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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55EBBB it is the complementary color #AA1444. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55EBBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55EBBB shade: #5AEBB6, #6BFDC9, #7CFFDC, #8DFFEF and #9EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55EBBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55EBBB shade: #55EBBB, #44D9A8, #33C795, #22B582 and #11A36F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55EBBB shade: #56EBBB, #56EB93, #56EB6B, #69EB56 and #91EB56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55EBBB shade: #56EBBB, #56EBE3, #56CAEB, #56A2EB and #567AEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55EBBB shade matches the following richer shades: #56EBBB and #46FAC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55EBBB shade: #56EBBB, #65DBB5, #74CCB0, #83BDAA and #93AEA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55EBBB shade: #56EB69, #56EB91, #56EBB9, #56EBE1 and #56CDEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55EBBB shade: #19D599, #31E6AC, #56EBBB, #7BEFCA and #9FF3D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55EBBB shade: #55EBBB, #5669EB and #EB7D56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55EBBB shade: #55EBBB, #B956EB and #EBB956

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55EBBB shade: #55EBBB, #5669EB, #EB5687 and #EBD756

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55EBBB shade: #55EBBB, #6E56EB, #EB5687 and #D2EB56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 20 / 8

HEX #55EBBB

RGB 85 235 187

HSL 160.8, 0.79%, 0.63%

LAB 84.45, -50.86, 11.71

 

Complementary color

CMYK 0 / 88 / 60 / 33

HEX #AA1444

RGB 170 20 68

HSL 340.8, 0.79%, 0.37%

LAB 36.86, 58.59, 13.57

 

CMYK 62 / 0 / 23 / 8

HEX #5AEBB6

RGB 90 235 182

HSL 158.07, 0.78%, 0.64%

LAB 84.47, -51.1, 14.36

 

CMYK 58 / 0 / 21 / 1

HEX #6BFDC9

RGB 107 253 201

HSL 158.63, 0.97%, 0.71%

LAB 90.59, -51.22, 13.24

 

CMYK 51 / 0 / 14 / 0

HEX #7CFFDC

RGB 124 255 220

HSL 163.97, 1%, 0.74%

LAB 92.12, -44.41, 5.69

 

CMYK 45 / 0 / 6 / 0

HEX #8DFFEF

RGB 141 255 239

HSL 171.58, 1%, 0.78%

LAB 93.2, -36.28, -2.49

 

CMYK 38 / 0 / 0 / 0

HEX #9EFFFF

RGB 158 255 255

HSL 180, 1%, 0.81%

LAB 94.32, -28.51, -9.03

 

CMYK 64 / 0 / 20 / 8

HEX #55EBBB

RGB 85 235 187

HSL 160.8, 0.79%, 0.63%

LAB 84.45, -50.86, 11.71

 

CMYK 69 / 0 / 23 / 15

HEX #44D9A8

RGB 68 217 168

HSL 160.27, 0.66%, 0.56%

LAB 78.28, -50.51, 12.91

 

CMYK 74 / 0 / 25 / 22

HEX #33C795

RGB 51 199 149

HSL 159.73, 0.59%, 0.49%

LAB 72.04, -49.94, 14.22

 

CMYK 81 / 0 / 28 / 29

HEX #22B582

RGB 34 181 130

HSL 159.18, 0.68%, 0.42%

LAB 65.75, -49.07, 15.67

 

CMYK 90 / 0 / 32 / 36

HEX #11A36F

RGB 17 163 111

HSL 158.63, 0.81%, 0.35%

LAB 59.4, -47.79, 17.29

 

CMYK 63 / 0 / 20 / 8

HEX #56EBBB

RGB 86 235 187

HSL 160.67, 0.79%, 0.63%

LAB 84.47, -50.69, 11.75

 

CMYK 63 / 0 / 37 / 8

HEX #56EB93

RGB 86 235 147

HSL 144.56, 0.79%, 0.63%

LAB 83.71, -58.82, 31.32

 

