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Color name
HEX #559A2C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #559A2C it is the complementary color #AA65D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #559A2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #559A2C shade: #5A9A27, #6BAC3A, #7CBE4D, #8DD060 and #9EE273

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #559A2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #559A2C shade: #559A2C, #448819, #337606, #226400 and #115200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #559A2C shade: #559B2B, #739B2B, #919B2B, #9B862B and #9B682B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #559A2C shade: #559B2B, #379B2B, #2B9B3E, #2B9B5C and #2B9B7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #559A2C shade matches the following richer shades: #559B2B, #51AB1B and #4DBB0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #559A2C shade: #559B2B, #598B3B, #5D7A4B, #616A5C and #655A6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #559A2C shade: #919B2B, #749B2B, #569B2B, #389B2B and #2B9B3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #559A2C shade: #315A19, #437A22, #559B2B, #66BB34 and #7CCC4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #559A2C shade: #559A2C, #2B9B86 and #9B2B83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #559A2C shade: #559A2C, #2B569B and #9B2B56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #559A2C shade: #559A2C, #2B9B86, #702B9B and #9B2B40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #559A2C shade: #559A2C, #2B8E9B, #702B9B and #9B382B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 71 / 40

HEX #559A2C

RGB 85 154 44

HSL 97.64, 0.56%, 0.39%

LAB 57.29, -41.25, 48.52

 

Complementary color

CMYK 19 / 52 / 0 / 17

HEX #AA65D3

RGB 170 101 211

HSL 277.64, 0.56%, 0.61%

LAB 54.61, 47.02, -46

 

CMYK 42 / 0 / 75 / 40

HEX #5A9A27

RGB 90 154 39

HSL 93.39, 0.6%, 0.38%

LAB 57.49, -39.91, 50.7

 

CMYK 38 / 0 / 66 / 33

HEX #6BAC3A

RGB 107 172 58

HSL 94.21, 0.5%, 0.45%

LAB 64.11, -40.27, 50.28

 

CMYK 35 / 0 / 59 / 25

HEX #7CBE4D

RGB 124 190 77

HSL 95.04, 0.47%, 0.52%

LAB 70.63, -40.44, 49.43

 

CMYK 32 / 0 / 54 / 18

HEX #8DD060

RGB 141 208 96

HSL 95.89, 0.54%, 0.6%

LAB 77.05, -40.5, 48.38

 

CMYK 30 / 0 / 49 / 11

HEX #9EE273

RGB 158 226 115

HSL 96.76, 0.66%, 0.67%

LAB 83.39, -40.47, 47.25

 

CMYK 45 / 0 / 71 / 40

HEX #559A2C

RGB 85 154 44

HSL 97.64, 0.56%, 0.39%

LAB 57.29, -41.25, 48.52

 

CMYK 50 / 0 / 82 / 47

HEX #448819

RGB 68 136 25

HSL 96.76, 0.69%, 0.32%

LAB 50.58, -40.66, 48.47

 

CMYK 57 / 0 / 95 / 54

HEX #337606

RGB 51 118 6

HSL 95.89, 0.9%, 0.24%

LAB 43.76, -39.6, 46.99

 

CMYK 66 / 0 / 100 / 61

HEX #226400

RGB 34 100 0

HSL 99.6, 1%, 0.2%

LAB 36.84, -37.76, 42.64

 

CMYK 79 / 0 / 100 / 68

HEX #115200

RGB 17 82 0

HSL 107.56, 1%, 0.16%

LAB 29.8, -35.14, 36.85

 

CMYK 45 / 0 / 72 / 39

HEX #559B2B

RGB 85 155 43

HSL 97.5, 0.57%, 0.39%

LAB 57.61, -41.74, 49.23

 

CMYK 26 / 0 / 72 / 39

HEX #739B2B

RGB 115 155 43

HSL 81.43, 0.57%, 0.39%

LAB 59.22, -30.69, 51.38

 

