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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55F693 it is the complementary color #AA096C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55F693. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55F693 shade: #5AF68E, #6BFFA1, #7CFFB4, #8DFFC7 and #9EFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55F693. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55F693 shade: #55F693, #44E480, #33D26D, #22C05A and #11AE47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55F693 shade: #55F693, #55F667, #6EF655, #99F655 and #C4F655

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55F693 shade: #55F693, #55F6BE, #55F6E9, #55D6F6 and #55ABF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55F693 shade matches the following richer shades: #55F693

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55F693 shade: #55F693, #63E796, #72D999, #80CA9D and #8FBCA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55F693 shade: #6DF655, #55F668, #55F693, #55F6BD and #55F6E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55F693 shade: #0CEC62, #2EF47A, #55F693, #7CF8AC and #A3FAC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55F693 shade: #55F693, #5598F6 and #F65558

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55F693 shade: #55F693, #9355F6 and #F69355

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55F693 shade: #55F693, #5598F6, #F655B8 and #F6B355

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55F693 shade: #55F693, #5568F6, #F655B8 and #F6E355

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 40 / 4

HEX #55F693

RGB 85 246 147

HSL 143.11, 0.9%, 0.65%

LAB 86.97, -63.1, 35.63

 

Complementary color

CMYK 0 / 95 / 36 / 33

HEX #AA096C

RGB 170 9 108

HSL 323.11, 0.9%, 0.35%

LAB 37.52, 63.59, -11.15

 

CMYK 63 / 0 / 42 / 4

HEX #5AF68E

RGB 90 246 142

HSL 140, 0.9%, 0.66%

LAB 87.02, -63.03, 38.18

 

CMYK 58 / 0 / 37 / 0

HEX #6BFFA1

RGB 107 255 161

HSL 141.89, 1%, 0.71%

LAB 90.42, -59.84, 33.33

 

CMYK 51 / 0 / 29 / 0

HEX #7CFFB4

RGB 124 255 180

HSL 145.65, 1%, 0.74%

LAB 91.28, -52.66, 25.02

 

CMYK 45 / 0 / 22 / 0

HEX #8DFFC7

RGB 141 255 199

HSL 150.53, 1%, 0.78%

LAB 92.27, -44.89, 16.79

 

CMYK 38 / 0 / 15 / 0

HEX #9EFFDA

RGB 158 255 218

HSL 157.11, 1%, 0.81%

LAB 93.39, -36.66, 8.71

 

CMYK 65 / 0 / 40 / 4

HEX #55F693

RGB 85 246 147

HSL 143.11, 0.9%, 0.65%

LAB 86.97, -63.1, 35.63

 

CMYK 70 / 0 / 44 / 11

HEX #44E480

RGB 68 228 128

HSL 142.5, 0.75%, 0.58%

LAB 80.89, -62.62, 37.09

 

CMYK 76 / 0 / 48 / 18

HEX #33D26D

RGB 51 210 109

HSL 141.89, 0.64%, 0.51%

LAB 74.76, -61.84, 38.63

 

CMYK 82 / 0 / 53 / 25

HEX #22C05A

RGB 34 192 90

HSL 141.27, 0.7%, 0.44%

LAB 68.59, -60.65, 40.23

 

CMYK 90 / 0 / 59 / 32

HEX #11AE47

RGB 17 174 71

HSL 140.64, 0.82%, 0.37%

LAB 62.38, -58.89, 41.86

 

CMYK 65 / 0 / 40 / 4

HEX #55F693

RGB 85 246 147

HSL 143.11, 0.9%, 0.65%

LAB 86.97, -63.1, 35.63

 

CMYK 65 / 0 / 58 / 4

HEX #55F667

RGB 85 246 103

HSL 126.71, 0.9%, 0.65%

LAB 86.42, -69.43, 55.68

 

CMYK 55 / 0 / 65 / 4

HEX #6EF655

RGB 110 246 85

HSL 110.68, 0.9%, 0.65%

LAB 86.94, -65.83, 63.94

 

CMYK 38 / 0 / 65 / 4

HEX #99F655

RGB 153 246 85

HSL 94.66, 0.9%, 0.65%

LAB 88.61, -53.47, 66.23

 

CMYK 20 / 0 / 65 / 4

HEX #C4F655

RGB 196 246 85

HSL 78.63, 0.9%, 0.65%

LAB 90.92, -38.32, 69.37

 

CMYK 65 / 0 / 40 / 4

HEX #55F693

RGB 85 246 147

HSL 143.11, 0.9%, 0.65%

LAB 86.97, -63.1, 35.63

 

CMYK 65 / 0 / 23 / 4

HEX #55F6BE

RGB 85 246 190

HSL 159.13, 0.9%, 0.65%

LAB 87.76, -54.67, 14.83

 

CMYK 65 / 0 / 5 / 4

HEX #55F6E9

RGB 85 246 233

HSL 175.16, 0.9%, 0.65%

LAB 88.79, -44.31, -6.05

 

CMYK 65 / 13 / 0 / 4

HEX #55D6F6

RGB 85 214 246

HSL 191.93, 0.9%, 0.65%

LAB 80, -25.75, -26.12

 

CMYK 65 / 30 / 0 / 4

HEX #55ABF6

RGB 85 171 246

HSL 207.95, 0.9%, 0.65%

LAB 67.81, -3.05, -45.01

 

CMYK 65 / 0 / 40 / 4

HEX #55F693

RGB 85 246 147

HSL 143.11, 0.9%, 0.65%

LAB 86.97, -63.1, 35.63

 

CMYK 65 / 0 / 40 / 4

HEX #55F693

RGB 85 246 147

HSL 143.11, 0.9%, 0.65%

LAB 86.97, -63.1, 35.63

 