CMYK 63 / 0 / 54 / 8

HEX #56EB6B

RGB 86 235 107

HSL 128.46, 0.79%, 0.63%

LAB 83.16, -64.96, 50.05

 

CMYK 55 / 0 / 63 / 8

HEX #69EB56

RGB 105 235 86

HSL 112.35, 0.79%, 0.63%

LAB 83.49, -63.05, 59.73

 

CMYK 38 / 0 / 63 / 8

HEX #91EB56

RGB 145 235 86

HSL 96.24, 0.79%, 0.63%

LAB 85.05, -51.54, 61.89

 

CMYK 63 / 0 / 20 / 8

HEX #56EBBB

RGB 86 235 187

HSL 160.67, 0.79%, 0.63%

LAB 84.47, -50.69, 11.75

 

CMYK 63 / 0 / 3 / 8

HEX #56EBE3

RGB 86 235 227

HSL 176.78, 0.79%, 0.63%

LAB 85.47, -40.85, -7.81

 

CMYK 63 / 14 / 0 / 8

HEX #56CAEB

RGB 86 202 235

HSL 193.29, 0.79%, 0.63%

LAB 76.2, -22.88, -26.04

 

CMYK 63 / 31 / 0 / 8

HEX #56A2EB

RGB 86 162 235

HSL 209.4, 0.79%, 0.63%

LAB 64.82, -1.41, -43.69

 

CMYK 63 / 48 / 0 / 8

HEX #567AEB

RGB 86 122 235

HSL 225.5, 0.79%, 0.63%

LAB 53.92, 22.35, -61.02

 

CMYK 63 / 0 / 20 / 8

HEX #56EBBB

RGB 86 235 187

HSL 160.67, 0.79%, 0.63%

LAB 84.47, -50.69, 11.75

 

CMYK 72 / 0 / 23 / 2

HEX #46FAC0

RGB 70 250 192

HSL 160.67, 0.95%, 0.63%

LAB 88.68, -57.98, 15.05

 

CMYK 63 / 0 / 20 / 8

HEX #56EBBB

RGB 86 235 187

HSL 160.67, 0.79%, 0.63%

LAB 84.47, -50.69, 11.75

 

CMYK 54 / 0 / 17 / 14

HEX #65DBB5

RGB 101 219 181

HSL 160.68, 0.62%, 0.63%

LAB 80.05, -42.33, 8.65

 

CMYK 43 / 0 / 14 / 20

HEX #74CCB0

RGB 116 204 176

HSL 160.91, 0.46%, 0.63%

LAB 76.09, -33.07, 5.72

 

CMYK 31 / 0 / 10 / 26

HEX #83BDAA

RGB 131 189 170

HSL 160.34, 0.31%, 0.63%

LAB 72.31, -22.9, 3.6

 

CMYK 16 / 0 / 5 / 32

HEX #93AEA5

RGB 147 174 165

HSL 160, 0.14%, 0.63%

LAB 68.89, -11.11, 1.5

 

CMYK 63 / 0 / 55 / 8

HEX #56EB69

RGB 86 235 105

HSL 127.65, 0.79%, 0.63%

LAB 83.13, -65.22, 50.94

 

CMYK 63 / 0 / 38 / 8

HEX #56EB91

RGB 86 235 145

HSL 143.76, 0.79%, 0.63%

LAB 83.67, -59.17, 32.29

 

CMYK 63 / 0 / 21 / 8

HEX #56EBB9

RGB 86 235 185

HSL 159.87, 0.79%, 0.63%

LAB 84.43, -51.14, 12.73

 

CMYK 63 / 0 / 4 / 8

HEX #56EBE1

RGB 86 235 225

HSL 175.97, 0.79%, 0.63%

LAB 85.42, -41.38, -6.84

 

CMYK 63 / 13 / 0 / 8

HEX #56CDEB

RGB 86 205 235

HSL 192.08, 0.79%, 0.63%

LAB 77.06, -24.38, -24.72

 

