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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #560052 it is the complementary color #A9FFAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #560052. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #560052 shade: #5B004D, #6C1260, #7D2473, #8E3686 and #9F4899

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #560052. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #560052 shade: #560052, #45003F, #34002C, #230019 and #120006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #560052 shade: #560052, #56003B, #560023, #56000C and #560000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #560052 shade: #560052, #430056, #2B0056, #140056 and #000056

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #560052 shade matches the following richer shades: #560052

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #560052 shade: #560052, #4F074C, #480E45, #41153F and #3A1C39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #560052 shade: #2B0056, #420056, #560053, #56003C and #560025

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #560052 shade: #040003, #2D002B, #560052, #7F007A and #A900A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #560052 shade: #560052, #561400 and #005636

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #560052 shade: #560052, #535600 and #005356

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #560052 shade: #560052, #561400, #005602 and #004256

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #560052 shade: #560052, #562E00, #005602 and #002856

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 5 / 66

HEX #560052

RGB 86 0 82

HSL 302.79, 1%, 0.17%

LAB 18.31, 43.86, -25.3

 

Complementary color

CMYK 34 / 0 / 32 / 0

HEX #A9FFAD

RGB 169 255 173

HSL 122.79, 1%, 0.83%

LAB 93, -41.72, 31.2

 

CMYK 0 / 100 / 15 / 64

HEX #5B004D

RGB 91 0 77

HSL 309.23, 1%, 0.18%

LAB 19.06, 44.08, -20.64

 

CMYK 0 / 83 / 11 / 58

HEX #6C1260

RGB 108 18 96

HSL 308, 0.71%, 0.25%

LAB 25.15, 46.31, -23.53

 

CMYK 0 / 71 / 8 / 51

HEX #7D2473

RGB 125 36 115

HSL 306.74, 0.55%, 0.32%

LAB 31.48, 47.42, -25.62

 

CMYK 0 / 62 / 6 / 44

HEX #8E3686

RGB 142 54 134

HSL 305.45, 0.45%, 0.38%

LAB 38.04, 47.55, -27

 

CMYK 0 / 55 / 4 / 38

HEX #9F4899

RGB 159 72 153

HSL 304.14, 0.38%, 0.45%

LAB 44.67, 47.18, -27.98

 

CMYK 0 / 100 / 5 / 66

HEX #560052

RGB 86 0 82

HSL 302.79, 1%, 0.17%

LAB 18.31, 43.86, -25.3

 

CMYK 0 / 100 / 9 / 73

HEX #45003F

RGB 69 0 63

HSL 305.22, 1%, 0.14%

LAB 13.38, 37.34, -20.2

 

CMYK 0 / 100 / 15 / 80

HEX #34002C

RGB 52 0 44

HSL 309.23, 1%, 0.1%

LAB 8.23, 30.54, -14.76

 

CMYK 0 / 100 / 29 / 86

HEX #230019

RGB 35 0 25

HSL 317.14, 1%, 0.07%

LAB 3.86, 18.92, -7.02

 

CMYK 0 / 100 / 67 / 93

HEX #120006

RGB 18 0 6

HSL 340, 1%, 0.04%

LAB 1.28, 6.05, -0.44

 

CMYK 0 / 100 / 5 / 66

HEX #560052

RGB 86 0 82

HSL 302.79, 1%, 0.17%

LAB 18.31, 43.86, -25.3

 

CMYK 0 / 100 / 31 / 66

HEX #56003B

RGB 86 0 59

HSL 318.84, 1%, 0.17%

LAB 16.96, 40.5, -11.47

 

CMYK 0 / 100 / 59 / 66

HEX #560023

RGB 86 0 35

HSL 335.58, 1%, 0.17%

LAB 16, 38, 4.44

 

CMYK 0 / 100 / 86 / 66

HEX #56000C

RGB 86 0 12

HSL 351.63, 1%, 0.17%

LAB 15.51, 36.68, 19.18

 

CMYK 0 / 100 / 100 / 66

HEX #560000

RGB 86 0 0

HSL 0, 1%, 0.17%

LAB 15.37, 36.3, 23.94

 

CMYK 0 / 100 / 5 / 66

HEX #560052

RGB 86 0 82

HSL 302.79, 1%, 0.17%

LAB 18.31, 43.86, -25.3

 

CMYK 22 / 100 / 0 / 66

HEX #430056

RGB 67 0 86

HSL 286.74, 1%, 0.17%

LAB 14.76, 41.24, -33.93

 

CMYK 50 / 100 / 0 / 66

HEX #2B0056

RGB 43 0 86

HSL 270, 1%, 0.17%

LAB 10.45, 38.1, -41.17

 

CMYK 77 / 100 / 0 / 66

HEX #140056

RGB 20 0 86

HSL 253.95, 1%, 0.17%

LAB 7.41, 36.39, -46.3

 

CMYK 100 / 100 / 0 / 66

HEX #000056

RGB 0 0 86

HSL 240, 1%, 0.17%

LAB 6.07, 35.11, -48.57

 

CMYK 0 / 100 / 5 / 66

HEX #560052

RGB 86 0 82

HSL 302.79, 1%, 0.17%

LAB 18.31, 43.86, -25.3

 

CMYK 0 / 100 / 5 / 66

HEX #560052

RGB 86 0 82

HSL 302.79, 1%, 0.17%

LAB 18.31, 43.86, -25.3

 