CMYK 57 / 0 / 35 / 9

HEX #63E796

RGB 99 231 150

HSL 143.18, 0.73%, 0.65%

LAB 82.92, -54.1, 28.81

 

CMYK 47 / 0 / 29 / 15

HEX #72D999

RGB 114 217 153

HSL 142.72, 0.58%, 0.65%

LAB 79.33, -44.18, 22.48

 

CMYK 37 / 0 / 22 / 21

HEX #80CA9D

RGB 128 202 157

HSL 143.51, 0.41%, 0.65%

LAB 75.62, -32.77, 15.31

 

CMYK 24 / 0 / 15 / 26

HEX #8FBCA0

RGB 143 188 160

HSL 142.67, 0.25%, 0.65%

LAB 72.46, -20.68, 9.35

 

CMYK 56 / 0 / 65 / 4

HEX #6DF655

RGB 109 246 85

HSL 111.06, 0.9%, 0.65%

LAB 86.91, -66.08, 63.9

 

CMYK 65 / 0 / 58 / 4

HEX #55F668

RGB 85 246 104

HSL 127.08, 0.9%, 0.65%

LAB 86.43, -69.31, 55.25

 

CMYK 65 / 0 / 40 / 4

HEX #55F693

RGB 85 246 147

HSL 143.11, 0.9%, 0.65%

LAB 86.97, -63.1, 35.63

 

CMYK 65 / 0 / 23 / 4

HEX #55F6BD

RGB 85 246 189

HSL 158.76, 0.9%, 0.65%

LAB 87.74, -54.89, 15.32

 

CMYK 65 / 0 / 6 / 4

HEX #55F6E8

RGB 85 246 232

HSL 174.78, 0.9%, 0.65%

LAB 88.77, -44.57, -5.57

 

CMYK 95 / 0 / 58 / 7

HEX #0CEC62

RGB 12 236 98

HSL 143.04, 0.9%, 0.49%

LAB 82.35, -74.83, 52.9

 

CMYK 81 / 0 / 50 / 4

HEX #2EF47A

RGB 46 244 122

HSL 143.03, 0.9%, 0.57%

LAB 85.35, -71.78, 45.56

 

CMYK 65 / 0 / 40 / 4

HEX #55F693

RGB 85 246 147

HSL 143.11, 0.9%, 0.65%

LAB 86.97, -63.1, 35.63

 

CMYK 50 / 0 / 31 / 3

HEX #7CF8AC

RGB 124 248 172

HSL 143.23, 0.9%, 0.73%

LAB 89.11, -51.26, 26.12

 

CMYK 35 / 0 / 21 / 2

HEX #A3FAC5

RGB 163 250 197

HSL 143.45, 0.9%, 0.81%

LAB 91.77, -37.12, 17.26

 

CMYK 65 / 0 / 40 / 4

HEX #55F693

RGB 85 246 147

HSL 143.11, 0.9%, 0.65%

LAB 86.97, -63.1, 35.63

 

CMYK 65 / 38 / 0 / 4

HEX #5598F6

RGB 85 152 246

HSL 215.03, 0.9%, 0.65%

LAB 62.54, 7.87, -53.33

 

CMYK 0 / 65 / 64 / 4

HEX #F65558

RGB 246 85 88

HSL 358.88, 0.9%, 0.65%

LAB 58.78, 61.54, 32.68

 

CMYK 65 / 0 / 40 / 4

HEX #55F693

RGB 85 246 147

HSL 143.11, 0.9%, 0.65%

LAB 86.97, -63.1, 35.63

 

CMYK 40 / 65 / 0 / 4

HEX #9355F6

RGB 147 85 246

HSL 263.11, 0.9%, 0.65%

LAB 51.1, 58.31, -71.48

 

CMYK 0 / 40 / 65 / 4

HEX #F69355

RGB 246 147 85

HSL 23.11, 0.9%, 0.65%

LAB 70.26, 32.04, 48.04

 

CMYK 65 / 0 / 40 / 4

HEX #55F693

RGB 85 246 147

HSL 143.11, 0.9%, 0.65%

LAB 86.97, -63.1, 35.63

 

CMYK 65 / 38 / 0 / 4

HEX #5598F6

RGB 85 152 246

HSL 215.03, 0.9%, 0.65%

LAB 62.54, 7.87, -53.33

 

CMYK 0 / 65 / 25 / 4

HEX #F655B8

RGB 246 85 184

HSL 323.11, 0.9%, 0.65%

LAB 61.26, 70.34, -19.44

 

CMYK 0 / 27 / 65 / 4

HEX #F6B355

RGB 246 179 85

HSL 35.03, 0.9%, 0.65%

LAB 77.57, 15.25, 56.26

 

CMYK 65 / 0 / 40 / 4

HEX #55F693

RGB 85 246 147

HSL 143.11, 0.9%, 0.65%

LAB 86.97, -63.1, 35.63

 

CMYK 65 / 58 / 0 / 4

HEX #5568F6

RGB 85 104 246

HSL 232.92, 0.9%, 0.65%

LAB 50.08, 36.94, -73.36

 

CMYK 0 / 65 / 25 / 4

HEX #F655B8

RGB 246 85 184

HSL 323.11, 0.9%, 0.65%

LAB 61.26, 70.34, -19.44

 

CMYK 0 / 8 / 65 / 4

HEX #F6E355

RGB 246 227 85

HSL 52.92, 0.9%, 0.65%

LAB 89.48, -9.41, 69

 

Description

Color code: HEX #55F693 | qconv.com Color code: HEX #55F693 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 246 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 246 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 40 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 40% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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