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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55A11C it is the complementary color #AA5EE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55A11C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55A11C shade: #5AA117, #6BB32A, #7CC53D, #8DD750 and #9EE963

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55A11C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55A11C shade: #55A11C, #448F09, #337D00, #226B00 and #115900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55A11C shade: #54A01C, #78A01C, #9CA01C, #A0811C and #A05D1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55A11C shade: #54A01C, #31A01C, #1CA02A, #1CA04E and #1CA072

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55A11C shade matches the following richer shades: #54A01C and #52AF0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55A11C shade: #54A01C, #57912B, #59813A, #5B724A and #5D6359

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55A11C shade: #9BA01C, #78A01C, #55A01C, #32A01C and #1CA029

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55A11C shade: #2F5A0F, #427D16, #54A01C, #67C322 and #7BDB34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55A11C shade: #55A11C, #1CA081 and #A01C8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55A11C shade: #55A11C, #1C55A0 and #A01C55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55A11C shade: #55A11C, #1CA081, #671CA0 and #A01C3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55A11C shade: #55A11C, #1C97A0, #671CA0 and #A0251C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 83 / 37

HEX #55A11C

RGB 85 161 28

HSL 94.29, 0.7%, 0.37%

LAB 59.44, -45.12, 56.01

 

Complementary color

CMYK 25 / 59 / 0 / 11

HEX #AA5EE3

RGB 170 94 227

HSL 274.29, 0.7%, 0.63%

LAB 54.13, 54.19, -55.81

 

CMYK 44 / 0 / 86 / 37

HEX #5AA117

RGB 90 161 23

HSL 90.87, 0.75%, 0.36%

LAB 59.64, -43.68, 57.57

 

CMYK 40 / 0 / 77 / 30

HEX #6BB32A

RGB 107 179 42

HSL 91.53, 0.62%, 0.43%

LAB 66.16, -44.38, 58.39

 

CMYK 37 / 0 / 69 / 23

HEX #7CC53D

RGB 124 197 61

HSL 92.21, 0.54%, 0.51%

LAB 72.6, -44.81, 58.27

 

CMYK 34 / 0 / 63 / 16

HEX #8DD750

RGB 141 215 80

HSL 92.89, 0.63%, 0.58%

LAB 78.95, -45.07, 57.64

 

CMYK 32 / 0 / 58 / 9

HEX #9EE963

RGB 158 233 99

HSL 93.58, 0.75%, 0.65%

LAB 85.22, -45.2, 56.75

 

CMYK 47 / 0 / 83 / 37

HEX #55A11C

RGB 85 161 28

HSL 94.29, 0.7%, 0.37%

LAB 59.44, -45.12, 56.01

 

CMYK 52 / 0 / 94 / 44

HEX #448F09

RGB 68 143 9

HSL 93.58, 0.88%, 0.3%

LAB 52.83, -44.09, 54.22

 

CMYK 59 / 0 / 100 / 51

HEX #337D00

RGB 51 125 0

HSL 95.52, 1%, 0.25%

LAB 46.14, -42.51, 50.23

 

CMYK 68 / 0 / 100 / 58

HEX #226B00

RGB 34 107 0

HSL 100.93, 1%, 0.21%

LAB 39.34, -40.35, 44.61

 

CMYK 81 / 0 / 100 / 65

HEX #115900

RGB 17 89 0

HSL 108.54, 1%, 0.17%

LAB 32.4, -37.6, 38.92

 

CMYK 48 / 0 / 83 / 37

HEX #54A01C

RGB 84 160 28

HSL 94.55, 0.7%, 0.37%

LAB 59.08, -45.04, 55.67

 

CMYK 25 / 0 / 83 / 37

HEX #78A01C

RGB 120 160 28

HSL 78.18, 0.7%, 0.37%

LAB 60.97, -31.8, 58.09

 

