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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55CF96 it is the complementary color #AA3069. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55CF96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55CF96 shade: #5ACF91, #6BE1A4, #7CF3B7, #8DFFCA and #9EFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55CF96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55CF96 shade: #55CF96, #44BD83, #33AB70, #22995D and #11874A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55CF96 shade: #53CE95, #53CE74, #54CE53, #75CE53 and #96CE53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55CF96 shade: #53CE95, #53CEB6, #53C5CE, #53A4CE and #5383CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55CF96 shade matches the following richer shades: #53CE95, #42E096 and #30F297

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55CF96 shade: #53CE95, #65BD94, #77AB93, #899991 and #9A8790

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55CF96 shade: #55CE53, #53CE72, #53CE93, #53CEB4 and #53C8CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55CF96 shade: #2DA26B, #36C281, #53CE95, #74D7A9 and #94E0BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55CF96 shade: #55CF96, #5376CE and #CE6253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55CF96 shade: #55CF96, #9353CE and #CE9353

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55CF96 shade: #55CF96, #5376CE, #CE538F and #CEAB53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55CF96 shade: #55CF96, #5553CE, #CE538F and #CCCE53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 28 / 19

HEX #55CF96

RGB 85 207 150

HSL 151.97, 0.56%, 0.57%

LAB 75.3, -47.29, 18.35

 

Complementary color

CMYK 0 / 72 / 38 / 33

HEX #AA3069

RGB 170 48 105

HSL 331.97, 0.56%, 0.43%

LAB 40.7, 53.9, -4.5

 

CMYK 57 / 0 / 30 / 19

HEX #5ACF91

RGB 90 207 145

HSL 148.21, 0.55%, 0.58%

LAB 75.35, -47.24, 21.1

 

CMYK 52 / 0 / 27 / 12

HEX #6BE1A4

RGB 107 225 164

HSL 148.98, 0.66%, 0.65%

LAB 81.65, -47.19, 19.89

 

CMYK 49 / 0 / 25 / 5

HEX #7CF3B7

RGB 124 243 183

HSL 149.75, 0.83%, 0.72%

LAB 87.87, -47.06, 18.78

 

CMYK 45 / 0 / 21 / 0

HEX #8DFFCA

RGB 141 255 202

HSL 152.11, 1%, 0.78%

LAB 92.33, -44.3, 15.34

 

CMYK 38 / 0 / 13 / 0

HEX #9EFFDD

RGB 158 255 221

HSL 158.97, 1%, 0.81%

LAB 93.45, -36.04, 7.27

 

CMYK 59 / 0 / 28 / 19

HEX #55CF96

RGB 85 207 150

HSL 151.97, 0.56%, 0.57%

LAB 75.3, -47.29, 18.35

 

CMYK 64 / 0 / 31 / 26

HEX #44BD83

RGB 68 189 131

HSL 151.24, 0.48%, 0.5%

LAB 68.94, -47.15, 19.65

 

CMYK 70 / 0 / 35 / 33

HEX #33AB70

RGB 51 171 112

HSL 150.5, 0.54%, 0.44%

LAB 62.51, -46.8, 21.07

 

CMYK 78 / 0 / 39 / 40

HEX #22995D

RGB 34 153 93

HSL 149.75, 0.64%, 0.37%

LAB 56, -46.12, 22.64

 

CMYK 87 / 0 / 45 / 47

HEX #11874A

RGB 17 135 74

HSL 148.98, 0.78%, 0.3%

LAB 49.43, -44.93, 24.38

 

CMYK 60 / 0 / 28 / 19

HEX #53CE95

RGB 83 206 149

HSL 152.2, 0.56%, 0.57%

LAB 74.92, -47.49, 18.35

 

CMYK 60 / 0 / 44 / 19

HEX #53CE74

RGB 83 206 116

HSL 136.1, 0.56%, 0.57%

LAB 74.34, -53.62, 34.75

 

