

 

CMYK 76 / 56 / 0 / 17

HEX #335DD4

RGB 51 93 212

HSL 224.35, 0.65%, 0.52%

LAB 43.19, 27.48, -65.43

 

CMYK 82 / 61 / 0 / 24

HEX #224BC1

RGB 34 75 193

HSL 224.53, 0.7%, 0.45%

LAB 36.41, 30.4, -65.53

 

CMYK 90 / 67 / 0 / 32

HEX #1139AE

RGB 17 57 174

HSL 224.71, 0.82%, 0.37%

LAB 29.67, 33.84, -65.37

 

CMYK 65 / 48 / 0 / 2

HEX #5682F9

RGB 86 130 249

HSL 223.8, 0.93%, 0.66%

LAB 56.86, 22.23, -64.05

 

CMYK 65 / 65 / 0 / 2

HEX #5756F9

RGB 87 86 249

HSL 240.37, 0.93%, 0.66%

LAB 46.34, 48.88, -81.14

 

CMYK 47 / 65 / 0 / 2

HEX #8356F9

RGB 131 86 249

HSL 256.56, 0.93%, 0.66%

LAB 49.88, 55.65, -75.2

 

CMYK 30 / 65 / 0 / 2

HEX #AF56F9

RGB 175 86 249

HSL 272.76, 0.93%, 0.66%

LAB 54.67, 64.08, -67.22

 

CMYK 12 / 65 / 0 / 2

HEX #DB56F9

RGB 219 86 249

HSL 288.96, 0.93%, 0.66%

LAB 60.39, 73.4, -57.73

 

CMYK 65 / 48 / 0 / 2

HEX #5682F9

RGB 86 130 249

HSL 223.8, 0.93%, 0.66%

LAB 56.86, 22.23, -64.05

 

CMYK 65 / 65 / 0 / 2

HEX #5656F9

RGB 86 86 249

HSL 240, 0.93%, 0.66%

LAB 46.28, 48.75, -81.24

 

CMYK 65 / 48 / 0 / 2

HEX #5682F9

RGB 86 130 249

HSL 223.8, 0.93%, 0.66%

LAB 56.86, 22.23, -64.05

 

CMYK 65 / 48 / 0 / 2

HEX #5682F9

RGB 86 130 249

HSL 223.8, 0.93%, 0.66%

LAB 56.86, 22.23, -64.05

 

CMYK 57 / 42 / 0 / 8

HEX #6488EB

RGB 100 136 235

HSL 224, 0.77%, 0.66%

LAB 58.34, 16.41, -53.9

 

CMYK 48 / 35 / 0 / 13

HEX #728FDD

RGB 114 143 221

HSL 223.74, 0.61%, 0.66%

LAB 60.29, 10.9, -42.98

 

CMYK 38 / 28 / 0 / 19

HEX #8095CF

RGB 128 149 207

HSL 224.05, 0.45%, 0.66%

LAB 62.16, 6.95, -32.17

 

CMYK 26 / 19 / 0 / 24

HEX #8E9CC1

RGB 142 156 193

HSL 223.53, 0.29%, 0.66%

LAB 64.47, 3.41, -20.71

 

CMYK 65 / 13 / 0 / 2

HEX #56D9F9

RGB 86 217 249

HSL 191.78, 0.93%, 0.66%

LAB 80.98, -26.19, -26.21

 

CMYK 65 / 31 / 0 / 2

HEX #56ADF9

RGB 86 173 249

HSL 207.98, 0.93%, 0.66%

LAB 68.54, -3.02, -45.49

 

CMYK 65 / 48 / 0 / 2

HEX #5682F9

RGB 86 130 249

HSL 223.8, 0.93%, 0.66%

LAB 56.86, 22.23, -64.05

 

CMYK 65 / 65 / 0 / 2

HEX #5656F9

RGB 86 86 249

HSL 240, 0.93%, 0.66%

LAB 46.28, 48.75, -81.24

 