CMYK 6 / 0 / 72 / 39

HEX #919B2B

RGB 145 155 43

HSL 65.36, 0.57%, 0.39%

LAB 61.34, -18.06, 54.19

 

CMYK 0 / 14 / 72 / 39

HEX #9B862B

RGB 155 134 43

HSL 48.75, 0.57%, 0.39%

LAB 56.28, -2.35, 49.5

 

CMYK 0 / 33 / 72 / 39

HEX #9B682B

RGB 155 104 43

HSL 32.68, 0.57%, 0.39%

LAB 48.31, 14.64, 41.34

 

CMYK 45 / 0 / 72 / 39

HEX #559B2B

RGB 85 155 43

HSL 97.5, 0.57%, 0.39%

LAB 57.61, -41.74, 49.23

 

CMYK 65 / 0 / 72 / 39

HEX #379B2B

RGB 55 155 43

HSL 113.57, 0.57%, 0.39%

LAB 56.52, -50.2, 47.76

 

CMYK 72 / 0 / 60 / 39

HEX #2B9B3E

RGB 43 155 62

HSL 130.18, 0.57%, 0.39%

LAB 56.39, -50.59, 39.23

 

CMYK 72 / 0 / 41 / 39

HEX #2B9B5C

RGB 43 155 92

HSL 146.25, 0.57%, 0.39%

LAB 56.81, -45.76, 24.29

 

CMYK 72 / 0 / 21 / 39

HEX #2B9B7A

RGB 43 155 122

HSL 162.32, 0.57%, 0.39%

LAB 57.43, -39.09, 8.44

 

CMYK 45 / 0 / 72 / 39

HEX #559B2B

RGB 85 155 43

HSL 97.5, 0.57%, 0.39%

LAB 57.61, -41.74, 49.23

 

CMYK 53 / 0 / 84 / 33

HEX #51AB1B

RGB 81 171 27

HSL 97.5, 0.73%, 0.39%

LAB 62.47, -50.28, 58.95

 

CMYK 59 / 0 / 94 / 27

HEX #4DBB0B

RGB 77 187 11

HSL 97.5, 0.89%, 0.39%

LAB 67.38, -57.66, 66.06

 

CMYK 45 / 0 / 72 / 39

HEX #559B2B

RGB 85 155 43

HSL 97.5, 0.57%, 0.39%

LAB 57.61, -41.74, 49.23

 

CMYK 36 / 0 / 58 / 45

HEX #598B3B

RGB 89 139 59

HSL 97.5, 0.4%, 0.39%

LAB 52.85, -31.8, 36.98

 

CMYK 24 / 0 / 39 / 52

HEX #5D7A4B

RGB 93 122 75

HSL 97.02, 0.24%, 0.39%

LAB 47.95, -19.73, 22.43

 

CMYK 8 / 0 / 13 / 58

HEX #616A5C

RGB 97 106 92

HSL 98.57, 0.07%, 0.39%

LAB 43.69, -6.33, 6.7

 

CMYK 6 / 17 / 0 / 58

HEX #655A6C

RGB 101 90 108

HSL 276.67, 0.09%, 0.39%

LAB 39.85, 8.2, -8.63

 

CMYK 6 / 0 / 72 / 39

HEX #919B2B

RGB 145 155 43

HSL 65.36, 0.57%, 0.39%

LAB 61.34, -18.06, 54.19

 

CMYK 25 / 0 / 72 / 39

HEX #749B2B

RGB 116 155 43

HSL 80.89, 0.57%, 0.39%

LAB 59.28, -30.29, 51.46

 

CMYK 45 / 0 / 72 / 39

HEX #569B2B

RGB 86 155 43

HSL 96.96, 0.57%, 0.39%

LAB 57.65, -41.41, 49.29

 

CMYK 64 / 0 / 72 / 39

HEX #389B2B

RGB 56 155 43

HSL 113.04, 0.57%, 0.39%

LAB 56.54, -49.97, 47.8

 

CMYK 72 / 0 / 61 / 39

HEX #2B9B3C

RGB 43 155 60

HSL 129.11, 0.57%, 0.39%

LAB 56.37, -50.85, 40.15

 

