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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55FA7C it is the complementary color #AA0583. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55FA7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55FA7C shade: #5AFA77, #6BFF8A, #7CFF9D, #8DFFB0 and #9EFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55FA7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55FA7C shade: #55FA7C, #44E869, #33D656, #22C443 and #11B230

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55FA7C shade: #56F97D, #5CF956, #88F956, #B4F956 and #E0F956

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55FA7C shade: #56F97D, #56F9A9, #56F9D5, #56F2F9 and #56C6F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55FA7C shade matches the following richer shades: #56F97D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55FA7C shade: #56F97D, #64EB84, #72DD8C, #80CF93 and #8EC19A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55FA7C shade: #87F956, #5CF956, #56F97C, #56F9A8 and #56F9D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55FA7C shade: #07F640, #2EF85E, #56F97D, #7EFB9C and #A6FCBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55FA7C shade: #55FA7C, #56B3F9 and #F95671

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55FA7C shade: #55FA7C, #7C56F9 and #F97C56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55FA7C shade: #55FA7C, #56B3F9, #F956D3 and #F99D56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55FA7C shade: #55FA7C, #5682F9, #F956D3 and #F9CE56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 50 / 2

HEX #55FA7C

RGB 85 250 124

HSL 134.18, 0.94%, 0.66%

LAB 87.85, -68.1, 47.87

 

Complementary color

CMYK 0 / 97 / 23 / 33

HEX #AA0583

RGB 170 5 131

HSL 314.18, 0.94%, 0.34%

LAB 38.36, 66.64, -24.28

 

CMYK 64 / 0 / 52 / 2

HEX #5AFA77

RGB 90 250 119

HSL 130.88, 0.94%, 0.67%

LAB 87.91, -67.86, 50.29

 

CMYK 58 / 0 / 46 / 0

HEX #6BFF8A

RGB 107 255 138

HSL 132.57, 1%, 0.71%

LAB 90.08, -63.52, 44.14

 

CMYK 51 / 0 / 38 / 0

HEX #7CFF9D

RGB 124 255 157

HSL 135.11, 1%, 0.74%

LAB 90.89, -56.68, 36.03

 

CMYK 45 / 0 / 31 / 0

HEX #8DFFB0

RGB 141 255 176

HSL 138.42, 1%, 0.78%

LAB 91.83, -49.18, 27.89

 

CMYK 38 / 0 / 24 / 0

HEX #9EFFC3

RGB 158 255 195

HSL 142.89, 1%, 0.81%

LAB 92.9, -41.15, 19.82

 

CMYK 66 / 0 / 50 / 2

HEX #55FA7C

RGB 85 250 124

HSL 134.18, 0.94%, 0.66%

LAB 87.85, -68.1, 47.87

 

CMYK 71 / 0 / 55 / 9

HEX #44E869

RGB 68 232 105

HSL 133.54, 0.78%, 0.59%

LAB 81.82, -67.42, 49.27

 

CMYK 76 / 0 / 60 / 16

HEX #33D656

RGB 51 214 86

HSL 132.88, 0.67%, 0.52%

LAB 75.74, -66.39, 50.64

 

CMYK 83 / 0 / 66 / 23

HEX #22C443

RGB 34 196 67

HSL 132.22, 0.7%, 0.45%

LAB 69.63, -64.85, 51.89

 

CMYK 90 / 0 / 73 / 30

HEX #11B230

RGB 17 178 48

HSL 131.55, 0.83%, 0.38%

LAB 63.49, -62.65, 52.84

 

CMYK 65 / 0 / 50 / 2

HEX #56F97D

RGB 86 249 125

HSL 134.36, 0.93%, 0.66%

LAB 87.59, -67.43, 47.08

 

CMYK 63 / 0 / 65 / 2

HEX #5CF956

RGB 92 249 86

HSL 117.79, 0.93%, 0.66%

LAB 87.34, -70.83, 63.83

 

CMYK 45 / 0 / 65 / 2

HEX #88F956

RGB 136 249 86

HSL 101.6, 0.93%, 0.66%

LAB 88.76, -59.82, 65.78

 

CMYK 28 / 0 / 65 / 2

HEX #B4F956

RGB 180 249 86

HSL 85.4, 0.93%, 0.66%

LAB 90.84, -45.43, 68.62

 

CMYK 10 / 0 / 65 / 2

HEX #E0F956

RGB 224 249 86

HSL 69.2, 0.93%, 0.66%

LAB 93.57, -28.85, 72.31

 

CMYK 65 / 0 / 50 / 2

HEX #56F97D

RGB 86 249 125

HSL 134.36, 0.93%, 0.66%

LAB 87.59, -67.43, 47.08

 

CMYK 65 / 0 / 32 / 2

HEX #56F9A9

RGB 86 249 169

HSL 150.55, 0.93%, 0.66%

LAB 88.25, -60.03, 26.29

 

CMYK 65 / 0 / 14 / 2

HEX #56F9D5

RGB 86 249 213

HSL 166.75, 0.93%, 0.66%

LAB 89.17, -50.45, 4.93

 

CMYK 65 / 3 / 0 / 2

HEX #56F2F9

RGB 86 242 249

HSL 182.58, 0.93%, 0.66%

LAB 88.12, -38.07, -15.4

 

CMYK 65 / 20 / 0 / 2

HEX #56C6F9

RGB 86 198 249

HSL 198.77, 0.93%, 0.66%

LAB 75.58, -16.55, -34.52

 

CMYK 65 / 0 / 50 / 2

HEX #56F97D

RGB 86 249 125

HSL 134.36, 0.93%, 0.66%

LAB 87.59, -67.43, 47.08

 