CMYK 59 / 0 / 60 / 19

HEX #54CE53

RGB 84 206 83

HSL 119.51, 0.56%, 0.57%

LAB 73.97, -57.94, 50.13

 

CMYK 43 / 0 / 60 / 19

HEX #75CE53

RGB 117 206 83

HSL 103.41, 0.56%, 0.57%

LAB 75.17, -48.92, 51.82

 

CMYK 27 / 0 / 60 / 19

HEX #96CE53

RGB 150 206 83

HSL 87.32, 0.56%, 0.57%

LAB 76.83, -37.67, 54.15

 

CMYK 60 / 0 / 28 / 19

HEX #53CE95

RGB 83 206 149

HSL 152.2, 0.56%, 0.57%

LAB 74.92, -47.49, 18.35

 

CMYK 60 / 0 / 12 / 19

HEX #53CEB6

RGB 83 206 182

HSL 168.29, 0.56%, 0.57%

LAB 75.67, -39.93, 1.74

 

CMYK 60 / 4 / 0 / 19

HEX #53C5CE

RGB 83 197 206

HSL 184.39, 0.56%, 0.57%

LAB 73.69, -29.34, -14.18

 

CMYK 60 / 20 / 0 / 19

HEX #53A4CE

RGB 83 164 206

HSL 200.49, 0.56%, 0.57%

LAB 64.04, -12.36, -28.89

 

CMYK 60 / 36 / 0 / 19

HEX #5383CE

RGB 83 131 206

HSL 216.59, 0.56%, 0.57%

LAB 54.58, 6.55, -43.66

 

CMYK 60 / 0 / 28 / 19

HEX #53CE95

RGB 83 206 149

HSL 152.2, 0.56%, 0.57%

LAB 74.92, -47.49, 18.35

 

CMYK 71 / 0 / 33 / 12

HEX #42E096

RGB 66 224 150

HSL 151.9, 0.72%, 0.57%

LAB 79.99, -57.42, 24.72

 

CMYK 80 / 0 / 38 / 5

HEX #30F297

RGB 48 242 151

HSL 151.86, 0.88%, 0.57%

LAB 85.18, -66, 31.15

 

CMYK 60 / 0 / 28 / 19

HEX #53CE95

RGB 83 206 149

HSL 152.2, 0.56%, 0.57%

LAB 74.92, -47.49, 18.35

 

CMYK 47 / 0 / 22 / 26

HEX #65BD94

RGB 101 189 148

HSL 152.05, 0.4%, 0.57%

LAB 70.39, -36.09, 12.64

 

CMYK 30 / 0 / 14 / 33

HEX #77AB93

RGB 119 171 147

HSL 152.31, 0.24%, 0.57%

LAB 65.87, -22.43, 6.89

 

CMYK 10 / 0 / 5 / 40

HEX #899991

RGB 137 153 145

HSL 150, 0.07%, 0.57%

LAB 61.78, -7.31, 2.26

 

CMYK 0 / 12 / 6 / 40

HEX #9A8790

RGB 154 135 144

HSL 331.58, 0.09%, 0.57%

LAB 58.24, 8.79, -2.18

 

CMYK 59 / 0 / 60 / 19

HEX #55CE53

RGB 85 206 83

HSL 119.02, 0.56%, 0.57%

LAB 74, -57.7, 50.17

 

CMYK 60 / 0 / 45 / 19

HEX #53CE72

RGB 83 206 114

HSL 135.12, 0.56%, 0.57%

LAB 74.32, -53.94, 35.72

 

CMYK 60 / 0 / 29 / 19

HEX #53CE93

RGB 83 206 147

HSL 151.22, 0.56%, 0.57%

LAB 74.88, -47.9, 19.35

 

CMYK 60 / 0 / 13 / 19

HEX #53CEB4

RGB 83 206 180

HSL 167.32, 0.56%, 0.57%

LAB 75.62, -40.42, 2.74

 

CMYK 60 / 3 / 0 / 19

HEX #53C8CE

RGB 83 200 206

HSL 182.93, 0.56%, 0.57%

LAB 74.57, -30.79, -12.86

 

