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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #560772 it is the complementary color #A9F88D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #560772. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #560772 shade: #5B076D, #6C1980, #7D2B93, #8E3DA6 and #9F4FB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #560772. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #560772 shade: #560772, #45005F, #34004C, #230039 and #120026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #560772 shade: #560773, #730772, #730755, #730738 and #73071B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #560772 shade: #560773, #390773, #1C0773 and #070773

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #560772 shade matches the following richer shades: #560773

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #560772 shade: #560773, #521169, #4D1B5F, #482555 and #432E4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #560772 shade: #1C0773, #390773, #560773, #730773 and #730756

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #560772 shade: #1C0225, #39044C, #560773, #740999 and #910CC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #560772 shade: #560772, #73070E and #07732B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #560772 shade: #560772, #735607 and #077356

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #560772 shade: #560772, #73070E, #247307 and #07736B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #560772 shade: #560772, #732007, #247307 and #075973

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 94 / 0 / 55

HEX #560772

RGB 86 7 114

HSL 284.3, 0.88%, 0.24%

LAB 21.38, 47.99, -41.53

 

Complementary color

CMYK 32 / 0 / 43 / 3

HEX #A9F88D

RGB 169 248 141

HSL 104.3, 0.88%, 0.76%

LAB 90.55, -43.27, 43.8

 

CMYK 17 / 94 / 0 / 57

HEX #5B076D

RGB 91 7 109

HSL 289.41, 0.88%, 0.23%

LAB 21.87, 47.83, -37.45

 

CMYK 16 / 80 / 0 / 50

HEX #6C1980

RGB 108 25 128

HSL 288.35, 0.67%, 0.3%

LAB 27.96, 49.89, -39.62

 

CMYK 15 / 71 / 0 / 42

HEX #7D2B93

RGB 125 43 147

HSL 287.31, 0.55%, 0.37%

LAB 34.38, 50.53, -40.94

 

CMYK 14 / 63 / 0 / 35

HEX #8E3DA6

RGB 142 61 166

HSL 286.29, 0.46%, 0.45%

LAB 40.96, 50.41, -41.76

 

CMYK 14 / 57 / 0 / 27

HEX #9F4FB9

RGB 159 79 185

HSL 285.28, 0.43%, 0.52%

LAB 47.58, 49.9, -42.29

 

CMYK 25 / 94 / 0 / 55

HEX #560772

RGB 86 7 114

HSL 284.3, 0.88%, 0.24%

LAB 21.38, 47.99, -41.53

 

CMYK 27 / 100 / 0 / 63

HEX #45005F

RGB 69 0 95

HSL 283.58, 1%, 0.19%

LAB 15.96, 43.39, -38.02

 

CMYK 32 / 100 / 0 / 70

HEX #34004C

RGB 52 0 76

HSL 281.05, 1%, 0.15%

LAB 10.93, 36.85, -33.44

 

CMYK 39 / 100 / 0 / 78

HEX #230039

RGB 35 0 57

HSL 276.84, 1%, 0.11%

LAB 5.9, 29.1, -28.3

 

CMYK 53 / 100 / 0 / 85

HEX #120026

RGB 18 0 38

HSL 268.42, 1%, 0.07%

LAB 2.43, 14.09, -19.68

 

CMYK 25 / 94 / 0 / 55

HEX #560773

RGB 86 7 115

HSL 283.89, 0.89%, 0.24%

LAB 21.46, 48.19, -42.04

 

CMYK 0 / 94 / 1 / 55

HEX #730772

RGB 115 7 114

HSL 300.56, 0.89%, 0.24%

LAB 26.77, 53.13, -32.57

 

CMYK 0 / 94 / 26 / 55

HEX #730755

RGB 115 7 85

HSL 316.67, 0.89%, 0.24%

LAB 25.11, 48.86, -16.2

 

CMYK 0 / 94 / 51 / 55

HEX #730738

RGB 115 7 56

HSL 332.78, 0.89%, 0.24%

LAB 23.94, 45.67, 1.75

 

CMYK 0 / 94 / 77 / 55

HEX #73071B

RGB 115 7 27

HSL 348.89, 0.89%, 0.24%

LAB 23.26, 43.75, 20.85

 

CMYK 25 / 94 / 0 / 55

HEX #560773

RGB 86 7 115

HSL 283.89, 0.89%, 0.24%

LAB 21.46, 48.19, -42.04

 

CMYK 50 / 94 / 0 / 55

HEX #390773

RGB 57 7 115

HSL 267.78, 0.89%, 0.24%

LAB 16.79, 44.2, -49.87

 

CMYK 76 / 94 / 0 / 55

HEX #1C0773

RGB 28 7 115

HSL 251.67, 0.89%, 0.24%

LAB 13.45, 41.73, -55.51

 

CMYK 94 / 94 / 0 / 55

HEX #070773

RGB 7 7 115

HSL 240, 0.89%, 0.24%

LAB 12.19, 40.92, -57.65

 

CMYK 25 / 94 / 0 / 55

HEX #560773

RGB 86 7 115

HSL 283.89, 0.89%, 0.24%

LAB 21.46, 48.19, -42.04

 

CMYK 25 / 94 / 0 / 55

HEX #560773

RGB 86 7 115

HSL 283.89, 0.89%, 0.24%

LAB 21.46, 48.19, -42.04

 