CMYK 88 / 0 / 28 / 16

HEX #19D599

RGB 25 213 153

HSL 160.85, 0.79%, 0.47%

LAB 76.13, -56.88, 17.75

 

CMYK 79 / 0 / 25 / 10

HEX #31E6AC

RGB 49 230 172

HSL 160.77, 0.78%, 0.55%

LAB 81.96, -57.13, 15.94

 

CMYK 63 / 0 / 20 / 8

HEX #56EBBB

RGB 86 235 187

HSL 160.67, 0.79%, 0.63%

LAB 84.47, -50.69, 11.75

 

CMYK 49 / 0 / 15 / 6

HEX #7BEFCA

RGB 123 239 202

HSL 160.86, 0.78%, 0.71%

LAB 87.1, -41.59, 7.81

 

CMYK 35 / 0 / 11 / 5

HEX #9FF3D9

RGB 159 243 217

HSL 161.43, 0.78%, 0.79%

LAB 90.08, -31.04, 4.48

 

CMYK 64 / 0 / 20 / 8

HEX #55EBBB

RGB 85 235 187

HSL 160.8, 0.79%, 0.63%

LAB 84.45, -50.86, 11.71

 

CMYK 63 / 55 / 0 / 8

HEX #5669EB

RGB 86 105 235

HSL 232.35, 0.79%, 0.63%

LAB 49.59, 32.8, -68

 

CMYK 0 / 47 / 63 / 8

HEX #EB7D56

RGB 235 125 86

HSL 15.7, 0.79%, 0.63%

LAB 64.16, 39.13, 40

 

CMYK 64 / 0 / 20 / 8

HEX #55EBBB

RGB 85 235 187

HSL 160.8, 0.79%, 0.63%

LAB 84.45, -50.86, 11.71

 

CMYK 21 / 63 / 0 / 8

HEX #B956EB

RGB 185 86 235

HSL 279.87, 0.79%, 0.63%

LAB 55.04, 63.2, -58.75

 

CMYK 0 / 21 / 63 / 8

HEX #EBB956

RGB 235 185 86

HSL 39.87, 0.79%, 0.63%

LAB 77.89, 7.58, 55.84

 

CMYK 64 / 0 / 20 / 8

HEX #55EBBB

RGB 85 235 187

HSL 160.8, 0.79%, 0.63%

LAB 84.45, -50.86, 11.71

 

CMYK 63 / 55 / 0 / 8

HEX #5669EB

RGB 86 105 235

HSL 232.35, 0.79%, 0.63%

LAB 49.59, 32.8, -68

 

CMYK 0 / 63 / 43 / 8

HEX #EB5687

RGB 235 86 135

HSL 340.27, 0.79%, 0.63%

LAB 58.1, 61.32, 4.09

 

CMYK 0 / 9 / 63 / 8

HEX #EBD756

RGB 235 215 86

HSL 51.95, 0.79%, 0.63%

LAB 85.47, -7.88, 64.08

 

CMYK 64 / 0 / 20 / 8

HEX #55EBBB

RGB 85 235 187

HSL 160.8, 0.79%, 0.63%

LAB 84.45, -50.86, 11.71

 

CMYK 53 / 63 / 0 / 8

HEX #6E56EB

RGB 110 86 235

HSL 249.66, 0.79%, 0.63%

LAB 46.93, 48.04, -72.25

 

CMYK 0 / 63 / 43 / 8

HEX #EB5687

RGB 235 86 135

HSL 340.27, 0.79%, 0.63%

LAB 58.1, 61.32, 4.09

 

CMYK 11 / 0 / 63 / 8

HEX #D2EB56

RGB 210 235 86

HSL 70.07, 0.79%, 0.63%

LAB 88.82, -27.81, 67.06

 

Description

Color code: HEX #55EBBB | qconv.com Color code: HEX #55EBBB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 235 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 235 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 20 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 20% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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