CMYK 46 / 0 / 72 / 65

HEX #315A19

RGB 49 90 25

HSL 97.85, 0.57%, 0.23%

LAB 34.06, -27.2, 31.81

 

CMYK 45 / 0 / 72 / 52

HEX #437A22

RGB 67 122 34

HSL 97.5, 0.56%, 0.31%

LAB 45.94, -34.45, 40.6

 

CMYK 45 / 0 / 72 / 39

HEX #559B2B

RGB 85 155 43

HSL 97.5, 0.57%, 0.39%

LAB 57.61, -41.74, 49.23

 

CMYK 45 / 0 / 72 / 27

HEX #66BB34

RGB 102 187 52

HSL 97.78, 0.56%, 0.47%

LAB 68.47, -48.64, 57.11

 

CMYK 39 / 0 / 63 / 20

HEX #7CCC4C

RGB 124 204 76

HSL 97.5, 0.56%, 0.55%

LAB 74.82, -46.52, 54.56

 

CMYK 45 / 0 / 71 / 40

HEX #559A2C

RGB 85 154 44

HSL 97.64, 0.56%, 0.39%

LAB 57.29, -41.25, 48.52

 

CMYK 72 / 0 / 14 / 39

HEX #2B9B86

RGB 43 155 134

HSL 168.75, 0.57%, 0.39%

LAB 57.73, -35.97, 2.07

 

CMYK 0 / 72 / 15 / 39

HEX #9B2B83

RGB 155 43 131

HSL 312.86, 0.57%, 0.39%

LAB 38.44, 55.01, -24.37

 

CMYK 45 / 0 / 71 / 40

HEX #559A2C

RGB 85 154 44

HSL 97.64, 0.56%, 0.39%

LAB 57.29, -41.25, 48.52

 

CMYK 72 / 45 / 0 / 39

HEX #2B569B

RGB 43 86 155

HSL 216.96, 0.57%, 0.39%

LAB 37, 9.49, -42.03

 

CMYK 0 / 72 / 45 / 39

HEX #9B2B56

RGB 155 43 86

HSL 336.96, 0.57%, 0.39%

LAB 36.68, 49.34, 1.31

 

CMYK 45 / 0 / 71 / 40

HEX #559A2C

RGB 85 154 44

HSL 97.64, 0.56%, 0.39%

LAB 57.29, -41.25, 48.52

 

CMYK 72 / 0 / 14 / 39

HEX #2B9B86

RGB 43 155 134

HSL 168.75, 0.57%, 0.39%

LAB 57.73, -35.97, 2.07

 

CMYK 28 / 72 / 0 / 39

HEX #702B9B

RGB 112 43 155

HSL 276.96, 0.57%, 0.39%

LAB 33, 49.41, -48.14

 

CMYK 0 / 72 / 59 / 39

HEX #9B2B40

RGB 155 43 64

HSL 348.75, 0.57%, 0.39%

LAB 36.11, 47.41, 14.62

 

CMYK 45 / 0 / 71 / 40

HEX #559A2C

RGB 85 154 44

HSL 97.64, 0.56%, 0.39%

LAB 57.29, -41.25, 48.52

 

CMYK 72 / 8 / 0 / 39

HEX #2B8E9B

RGB 43 142 155

HSL 186.96, 0.57%, 0.39%

LAB 54.27, -23.47, -15.1

 

CMYK 28 / 72 / 0 / 39

HEX #702B9B

RGB 112 43 155

HSL 276.96, 0.57%, 0.39%

LAB 33, 49.41, -48.14

 

CMYK 0 / 64 / 72 / 39

HEX #9B382B

RGB 155 56 43

HSL 6.96, 0.57%, 0.39%

LAB 37.79, 40.53, 29.76

 

Description

Color code: HEX #559A2C | qconv.com Color code: HEX #559A2C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 154 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 154 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 71 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 71% 40% C M Y K

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Provide designers and agencies with accurate color values.

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