CMYK 72 / 0 / 34 / 36

HEX #2DA26B

RGB 45 162 107

HSL 151.79, 0.57%, 0.41%

LAB 59.4, -45.19, 19.56

 

CMYK 72 / 0 / 34 / 24

HEX #36C281

RGB 54 194 129

HSL 152.14, 0.56%, 0.49%

LAB 70.14, -51.91, 22.3

 

CMYK 60 / 0 / 28 / 19

HEX #53CE95

RGB 83 206 149

HSL 152.2, 0.56%, 0.57%

LAB 74.92, -47.49, 18.35

 

CMYK 46 / 0 / 21 / 16

HEX #74D7A9

RGB 116 215 169

HSL 152.12, 0.55%, 0.65%

LAB 79.14, -39.63, 13.81

 

CMYK 34 / 0 / 16 / 12

HEX #94E0BD

RGB 148 224 189

HSL 152.37, 0.55%, 0.73%

LAB 83.59, -30.95, 9.74

 

CMYK 59 / 0 / 28 / 19

HEX #55CF96

RGB 85 207 150

HSL 151.97, 0.56%, 0.57%

LAB 75.3, -47.29, 18.35

 

CMYK 60 / 43 / 0 / 19

HEX #5376CE

RGB 83 118 206

HSL 222.93, 0.56%, 0.57%

LAB 50.98, 14.45, -49.38

 

CMYK 0 / 52 / 60 / 19

HEX #CE6253

RGB 206 98 83

HSL 7.32, 0.56%, 0.57%

LAB 54.53, 41.56, 28.83

 

CMYK 59 / 0 / 28 / 19

HEX #55CF96

RGB 85 207 150

HSL 151.97, 0.56%, 0.57%

LAB 75.3, -47.29, 18.35

 

CMYK 29 / 60 / 0 / 19

HEX #9353CE

RGB 147 83 206

HSL 271.22, 0.56%, 0.57%

LAB 48.07, 49.54, -53.75

 

CMYK 0 / 29 / 60 / 19

HEX #CE9353

RGB 206 147 83

HSL 31.22, 0.56%, 0.57%

LAB 65.45, 15.49, 42.22

 

CMYK 59 / 0 / 28 / 19

HEX #55CF96

RGB 85 207 150

HSL 151.97, 0.56%, 0.57%

LAB 75.3, -47.29, 18.35

 

CMYK 60 / 43 / 0 / 19

HEX #5376CE

RGB 83 118 206

HSL 222.93, 0.56%, 0.57%

LAB 50.98, 14.45, -49.38

 

CMYK 0 / 60 / 31 / 19

HEX #CE538F

RGB 206 83 143

HSL 330.73, 0.56%, 0.57%

LAB 53.27, 54.64, -8.26

 

CMYK 0 / 17 / 60 / 19

HEX #CEAB53

RGB 206 171 83

HSL 42.93, 0.56%, 0.57%

LAB 71.47, 2.54, 49.22

 

CMYK 59 / 0 / 28 / 19

HEX #55CF96

RGB 85 207 150

HSL 151.97, 0.56%, 0.57%

LAB 75.3, -47.29, 18.35

 

CMYK 59 / 60 / 0 / 19

HEX #5553CE

RGB 85 83 206

HSL 240.98, 0.56%, 0.57%

LAB 42.11, 36.53, -63.65

 

CMYK 0 / 60 / 31 / 19

HEX #CE538F

RGB 206 83 143

HSL 330.73, 0.56%, 0.57%

LAB 53.27, 54.64, -8.26

 

CMYK 1 / 0 / 60 / 19

HEX #CCCE53

RGB 204 206 83

HSL 60.98, 0.56%, 0.57%

LAB 80.52, -16.38, 59.26

 

Description

Color code: HEX #55CF96 | qconv.com Color code: HEX #55CF96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 207 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 207 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 28 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 28% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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