CMYK 22 / 84 / 0 / 59

HEX #521169

RGB 82 17 105

HSL 284.32, 0.72%, 0.24%

LAB 20.88, 42.62, -36.52

 

CMYK 19 / 72 / 0 / 63

HEX #4D1B5F

RGB 77 27 95

HSL 284.12, 0.56%, 0.24%

LAB 20.78, 35.07, -30.16

 

CMYK 15 / 56 / 0 / 67

HEX #482555

RGB 72 37 85

HSL 283.75, 0.39%, 0.24%

LAB 21.42, 25.73, -22.54

 

CMYK 11 / 39 / 0 / 71

HEX #432E4B

RGB 67 46 75

HSL 283.45, 0.24%, 0.24%

LAB 22.5, 15.77, -14.21

 

CMYK 76 / 94 / 0 / 55

HEX #1C0773

RGB 28 7 115

HSL 251.67, 0.89%, 0.24%

LAB 13.45, 41.73, -55.51

 

CMYK 50 / 94 / 0 / 55

HEX #390773

RGB 57 7 115

HSL 267.78, 0.89%, 0.24%

LAB 16.79, 44.2, -49.87

 

CMYK 25 / 94 / 0 / 55

HEX #560773

RGB 86 7 115

HSL 283.89, 0.89%, 0.24%

LAB 21.46, 48.19, -42.04

 

CMYK 0 / 94 / 0 / 55

HEX #730773

RGB 115 7 115

HSL 300, 0.89%, 0.24%

LAB 26.83, 53.3, -33.1

 

CMYK 0 / 94 / 25 / 55

HEX #730756

RGB 115 7 86

HSL 316.11, 0.89%, 0.24%

LAB 25.16, 48.99, -16.79

 

CMYK 24 / 95 / 0 / 85

HEX #1C0225

RGB 28 2 37

HSL 284.57, 0.9%, 0.08%

LAB 3.83, 17.68, -16.65

 

CMYK 25 / 95 / 0 / 70

HEX #39044C

RGB 57 4 76

HSL 284.17, 0.9%, 0.16%

LAB 12.47, 35.91, -30.89

 

CMYK 25 / 94 / 0 / 55

HEX #560773

RGB 86 7 115

HSL 283.89, 0.89%, 0.24%

LAB 21.46, 48.19, -42.04

 

CMYK 24 / 94 / 0 / 40

HEX #740999

RGB 116 9 153

HSL 284.58, 0.89%, 0.32%

LAB 29.93, 59.96, -51.88

 

CMYK 24 / 94 / 0 / 25

HEX #910CC0

RGB 145 12 192

HSL 284.33, 0.88%, 0.4%

LAB 38, 71.05, -61.9

 

CMYK 25 / 94 / 0 / 55

HEX #560772

RGB 86 7 114

HSL 284.3, 0.88%, 0.24%

LAB 21.38, 47.99, -41.53

 

CMYK 0 / 94 / 88 / 55

HEX #73070E

RGB 115 7 14

HSL 356.11, 0.89%, 0.24%

LAB 23.1, 43.29, 28.76

 

CMYK 94 / 0 / 63 / 55

HEX #07732B

RGB 7 115 43

HSL 140, 0.89%, 0.24%

LAB 41.97, -43.8, 31.61

 

CMYK 25 / 94 / 0 / 55

HEX #560772

RGB 86 7 114

HSL 284.3, 0.88%, 0.24%

LAB 21.38, 47.99, -41.53

 

CMYK 0 / 25 / 94 / 55

HEX #735607

RGB 115 86 7

HSL 43.89, 0.89%, 0.24%

LAB 38.4, 4.93, 44.39

 

CMYK 94 / 0 / 25 / 55

HEX #077356

RGB 7 115 86

HSL 163.89, 0.89%, 0.24%

LAB 42.73, -34.96, 8.42

 

CMYK 25 / 94 / 0 / 55

HEX #560772

RGB 86 7 114

HSL 284.3, 0.88%, 0.24%

LAB 21.38, 47.99, -41.53

 

CMYK 0 / 94 / 88 / 55

HEX #73070E

RGB 115 7 14

HSL 356.11, 0.89%, 0.24%

LAB 23.1, 43.29, 28.76

 

CMYK 69 / 0 / 94 / 55

HEX #247307

RGB 36 115 7

HSL 103.89, 0.89%, 0.24%

LAB 42.23, -42.46, 45.28

 

CMYK 94 / 0 / 7 / 55

HEX #07736B

RGB 7 115 107

HSL 175.56, 0.89%, 0.24%

LAB 43.31, -28.85, -3.33

 

CMYK 25 / 94 / 0 / 55

HEX #560772

RGB 86 7 114

HSL 284.3, 0.88%, 0.24%

LAB 21.38, 47.99, -41.53

 

CMYK 0 / 72 / 94 / 55

HEX #732007

RGB 115 32 7

HSL 13.89, 0.89%, 0.24%

LAB 25.84, 35.29, 34.47

 

CMYK 69 / 0 / 94 / 55

HEX #247307

RGB 36 115 7

HSL 103.89, 0.89%, 0.24%

LAB 42.23, -42.46, 45.28

 

CMYK 94 / 23 / 0 / 55

HEX #075973

RGB 7 89 115

HSL 194.44, 0.89%, 0.24%

LAB 34.86, -12.11, -21.03

 

Description

Color code: HEX #560772 | qconv.com Color code: HEX #560772 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 7 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 7 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 94 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 94% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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