CMYK 2 / 0 / 83 / 37

HEX #9CA01C

RGB 156 160 28

HSL 61.82, 0.7%, 0.37%

LAB 63.58, -16.43, 61.38

 

CMYK 0 / 19 / 83 / 37

HEX #A0811C

RGB 160 129 28

HSL 45.91, 0.7%, 0.37%

LAB 55.34, 2.08, 54.37

 

CMYK 0 / 42 / 83 / 37

HEX #A05D1C

RGB 160 93 28

HSL 29.55, 0.7%, 0.37%

LAB 46.16, 22.47, 46.19

 

CMYK 48 / 0 / 83 / 37

HEX #54A01C

RGB 84 160 28

HSL 94.55, 0.7%, 0.37%

LAB 59.08, -45.04, 55.67

 

CMYK 69 / 0 / 83 / 37

HEX #31A01C

RGB 49 160 28

HSL 110.45, 0.7%, 0.37%

LAB 57.92, -54.27, 54.18

 

CMYK 83 / 0 / 74 / 37

HEX #1CA02A

RGB 28 160 42

HSL 126.36, 0.7%, 0.37%

LAB 57.61, -56.63, 49.1

 

CMYK 83 / 0 / 51 / 37

HEX #1CA04E

RGB 28 160 78

HSL 142.73, 0.7%, 0.37%

LAB 57.98, -52.17, 33.14

 

CMYK 83 / 0 / 29 / 37

HEX #1CA072

RGB 28 160 114

HSL 159.09, 0.7%, 0.37%

LAB 58.61, -45, 14.55

 

CMYK 48 / 0 / 83 / 37

HEX #54A01C

RGB 84 160 28

HSL 94.55, 0.7%, 0.37%

LAB 59.08, -45.04, 55.67

 

CMYK 53 / 0 / 93 / 31

HEX #52AF0D

RGB 82 175 13

HSL 94.44, 0.86%, 0.37%

LAB 63.74, -51.96, 62.86

 

CMYK 48 / 0 / 83 / 37

HEX #54A01C

RGB 84 160 28

HSL 94.55, 0.7%, 0.37%

LAB 59.08, -45.04, 55.67

 

CMYK 40 / 0 / 70 / 43

HEX #57912B

RGB 87 145 43

HSL 94.12, 0.54%, 0.37%

LAB 54.5, -36.78, 46.07

 

CMYK 31 / 0 / 55 / 49

HEX #59813A

RGB 89 129 58

HSL 93.8, 0.38%, 0.37%

LAB 49.65, -27.14, 33.72

 

CMYK 20 / 0 / 35 / 55

HEX #5B724A

RGB 91 114 74

HSL 94.5, 0.21%, 0.37%

LAB 45.29, -16.42, 19.48

 

CMYK 6 / 0 / 10 / 61

HEX #5D6359

RGB 93 99 89

HSL 96, 0.05%, 0.37%

LAB 41.17, -4.41, 4.88

 

CMYK 3 / 0 / 83 / 37

HEX #9BA01C

RGB 155 160 28

HSL 62.27, 0.7%, 0.37%

LAB 63.5, -16.87, 61.28

 

CMYK 25 / 0 / 83 / 37

HEX #78A01C

RGB 120 160 28

HSL 78.18, 0.7%, 0.37%

LAB 60.97, -31.8, 58.09

 

CMYK 47 / 0 / 83 / 37

HEX #55A01C

RGB 85 160 28

HSL 94.09, 0.7%, 0.37%

LAB 59.12, -44.72, 55.72

 

CMYK 69 / 0 / 83 / 37

HEX #32A01C

RGB 50 160 28

HSL 110, 0.7%, 0.37%

LAB 57.95, -54.07, 54.21

 

CMYK 83 / 0 / 74 / 37

HEX #1CA029

RGB 28 160 41

HSL 125.91, 0.7%, 0.37%

LAB 57.61, -56.71, 49.47

 