CMYK 65 / 0 / 50 / 2

HEX #56F97D

RGB 86 249 125

HSL 134.36, 0.93%, 0.66%

LAB 87.59, -67.43, 47.08

 

CMYK 57 / 0 / 44 / 8

HEX #64EB84

RGB 100 235 132

HSL 134.22, 0.77%, 0.66%

LAB 83.86, -58.47, 39.08

 

CMYK 48 / 0 / 37 / 13

HEX #72DD8C

RGB 114 221 140

HSL 134.58, 0.61%, 0.66%

LAB 80.28, -48.2, 30.49

 

CMYK 38 / 0 / 29 / 19

HEX #80CF93

RGB 128 207 147

HSL 134.43, 0.45%, 0.66%

LAB 76.87, -36.95, 22.36

 

CMYK 26 / 0 / 20 / 24

HEX #8EC19A

RGB 142 193 154

HSL 134.12, 0.29%, 0.66%

LAB 73.69, -24.64, 14.33

 

CMYK 46 / 0 / 65 / 2

HEX #87F956

RGB 135 249 86

HSL 101.96, 0.93%, 0.66%

LAB 88.72, -60.11, 65.73

 

CMYK 63 / 0 / 65 / 2

HEX #5CF956

RGB 92 249 86

HSL 117.79, 0.93%, 0.66%

LAB 87.34, -70.83, 63.83

 

CMYK 65 / 0 / 50 / 2

HEX #56F97C

RGB 86 249 124

HSL 133.99, 0.93%, 0.66%

LAB 87.57, -67.58, 47.53

 

CMYK 65 / 0 / 33 / 2

HEX #56F9A8

RGB 86 249 168

HSL 150.18, 0.93%, 0.66%

LAB 88.24, -60.23, 26.78

 

CMYK 65 / 0 / 15 / 2

HEX #56F9D3

RGB 86 249 211

HSL 166.01, 0.93%, 0.66%

LAB 89.13, -50.93, 5.9

 

CMYK 97 / 0 / 74 / 4

HEX #07F640

RGB 7 246 64

HSL 134.31, 0.94%, 0.5%

LAB 85.16, -81.22, 69.18

 

CMYK 81 / 0 / 62 / 3

HEX #2EF85E

RGB 46 248 94

HSL 134.26, 0.94%, 0.58%

LAB 86.27, -76.67, 59.18

 

CMYK 65 / 0 / 50 / 2

HEX #56F97D

RGB 86 249 125

HSL 134.36, 0.93%, 0.66%

LAB 87.59, -67.43, 47.08

 

CMYK 50 / 0 / 38 / 2

HEX #7EFB9C

RGB 126 251 156

HSL 134.4, 0.94%, 0.74%

LAB 89.78, -54.75, 35.08

 

CMYK 34 / 0 / 26 / 1

HEX #A6FCBB

RGB 166 252 187

HSL 134.65, 0.93%, 0.82%

LAB 92.27, -38.95, 23.1

 

CMYK 66 / 0 / 50 / 2

HEX #55FA7C

RGB 85 250 124

HSL 134.18, 0.94%, 0.66%

LAB 87.85, -68.1, 47.87

 

CMYK 65 / 28 / 0 / 2

HEX #56B3F9

RGB 86 179 249

HSL 205.77, 0.93%, 0.66%

LAB 70.22, -6.35, -42.86

 

CMYK 0 / 65 / 55 / 2

HEX #F95671

RGB 249 86 113

HSL 350.06, 0.93%, 0.66%

LAB 59.88, 63.72, 19.78

 

CMYK 66 / 0 / 50 / 2

HEX #55FA7C

RGB 85 250 124

HSL 134.18, 0.94%, 0.66%

LAB 87.85, -68.1, 47.87

 

CMYK 50 / 65 / 0 / 2

HEX #7C56F9

RGB 124 86 249

HSL 253.99, 0.93%, 0.66%

LAB 49.23, 54.44, -76.3

 

CMYK 0 / 50 / 65 / 2

HEX #F97C56

RGB 249 124 86

HSL 13.99, 0.93%, 0.66%

LAB 65.92, 44.92, 42.58

 

CMYK 66 / 0 / 50 / 2

HEX #55FA7C

RGB 85 250 124

HSL 134.18, 0.94%, 0.66%

LAB 87.85, -68.1, 47.87

 

CMYK 65 / 28 / 0 / 2

HEX #56B3F9

RGB 86 179 249

HSL 205.77, 0.93%, 0.66%

LAB 70.22, -6.35, -42.86

 

CMYK 0 / 65 / 15 / 2

HEX #F956D3

RGB 249 86 211

HSL 313.99, 0.93%, 0.66%

LAB 62.93, 74.31, -32.2

 

CMYK 0 / 37 / 65 / 2

HEX #F99D56

RGB 249 157 86

HSL 26.13, 0.93%, 0.66%

LAB 72.84, 28.09, 50.59

 

CMYK 66 / 0 / 50 / 2

HEX #55FA7C

RGB 85 250 124

HSL 134.18, 0.94%, 0.66%

LAB 87.85, -68.1, 47.87

 

CMYK 65 / 48 / 0 / 2

HEX #5682F9

RGB 86 130 249

HSL 223.8, 0.93%, 0.66%

LAB 56.86, 22.23, -64.05

 

CMYK 0 / 65 / 15 / 2

HEX #F956D3

RGB 249 86 211

HSL 313.99, 0.93%, 0.66%

LAB 62.93, 74.31, -32.2

 

CMYK 0 / 17 / 65 / 2

HEX #F9CE56

RGB 249 206 86

HSL 44.17, 0.93%, 0.66%

LAB 84.46, 2.51, 63.38

 

Description

Color code: HEX #55FA7C | qconv.com Color code: HEX #55FA7C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 250 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 250 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 50 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 50% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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