CMYK 0 / 91 / 4 / 69

HEX #4F074C

RGB 79 7 76

HSL 302.5, 0.84%, 0.17%

LAB 17.16, 39.35, -23.12

 

CMYK 0 / 81 / 4 / 72

HEX #480E45

RGB 72 14 69

HSL 303.1, 0.67%, 0.17%

LAB 16.11, 34.1, -20.03

 

CMYK 0 / 68 / 3 / 75

HEX #41153F

RGB 65 21 63

HSL 302.73, 0.51%, 0.17%

LAB 15.59, 27.71, -16.76

 

CMYK 0 / 52 / 2 / 77

HEX #3A1C39

RGB 58 28 57

HSL 302, 0.35%, 0.17%

LAB 15.62, 19.92, -12.57

 

CMYK 50 / 100 / 0 / 66

HEX #2B0056

RGB 43 0 86

HSL 270, 1%, 0.17%

LAB 10.45, 38.1, -41.17

 

CMYK 23 / 100 / 0 / 66

HEX #420056

RGB 66 0 86

HSL 286.05, 1%, 0.17%

LAB 14.57, 41.08, -34.26

 

CMYK 0 / 100 / 3 / 66

HEX #560053

RGB 86 0 83

HSL 302.09, 1%, 0.17%

LAB 18.38, 44.02, -25.87

 

CMYK 0 / 100 / 30 / 66

HEX #56003C

RGB 86 0 60

HSL 318.14, 1%, 0.17%

LAB 17.01, 40.62, -12.1

 

CMYK 0 / 100 / 57 / 66

HEX #560025

RGB 86 0 37

HSL 334.19, 1%, 0.17%

LAB 16.06, 38.16, 3.06

 

CMYK 0 / 100 / 25 / 98

HEX #040003

RGB 4 0 3

HSL 315, 1%, 0.01%

LAB 0.29, 1.46, -0.77

 

CMYK 0 / 100 / 4 / 82

HEX #2D002B

RGB 45 0 43

HSL 302.67, 1%, 0.09%

LAB 6.61, 28.44, -16.67

 

CMYK 0 / 100 / 5 / 66

HEX #560052

RGB 86 0 82

HSL 302.79, 1%, 0.17%

LAB 18.31, 43.86, -25.3

 

CMYK 0 / 100 / 4 / 50

HEX #7F007A

RGB 127 0 122

HSL 302.36, 1%, 0.25%

LAB 29.2, 57.83, -33.65

 

CMYK 0 / 100 / 5 / 34

HEX #A900A1

RGB 169 0 161

HSL 302.84, 1%, 0.33%

LAB 39.59, 71.02, -40.68

 

CMYK 0 / 100 / 5 / 66

HEX #560052

RGB 86 0 82

HSL 302.79, 1%, 0.17%

LAB 18.31, 43.86, -25.3

 

CMYK 0 / 77 / 100 / 66

HEX #561400

RGB 86 20 0

HSL 13.95, 1%, 0.17%

LAB 17.82, 29.4, 26.97

 

CMYK 100 / 0 / 37 / 66

HEX #005636

RGB 0 86 54

HSL 157.67, 1%, 0.17%

LAB 31.63, -31.47, 12.38

 

CMYK 0 / 100 / 5 / 66

HEX #560052

RGB 86 0 82

HSL 302.79, 1%, 0.17%

LAB 18.31, 43.86, -25.3

 

CMYK 3 / 0 / 100 / 66

HEX #535600

RGB 83 86 0

HSL 62.09, 1%, 0.17%

LAB 34.99, -11.26, 42.49

 

CMYK 100 / 3 / 0 / 66

HEX #005356

RGB 0 83 86

HSL 182.09, 1%, 0.17%

LAB 31.48, -20.2, -8

 

CMYK 0 / 100 / 5 / 66

HEX #560052

RGB 86 0 82

HSL 302.79, 1%, 0.17%

LAB 18.31, 43.86, -25.3

 

CMYK 0 / 77 / 100 / 66

HEX #561400

RGB 86 20 0

HSL 13.95, 1%, 0.17%

LAB 17.82, 29.4, 26.97

 

CMYK 100 / 0 / 98 / 66

HEX #005602

RGB 0 86 2

HSL 121.4, 1%, 0.17%

LAB 31.02, -38.92, 36.97

 

CMYK 100 / 23 / 0 / 66

HEX #004256

RGB 0 66 86

HSL 193.95, 1%, 0.17%

LAB 25.47, -10.39, -17.19

 

CMYK 0 / 100 / 5 / 66

HEX #560052

RGB 86 0 82

HSL 302.79, 1%, 0.17%

LAB 18.31, 43.86, -25.3

 

CMYK 0 / 47 / 100 / 66

HEX #562E00

RGB 86 46 0

HSL 32.09, 1%, 0.17%

LAB 23.45, 14.98, 33.2

 

CMYK 100 / 0 / 98 / 66

HEX #005602

RGB 0 86 2

HSL 121.4, 1%, 0.17%

LAB 31.02, -38.92, 36.97

 

CMYK 100 / 53 / 0 / 66

HEX #002856

RGB 0 40 86

HSL 212.09, 1%, 0.17%

LAB 16.45, 7.59, -31.49

 

Description

Color code: HEX #560052 | qconv.com Color code: HEX #560052 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, none green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 0 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 5 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 5% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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