CMYK 48 / 0 / 83 / 65

HEX #2F5A0F

RGB 47 90 15

HSL 94.4, 0.71%, 0.21%

LAB 33.88, -28.73, 35.74

 

CMYK 47 / 0 / 82 / 51

HEX #427D16

RGB 66 125 22

HSL 94.37, 0.7%, 0.29%

LAB 46.82, -36.92, 45.88

 

CMYK 48 / 0 / 83 / 37

HEX #54A01C

RGB 84 160 28

HSL 94.55, 0.7%, 0.37%

LAB 59.08, -45.04, 55.67

 

CMYK 47 / 0 / 83 / 24

HEX #67C322

RGB 103 195 34

HSL 94.29, 0.7%, 0.45%

LAB 70.89, -52.48, 65.05

 

CMYK 44 / 0 / 76 / 14

HEX #7BDB34

RGB 123 219 52

HSL 94.49, 0.7%, 0.53%

LAB 79.11, -54.61, 67.86

 

CMYK 47 / 0 / 83 / 37

HEX #55A11C

RGB 85 161 28

HSL 94.29, 0.7%, 0.37%

LAB 59.44, -45.12, 56.01

 

CMYK 83 / 0 / 19 / 37

HEX #1CA081

RGB 28 160 129

HSL 165.91, 0.7%, 0.37%

LAB 58.95, -41.28, 6.63

 

CMYK 0 / 83 / 14 / 37

HEX #A01C8A

RGB 160 28 138

HSL 310, 0.7%, 0.37%

LAB 38.09, 61.75, -29.17

 

CMYK 47 / 0 / 83 / 37

HEX #55A11C

RGB 85 161 28

HSL 94.29, 0.7%, 0.37%

LAB 59.44, -45.12, 56.01

 

CMYK 83 / 47 / 0 / 37

HEX #1C55A0

RGB 28 85 160

HSL 214.09, 0.7%, 0.37%

LAB 36.52, 10.23, -45.82

 

CMYK 0 / 83 / 47 / 37

HEX #A01C55

RGB 160 28 85

HSL 334.09, 0.7%, 0.37%

LAB 35.91, 55.48, 0.94

 

CMYK 47 / 0 / 83 / 37

HEX #55A11C

RGB 85 161 28

HSL 94.29, 0.7%, 0.37%

LAB 59.44, -45.12, 56.01

 

CMYK 83 / 0 / 19 / 37

HEX #1CA081

RGB 28 160 129

HSL 165.91, 0.7%, 0.37%

LAB 58.95, -41.28, 6.63

 

CMYK 36 / 83 / 0 / 37

HEX #671CA0

RGB 103 28 160

HSL 274.09, 0.7%, 0.37%

LAB 30.04, 54.83, -56.06

 

CMYK 0 / 83 / 63 / 37

HEX #A01C3B

RGB 160 28 59

HSL 345.91, 0.7%, 0.37%

LAB 35.24, 53.48, 16.85

 

CMYK 47 / 0 / 83 / 37

HEX #55A11C

RGB 85 161 28

HSL 94.29, 0.7%, 0.37%

LAB 59.44, -45.12, 56.01

 

CMYK 83 / 6 / 0 / 37

HEX #1C97A0

RGB 28 151 160

HSL 184.09, 0.7%, 0.37%

LAB 57, -28.09, -13.87

 

CMYK 36 / 83 / 0 / 37

HEX #671CA0

RGB 103 28 160

HSL 274.09, 0.7%, 0.37%

LAB 30.04, 54.83, -56.06

 

CMYK 0 / 77 / 83 / 37

HEX #A0251C

RGB 160 37 28

HSL 4.09, 0.7%, 0.37%

LAB 35.75, 49.32, 36.44

 

Description

Color code: HEX #55A11C | qconv.com Color code: HEX #55A11C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 161 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 161 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 83 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 83% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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