CMYK 48 / 65 / 0 / 2

HEX #8256F9

RGB 130 86 249

HSL 256.2, 0.93%, 0.66%

LAB 49.79, 55.47, -75.36

 

CMYK 97 / 71 / 0 / 4

HEX #0747F6

RGB 7 71 246

HSL 223.93, 0.94%, 0.5%

LAB 39.92, 51.17, -90.12

 

CMYK 81 / 60 / 0 / 3

HEX #2E64F8

RGB 46 100 248

HSL 223.96, 0.94%, 0.58%

LAB 47.59, 35.8, -78.61

 

CMYK 65 / 48 / 0 / 2

HEX #5682F9

RGB 86 130 249

HSL 223.8, 0.93%, 0.66%

LAB 56.86, 22.23, -64.05

 

CMYK 50 / 37 / 0 / 2

HEX #7E9FFB

RGB 126 159 251

HSL 224.16, 0.94%, 0.74%

LAB 66.67, 13.34, -49.4

 

CMYK 34 / 25 / 0 / 1

HEX #A6BDFC

RGB 166 189 252

HSL 223.95, 0.93%, 0.82%

LAB 77, 6.75, -33.63

 

CMYK 66 / 48 / 0 / 2

HEX #5581FA

RGB 85 129 250

HSL 224, 0.94%, 0.66%

LAB 56.62, 23.02, -65

 

CMYK 4 / 65 / 0 / 2

HEX #EE56F9

RGB 238 86 249

HSL 295.95, 0.93%, 0.66%

LAB 63.07, 77.56, -53.29

 

CMYK 22 / 0 / 65 / 2

HEX #C3F956

RGB 195 249 86

HSL 79.88, 0.93%, 0.66%

LAB 91.7, -39.96, 69.78

 

CMYK 66 / 48 / 0 / 2

HEX #5581FA

RGB 85 129 250

HSL 224, 0.94%, 0.66%

LAB 56.62, 23.02, -65

 

CMYK 0 / 65 / 48 / 2

HEX #F95682

RGB 249 86 130

HSL 343.8, 0.93%, 0.66%

LAB 60.25, 65.08, 10.4

 

CMYK 48 / 0 / 65 / 2

HEX #82F956

RGB 130 249 86

HSL 103.8, 0.93%, 0.66%

LAB 88.53, -61.55, 65.47

 

CMYK 66 / 48 / 0 / 2

HEX #5581FA

RGB 85 129 250

HSL 224, 0.94%, 0.66%

LAB 56.62, 23.02, -65

 

CMYK 4 / 65 / 0 / 2

HEX #EE56F9

RGB 238 86 249

HSL 295.95, 0.93%, 0.66%

LAB 63.07, 77.56, -53.29

 

CMYK 0 / 17 / 65 / 2

HEX #F9CE56

RGB 249 206 86

HSL 44.17, 0.93%, 0.66%

LAB 84.46, 2.51, 63.38

 

CMYK 61 / 0 / 65 / 2

HEX #61F956

RGB 97 249 86

HSL 115.95, 0.93%, 0.66%

LAB 87.47, -69.78, 64.01

 

CMYK 66 / 48 / 0 / 2

HEX #5581FA

RGB 85 129 250

HSL 224, 0.94%, 0.66%

LAB 56.62, 23.02, -65

 

CMYK 0 / 65 / 15 / 2

HEX #F956D3

RGB 249 86 211

HSL 313.99, 0.93%, 0.66%

LAB 62.93, 74.31, -32.2

 

CMYK 0 / 17 / 65 / 2

HEX #F9CE56

RGB 249 206 86

HSL 44.17, 0.93%, 0.66%

LAB 84.46, 2.51, 63.38

 

CMYK 65 / 0 / 50 / 2

HEX #56F97C

RGB 86 249 124

HSL 133.99, 0.93%, 0.66%

LAB 87.57, -67.58, 47.53

 

Description

Color code: HEX #5581FA | qconv.com Color code: HEX #5581FA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 129 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 129 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 48 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 48% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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